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P.4 _

you have gotta get this

seriously
1. Have a concept
2. Communicate don’t
decorate

10

rules by which to Design

3. Use two typefaces
maximum
4. If you can do more
with less, do it
5. Negative space is a
good thing
6. Treat type as an
image

7. Squish and
separate: create
rhythms in density
and openness.
8. Measure with your
eyes
9. Move it! Static
equals dull
10.Symmetry is the
ultimate evil
Successful design is
generated from a

concept
which is the result
of a thorough
investigation and
the creative process.

WHAT IS
YOUR BIG
IDEA?
A design concept is the
idea behind a design. It is
the plan to solve the
design problem. It is the
underlying logic, thinking,
and reasoning.
The concept will lead to
choices in
Color
Font
Aesthetic
Grid
.....
Every design decision will
fall back on the concept
for direction.
It is the framework
for all decisions.
What is the purpose of
your design?
What is the idea behind it?
What is your design
supposed to do?
Who is it for?
What is its function?

The answers to these
questions will help guide
the process of developing
a meaningful

concept

.
COLLECT
There is no one right
way to develop a
concept. The first step
is to

. START
gathering information .

The information that is
collected will generate

IDEAS
about possible solutions
and
this process will unfold to
produce a strong and
meaningful concept.

DESIGN .
THEN,
with a concept, the
designer can work
using guidelines to
consciously develop the
design.
Design concepts are
both written and visual.

The text is the explicit
communication of
information and the
graphic content
supports and reinforces.

FIVE
Design Principles:

1.
2.

3.
4.

5.

Balance provides
stability and structure
to a design
Hierarchy
creates organization
Contrast emphasizes
and generates impact
Repetition
strengthens a design
by tying together
otherwise separate
parts
Alignment creates a
sharper, more unified
design
agreeable, all
right, alright, copa
cetic, ducky, fine, g
ood, hunkydory, jake
[slang], or
okay

abbreviation of
oll korrect,
facetious alteration of
all correct
First Known Use: 1839
VISUAL

i n f o r m a t i o n
• Gather it
• Organize it
• Structure it

Make it….

INTERACT
GRIDS

O r g a n i z a t i o n a l To o l s
• Maintain control
• Make connections
• Unify the design

Make it

INTERACT
GRIDS
Modular
and
Column
The anatomy of column GRIDS
Margins: define
the active area of the
page. Direct the
viewer toward the
visual elements.

Flow lines:
support vertical
columns by dividing
the page into
horizontal intervals.

Column Intervals:
also known as gutter
widths. They form
inactive negative
spaces that separate
one column from
another.

Columns: Vertical
divisions of space
that are used to align
the visual elements.

Grid Modules:
areas defined by the
columns and flow
lines. Support the
textual and visual
content of the
design.
column GRIDS
 Single or multiple
 Width can vary
 Usually evenly
distributed
 Create rhythm,
movement, and
tension
modular GRIDS
GRID functions
Control
Organization
Rhythm
Harmony
Unity
Dynamism
Readability
Movement
Balance
Direction
Contrast
Interaction
Order
1. Have a concept
2. Communicate
don’t decorate

10

rules by which to Design

3. Use two
typefaces
maximum
4. If you can do
more with less,
do it
5. Negative space is
a good thing
6. Treat type as an
image
7. Squish and
separate: create
rhythms in
density and
openness.
8. Measure with
your eyes
9. Move it! Static
equals dull
10.Symmetry is the
ultimate evil
presentations that don’t suck

http://designshack.net

1. Don’t Use a Built-In
Theme
2. Use Quality
Photography
3. Solid Colors Rock
4. Typography Speaks
Volumes
5. Watch Your
Readability
6. Simpler is Better
7. Avoid the Bullet Point
Plague
8. Create Clear Focal
Points
9. Create a Captivating
Cover
10. Make ‘em Laugh
I AM HERE
smiling that
you did such
a great
job!!!

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P.4 you have gotta get this

  • 1. P.4 _ you have gotta get this seriously
  • 2.
  • 3. 1. Have a concept 2. Communicate don’t decorate 10 rules by which to Design 3. Use two typefaces maximum 4. If you can do more with less, do it 5. Negative space is a good thing 6. Treat type as an image 7. Squish and separate: create rhythms in density and openness. 8. Measure with your eyes 9. Move it! Static equals dull 10.Symmetry is the ultimate evil
  • 4. Successful design is generated from a concept which is the result of a thorough investigation and the creative process. WHAT IS YOUR BIG IDEA?
  • 5. A design concept is the idea behind a design. It is the plan to solve the design problem. It is the underlying logic, thinking, and reasoning. The concept will lead to choices in Color Font Aesthetic Grid ..... Every design decision will fall back on the concept for direction. It is the framework for all decisions.
  • 6. What is the purpose of your design? What is the idea behind it? What is your design supposed to do? Who is it for? What is its function? The answers to these questions will help guide the process of developing a meaningful concept .
  • 7. COLLECT There is no one right way to develop a concept. The first step is to . START gathering information . The information that is collected will generate IDEAS about possible solutions and this process will unfold to produce a strong and meaningful concept. DESIGN . THEN, with a concept, the designer can work using guidelines to consciously develop the design.
  • 8. Design concepts are both written and visual. The text is the explicit communication of information and the graphic content supports and reinforces. FIVE Design Principles: 1. 2. 3. 4. 5. Balance provides stability and structure to a design Hierarchy creates organization Contrast emphasizes and generates impact Repetition strengthens a design by tying together otherwise separate parts Alignment creates a sharper, more unified design
  • 9.
  • 10. agreeable, all right, alright, copa cetic, ducky, fine, g ood, hunkydory, jake [slang], or okay abbreviation of oll korrect, facetious alteration of all correct First Known Use: 1839
  • 11.
  • 12. VISUAL i n f o r m a t i o n • Gather it • Organize it • Structure it Make it…. INTERACT
  • 13. GRIDS O r g a n i z a t i o n a l To o l s • Maintain control • Make connections • Unify the design Make it INTERACT
  • 15. The anatomy of column GRIDS Margins: define the active area of the page. Direct the viewer toward the visual elements. Flow lines: support vertical columns by dividing the page into horizontal intervals. Column Intervals: also known as gutter widths. They form inactive negative spaces that separate one column from another. Columns: Vertical divisions of space that are used to align the visual elements. Grid Modules: areas defined by the columns and flow lines. Support the textual and visual content of the design.
  • 16.
  • 17.
  • 18. column GRIDS  Single or multiple  Width can vary  Usually evenly distributed  Create rhythm, movement, and tension
  • 20.
  • 22.
  • 23. 1. Have a concept 2. Communicate don’t decorate 10 rules by which to Design 3. Use two typefaces maximum 4. If you can do more with less, do it 5. Negative space is a good thing 6. Treat type as an image 7. Squish and separate: create rhythms in density and openness. 8. Measure with your eyes 9. Move it! Static equals dull 10.Symmetry is the ultimate evil
  • 24. presentations that don’t suck http://designshack.net 1. Don’t Use a Built-In Theme 2. Use Quality Photography 3. Solid Colors Rock 4. Typography Speaks Volumes 5. Watch Your Readability 6. Simpler is Better 7. Avoid the Bullet Point Plague 8. Create Clear Focal Points 9. Create a Captivating Cover 10. Make ‘em Laugh
  • 25.
  • 26. I AM HERE smiling that you did such a great job!!!

Editor's Notes

  1. Hierarchy: The different elements on the page are given a voice…..some whisper, some shout. Three interactions going on the page….what are they
  2. Hierarchy: The different elements on the page are given a voice…..some whisper, some shout. Three interactions going on the page….what are they
  3. Rhythm and variation
  4. Grids can vary in size and shape and from simple to complex.How the grid is designed relates to the context: The content, the paper size, the image sizes etc.Grids let various graphic elements relate to eachother. It creates the structure. However, the designer must always allow the grid to shift if necessary. To
  5. Flexibility of multi column grid. Imagery changes scale and position along the vertical alignment. Contrast provides emphasis and dynamics to the page.
  6. Multiple column grid