Our Second Location
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The document discusses location choices for a music video shoot. It describes two images from Heaton Park that will be used to reflect lyrics through reflections in water and colors. It also mentions several shots of large structures where the models will appear small in comparison to convey feelings of vulnerability and isolation.
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The document discusses editing and redesigning the front cover of an album. The artist is adjusting lighting, colors, and effects in Photoshop to make the image of the artist on the cover stand out against a dark background and convey a sense of madness. They are also experimenting with copying and adjusting layers of the image and text to create effects that relate to the theme of insanity. Font choices and consistency between products are addressed to clearly communicate the artist's branding.
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This document discusses using split screen techniques in a music video. It proposes splitting the screen to show multiple characters simultaneously to represent the different sides of a broken relationship depicted in the song. An example music video called "Hey There Delilah" is analyzed that effectively uses three split screens showing different scenes that remain consistent with the storyline. Websites and tutorials are provided that can help incorporate split screen editing into the creator's own music video.
Analysis of our Digipak
The document analyzes the design choices for a Digipak album cover. Fairy lights were used on the cover to link to lighting in the music video and represent the artist's identity. Throughout the Digipak, the same font "Firenze SF" was used for continuity and because it represents the artist's playful side. The main cover image frames the artist looking away to portray maturity but smiling to show her happy personality, linking to the video. Color schemes and outfit choices also link the Digipak to the video to strengthen the artist's identity.
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Combination of my products
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Evaluation Question 4- How effective is the combination of your main product and the ancillary texts?
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The document discusses the design choices for a band's poster and digipak cover. The font, imagery of hands, and creamy/grey cloud background are consistent across both to create recognition and a cohesive "house style." Black and white imagery, cross-dissolves, and a sepia-toned aesthetic link the ancillary tasks to the band's music video. The designs were inspired by the simple but effective styles of albums from The Script and The Verve.
Evaluation Question 2 Joe
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The first poster represents the beginning of humanity's journey using a forest and bridge, experimenting with overlaying a map.
The second poster shows humanity's progression over time using buildings of different eras on either side of a river, connected by a bridge.
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Digipack final outcome powerpoint re editing
The document discusses editing and redesigning the front cover of an album. The artist is adjusting lighting, colors, and effects in Photoshop to make the image of the artist on the cover stand out against a dark background and convey a sense of madness. They are also experimenting with copying and adjusting layers of the image and text to create effects that relate to the theme of insanity. Font choices and consistency between products are addressed to clearly communicate the artist's branding.
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The document describes three poster concepts for a Canon campaign focused on humanity's journey and the future of the earth.
The first poster represents the beginning of humanity's journey using a forest and bridge, experimenting with overlaying a map.
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Question 2
The document discusses the effectiveness and coherence of a marketing package for a music album, including a digipak, advertisement, and music video. It analyzes whether the elements have a clear and consistent "house style" and how well they work together as a package. While the digipak and advertisement are deemed coherent with a similar color scheme and font style, the music video is found to be less aligned due to a narrative change that shifted the focus away from maintaining the house style.
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Question 2 powerpoint
The combination of the main product (music video) and ancillary texts (promotion package) had some coherence but could have been more cohesive. Both utilized similar fonts, color schemes, and styles of obscure natural photography, but the music video design changed halfway through and did not directly relate to the promotion package designs. While a stronger matching style across all elements would have improved coherence, the author feels the ambiguity successfully appeals to the intended indie genre audience.
Evaluation 2
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Evaluation question 2
The document discusses the production of a music video and ancillary materials for an artist. It summarizes the creative choices made for the music video, such as using quick cuts and shots to portray distance and the passage of time between lovers set to the song's lyrics. Color and black and white filming were used to convey mood. Photographs of the artist were edited to continue the themes using tools like spot healing and looping color parts on a black and white background. Fonts, logos and a fake radio quote were included to make promotional materials look authentic and appeal to their target audience.
Evaluation question 2
The document discusses the production of a music video and ancillary materials for an artist. It summarizes the creative choices made for the music video, such as using quick cuts and shots to portray distance and the passage of time between lovers set to the song's lyrics. Color and black and white filming were used to convey mood. Photographs of the artist were edited to continue the themes using tools like spot healing and looping color parts on a black and white background. Fonts, logos and a fake radio quote were included to make promotional materials look authentic and appeal to their target audience.
Evaluation Q2.
The Digi-pack, music video, website, and main character branding all utilized consistent colors and house style to create recognition and familiarity for the audience. This consistency helped effectively construct the image and genre of the main artist and their music. The costume, skateboarding props, color filters, and close-up shot types in the music video further supported conveying a fun, young, urban style that aligned with the song's theme and targeted audience.
Question 2
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Evaluation question 2
The document discusses the production of a music video and accompanying promotional materials. It summarizes the creative choices made regarding editing, cinematography, lighting, costumes, and photo editing to convey themes of distance, confusion, and mixed emotions between lovers. Shots of the artists moving in opposite directions, a map, and lyrics were used to portray distance. Black and white with pops of color, natural lighting, and three flowy dresses for the artist continued this theme across the video and promotional poster, magazine photos, and digipack.
Question 2
When creating media for a music single, it is important to establish a consistent house style across all elements. This document discusses the house style developed for the single, which included matching colors, designs, photos and backgrounds on the digipak and poster. Key aspects of the house style were the image of two people holding hands, a soft cloud background effect, and a simple font suited for the pop rock genre. These visual elements were meant to be memorable and relate to the themes and story portrayed in the music video.
Dtc 355 #1
1) The document defines key concepts in multimodal design including emphasis, elements, organization, contrast, alignment, proximity, framing, color, and sequence.
2) Examples are provided for each concept using images to demonstrate how they create meaning. For emphasis, bold text and enlarged titles are used. Elements include individual images and colors that form an overall meaning.
3) Organization arranges elements into a coherent whole, such as students raising their hands in an organized classroom. Contrast shows difference between elements to make one stand out, like a thought bubble. Alignment and proximity describe how close or far apart elements are placed.
How effective was the combination of your main product and ancillary texts?
Our analysis found that the combination of our main product and ancillary texts was effective for the indie genre in two key ways:
1) Relevance within genre - Both our album cover and poster incorporated conventions of the indie genre, such as dark/gloomy filtered images, nature shots, and a focus on relationships.
2) Synergy between products - Consistent filters, photos, characters, and settings were used across products to link them. Lyrical themes from the music also aligned with visual elements in the video. This created cohesion between the ancillary texts and main product.
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The document summarizes the design choices for a Digipak album cover for the song "When I Was A Youngster." Several elements were included to reinforce a theme of childhood simplicity and imagination. The front cover features the title in bold white font and a cartoon-styled photo related to children's play. Inside pages depict the characters throwing a ball across landscapes incorporating floating elements and a world disc matching the song's lyrics. Color schemes, images and interactions between pages were all selected to represent childhood fun and dreams in a cohesive design.
Jonathan Glazer
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Q2
The document discusses the design of a digipack for a band's album. It describes how the images in the digipack portray elements of comedy to create positive emotions around the brand. It also discusses how one image depicts a character being chased by a cow in a maze, referencing a scene from the band's music video and tying the different media products together. Finally, it analyzes how the title "Heifervescent" and font choices are meant to target a teenage to young adult audience.
Creating my ancillary tasks
The document describes the process of designing graphic materials for an album. It details how the artist edited an original rose image to be the album cover, manipulating it to be black and white with only red color on the rose. Text was added and formatting was adjusted. For the back cover, a photo was selected and edited by removing bubbles, adding a track listing, and adjusting contrast. A poster design was also created by adding graphic elements and text to a new photo, and adjusting lighting and contrast. Feedback from the target audience will be gathered on the designs.
Foals
The document analyzes the music video for the song "Spanish Sahara" by the band Foals. It summarizes key elements of the video including the narrative of the main character finding a dead animal and traveling to sacrifice it, the use of mise-en-scene like the character's black coat, and locations like mountains that make the artist seem ordinary. It also discusses camera shots like close-ups that help viewers recognize the artist, the sole focus on the artist as the only character, and the use of soft colors and natural lighting. The analysis of these elements can help in planning and filming a new music video.
Mise en scene
This document discusses the mise en scene elements that will be used to define the creative vision and appeal to the target audience. It outlines several key locations that will be filmed at: a dark forest with a bench to convey isolation, a graveyard to represent loss and death, and a home designed to feel intimidating and uncomfortable to show the character's pain. Costumes will use specific colors - the main character in blue for sorrow and the artist in white for purity. Lighting will also be used metaphorically, with dull filters and low key lighting setting an overall tone that provides insight into the characters and how they view the world.
Digipak CWRA
The document provides an analysis and review of a mock-up design for a digipak album cover. It summarizes the strengths and weaknesses of various design elements and whether they will be kept or changed for the final design. For the front cover, the creator is happy with the background and image but will remove the artist's name for branding purposes. The back cover and inside cover backgrounds that incorporate space imagery will also be kept. Some text on the inside cover and changes to the CD design itself will be made for aesthetic reasons. Next steps outlined are removing the artist's name on the front cover, adding copyright information to the back, and modifying the CD design to look more like an actual CD.
Presentation For Digipak
The student created a mood board for a digipak for a rock/alternative band called The Kills. They explored different colors, patterns and designs to portray the band's genre. Images from the band's black and white music video were used because they linked well to the narrative and style of the band. The student changed their design multiple times before settling on a black and white theme to make all images cohesive. Brushed textures were added to images to make them look like grungy posters fitting the theme. Lyrics from the band's song "LULLABYE" were used on the back to directly link to the music.
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John Dowd - Lock Stock and Two Smoking Barrels
SCONUL Conference 20-21 June 2013
Workshop - Lock Stock and Two Smoking Barrels: LMS outsourcing & organisational impact, with John Dowd, Assistant Director, Planning and Business Development, Learning and Information Services, University of Wolverhampton
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Question 2
The document discusses the effectiveness and coherence of a marketing package for a music album, including a digipak, advertisement, and music video. It analyzes whether the elements have a clear and consistent "house style" and how well they work together as a package. While the digipak and advertisement are deemed coherent with a similar color scheme and font style, the music video is found to be less aligned due to a narrative change that shifted the focus away from maintaining the house style.
Print screens for poster how we made it
The document describes the process of making a film poster. First, the title of the film was added in two colors to emphasize the word "HOME" as it foreshadows the main character leaving home. Then the blurred first names of the three main actors were added above the title to give it a mysterious feel. Logos and symbols were added to the bottom to make the poster look realistic. Small print with credits was also added. The main image from the film was then included and adjusted for brightness and contrast to suit the genre. A brief header describing the film was added at the top. Finally, the release date of the film was added in large text in the middle of the small print.
Question 2 powerpoint
The combination of the main product (music video) and ancillary texts (promotion package) had some coherence but could have been more cohesive. Both utilized similar fonts, color schemes, and styles of obscure natural photography, but the music video design changed halfway through and did not directly relate to the promotion package designs. While a stronger matching style across all elements would have improved coherence, the author feels the ambiguity successfully appeals to the intended indie genre audience.
Evaluation 2
The poster represents the artist in a more confident and masculine way compared to the music video through the use of a low angle shot and self-assured expression. Elements like the red shirt and italic font still hint at the more emotional tone of the video to appeal to female audiences. The poster and video are connected through the use of the same location, font, and forest setting to suggest a folk feel for the debut album. Including the CD cover, artist name, and release date/website information helps link the products and market the new artist and album to those familiar with the single and video.
Evaluation question 2
The document discusses the production of a music video and ancillary materials for an artist. It summarizes the creative choices made for the music video, such as using quick cuts and shots to portray distance and the passage of time between lovers set to the song's lyrics. Color and black and white filming were used to convey mood. Photographs of the artist were edited to continue the themes using tools like spot healing and looping color parts on a black and white background. Fonts, logos and a fake radio quote were included to make promotional materials look authentic and appeal to their target audience.
Evaluation question 2
The document discusses the production of a music video and ancillary materials for an artist. It summarizes the creative choices made for the music video, such as using quick cuts and shots to portray distance and the passage of time between lovers set to the song's lyrics. Color and black and white filming were used to convey mood. Photographs of the artist were edited to continue the themes using tools like spot healing and looping color parts on a black and white background. Fonts, logos and a fake radio quote were included to make promotional materials look authentic and appeal to their target audience.
Evaluation Q2.
The Digi-pack, music video, website, and main character branding all utilized consistent colors and house style to create recognition and familiarity for the audience. This consistency helped effectively construct the image and genre of the main artist and their music. The costume, skateboarding props, color filters, and close-up shot types in the music video further supported conveying a fun, young, urban style that aligned with the song's theme and targeted audience.
Question 2
The document analyzes the coherence of the marketing package for a band, including a digipak, magazine advert, and music video.
The summarizer notes several elements that create coherence across the materials: consistent use of fonts, similar color schemes incorporating black, red and earthy tones, identical vintage wallpaper background, same mime character and costume, similar lighting and production style aiming for a vintage feel. Feedback from others affirmed the continuity between pieces in terms of style and aesthetics. Although the narrative tone of the digipak is more depressing compared to romantic scenes in the video, both reference heartbreak to tie the pieces together. Overall the document evaluates that the house style was successfully coherent across the different media products.
Evaluation question 2
The document discusses the production of a music video and accompanying promotional materials. It summarizes the creative choices made regarding editing, cinematography, lighting, costumes, and photo editing to convey themes of distance, confusion, and mixed emotions between lovers. Shots of the artists moving in opposite directions, a map, and lyrics were used to portray distance. Black and white with pops of color, natural lighting, and three flowy dresses for the artist continued this theme across the video and promotional poster, magazine photos, and digipack.
Question 2
When creating media for a music single, it is important to establish a consistent house style across all elements. This document discusses the house style developed for the single, which included matching colors, designs, photos and backgrounds on the digipak and poster. Key aspects of the house style were the image of two people holding hands, a soft cloud background effect, and a simple font suited for the pop rock genre. These visual elements were meant to be memorable and relate to the themes and story portrayed in the music video.
Dtc 355 #1
1) The document defines key concepts in multimodal design including emphasis, elements, organization, contrast, alignment, proximity, framing, color, and sequence.
2) Examples are provided for each concept using images to demonstrate how they create meaning. For emphasis, bold text and enlarged titles are used. Elements include individual images and colors that form an overall meaning.
3) Organization arranges elements into a coherent whole, such as students raising their hands in an organized classroom. Contrast shows difference between elements to make one stand out, like a thought bubble. Alignment and proximity describe how close or far apart elements are placed.
How effective was the combination of your main product and ancillary texts?
Our analysis found that the combination of our main product and ancillary texts was effective for the indie genre in two key ways:
1) Relevance within genre - Both our album cover and poster incorporated conventions of the indie genre, such as dark/gloomy filtered images, nature shots, and a focus on relationships.
2) Synergy between products - Consistent filters, photos, characters, and settings were used across products to link them. Lyrical themes from the music also aligned with visual elements in the video. This created cohesion between the ancillary texts and main product.
Digipak analysis
The document summarizes the design choices for a Digipak album cover for the song "When I Was A Youngster." Several elements were included to reinforce a theme of childhood simplicity and imagination. The front cover features the title in bold white font and a cartoon-styled photo related to children's play. Inside pages depict the characters throwing a ball across landscapes incorporating floating elements and a world disc matching the song's lyrics. Color schemes, images and interactions between pages were all selected to represent childhood fun and dreams in a cohesive design.
Jonathan Glazer
Jonathan Glazer is a renowned music video and film director who first found fame for directing Radiohead's "Street Spirit". He uses techniques like manipulating color, lighting, and speed to convey emotion and emphasize themes in his works. Glazer often drains color from videos to create an unhappy atmosphere and uses lighting to focus on characters' facial expressions. He also exaggerates certain colors like white in Blur's "The Universal" to allude to other creative works. Glazer typically slows the pace of his videos using a garbage matte technique to keep viewers focused on the song. His work aims to heighten the emotional tension already present in the lyrics through his directorial style.
Q2
The document discusses the design of a digipack for a band's album. It describes how the images in the digipack portray elements of comedy to create positive emotions around the brand. It also discusses how one image depicts a character being chased by a cow in a maze, referencing a scene from the band's music video and tying the different media products together. Finally, it analyzes how the title "Heifervescent" and font choices are meant to target a teenage to young adult audience.
Creating my ancillary tasks
The document describes the process of designing graphic materials for an album. It details how the artist edited an original rose image to be the album cover, manipulating it to be black and white with only red color on the rose. Text was added and formatting was adjusted. For the back cover, a photo was selected and edited by removing bubbles, adding a track listing, and adjusting contrast. A poster design was also created by adding graphic elements and text to a new photo, and adjusting lighting and contrast. Feedback from the target audience will be gathered on the designs.
Foals
The document analyzes the music video for the song "Spanish Sahara" by the band Foals. It summarizes key elements of the video including the narrative of the main character finding a dead animal and traveling to sacrifice it, the use of mise-en-scene like the character's black coat, and locations like mountains that make the artist seem ordinary. It also discusses camera shots like close-ups that help viewers recognize the artist, the sole focus on the artist as the only character, and the use of soft colors and natural lighting. The analysis of these elements can help in planning and filming a new music video.
Mise en scene
This document discusses the mise en scene elements that will be used to define the creative vision and appeal to the target audience. It outlines several key locations that will be filmed at: a dark forest with a bench to convey isolation, a graveyard to represent loss and death, and a home designed to feel intimidating and uncomfortable to show the character's pain. Costumes will use specific colors - the main character in blue for sorrow and the artist in white for purity. Lighting will also be used metaphorically, with dull filters and low key lighting setting an overall tone that provides insight into the characters and how they view the world.
Digipak CWRA
The document provides an analysis and review of a mock-up design for a digipak album cover. It summarizes the strengths and weaknesses of various design elements and whether they will be kept or changed for the final design. For the front cover, the creator is happy with the background and image but will remove the artist's name for branding purposes. The back cover and inside cover backgrounds that incorporate space imagery will also be kept. Some text on the inside cover and changes to the CD design itself will be made for aesthetic reasons. Next steps outlined are removing the artist's name on the front cover, adding copyright information to the back, and modifying the CD design to look more like an actual CD.
Presentation For Digipak
The student created a mood board for a digipak for a rock/alternative band called The Kills. They explored different colors, patterns and designs to portray the band's genre. Images from the band's black and white music video were used because they linked well to the narrative and style of the band. The student changed their design multiple times before settling on a black and white theme to make all images cohesive. Brushed textures were added to images to make them look like grungy posters fitting the theme. Lyrics from the band's song "LULLABYE" were used on the back to directly link to the music.
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How effective was the combination of your main product and ancillary texts?
How effective was the combination of your main product and ancillary texts?
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Stock load two smoking barrels
This document analyzes the opening scene of the film Lock, Stock and Two Smoking Barrels through four minutes. It summarizes the use of point-of-view shots to involve the audience and make them feel like one of the buyers involved in illegal goods trading. Shot reverse shots are also used to reveal characters' facial expressions and establish their personalities. The setting of a backroom filled with stolen goods signifies the crime genre and establishes the status and occupation of one of the characters. The 1960s mod costumes portray a serious mood and intimidating appearance for the British criminal characters. An editing technique called a graphic match is used between two shots to creatively transition by playing with similarities in compositional elements.
John Dowd - Lock Stock and Two Smoking Barrels
SCONUL Conference 20-21 June 2013
Workshop - Lock Stock and Two Smoking Barrels: LMS outsourcing & organisational impact, with John Dowd, Assistant Director, Planning and Business Development, Learning and Information Services, University of Wolverhampton
Lock Stock And Two Smoking Barrels
Lock Stock and Two Smoking Barrels is a 1998 British crime comedy film directed by Guy Ritchie. It follows a group of small-time London criminals planning a big heist. The film opens with a market stall hustler and his partner running from police. Later scenes show a man counting money surrounded by a marijuana grow operation and a group of men in a cage, possibly criminals. The film represents different social classes and genres, with most characters being working-class males, and only one assertive female character.
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Lock, stock, and two smoking barrels
The document provides an analysis of the opening scene of the crime thriller film Lock, Stock, and Two Smoking Barrels. It introduces the protagonist selling illegal goods in a public setting using sepia-toned daylight filming. When police begin chasing the two men, the camerawork switches to quick tracking shots and jump cuts to convey the increasing uncertainty and pace of the chase. The soundtrack starts with diegetic selling sounds and then introduces non-diegetic music that speeds up as the chase intensifies to build suspense.
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This document contains track listings from numerous Pink Floyd albums spanning their career from the 1960s through the 1990s. There are over 30 album listings provided with song titles and durations. The albums range from their early psychedelic rock works like Piper at the Gates of Dawn to later progressive rock masterpieces like Dark Side of the Moon, Wish You Were Here, Animals, and The Wall.
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The document discusses the conventions used and broken in the production of an alternative hip hop music video. Conventions followed include urban settings like a pub and Chinese takeaway, and editing cuts that match the rhythm of the music. Conventions broken include using a teddy bear to show emotion and locations like a park and living room that are not typically urban. Location, sound, editing, mise-en-scene, the single cover, and poster are also discussed in terms of how they do or do not follow genre conventions.
Evaluation
The document discusses the conventions used and broken in the production of an alternative hip hop music video. Conventions followed include urban settings like a pub and Chinese takeaway, and editing cuts that match the rhythm of the music. Conventions broken include using a teddy bear to show emotion and locations like a park and living room that are not typically urban. Location, sound, editing, mise-en-scene, the single cover, and poster are also discussed in terms of how they do or do not follow genre conventions.
Shots camera angle misenscene media
Within this document, the author discusses various camera shots, lighting techniques, and props that could be used in an indie/alternative music video. Some ideas mentioned include using a cut between scenes of a person in different locations and clothing to change perspective, experimenting with lighting changes between dark and light rooms, having the camera move in response to something in the shot, using smoke or glitter in shots to create a dreamlike atmosphere, throwing colored powder to depict a festival, and using sky lanterns or a puppet-like person to fit the genre's conventions. The author analyzes examples from other music videos and ads, and how their ideas could be adapted for an indie project.
Music Video Evaluation - Question 1
Our media product uses conventions of music videos and album covers to tell a story of a broken relationship through visuals and narrative. It shows a couple beginning happily but their relationship deteriorating through techniques like using the same location but only showing one partner, implying a break up. Costumes also reflect the characters' emotional states. Bright lighting and locations represent hope despite sadness. Shots are composed to keep the focus on the characters and their body language tells their story. Editing matches the song's pace and tone to further develop the narrative. Overall it challenges conventions by leaving the reason for the break up ambiguous for audience interpretation.
Question 1a
The document discusses how media language was used in a music video about separated siblings. Flashbacks to childhood were shown through hazy filters and overlays to distinguish the past from the present. Shots of the siblings looking at old photos brought the past and present together. Symbolism like stars and boxes filled with memories conveyed themes of hope and childhood. Camerawork, colors, and compositions aimed to make the audience feel empathy for the characters and their lost relationship.
Evaluation Questions
The document discusses how a student media project compares to existing media conventions and products within the electropop genre. It analyzes several shots from the student's music video alongside shots from the original music video for the song "Kickstarts" by Example. While the student acknowledges their video does not have the same production quality or budget, they argue it effectively mirrors several conventions through similar shot compositions, themes, and progression that suit the lyrics and genre. Overall, the student believes their video successfully follows genre conventions to appeal to the target audience, while putting their own unique spin through modified shots.
Evaluation final!
The document discusses how the creator of a soap opera trailer used, developed, and challenged conventions of real media through their project. They based their trailer on conventions of the genre, including shot types and lighting seen in the Skins trailer. Feedback was received on the draft trailer, noting the abrupt music changes were cheesy and background music should be removed. The creator learned to improve the audio quality by dipping dialogue volumes and adding dramatic title cards to provide context, as is conventional. They removed the opening music track as suggested.
Media conventions
The document discusses how the media product challenges and develops conventions from real media. It summarizes:
1) The opening argument scene was inspired by Eamon's "I don't want you back" video but with a home setting to appeal to more audience experiences.
2) Chaise walking past a disappearing couple in the video recalls what he lost, challenging the convention of couples appearing everywhere in Eamon's video.
3) The video shows Chaise moving on to a new relationship at the end, like Example's "Two Lives" video, but makes the new person more clear.
4) The video uses lip syncing, narratives, and themes of relationships, love and moving on that will
Media Evaluation, Question 1
The document discusses how Amy Edmonds applied Goodwin's principles of matching visuals, music, and lyrics in her music video for Two Door Cinema Club. Key elements that were precisely edited to match the music included scenes in the video as well as motifs like a red heart balloon and clown. Intertextual references to the TV show Skins were also included in the narrative concept and editing style of the music video. Consistent use of color, typography, and layout across the music video, website, and album packaging helped to establish a visual identity and brand for the artist.
Final Evaluation
Our media product uses conventions of real music videos such as having an easy to follow narrative, lyrics that correlate with visuals, close ups, and point of view shots. It challenges conventions by having an unconventional unhappy ending and not including typical "live band" shots. Feedback was generally positive about the story, editing, and characters, but suggested limiting fast/slow motion and point of view shots. New media technologies used included cameras, Google Maps, Survey Monkey, Photoshop, and WordPress for research, planning, production, and evaluation.
Construction of mise en scene
This document provides details on the mise en scene and production design for four different locations to be used in filming a music video. Each location is described in terms of props, costumes, lighting, colors, and makeup used to portray the intended mood and match the narrative. The first location represents an urban setting and will feature casual costumes and low natural lighting. The second focuses on a female protagonist depicted through stereotypical ballet attire, bright lighting, and obvious makeup. The third location is where the two main characters meet amid a mix of natural and artificial lighting. The fourth returns to the first location's costumes and uses natural lighting to portray bleakness and communicate the song's message and genre.
Textual Analysis Of Park Life
The document provides an analysis of the music video for the song "Park Life" by Blur and discusses how it will inspire the creation of their own music video for the same song. Some key aspects that will be drawn from the video include having a narrative of a gradual party progression in the verses through editing, while the choruses will feature random shots in the same location without a clear narrative. The mise-en-scene will aim to be realistic, using a normal house as the location and keeping the video seeming like "real life" through minimal post-production editing.
The mise en scène elements of our music
The document provides details on the mise en scène elements for a music video including costume, props, lighting, location/set design, and acting. Costumes will have a vintage folk rock style to relate to the genre and lyrics. Props like instruments are important to show the friendship of the band. Lighting will use high key and low key styles to portray the character's emotions. The location of Bawsey Pits is chosen for its natural scenery. The protagonist's bedroom set aims to make him seem relatable. Acting must be committed to convince the audience of the video's reality.
Evaluation 1 planning
The document summarizes conventions used in a music video and accompanying digipak for an indie pop genre project. For the music video, conventions like narrative, setting, close-up shots, props, and lighting were used to tell a relatable story of a long-distance relationship. Performance elements and a black and white filter were not used to avoid being too complex or standing out from the footage. For the digipak, clear visual connections to the music video through props and aesthetics that fit the happy memory theme were prioritized over cartoony or band photos that did not link to the project. Maintaining the band's unique font logo was also important for identity.
Location scouting
The document discusses potential outdoor locations for a music video, including cities, beaches, roads, alleys, carnivals, paths, village signs, and fields. It analyzes the suitability of each location for portraying the video's summer and friendship themes through natural lighting, backgrounds, and opportunities for performer movement. Inspiration is drawn from other artists' use of natural backdrops like trees and open spaces to showcase positivity and close bonds between friends. The goal is to find freeing yet meaningful settings that stand out from typical music video conventions.
Music video analysis
The document analyzes and provides feedback on several music videos. It discusses the effective use of close-ups, matching edits to the beat of the music, setting mood through lighting and camera angles, portraying settings and atmosphere through low angle shots and cutaways, and engaging audiences through contrasts and interpreting meaning from visuals. Overall, the document examines how various technical and directorial choices can effectively match the genre, story, and tone of different songs.
Evaluation Q1
Our music video production used, developed, and challenged conventions of the indie genre in several ways:
1) The costumes and props were generally conventional for the genre to communicate the romance subplot, while the main characters' clothing challenged norms.
2) The camerawork during memories was stable to contrast with handheld shots during the emotional breakdown, conforming to genre conventions.
3) Editing followed beats but also used color grading and pacing to highlight the indie aesthetic and narrative.
4) The main challenge was portraying the main characters as a homosexual couple to increase LGBTQ representation, challenging typical music industry representations.
Evaluation 1
This music video for Tom Odell's "Can't Pretend" uses narrative to tell the story of a man struggling with depression and paralysis who finds purpose through wheelchair basketball. It draws inspiration from the 2012 Paralympics and the film Coach Carter to showcase the sport. Scenes alternate between depicting the character's loneliness and struggles with lighting and camerawork, and fast-paced gameplay sequences set to the beat of the song. The video aims to promote inclusion and inspire viewers by showing the character undergo a transformation as he finds new confidence and community through basketball.
A2 Media Studies Evaluation
The document provides an evaluation of a student's music video project. It discusses the various stages of research, planning, production and evaluation. During the research stage, the student analyzed conventions of music videos in their chosen genre. In the planning stage, the student considered narrative, links between music and visuals, artist representation, and camera work. For production, the student utilized color schemes, settings, and editing to represent the narrative and emotions of the song. Upon evaluation, the student gathered audience feedback which they used to improve elements like cinematography and lip syncing. The student learned various media technologies to complete the different stages, including blogging, video editing software, and presentation tools.
Evaluation 1
The document discusses conventions used in music videos and how the media product challenges or develops those conventions. It discusses using close-up shots of objects to introduce a narrative, focusing on the artist over the song title, and using camera angles to convey meaning. It also discusses designing a digipak for an album, including photos and reviews, and creating a poster to promote the artist and album. Overall, it examines how the media product draws from real conventions but also challenges them to tell its intended story and promote the new artist.
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Set planning FINAL
The document provides a summary of potential sets for a production, evaluating several options. It discusses the pros and cons of a home setting, classroom, and outdoor areas, ultimately choosing the homey and classroom sets due to ease of use, relatability, and availability while avoiding legal, permission, or safety issues with other options.
Set planning
The document provides a summary of potential sets for a production, evaluating several options. It discusses the pros and cons of a home setting, classroom, and outdoor areas, ultimately choosing the homey and classroom sets due to ease of use, relatability, and availability while avoiding legal, permission, or safety issues with other options.
Like tears in the rain’ postmodern media
The document analyzes Blade Runner as a postmodern film. It discusses how the film has a postmodern aesthetic that mixes genres and styles. It examines how the film raises questions about humanity in an age where humans and machines are indistinguishable. It also explores how the futuristic city in the film reflects the postmodern condition and the virtual world's replacement of reality. The film undermines classic philosophical binaries like human/machine through its examination of what makes someone human.
G325 introduction to critical perspectives.
The document outlines the assessment requirements for Section A of the G325 exam for Critical Perspectives in Media. It discusses two compulsory questions for this section that focus on evaluating candidates' skills development and production work. For question 1(a), candidates must describe and evaluate their skills progression from their foundation to advanced portfolios. For question 1(b), candidates must select one of their productions and evaluate it in relation to a provided media concept such as genre or narrative. Guidance is given on preparing for these questions by regularly auditing skills development and preparing evaluations of multiple productions that cover different concepts.
Media representation theory
Media Representation Theory discusses how media constructs representations of reality through various processes. Some key aspects of representation theory are:
1) Representation involves the construction of people, places, events and identities in any medium like mass media.
2) Representations involve how identities are constructed in the text as well as in the processes of production and reception.
3) Representations aim to seem 'natural' by positioning subjects in particular ways that serve ideologies.
Analyzing representations involves considering whose realities are represented and whose are denied through semiotics and other formal analysis methods.
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
The document analyzes three Daft Punk music videos: "One More Time", "Aerodynamic", and "Around the World". The first two videos tell a continuous narrative story and feature animated characters representing the band members. They use lighting, camera angles, and plot elements to engage viewers. The third video is a conceptual piece with no narrative; it features complex, precisely choreographed dancing by various groups to different elements of the song.
3 Music Video Analyses by Thomas Griffiths - 0601
The document analyzes three Daft Punk music videos: "One More Time", "Aerodynamic", and "Around the World". The first two videos tell a continuous narrative story and feature animated characters representing the band members. They use lighting, camera angles, and plot elements to engage viewers. The third video is a conceptual piece with no narrative; it features complex, precisely choreographed dancing by various groups to different elements of the song.
My magazine and evaluation
The author drafted their magazine cover multiple times, changing the title from "Showdown" to "Pulse" to better fit their R&B theme. They settled on a design with a red title and black outline over a gradient background. Headers and celebrity photos were added to make the cover look more professional while following the "rule of three" for visual balance. The contents page was simpler but the author is unsure if it looks as polished as the cover.
Evaluation
The document discusses an evaluation of a media product, which is a music magazine. It summarizes how the magazine challenges conventions by making the cover star black and white and including a website at the bottom. It represents teenagers and young adults by featuring young celebrities from genres like R&B. The magazine would be distributed by organizations like BRAD Insight and Genesis that provide media industry intelligence and contact information. The intended audience enjoys R&B artists like Jay-Z and Rihanna. Technologies learned include Photoshop, Microsoft Office, and scanning. The final product showed improvement over preliminary work through more professional design.
For my photo shoot i arranged my cover star model
The photographer arranged a photo shoot with a cover model wearing smart clothes outdoors. They then used photo editing software to improve the lighting and other areas of the pictures to make them more professional for a magazine cover. The photos were also edited to black and white to capture the target audience's attention. Additional photos were taken but not included in the magazine as they did not fit with the style or layout of the other images.
Textual Analysis Part one
This magazine features Madonna as the cover star and focuses on indie and rock music. It includes information on upcoming releases, albums, and updates on the lives of various artists and bands. As the target audience is those in their early 20s and older, Madonna is a fitting cover star since her music became popular years ago. The magazine uses red, white, and black colors on the cover with Madonna's face taking up much of the space to draw readers' attention. Pricing and identification information is printed in small type at the top left while the masthead stands out in a large red box at the top right. Headers throughout advertise the magazine's content.
Questionnaire Feedback Page
The document summarizes the results of a questionnaire given to a target audience for a new music magazine. Key findings include:
- R&B was the most popular music genre, so the magazine will focus on this.
- £1.99 was chosen as the price point, in between the most popular choices of £1.50 and £2.50.
- Cover star and colors were most important for attracting buyers.
- The magazine will be released monthly, as this was the most common purchase frequency.
- Interviews were the most preferred content.
- Red and black were chosen as the best colors for an R&B magazine.
Questionnaire as
The document is a questionnaire for a music magazine that asks respondents about their music preferences, how much they would pay for a magazine, what attracts them to buy magazines, how often they purchase magazines, what parts of magazines they prefer, artists they would like to see featured, potential magazine names, suitable fonts, and color combinations for the magazine. It contains 9 multiple choice questions to gather feedback on these topics to help create a new music magazine.
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The document appears to be in an unknown or encrypted format as it only contains symbols and special characters with no discernible words or meaning. It is not possible to determine the high level information or essential details from the document given its unintelligible and encrypted nature.
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3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
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一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
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校名:学校英文全称
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毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
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Our Second Location
- 1. Our second Location : - Heaton Park Click bellow to view my slide show In full screen : -
- 2. I have chosen these two particular images as these are two shots in which we are going to use. The lake we are going to use in order to show the reflection in the songs lyrics. The other image we are going to use again to reflect the songs lyrics as we are going to have the two models running down this walk way together. The colours in this shot also attracted us as in the video the model is looking back at colourful and bright memories and we thought the colours would reflect this.
- 3. We have chosen this shot as we feel it co-insides with the lyrics as most of the song is a reflection of the past and this structure is old so I feel it will have underlined meaning. The fact that the structure is large is significant in our shot, as we are going to use this to our advantage, in order to show our model as being insignificant in comparison to the structure. The fact that this building is on its own reflects the mood of isolation we are hoping to create.
- 4. This building we have chosen as again its on the large scale in comparison to our model which will show his vulnerability and inadequacy and co-inside with the lyrics. Although this is the same location they have been taken at different times of the day I feel the top picture reflects the airy and more isolated mood in which we are looking for. This is something in which we will bare in mind when we are shooting our video.
- 5. This location in Heaton park we found to be romantic and the song is about a relationship and we feel this location will reflect the good memories that we are going to film. I feel this lighting in this picture is perfect as its bright which will change the nature of the reflection to a happy memory. The surroundings will make our models look insignificant in comparison to them, we are aiming to create this in order to reflect the feelings of the male model and connect with the viewers.