This document provides biographical information and analyses the works of William Wordsworth and Samuel Taylor Coleridge, two major English Romantic poets. It discusses their lives, major works, poetic styles and theories. For Wordsworth, it examines works like Lyrical Ballads, The Prelude, and poems such as "I Wandered Lonely as a Cloud". For Coleridge, it analyzes poems including "The Rime of the Ancient Mariner", "Kubla Khan", and his prose works. The document also compares and contrasts their styles, with Wordsworth focusing on nature and common life, while Coleridge employed imagination and mysticism.
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It has come to be seen as a de facto manifesto of the Romantic movement.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It has come to be seen as a de facto manifesto of the Romantic movement.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
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1. The Romantic Literature
Assignment
Name: Alisha Patel
M.A. Semester: 2
Paper No. (5) Romantic Literature
Assignment Topic: Wordsworth and
Coleridge( as a Romantic Poet):
a critical study.
*Biography.
*works
*features of poetry
* comparison and contrast in
Wordsworth and Coleridge.
*conclusion
2. Introduction
The age of Romanticism is known as the second creative
period of English Literature. The poetry of this age was marked by
intense human sympathy and a consequent understanding of the
human heart. Wordsworth and Coleridge were the two great poets
of Romanticism and it was by their joint effort that the romantic
revival in poetry was brought about during nineteenth century. So
let’s study William Wordsworth and Samuel Taylor Coleridge in
detail.
*WILLIAM WORDSWORTH ( 1770-1850)
*biography
3. William Wordsworth ( 7 April- 1770- 23 April- 1850) a
major English romantic poet, was born at Cockermouth,
Cumberland, a town outside the Lake district.His father was a
lawyer, died when he was thirteen years old. So the orphan was the
orphan was taken in charge by some relatives, who sent him to
school at Hawkshed in the beautiful lake region.
Born 7,April, 1770
Cockermouth, Cumberland
England.
Died 23, April, 1850 (aged 80)
Cumberland, England.
Occupation Poet
Almamater Cambridge University
Literary Movement Romanticism
Notable works ‘lyrical Ballads’, ‘ Poems in
two Volumes’, ‘ The
Excursion’,’ The Prelude’, ‘I
wandered lonely as a cloud’
Here apparently, the unroofed school of nature attracted him
more than the discipline of the classics, and he learned more
eagerly from flowers and hills and stars than from his books.
4. Wordsworth went Cambridge, entering St. John’s college in 1787,
and having graduated in 1791 He left with no foxed career in view.
After spending few months in London he crossed over to France
(1791), and stayed at Orleans and Blois for nearly a year. An
enthusiasm for the revolution was aroused in him; he himself has
chronicled the mood in one of his happiest passages.
Blisswasitinthatdawntobealive,Buttobeyoungwasveryheaven!
Three things in his poems must impress the casual reader
1. Wordsworth loves to be alone, and is never lonely with nature
2. Like every other child who spends much time alone in the
woods and fields, he feels the presence of some living spirit.
His impressions are exactly like our own, and delightfully familiar
when he tells of the long summer day spent in swimming, basking
in the sun, and questing over the hills or of the winter night when,
on hid skates he chased the reflection of a star in the black ice, or of
his exploring the lake in a boat.
5. The second period of Wordsworth’s life begins with his university
course at Cambridge. All his life he was poor, and lived in an
atmosphere of “ Plain living and High thinking” In 1839
Oxford conferred upon him the degree of D.C.L., in 1842 the
crown awarded him a pension of £300 a year.On the death of
Southey in 1843 he became the Poet Laureate.
William Wordsworth died from an aggravated care of pleurisy
on 23, April, 1850, and was buried at St.
Oswald’s church, Grasmere.Wordsworth was hailed by critics as
the first living poet, and one of the greatest that England had ever
produced.
Poetry was his life, his soul was in all his works.Outwardly
his long and uneventful life divides naturally into four
periods.1. His childhood and youth, in the Cumberland Hills,
from 1770 to 1787.
2. A period of uncertainty, of storm and stress, including his
university life at Cambridge, his travels abroad and his
revolutionary experience from 1787 to 1797.
6. 3. A short but significant period of finding himself, and his work,
from 1797 to 1799.
A long period of retirement in the northern lake region, where he
was born, and where for a full half century he lived so close to
nature that her influence is reflected in all his poetry.
His Major works
‘Lyrical Ballads’, with a few other poems (1798)
“simon Lee”
‘we are seven’
‘lines written in early spring’
‘expostulation and reply’
‘The Thorn’
‘The Tables Turned’
“Lines composed A few Miles above Tintern Abbey’
‘Lyrical Ballads’ with other poems (1800)
‘Preface to the Lyrical Ballad’
‘Strange Fits of Passion have I Known’
‘She Dwelt among the Untrodden Ways’’
7. ‘Three Years she Grew’
‘A slumber did my spirit seal’
‘I travelled among unknown men’
‘Lucy Gray’
‘The two April Mornings’
‘Nuttuing’
‘ The Ruined Cottage’
‘Michael’
‘The Kitten at Play’
‘Poems, in two Volumes’ (1807)
‘Resolution and Independence’
‘I Wandered Lonely As a Cloud’ also known as “DAFFODILS”
‘my heart leaps up’
‘Ode to Duty’
‘The solitary Reaper’
‘London’
‘Elegiac Stanzas’
‘Guide to the Lakes’
‘To the Cuckoo’
‘Ode: Intimation to Immortality’
‘The Prelude’
‘Laodamia’
‘The world is too much with us’
‘Composed upon Westminster Bridge’, September 3, 1802’.
At the university he composed some poetry, which
appeared as ‘An Evening walk’ (1793) and ‘Descriptive
Sketches’ (1793). In style this poems have little originality,
but they already show the Wordsworthian eye for nature.
8. The fruits of his genius were seen in the “ Lyrical Ballads”
(1798), a joint production by Coleridge and himself, which
was published at Bristol.
Some of his poems as ‘ The Thorn’ and ‘ The Idiot
Boy’ are condemned as being trivial and childish in style.
A few, such as ‘Simon Lee’ and ‘ Expostulation and Reply’
are made adequate in their expression. And the
concluding piece , ‘Tintern Abbey’, is one of the triumph of
his genius.
Almost the most noteworthy of the new works in
this collection were ‘Michael’, ‘ The Old Cumberland
Beggar’, ‘She Dwelt among the Untrodden Ways’, ‘Strange
fits of passion have I Known’, and ‘ Nutting’.
‘The Prelude’, which was completed in 1805 but
not published until 1850, after Wordsworth’s death, is the
record of his development as a poet. He describes his
experiences with a fullness, closeness, and laborious
anxiety that are unique in our literature.
‘The prelude’ was intended to form part of a vast
philosophical work called ‘The Recluse’, which was never
completed.
Next to be published, in 1807, were two volumes of poem
which represent the fine flower of his genius. It is
9. impossible here to list even the very great poems in these
volumes, but even in poetic form that he used, with the
possible exception of the narrative, Wordsworth is here
seen at the height of his powers.
His Finest Sonnets
‘The Green Linnet’
‘The Solitary Reaper’
‘Ode to Duty’
‘I wandered Lonely as a Cloud’
‘Ode on Intimations of Immortality’
‘Resolution and Independence’
‘Sonnets dedicated to National Independence and Liberty’
All this are of a quality which has led many critics to hail them as
the finest sonnets in the language.
After the publication of The Excursion Wordsworth’s
poetical power was clearly on the wane, but his productivity
was unimpaired. His later volumes include ‘The White Doe of
Rylstone’ (1815), ‘The Waggoner, (1819) ‘Peter Bell’ (1819),
‘Yarrow Revisited' (1835) and ‘The Borderers’ (1842) a drama.
Wordsworth’s theory of poetry:-
In the Preface to the second edition of the Lyrical Ballads (1800), Wordsworth set
out his theory of poetry. Wordsworthian dogma can be divided into two portions
concerning (1) the subject and (2) the style of poetry.Wordsworth’s
11. *object- ( Subject Matter of Poetry)
-to choose incidents and situations from common life
-a selection of language really used by men, and to
throw over them a certain coloring of imagination.
12. Subject matter of poetry:-
Humble and rustic life
Language/ Diction of poetry ( style of poetry)
Wordsworth’s views on poetical style are the most revolutionary of
all the ideas in his preface.
He discarded the gaudiness and inane phraseology of many modern
writers.
He insist that ‘ his poems are written in selection of language really
used by men in a state of vivid sensation.
His views on poetic diction can be summed up as “ there neither is
nor can be any essential difference between the language of prose
and metrical composition.
•••• What is a poet?
He is a man speaking to men, endowed with more lively sensibility,
more enthusiasm and tenderness. He has a greater knowledge of
human nature and a more comprehensive soul.
*Some of his beautiful poems
13. The following lyrics illustrates this mood of perfection.
Rainbow
My heart leaps up when I behold
A rainbow in the sky
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die !
The child is the father of the man;
And I could wish my days to be
Bound each to each by natural piety.
The series of Lucy poems are typical of their kind:
She dwelt among the untrodden waysBeside the spring of
Dove,A maid whom there where none to praise,And very few
to love.A violet by mossy stoneHalf hidden from the eye!Fair
as a star, when only oneIs shining in the sky.She lived
unknown, and few could knowWhen Lucy ceased to br;But
she is in her grave, and oh,The difference to me !
In this sonnets his lyrical mood burns clear and strong, and as a
result they rank among the best in English poetry. Wordsworth’s use
of Petrarchan form was so striking that he re-established its
supremacy over the Shakespearean sonnet , which had eclipsed it in
14. popularity during the last great age of sonneteering- the
Elizabethans.
His treatment of Nature:
his dealing with nature are his chief glory as a poet. Even the
slightest of his poems have evidence of close observation.
The cattle are grazing,
Their heads never raising;
There are forty feeding like one.
He tries to see more deeply and to find the secret spring of this joy
and thanksgiving.
He says:
To me the meanest flower that blow can giveThoughts that do often lie
to deep for tears.
Let’s see his another beautiful poem..
Our birth is but a sleep and a foregetting:
The soul that rises with us, our life’s star
Hath had elsewhere its seting,
And cometh from a far;
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From god, who is our home.
-Ode: Intimations of Immortality
15. And also the most famous poem among all ‘Daffodils’
‘I wandered lonely as a cloud…..
Conclusion
It is always to be remembered that at his best Wordsworth can
unite simplicity with sublimity. He has a kind of middle style, at its
best it has grace and dignity, a heart searching simplicity, and a
certain enlightenment of phrase that is all his own.
16. SAMUEL TAYLOR COLERIDGE (1772-1834)
*Biography
Born 21, October,
1772Devonshire,
ENGLAND.
Died 25, July 1834 (aged 61)
Highgate, Middlesex,
England.
Occupation Poet, Critic, Philosopher
Almamater Jesus college, Cambridge
Literary movement Romanticism
Notable works ‘The Rime of the Ancient
mariner’
‘Kubla Khan’.
17. Coleridge was born in Devonshire in 1772. As a child he was
unusually precocious. He was a poet, literary critic and a
philosopher who, with his friend William Wordsworth , was a
founder of the ROMANTIC movement in ENGLAND and a
member of the LAKE POETS.
At Bristol Coleridge lecture and issued a newspaper called ‘ The
Watchman’ (1796). At this time(1797) he met Wordsworth, and as
has already been noticed , planned their joint production of the
‘Lyrical Ballads’, which was published at Bristol.
If Wordsworth represents the central pillar of early Romanticism,
Coleridge is nevertheless an important structural support. His
emphasis on the imagination, its independence from the outside
world and its creation of fantastic pictures such as those found in
the “Rime” exerted a profound influence on later writers such as
Shelley.
18. His depiction of feelings if alienation and numbness
helped to define more sharply the Romantics idealized contrast
between the emptiness of the city-where such feelings are
experienced and the joys of nature.
Coleridge’s intellect was quick, versatile and
penetrating. He was idealistic and ranged for in the abstract
thought.
Coleridge went to the Medieval period for creating the atmosphere
of magic and mystery.
In 1792, he won the Brown Gold Medal for ode that he wrote on
the slave trade.
*His poetry:-
The real blossoming of Coleridge’s poetical genius was brief indeed,
but the fruit of it was rich and wonderful.
His first book was “Poems on Various Subjects” (1796),
issued at Bristol. Then, in collaboration with Wordsworth he
19. produced the ‘Lyrical Ballads’ (1798). This remarkable volume
contains nineteen poems by Wordsworth and four by Coleridge, and
of these four by far the most noteworthy is “The Rime of the Ancient
Mariner”.
Wordsworth has set on record the
origin of ‘The Ancient Mariner’. He
and Coleridge discussed the poem
during their walk on the Quantock
Hills. The main idea of the voyage,
founded on a dream of his own, was Coleridge’s, Wordsworth
suggested details, and they thought of working on it together. Very
soon, however, Coleridge’s imagination was fired with the story, and
his friend was sensibly left him to write it all. Hence we have that
marvelous series of that dissolving pictures, so curiously distinct and
yet so strangely fused into one. The voyage through the polar ice, the
death of the Albatross, the amazing scenes during the calm and the
storm, and the return home. In style, in swift stealthiness of
narrative speed , and in its weird and compelling strength of
imagination the poem is without parallel.
In 1797 Coleridge also wrote the first part of ‘Christabel’, but
though the second part was added in 1800. Christabel is the tale of a
kind of witch, who by taking the shape of a lovely lady, wins the
confidence of the heroine Christabel.
‘KUBLA KHAN’, written in 1798 but remained
unpublished until 1816. It is the echo of a dream- the shadow of a
shadow. Coleridge averts that he dreamt the lines, awoke in a fever
of inspiration, threw the words on paper, but before the fit was over
20. was distracted from the composition, so that the glory of the dream
never returned and Kubla Khan remained unfinished.
In the same year Coleridge composed several other poems,
including the fine ‘Frost at Midnight’ and ‘France: an ode.
In 1802 he wrote the great ode ‘Dejection’, in which he already
bewails the suspension of his “shaping spirit of imagination”
His play “Remorse” was on recommendation of
Byron, accepted by the management of the Drury Lane Theatre and
produced in 1813. It succeeded on stage, but as literature it is of little
importance.
*features of his poetry:-
• Intense imaginative power
• Witchery of language
• Simplicity of diction.
21. His prose work
“ The Morning post”
“the Watchman”
“the Friend”
“Biographia Literaria”
“Table Talk
‘ Aids to Reflection’
‘Lectures on Shakespeare and other poet’
To sum up……..
At its best Coleridge’s prose has much of the evocative
suggestiveness of his finest poetry, and is an admirable stimulus
to keener perception in the reader, while his choice of language
is discriminating, particularly in the fine distinction he makes
while describing the process of artistic creation.