Perf2065 week 6_2019
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This document discusses the evolution of punk rock into post-punk and other genres from the late 1970s to 1990s. It outlines how punk became more experimental through post-punk bands that applied punk's DIY ethos to different musical styles. American hardcore emerged in the 1980s as a faster, more abrasive punk variant. Grunge then emerged from the Seattle music scene in the late 1980s, combining punk attitudes with slowed-down, melodic rock. Riot grrrl feminist punk also emerged in the early 1990s as a response to the male dominance of grunge. The document analyzes the musical styles, industries, and social contexts that defined these punk subgenres and scenes.
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This document discusses the history and origins of rock music. It notes that rock music originated from the blending of blues, country, folk and other genres in the 1950s and 1960s in the UK and US. Typical rock instruments include vocals, electric and bass guitars, drums, piano and keyboards. It also lists many subgenres that have derived from rock music over time such as alternative rock, grunge, heavy metal, indie rock and others. The document outlines some of the early pioneers of rock music like Bill Haley, Chuck Berry and Little Richard and how they helped popularize the genre in the mid-20th century.
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Punk rock originated in the United States between 1974-1976 as a rebellion against mainstream rock music. It featured anti-establishment lyrics and DIY distribution of music. Iconic early punk bands like the Ramones and Sex Pistols helped spread the genre internationally in the 1970s. Punk fashion emerged as part of the movement's rebellious spirit and included ripped clothes, combat boots, and dyed hair. Punk subgenres like post-punk and riot grrl also addressed political issues through their music in following decades.
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Task 5 rock music
Rock music originated in the 1950s and has many subgenres like alternative rock, heavy metal, and punk rock. While traditionally dominated by male artists, modern rock appeals more to female audiences aged 16-25. There are perceived strengths like the creative diversity of subgenres and popularity among youth, but also weaknesses like negative stereotypes and lack of broad appeal. Specific rock artists mentioned include Fall Out Boy, Bring Me The Horizon, The Rolling Stones, Queen, and You Me At Six.
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The document provides an overview of the origins and history of several genres of rock music including classic rock, metal, ska and reggae, and punk. It traces the roots of rock back to blues artists in the early 20th century and its evolution through different decades with influential artists. Key characteristics and subgenres are also outlined for metal, ska/reggae, and punk rock.
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Punk rock presentation
Punk rock originated in the United States between 1974-1976 as a rebellion against mainstream rock music. It featured anti-establishment lyrics and DIY distribution of music. Iconic early punk bands like the Ramones and Sex Pistols helped spread the genre internationally in the 1970s. Punk fashion emerged as part of the movement's rebellious spirit and included ripped clothes, combat boots, and dyed hair. Punk subgenres like post-punk and riot grrl also addressed political issues through their music in following decades.
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This document provides an overview of popular music trends in the 1990s, including the decline of rock music and rise of hip hop. It discusses important genres such as heavy metal, alternative rock, and grunge. Key artists highlighted include Nirvana, Guns N' Roses, Red Hot Chili Peppers, and Beck. The document also notes trends in technology, local music scenes, and greater diversity within popular music styles in the 1990s.
Task 5 rock music
Rock music originated in the 1950s and has many subgenres like alternative rock, heavy metal, and punk rock. While traditionally dominated by male artists, modern rock appeals more to female audiences aged 16-25. There are perceived strengths like the creative diversity of subgenres and popularity among youth, but also weaknesses like negative stereotypes and lack of broad appeal. Specific rock artists mentioned include Fall Out Boy, Bring Me The Horizon, The Rolling Stones, Queen, and You Me At Six.
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The document lists potential elements for a rock music magazine, including name ideas like "On the Rocks" and "Fusion", article topics such as interviews and festivals, featured artists like The Rolling Stones and Nirvana, and a brief history of rock music from its origins in the 1950s to its evolution in the 1990s. It also includes a mood board with visuals representing the style of rock music.
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The document lists potential elements for Eleanor Carter's rock music magazine including possible names like "On the Rocks" and "Fusion", article ideas such as interviews and festivals, artists to feature like The Rolling Stones and Nirvana, and provides a brief history of rock music from its origins in the 1950s to its evolution in the 1990s. It also includes a mood board for rock music.
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Industrial music originated in the late 1970s and had two main waves. The first wave artists like Throbbing Gristle and Cabaret Voltaire explored experimental, confrontational sounds and incorporated influences from cut-up techniques, noise, and the psychological implications of industrialization. This helped establish the genre. The second wave in the 1980s saw industrial music go more mainstream through bands like Nine Inch Nails and labels like Wax Trax. This wave brought the genre's dark and transgressive aesthetics to wider audiences through more accessible pop structures. While the energy of early industrial challenged audiences, its legacy can still be seen in many modern extreme music styles that continue exploring experimental and provocative sounds.
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This document provides an overview of retro printing trends from the 1950s through the 2000s. It discusses fashion and interior design, graphic design (focusing on music posters), fonts and colors, and notable print artists for each decade. Readers are asked to further research one of the decades in depth by creating a table or mood board covering world events, fashions, fonts, packaging, advertising, iconic objects, and famous people from that era.
Underground music
Underground music is defined by its experimental, non-mainstream nature and do-it-yourself approach to production. It is created without support from major commercial labels and appeals to niche audiences through social and cultural capital rather than commercial success. Throughout history, underground music has incorporated social and political commentary on topics the mainstream avoids, and served as a cultural identity for communities and scenes. While retaining artistic independence, underground music also intersects with commercial interests as cultural movements are sometimes co-opted by the mainstream.
Punk Rock: A History of Expressions of Emancipative Social Capital
Punk rock is known for it's non-comformist messages and self expression. This presentation defines punk rock as a youth trend, gut rebellion and change, and a formidable voice of opposition. Interestingly, punk rock is argued to be beneficial to our society in that it's aware, expressive, challenging and active.
Banksy
Banksy is an anonymous British street artist born in 1974 who is known for his politically and socially charged graffiti pieces. His work often comments on issues like politics and social class through different styles like stenciling and painting. While his identity remains unknown, he has given one interview discussing his message of bringing attention to important issues through accessible street art.
Perf2065 week 5_2019
The document provides an overview of punk music and subcultural theory. It discusses early proto-punk bands like The Velvet Underground, The Stooges, and The MC5. It then examines key punk bands like the Ramones and The Saints. The document summarizes theories around what defines a music subculture and classic subcultural theory from the Birmingham School. It analyzes 1970s Britain's social context and how the Birmingham School viewed punk as symbolizing working class resistance through concepts like bricolage and homology. However, it questions if punk truly represented working class resistance or if this narrative is incomplete.
Trip Hop
Trip hop originated in Bristol, UK in the 1990s as a downtempo electronic music genre influenced by hip hop, dub, and acid jazz. It features heavy sampling, moody atmospheres, and melancholy female vocals. Key artists from Bristol like Massive Attack, Portishead, and Tricky helped establish the trip hop sound, characterized by jazz samples, Fender Rhodes piano, and influences from dub, rock, and psychedelia. While initially an underground genre, trip hop gained popularity in Western Europe and North America in the mid-1990s.
Mrs Blue March 2014
This document provides information on the artist's ongoing project titled "Mrs Blue". It includes a summary of the original proposal which is a semi-autobiographical work turning to collective fictionalized biographies. Key inquiries of the project are discussed such as how to represent everything about a place both above and below ground as well as its history, people, darkness and survival. Photographic and artistic influences are presented in a thesis/antithesis format ranging from grim depictions of the north to stories of plucky survivors. Contact sheets, test images, and links to additional materials are listed, and next steps are outlined for the project including another shoot, developing prints, feedback, and submitting the portfolio in May 2014.
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Crunk emerged in the early 1990s as a subgenre of hip hop music originating in the Southern United States. It combines hip hop music with electronic dance music and is characterized by up-tempo beats. Popular Crunk artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal genre that combines the heavy riffs and vocals of death metal with the growling vocals and breakdowns of metalcore. It originated in the mid-1990s and bands in the genre like Suicide Silence have faced criticism from fans of other metal subgenres. Roots reggae developed in the 1970s and deals with everyday life and spirituality through artists like Bob Marley, Peter Tosh
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Crunk is a subgenre of hip hop that emerged in the 1990s and gained mainstream success in the 2000s. It combines hip hop and electronic dance music and is often up-tempo with southern influences. Key artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal fusion genre that combines characteristics of death metal and metalcore, including death metal riffs and blast beats. It originated in the mid-1990s and has been criticized by some metal fans. Suicide Silence is a prominent American deathcore band formed in 2002 in Riverside, California.
G:\Power Punks
Punk originated in the UK in the mid-1970s and was inspired by modern art and garage rock. It began as a reaction against commercial pop and rock music of the 1970s. Punk ideology covers a wide political spectrum but commonly includes anti-authoritarian, DIY, and anti-commercialization views. Literature like those of Dickens and Kerouac also influenced early punk aesthetics and values. While punk began as a underground movement, elements of its fashion and music went mainstream in later decades through commercial pop punk bands in the 1990s.
Power punks
Punk originated in the UK in the mid-1970s and was inspired by modern art and garage rock. It began as a reaction against commercial pop and rock music of the 1970s. Punk ideology covers a wide political spectrum but commonly includes anti-authoritarian, DIY, and anti-commercialization views. Literature like those of Dickens and Kerouac also influenced early punk culture and fashion. By the 1990s, commercial "pop punk" bands drawing on the style achieved mainstream success, though some punk purists argued they were not true to the subculture. Punk fashion includes Mohawks, dyed hair, torn clothes often in black, and distinctive accessories that defiantly reject conformity.
Popular Music 1950s- 1990s
This document provides an overview of popular music trends from the 1940s through the 2000s. It discusses the rise of key genres such as rock and roll, country, jazz, blues, and hip hop. Major events like World War II, the civil rights movement, and new technologies like the record player influenced the evolution of popular music styles over the decades. The document summarizes the dominant music genres, artists, and social contexts for each decade.
Genre
This document discusses music genres and subgenres. It provides a list of various genres such as hip hop/rap, country, pop, rock, blues, jazz, R&B/soul, and reggae alongside their many subgenres. It then focuses on the mod subculture, describing it as a 1960s British youth subculture defined by fashionable young men who listened to modern jazz. Key aspects of mod fashion and culture are outlined, including rivalry with the rockers subculture. A brief history of mod from the 1960s to today is also presented.
Research
Punk rock developed between 1974 and 1976 in the UK, US, and Australia as a rejection of mainstream 1970s rock. It featured fast, hard-edged music with short, simple songs and stripped-down instrumentation. Punk embraced a DIY ethic with many bands self-producing recordings. By the early 1980s, faster and more aggressive styles like hardcore and Oi! had become dominant. Punk fashion was intentionally anti-materialistic, featuring unkempt hairstyles and plain, inexpensive clothing in contrast to hippie and disco styles of the time.
Research
Punk rock developed between 1974 and 1976 in the UK, US, and Australia as a rejection of mainstream 1970s rock. It featured fast, hard-edged music with short, simple songs and stripped-down instrumentation. Punk embraced a DIY ethic with many bands self-producing recordings. By the early 1980s, faster and more aggressive styles like hardcore and Oi! had become dominant. Punk fashion was intentionally anti-materialistic, featuring unkempt hairstyles and plain, inexpensive clothing in contrast to hippie and disco styles of the time.
Punk 2014
Punk emerged in the UK from 1975-1978 as a reaction to economic and political instability. It began in London influenced by American underground scenes and situated art movements. Punk bands like the Sex Pistols and Ramones played fast, loud music and adopted provocative styles that challenged cultural norms. Punk expressed the disaffection of working-class youth and aligned itself with Rastafarian culture. While short-lived, punk had a lasting impact on music and youth culture.
APM Chapter 14
“Smells Like Teen Spirit”: Hip-Hop, Alternative Music, and the Entertainment Business—through Alternate Currents
APM Chapter 12
The document discusses the emergence and evolution of various genres of outsider music in the 1970s, including progressive country, reggae, salsa, punk, and rap. It describes how progressive country artists like Willie Nelson and Waylon Jennings broke from conventions with their Outlaw movement. The rise of reggae in Jamaica is outlined, from its origins in earlier folk styles to popularization through artists like Bob Marley. The document also traces the development of salsa music in New York and the origins of punk rock in bands like the Ramones and Talking Heads. It examines key figures and groups in the rise of funk like Sly and the Family Stone and Parliament, as well as the earliest origins of hip hop in the Bronx through
Presentation1
Punk originated in the late 1970s as a youth movement characterized by anti-establishment ideals and DIY ethos. It was defined by loud, aggressive punk rock music and distinctive fashion styles like mohawks and torn jeans. Adherents engaged in dancing like moshing and stagediving at concerts. Though the meaning has changed over time, punk initially represented a working class reaction against social and economic instability through shock value and nihilism.
Genre 2
The document discusses various music genres and subgenres. It provides a long list of genres such as hip hop, country, pop, rock, blues, jazz, R&B/soul, and reggae alongside their many subgenres. One subgenre discussed in more detail is mod, a British youth subculture of the 1960s defined by fashionable clothing and music preferences. The history of mod is then outlined, including key events, films, and bands that helped define and revive interest in mod culture from the 1960s onward.
Research into the Rock Genre
The document discusses several rock music genres including hard rock, heavy rock, alternative rock, and post-grunge. Hard rock originated in the 1960s and incorporates distorted electric guitars, aggressive vocals, and heavy use of drums and bass. Alternative rock emerged from indie music in the 1980s and gained widespread popularity in the 1990s, known for its distinctive guitar sounds and lyrics addressing social issues. Post-grunge is a derivative of grunge and alternative rock that became commercially successful in the late 1990s, featuring thicker distorted guitars but in a more radio-friendly style.
Punkrock
This document provides an overview of punk rock in 1970s New York City. It describes CBGB, a famous music club that helped launch the careers of many punk bands like Blondie, The Ramones, and Patti Smith Group. It provides background on influential punk bands that emerged from NYC like New York Dolls, Television, and Patti Smith Band. It also summarizes The Ramones, noting they formed in 1974, took on the last name "Ramone," played CBGB frequently in 1974, and had their final show in 1996.
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This document provides an overview and agenda for a beginner music production class in Ableton Live 10. The class will cover the basic user interface of Ableton Live, including the arrangement and session views. Students will learn how to create MIDI tracks and audio tracks, adjust tempo and quantization, launch clips and scenes, arm and mute tracks, record in the arrangement view, and do tasks creating a short track using only clips and session view. The class will also cover searching, playing instruments with a keyboard, writing MIDI clips, and capturing performed MIDI, with a task to create a track in session view using drum loops, synths, and MIDI clips.
2nd Week
1. The document provides an overview of a beginner music production class that focuses on programming drums, bass, and other instruments in Ableton Live 10.
2. The class is divided into three parts that cover drums and basic beats, adding bass and synth sounds, and exploring electronic sounds like bass, leads, pads and plucks.
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This document provides an overview of topics to be covered in a beginner music production class using Ableton Live 10, including working with Sampler and Impulse instruments, the Drum Rack, Drum Buss, arrangement view, and basic automation. Students are instructed to load Ableton Live and are given exercises to create a song using loops, instruments and drums across multiple scenes, and to record a performance of the song in arrangement view while adding automation.
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The document provides instructions for a beginner music production class. It outlines topics to be covered in the current class, including compression, side-chaining, MIDI effects, EQ and mixing, and mastering effects. It also notes that students need to have started their assessment track to play for the instructor during the next class.
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This document provides an overview of the history and development of country music. It discusses major historical periods and themes including bluegrass, the Nashville sound, outlaw country, and the 1990s country boom. Early country music drew from English and Irish folk traditions and was seen as "white" music separate from blues. Key developments included the Grand Ole Opry radio show in Nashville, the bluegrass style of Bill Monroe, and outlaw country as a reaction against the Nashville sound. Country music is still centered in Nashville but has faced tensions balancing commercial success with its perceived outsider status.
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
一比一原版(QUT毕业证)昆士兰科技大学毕业证成绩单如何办理
QUT毕业证【微信95270640】办理QUT毕业证【Q微信95270640】昆士兰科技大学毕业证书原版↑制作昆士兰科技大学学历认证文凭办理昆士兰科技大学留信网认证,留学回国办理毕业证成绩单文凭学历认证【Q微信95270640】专业为海外学子办理毕业证成绩单、文凭制作，学历仿制，回国人员证明、做文凭，研究生、本科、硕士学历认证、留信认证、结业证、学位证书样本、美国教育部认证百分百真实存档可查】
全套服务：昆士兰科技大学昆士兰科技大学毕业证offer真实回国人员证明 #真实教育部认证。让您回国发展信心十足#铸就十年品质！信誉！实体公司！可以视频看办公环境样板如需办理真实可查可以先到公司面谈勿轻信小中介黑作坊！
可以提供昆士兰科技大学钢印 #水印 #烫金 #激光防伪 #凹凸版 #最新版的毕业证 #百分之百让您绝对满意
印刷DHL快递毕业证 #成绩单7个工作日真实大使馆教育部认证1个月。为了达到高水准高效率
请您先以qq或微信的方式对我们的服务进行了解后如果有昆士兰科技大学昆士兰科技大学毕业证offer帮助再进行电话咨询。
国外毕业证学位证成绩单如何办理：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作昆士兰科技大学毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
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Perf2065 week 6_2019
- 2. PERF2065 MUSIC: STYLE & GENRE WEEK FIVE | POST-PUNK NEVER MIND WHAT'S BEEN SELLING / IT'S WHAT YOU'RE BUYING
- 3. TODAY… Punk gets revised by other punks. Mid-1980s to present. The beginning of what exists at the moment. All of this informs how music works online aka American entrepreneurialism.
- 4. THIS WEEK • Post-punk, Hardcore, Grunge and Riot Grrrl • Post Subcultural Theories about music.
- 5. THE “END” OF PUNK • Jan, 1978: The Sex Pistols break- up / A year later Sid Vicious is dead. • Punk has become static: an image, a sound, an attitude, a place (to some degree)
- 6. POST-PUNK (OR ‘NEW WAVE’) • Punk’s DIY – often bricolagic – approach applied outside the strict dictates of raw, primal garage rock. • “The post-punks set forth in the belief that ‘radical content demands radical form’” (Reynolds)
- 8. POST-PUNK: SIOUXSIE AND THE BANSHEES 1978
- 16. AMERICAN HARDCORE (STYLE) •Standalone singer / shouting & screaming •Distorted guitars/ bass / drums •Fast / short / loud •Rhythm to the fore / less harmony and melody •Homogeneous
- 17. AMERICAN HARDCORE (INDUSTRY) •Largely ignored by industry •DIY / Separatist •Built out underground touring in the US •Occasionally commercially viable as recorded music
- 18. AMERICAN HARDCORE (SOCIAL CONTEXT) • Ronald Regan is president of the US • It’s the 80s / decadence / cocaine • UK ‘Punk’ has devolved in nihilistic junkie music / Post-punk is too arty • Everything perceived as too soft (aka ‘feminine’) thus macho shirts-off hardcore
- 19. HARDCORE: BLACK FLAG & MINOR THREAT
- 22. THEN IN THE LATE 80s SOMETHING WEIRD HAPPENED IN SEATLE…
- 24. SCENE INSTEAD OF SUBCULTURE • “Cultural space” = collaboration, cross-pollination, trajectory, specificities rather than legacies and histories. • Will Straw and Barry Shank formalize it. • There’s no magic solutions in scene: the scene is ‘articulated’ (noticeable) because individuals and groups vibe off each other the location • Starts to really ramp up in popular music studies in the early 90s.
- 25. GRUNGE SCENE (AMERICA’S UK ‘77 MOMENT) • Sound: detuned guitars, slower bpm, melodies, metal-inflected, heavy • Industry: buys in / pivots investment away from glam-metal into grunge • Social: 80s revisionism, advocacy of feminism, but pre-internet , peak old media in many ways •And as always, the margins respond the centre…
- 27. RIOT GRRRL (FEMINIST PUNK) • Sound: a return to punk’s early primal rock orthodoxy • Industry: a self-imposed media blackout, DIY media favoured (zines) • Social: 90s grunge has lots of women involved but is still male-dominated and is getting pretty Rock and Metal, rather than Punk • Still echoing, maybe louder than ever: Sleater Kinney, Beth Ditto, Camp Cope