An advertising industry first, Ogilvy & Mather’s Cross-Cultural Report: Findings provide new model to help brands build value and relevancy for “The New General Market”.
Through the development of Ogilvy & Mather’s Cross-Cultural Report, we identified a major shift in the way we perceive and market to our clients’ customers. In the report we explain this shift and the manner in which we need to respond to it. The stakes are high. It’s no exaggeration to say that this is a change-or-die moment for many players in our industry. We believe that with this blueprint we are poised to prosper rather than perish. And we believe that David Ogilvy, who had great respect for the consumer and a deeply held belief in constant adaptation, would have approved.
After reading the Cross-Cultural Report you should understand the following:
1. The business case as to why brand and marketing leaders should shift their planning and investment approach for “The New General Market.”
2. The cross-cultural disciplined approach versus the current general market and multicultural marketing approach.
3. How the application of the Ogilvy & Mather Cross-Cultural Strategic Territories helps builds brands for The New General Market.
4. How the Ogilvy & Mather Cross-Cultural Matrix helps brands assess their current cross-cultural position and our approach for building brand value.
The Revenge of Subcultures: the real value of Social Media for brandsLaurent François
This deck aims to demonstrate that marketers shape a wrong targeting for the social brands, focusing only on demographics and "average" consumers. But analysing average behaviors can only drive to weak and non relevant communication pillars, then a strong dismissal of consumers against brand digital properties.
This demonstration has been presented during Digital Shoreditch 2013, Future Brands day, by Laurent Francois
The Digital Social Contract
The Millennials and generation Z together comprise the most engaged, mobile, and enticing consumers of our time, but brands and agencies have largely misunderstood how these coveted digital natives interact.
We have missed a fundamental truth: There is a new social contract emerging—a digital social contract—that, like Rousseau’s original, has been proposed, ratified, and enforced by those it governs—most especially online video creators and their legions of fans who together stand at the apex of the digital revolution.
In Ogilvy & Mather's latest Red Paper, "The Digital Social Contract", Ogilvy's Jeremy Katz and Robert John Davis join with Alta Sparling and Bing Chen from Victorious to uncover the unspoken social rules governing the digital world and explain to brands how to thrive in it.
Every year, planners at Y&R share a roundup of today’s most interesting trends and their inherent tension. This year’s North American Trends with Tension report takes on an array of topics from privacy, wellness, and gender fluidity.
Introducing thegen-narrators - Good RebelsGood Rebels
The Millennial generation will have a bigger impact on the future of media over the next five years than any other demographic group. But a new Economist Group study finds many misconceptions about this group when it comes to their attitudes, media habits and their understanding of the relationship between media and marketing.
It’s time to reject FOMO and embrace Borecore, along with mindfulness apps, myth debunking, and a shift in focus away from Millennials. Mindshare North America's annual Culture Vulture Trends report is here, unveiling the latest consumer shifts and cultural trends forecast to grow over the next year.
It’s time for a move to the Middleburbs, where we take refuge in content safe havens and our brand expectations are continuously rising. And with a new generation of tech-obsessed consumers entering adulthood, today’s cultural landscape is changing and creating new opportunities for marketers. Mindshare North America's latest Culture Vulture Trends report is here, unveiling the latest consumer shifts and cultural trends forecast to grow over the next year.
The Revenge of Subcultures: the real value of Social Media for brandsLaurent François
This deck aims to demonstrate that marketers shape a wrong targeting for the social brands, focusing only on demographics and "average" consumers. But analysing average behaviors can only drive to weak and non relevant communication pillars, then a strong dismissal of consumers against brand digital properties.
This demonstration has been presented during Digital Shoreditch 2013, Future Brands day, by Laurent Francois
The Digital Social Contract
The Millennials and generation Z together comprise the most engaged, mobile, and enticing consumers of our time, but brands and agencies have largely misunderstood how these coveted digital natives interact.
We have missed a fundamental truth: There is a new social contract emerging—a digital social contract—that, like Rousseau’s original, has been proposed, ratified, and enforced by those it governs—most especially online video creators and their legions of fans who together stand at the apex of the digital revolution.
In Ogilvy & Mather's latest Red Paper, "The Digital Social Contract", Ogilvy's Jeremy Katz and Robert John Davis join with Alta Sparling and Bing Chen from Victorious to uncover the unspoken social rules governing the digital world and explain to brands how to thrive in it.
Every year, planners at Y&R share a roundup of today’s most interesting trends and their inherent tension. This year’s North American Trends with Tension report takes on an array of topics from privacy, wellness, and gender fluidity.
Introducing thegen-narrators - Good RebelsGood Rebels
The Millennial generation will have a bigger impact on the future of media over the next five years than any other demographic group. But a new Economist Group study finds many misconceptions about this group when it comes to their attitudes, media habits and their understanding of the relationship between media and marketing.
It’s time to reject FOMO and embrace Borecore, along with mindfulness apps, myth debunking, and a shift in focus away from Millennials. Mindshare North America's annual Culture Vulture Trends report is here, unveiling the latest consumer shifts and cultural trends forecast to grow over the next year.
It’s time for a move to the Middleburbs, where we take refuge in content safe havens and our brand expectations are continuously rising. And with a new generation of tech-obsessed consumers entering adulthood, today’s cultural landscape is changing and creating new opportunities for marketers. Mindshare North America's latest Culture Vulture Trends report is here, unveiling the latest consumer shifts and cultural trends forecast to grow over the next year.
This is an article and deck about the outlook for public relations and social media in 2018. It’s based on insight from my day job working at Ketchum.
12 months is an arbitrary period to measure change in a sector that is rapidly innovating in some areas such as artificial intelligence and digital media; but woefully slow in others such as diversity and ethics.
If there’s anything that I can do in my role at Ketchum to help your organisation address any of the issues highlighted, please let me know.
Forces of Change & The Importance of NarrativeOgilvy
OgilvyEntertainment creates compelling narratives that fuel deeper connections between brands and consumers.
In Forces of Change & The Importance of Narrative, President Doug Scott explores how disruptive innovation is driving new forms of content, creativity and engagement. While "storytelling" may be the latest trend, narratives have no limits in today's transmedia world. The state of play has shifted and the key is to activate deep content experiences driven by the power of NARRATIVE.
Each year, art meets technology at the South by Southwest (SXSW) Interactive Festival in Austin, Texas. Celebrating the convergence of the interactive, film, and music industries, this year's conference featured panels, seminars, parties and live music. Topics ranged from artificial intelligence and chat bots to female leadership and social purpose, revealing future trends for brands and agencies to keep in mind this upcoming year. Here are Y&R's key takeaways from SXSW 2017.
Celebrity 2.0: New New Hollywood is Breaking All The Rulessparks & honey
The rise of the creative class is reshaping media and redefining fame and celebrity. The balance of power has shifted from producers, studios, broadcast networks, etc., to the new creative talent. We call this creative class “New New Hollywood” (NNH).
But what’s really profound is the power that these NNH creators wield. NNH personalities have enormous fan bases with extraordinary loyalty and unprecedented engagement - fanatical, in fact.
For example, Nicki Minaj (a traditional celebrity) has <9.5><5mil Twitter fans, while PewDiePie (a NNH celebrity) commands an audience of nearly 40 million on YouTube. NNH has so much influence it could single-handedly reshape culture and society, let alone brand preferences. NNH could even swing the 2016 presidential election!
Brands need to leverage NNH, but to do so, they need to understand the context and unique ways in which NNH operates. The rules of engagement are very different.
This report sets out to shed light on one of the most important cultural forces at work today: NEW NEW HOLLYWOOD.
Insights: Interviews on the Future of Social Media - Edited by Anil Dash & Gi...Brian Solis
This book was created as an exclusive reward for backers
of ThinkUp in the fall of 2013. The interviews
documented here took place over the span of several
months, but have been edited as lightly as possible to
best capture the energy and inspiration of the
interviewees.
The book’s first goal is to help members get more value out of using ThinkUp. More deeply, we hope these interviews reveal the thought involved in creating technology that is meaningful, built on ideas thatemerge over years or even decades of work.
This year's Cannes Lions International Festival of Creativity touched on a range of buzzworthy topics, from artificial intelligence to new media to gender equality. Here's our roundup of key takeaways and analysis from the event.
Trendspotting technics have evolved thanks to social media. Identifying signals, consolidating concrete manifestations of new habits and ultimately proving an insight can be pushed to new limits, thanks to the number of elements that people share online. However, defining precisely what "trend" means can be tricky. This presentation aims to define what it can be and how cool hunting can help analysts in understanding the digital signals.
Read more on RE-UP agency:
http://thisisreup.com
POETS AND QUANTS: HOW BRAND PEOPLE CAN LEARN TO LOVE BIG DATATom Morton
Big data is shifting the balance of power between the creative 'poets' of the communications industry and the more analytical 'quants'. Yet there is still a big role for creative minded people in a Big Data world. A lateral, humanistic view on Big Data yields better, more insightful truths, and data can be fuel for creative development. Here's how.
Admit it – you love the “Skip Ad” button on YouTube. You love to swipe your thumb past a Facebook ad. You love the option of installing ad blockers on your phone. And so does your customer.
By 2017, social network ad spending alone is expected to surpass banner ad spending for the first time. We are seeing an unprecedented rise in skippable ad formats that will drastically shift our approach to digital marketing over the next five years.
Join Chris Ferrel, digital strategy group head at The Richards Group, as he unpacks the skippable world of digital and how brands like Snapple, Mott’s, Sub-Zero, Wolf, and the Southeastern Conference future-proof their digital marketing strategies.
SXSW 2017
Our Skip Button Love Affair
Speaker: Christopher Ferrel
Digital Strategy Director
The Richards Group
Hyatt Regency Austin
Zilker Ballroom 1
March 14, 2017
11:00 AM
Primary Access: Platinum Badge, Interactive Badge
Secondary Access: Film Badge, Music Badge, Artist Wristband
Format: Solo
Event Type: Sessions
Track: Brands & Marketing
Level: Intermediate
Brian Solis takes a look at how disruption changed the face of the music industry, and the lessons all businesses can learn from this period of massive change. This paper examines the effects of "digital Darwinism" on how we create, distribute and consume music, as well as the effects of disruptive technology on our everyday lives.
Within the Ogilvy & Mather Cross-Cultural Report, brand builders have five strategic frameworks for guidance on how to build brand value and relevancy with the New General Market.
This presentation is created during a marketing internship under Proff. Sameer Mathur, IIM Lucknow.
This presentation is about the marketing plan for a new android app for google play : Egitime
This is an article and deck about the outlook for public relations and social media in 2018. It’s based on insight from my day job working at Ketchum.
12 months is an arbitrary period to measure change in a sector that is rapidly innovating in some areas such as artificial intelligence and digital media; but woefully slow in others such as diversity and ethics.
If there’s anything that I can do in my role at Ketchum to help your organisation address any of the issues highlighted, please let me know.
Forces of Change & The Importance of NarrativeOgilvy
OgilvyEntertainment creates compelling narratives that fuel deeper connections between brands and consumers.
In Forces of Change & The Importance of Narrative, President Doug Scott explores how disruptive innovation is driving new forms of content, creativity and engagement. While "storytelling" may be the latest trend, narratives have no limits in today's transmedia world. The state of play has shifted and the key is to activate deep content experiences driven by the power of NARRATIVE.
Each year, art meets technology at the South by Southwest (SXSW) Interactive Festival in Austin, Texas. Celebrating the convergence of the interactive, film, and music industries, this year's conference featured panels, seminars, parties and live music. Topics ranged from artificial intelligence and chat bots to female leadership and social purpose, revealing future trends for brands and agencies to keep in mind this upcoming year. Here are Y&R's key takeaways from SXSW 2017.
Celebrity 2.0: New New Hollywood is Breaking All The Rulessparks & honey
The rise of the creative class is reshaping media and redefining fame and celebrity. The balance of power has shifted from producers, studios, broadcast networks, etc., to the new creative talent. We call this creative class “New New Hollywood” (NNH).
But what’s really profound is the power that these NNH creators wield. NNH personalities have enormous fan bases with extraordinary loyalty and unprecedented engagement - fanatical, in fact.
For example, Nicki Minaj (a traditional celebrity) has <9.5><5mil Twitter fans, while PewDiePie (a NNH celebrity) commands an audience of nearly 40 million on YouTube. NNH has so much influence it could single-handedly reshape culture and society, let alone brand preferences. NNH could even swing the 2016 presidential election!
Brands need to leverage NNH, but to do so, they need to understand the context and unique ways in which NNH operates. The rules of engagement are very different.
This report sets out to shed light on one of the most important cultural forces at work today: NEW NEW HOLLYWOOD.
Insights: Interviews on the Future of Social Media - Edited by Anil Dash & Gi...Brian Solis
This book was created as an exclusive reward for backers
of ThinkUp in the fall of 2013. The interviews
documented here took place over the span of several
months, but have been edited as lightly as possible to
best capture the energy and inspiration of the
interviewees.
The book’s first goal is to help members get more value out of using ThinkUp. More deeply, we hope these interviews reveal the thought involved in creating technology that is meaningful, built on ideas thatemerge over years or even decades of work.
This year's Cannes Lions International Festival of Creativity touched on a range of buzzworthy topics, from artificial intelligence to new media to gender equality. Here's our roundup of key takeaways and analysis from the event.
Trendspotting technics have evolved thanks to social media. Identifying signals, consolidating concrete manifestations of new habits and ultimately proving an insight can be pushed to new limits, thanks to the number of elements that people share online. However, defining precisely what "trend" means can be tricky. This presentation aims to define what it can be and how cool hunting can help analysts in understanding the digital signals.
Read more on RE-UP agency:
http://thisisreup.com
POETS AND QUANTS: HOW BRAND PEOPLE CAN LEARN TO LOVE BIG DATATom Morton
Big data is shifting the balance of power between the creative 'poets' of the communications industry and the more analytical 'quants'. Yet there is still a big role for creative minded people in a Big Data world. A lateral, humanistic view on Big Data yields better, more insightful truths, and data can be fuel for creative development. Here's how.
Admit it – you love the “Skip Ad” button on YouTube. You love to swipe your thumb past a Facebook ad. You love the option of installing ad blockers on your phone. And so does your customer.
By 2017, social network ad spending alone is expected to surpass banner ad spending for the first time. We are seeing an unprecedented rise in skippable ad formats that will drastically shift our approach to digital marketing over the next five years.
Join Chris Ferrel, digital strategy group head at The Richards Group, as he unpacks the skippable world of digital and how brands like Snapple, Mott’s, Sub-Zero, Wolf, and the Southeastern Conference future-proof their digital marketing strategies.
SXSW 2017
Our Skip Button Love Affair
Speaker: Christopher Ferrel
Digital Strategy Director
The Richards Group
Hyatt Regency Austin
Zilker Ballroom 1
March 14, 2017
11:00 AM
Primary Access: Platinum Badge, Interactive Badge
Secondary Access: Film Badge, Music Badge, Artist Wristband
Format: Solo
Event Type: Sessions
Track: Brands & Marketing
Level: Intermediate
Brian Solis takes a look at how disruption changed the face of the music industry, and the lessons all businesses can learn from this period of massive change. This paper examines the effects of "digital Darwinism" on how we create, distribute and consume music, as well as the effects of disruptive technology on our everyday lives.
Within the Ogilvy & Mather Cross-Cultural Report, brand builders have five strategic frameworks for guidance on how to build brand value and relevancy with the New General Market.
This presentation is created during a marketing internship under Proff. Sameer Mathur, IIM Lucknow.
This presentation is about the marketing plan for a new android app for google play : Egitime
Ci sono prodotti ed attrezzature in commercio che ci aiutano a tenere lontane o combattere le zanzare.
Ma qualcosa possiamo fare
anche noi nel nostro piccolo
per ridurre i focolai di diffusione
e prevenire le fastidiose punture
nanopub-java: A Java Library for NanopublicationsTobias Kuhn
The concept of nanopublications was first proposed about six years ago, but it lacked openly available implementations. The library presented here is the first one that has become an official implementation of the nanopublication community. Its core features are stable, but it also contains unofficial and experimental extensions: for publishing to a decentralized server network, for defining sets of nanopublications with indexes, for informal assertions, and for digitally signing nanopublications. Most of the features of the library can also be accessed via an online validator interface.
This presentations gives high level overview of : networking, security, storage, end point devices (PC), Servers, Enterprise System Management and Development and SOA\integration domains. It includes staffing ratios, vendor and integrator positioning in Israel.
CHAPTER FIVEENVIRONMENTAL AND STRATEGIC ANALYSESI felt a great.docxspoonerneddy
CHAPTER FIVE
ENVIRONMENTAL AND STRATEGIC ANALYSES
I felt a great disturbance in the Force.
—Obi Wan Kenobi, Star Wars
You can't stop the waves, but you can learn to surf.
—Jon Kabat-Zinn, MD, founder of Mindfulness-Based Stress Reduction
Marketing without data is like driving with your eyes closed.
—Dan Zarrella, social media scientist
Thomson Corporation, in 1997, was a Toronto media company that owned 55 daily newspapers that were doing well.1 CEO Richard Harrington, however, observed several trends in the environment that caused him to move the firm away from newspapers. He anticipated the Internet was going to undercut classified advertising and cable television and the Internet were going to steal readers. Despite the fact that the company was profitable, he made the rather dramatic decision to divest newspapers and to move the firm into delivering information and services online to the law, education, healthcare, and finance industries. That decision allowed Thomson to thrive today while other newspaper-based firms are struggling. The decision was based on projecting and acting on environmental trends.
The focus in this chapter changes from the market to the environment surrounding the market. Being attentive to these broader environmental trends can have a make-or-break effect on companies. The rapid rise of the App Store and mobile technologies was critical to the entry success of 2009 startup WhatsApp and set the stage for it to gain 500 million active users by 2014, ultimately resulting in its acquisition by Facebook for $19 billion.2 On the other hand, a government regulation requiring new product labels can be the death knell for a small food company that must expend a large percentage of its profits to comply. External events can help or hurt companies of all sizes. The goal is to identify and evaluate trends and events that will affect strategy either. Getting in front of emerging trends also allows the firm to prepare strategies to defend itself against threats or, as Thomson did, to neutralize them.
This chapter begins by examining environmental analysis. This broad topic is also covered in other strategy and strategic planning courses. Therefore, the focus here will be on trends emerging from technology, culture, business, government, and the economy that have implications for the market. Given an understanding of trends, the firm can move into three types of analysis: (a) impact analysis, which will help assess the relative importance of threats facing the firm; (b) scenario analysis, which will help the firm assess the meaning and impact of different environmental events; and (c) SWOT analysis, which compares environmental threats and opportunities with firm strengths and weaknesses to derive strategic actions.
ENVIRONMENTAL ANALYSIS
Environmental analysis is by definition very broad and casts a wide net to catch different stakeholders and trends that may have implications for the firm. As a practical matter, the analysis r.
Black Consumer Project Wave 1 - Identity + ValuesThinkNow
Black Consumer Project is an in-depth multi-wave study of the economic and cultural contributions of Black Americans. This community has more buying power than ever, and our goal is to uncover the unique perspectives, behaviors, and preferences of Black and African American consumers.
The first wave of the Black Consumer Project explores core values, personal goals, layers of identity and definitions of success
What Top-Tier Industries Are Telling Us About Building Relationships Through Social Media, Mobile Solutions, Big Data, Interactive Technology and Online Marketing.
Thinknow Defining Moments Report 2019 - Insights Into Culture and AuthenticityThinkNow
This year-end report highlights trends in consumer sentiment, purchase behavior, and digital media use over the last 12 months, and explores the impact culture has had on these trends. The report also includes marketing predictions for 2020.
Capstone Master's thesis for completion of the MS, IMC degree at West Virginia University. Thesis requirements included primary and secondary research of the Generation Y market and of the client, The American Red Cross, as well as a demonstration of brand development and consistency using a mock agency. for West Virginia University's MS, IMC degree.
Classification Essay Topics to Disclose in Your Academic Writing .... How to Write a Division Classification Essay - Useful Guide. PPT - Division/Classification PowerPoint Presentation, free download .... Division-Classification Essays. How to Write a Classification and Division Essay Free Example. School Essay: Division classification essay. College essay: Division and classification essay powerpoint. Topics For Division And Classification Essays Telegraph. Classification Division Essay Topics Telegraph. 210 Best Classification Essay Topics for Students to Consider. How to Write a Division and Classification Essay?. PPT - DIVISION or CLASSIFICATION ESSAY PowerPoint Presentation, free .... PPT - CLASSIFICATION/DIVISION ESSAY PowerPoint Presentation, free .... Division classification topics. 50 Classification and Division Essay .... What is a division classification essay. Classification/Division .... 168 Classification Essay Topics: Excellent Classification and Division .... Learn How to Write a Classification Essay with Our Checklist. Division essay topics. Classification Essay Topics to Disclose in .... Top Classification And Division Essay Examples Pics - College. Division classification essay samples. 125 Classification and Division .... Example Of Division And Classification Essay Telegraph. 150 Classification Essay Topics and Ideas. Narrative essay: Division classification essay topics. Business paper: Division and classification essay. Division classification topics. Classification and Division Essay .... Reflection Essay: Division and classification essay examples. PPT - CLASSIFICATION/DIVISION ESSAY PowerPoint Presentation - ID:2092618. Division-Classification Assignment Example Topics and Well Written .... Classification amp; Division Essay - Excelsior College OWL Division Classification Essay Topics Division Classification Essay Topics
Despite or because of its ubiquity, advertising is not an easy term .docxraelenehqvic
Despite or because of its ubiquity, advertising is not an easy term to define. Usually advertising attempts to persuade its audience to purchase a good or a service. But “institutional” advertising has for a century sought to build corporate reputations without appealing for sales. Political advertising solicits a vote (or a contribution), not a purchase. Usually, too, authors distinguish advertising from salesmanship by defining it as mediated persuasion aimed at an audience rather than one-to-one communication with a potential customer. The boundaries blur here, too. When you log on to Amazon.com, a screen often addresses you by name and suggests that, based on your past purchases, you might want to buy certain books or CDs, selected just for you. A telephone call with an automated telemarketing message is equally irritating whether we classify it as advertising or sales effort.
In United States history, advertising has responded to changing business demands, media technologies, and cultural contexts, and it is here, not in a fruitless search for the very first advertisement, that we should begin. In the eighteenth century, many American colonists enjoyed imported British consumer products such as porcelain, furniture, and musical instruments, but also worried about dependence on imported manufactured goods.
Advertisements in colonial America were most frequently announcements of goods on hand, but even in this early period, persuasive appeals accompanied dry descriptions. Benjamin Franklin’s
Pennsylvania Gazette
reached out to readers with new devices like headlines, illustrations, and advertising placed next to editorial material. Eighteenth- and nineteenth-century advertisements were not only for consumer goods. A particularly disturbing form of early American advertisements were notices of slave sales or appeals for the capture of escaped slaves. (
For examples of these ads, click here for the Virginia Runaways Project site.
) Historians have used these advertisements as sources to examine tactics of resistance and escape, to study the health, skills, and other characteristics of enslaved men and women, and to explore slaveholders’ perceptions of the people they held in bondage.
Despite the ongoing “market revolution,” early and mid- nineteenth-century advertisements rarely demonstrate striking changes in advertising appeals. Newspapers almost never printed ads wider than a single column and generally eschewed illustrations and even special typefaces. Magazine ad styles were also restrained, with most publications segregating advertisements on the back pages. Equally significant, until late in the nineteenth century, there were few companies mass producing branded consumer products. Patent medicine ads proved the main exception to this pattern. In an era when conventional medicine seldom provided cures, manufacturers of potions and pills vied for consumer attention with large, often outrageous, promises and colorful, dramatic advertis.
This version is the PowerPoint Note Pages of the presentation I created for the AMA Houston Seminar: Hispanic Millennials - Best Practices on May 8, 2014
You will learn:
1.- The importance of the Hispanic Millennial Influence Power
2.- Key best practices to leverage the Influence Power to influence older generations’ purchase decisions
Acknowledgement:
I would like to thank Jorge Zapien for the slide design. Also, Leonardo Basterra, Gustavo Foldvari, Henry Cadena and Alex Lopez Negrete for their contribution in the content
Similar to Ogilvy & Mather Cross-Cultural Report (20)
Union of Humans: The Future of the Millennial Generation in the Age of Automa...Ogilvy
It’s not always fun or easy to understand an automating, fissuring, hyper-globalizing economy. It’s not always comfortable to consider that decades-old safe and sage advice (“Go to college!”) might become totally obsolete—if we don’t move quickly to curtail the privatization of our primary schools, and/or colleges fail to modernize their offerings.
However with great crisis comes great opportunity, and Millennials are well-equipped to handle the mammoth issues before them. They are, after all, the most educated, most connected generation in American history.
So why the emphasis on…unions? Well, we really need them, and Millennials happen to love them. But the automation era will require its own union, of sorts—what we’re calling a “union of humans.”
Point of View on Cambridge Analytica Scandal Ogilvy
Last week the Cambridge Analytica data scandal sparked a widespread privacy debate and put Facebook in the eye of a PR storm. Automatically this raises questions from an advertisers perspective. ‘Should we gear up for an audience decrease and reshu e budget?’ Not really. No advertiser data has been a ected and this is mainly an issue on user level, so Facebook already implemented actions to solidify the privacy of its users which is a bene t for advertisers too.
According to a Google Temasek study, e-Commerce sales are slated to hit US$88 billion in the next 8 years. The entry of Amazon and Alibaba in the Southeast Asian e-marketplace is further proof of the e-Commerce potential in this region. While this provides plenty of opportunities for businesses to grow – there’s also more competition than ever. Launching a successful e-Commerce venture takes more than connecting a valuable product or service with the right audience. This white paper outlines key principles and strategies to help you ride this wave and come out on top.
2018 Prognostications For The Year Of The DogOgilvy
For the year ahead – 2018 to some, and the Year of the Dog to others – we share our annual Political, Economic, and Business prognostications for China.
10 Pearls of Wisdom for Working With & Leading PeopleOgilvy
By David Levitt, Former Worldwide President of Learning & Development, recently retired from Ogilvy after 45 years.
This is an excerpt from his retirement speech.
For Goodness’ Sake: Satisfy the hunger for meaningful business Ogilvy
For Goodness Sake is about transforming businesses into “Purposeful Enterprises.” Business, being the most adaptable of human institutions, is already shifting to encompass the new priorities our global society is setting out, but a full change to purposeful enterprises—enterprises that exist for many interlocking reasons and strive for complex outcomes—will emerge only with great planning and thoughtfulness.
Brands That Do: Building Behavior Brands
by Susan Machtiger and Jaime Prieto
The importance and meaning of brands is in a state of turbulence. We live in a fragmented media world amidst unprecedented consumer control and content overload. It has become apparent that those brands that do not matter to consumers will soon fade into absolute irrelevance. So, what matters to consumers? How brands behave. Consumers are telling us to stop making empty promises and start acting in new and different ways. In other words, we should be building brands that do things that matter to their customers. Most companies need to rethink how they build and care for their brands. This Red Paper shows them how.
As a business owner in Delaware, staying on top of your tax obligations is paramount, especially with the annual deadline for Delaware Franchise Tax looming on March 1. One such obligation is the annual Delaware Franchise Tax, which serves as a crucial requirement for maintaining your company’s legal standing within the state. While the prospect of handling tax matters may seem daunting, rest assured that the process can be straightforward with the right guidance. In this comprehensive guide, we’ll walk you through the steps of filing your Delaware Franchise Tax and provide insights to help you navigate the process effectively.
RMD24 | Retail media: hoe zet je dit in als je geen AH of Unilever bent? Heid...BBPMedia1
Grote partijen zijn al een tijdje onderweg met retail media. Ondertussen worden in dit domein ook de kansen zichtbaar voor andere spelers in de markt. Maar met die kansen ontstaan ook vragen: Zelf retail media worden of erop adverteren? In welke fase van de funnel past het en hoe integreer je het in een mediaplan? Wat is nu precies het verschil met marketplaces en Programmatic ads? In dit half uur beslechten we de dilemma's en krijg je antwoorden op wanneer het voor jou tijd is om de volgende stap te zetten.
Discover the innovative and creative projects that highlight my journey throu...dylandmeas
Discover the innovative and creative projects that highlight my journey through Full Sail University. Below, you’ll find a collection of my work showcasing my skills and expertise in digital marketing, event planning, and media production.
Memorandum Of Association Constitution of Company.pptseri bangash
www.seribangash.com
A Memorandum of Association (MOA) is a legal document that outlines the fundamental principles and objectives upon which a company operates. It serves as the company's charter or constitution and defines the scope of its activities. Here's a detailed note on the MOA:
Contents of Memorandum of Association:
Name Clause: This clause states the name of the company, which should end with words like "Limited" or "Ltd." for a public limited company and "Private Limited" or "Pvt. Ltd." for a private limited company.
https://seribangash.com/article-of-association-is-legal-doc-of-company/
Registered Office Clause: It specifies the location where the company's registered office is situated. This office is where all official communications and notices are sent.
Objective Clause: This clause delineates the main objectives for which the company is formed. It's important to define these objectives clearly, as the company cannot undertake activities beyond those mentioned in this clause.
www.seribangash.com
Liability Clause: It outlines the extent of liability of the company's members. In the case of companies limited by shares, the liability of members is limited to the amount unpaid on their shares. For companies limited by guarantee, members' liability is limited to the amount they undertake to contribute if the company is wound up.
https://seribangash.com/promotors-is-person-conceived-formation-company/
Capital Clause: This clause specifies the authorized capital of the company, i.e., the maximum amount of share capital the company is authorized to issue. It also mentions the division of this capital into shares and their respective nominal value.
Association Clause: It simply states that the subscribers wish to form a company and agree to become members of it, in accordance with the terms of the MOA.
Importance of Memorandum of Association:
Legal Requirement: The MOA is a legal requirement for the formation of a company. It must be filed with the Registrar of Companies during the incorporation process.
Constitutional Document: It serves as the company's constitutional document, defining its scope, powers, and limitations.
Protection of Members: It protects the interests of the company's members by clearly defining the objectives and limiting their liability.
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3. Contents
Introduction 2
Contributors 4
The changes roiling the industry 6
Ogilvy Mather’s new approach:
Cross-Cultural rather than General Market or Multicultural 17
“How does the Cross-Cultural model increase the value of my brand?” 21
Releasing the value of a Cross-Cultural brand 30
About the author 34
References 36
5. If you’ve paid even the slightest attention to popular culture in the last couple of years,
you’re well aware of the television phenomenon Mad Men, a show about a fictional
advertising agency set 50 years in the past. The story, of course, fills in the timeline of
America throughout the 1960s via one set of highly creative (if also exceedingly hedonistic)
ad men and the campaigns they create. There’s a rich irony to this. At precisely the time
when America is besotted with its past, the future is threatening to run away from us.
Over the last decade, both in the United States and globally, the advertising industry
and marketplace have radically changed. Digital is the norm, social media is changing
the way we reach and have conversations with consumers, and agencies are turning
toward the emerging markets — Brazil, Russia, India, China — many believe will be the
engines of global growth for years to come.
At Ogilvy Mather, we too foresee a bright future for those fast-growing economies.
But we’re equally excited about business right here at home. Ogilvy Mather sees
a tremendous domestic opportunity — one that doesn’t depend on uncontrollable macro-
economic factors or a zero-sum game among advertising combatants. Instead, we see
a whole host of demographic changes in the United States that add up to a fundamental
repositioning of what we call the general market — and that present compelling new
possibilities for growth. We call this new mass market “The New General Market” (TNGM).
We’ve arrived at this important moment motivated by two factors. The first, as we explain
below, is that outside forces are fundamentally changing the advertising world. The way
Don Draper and his Mad Men cohorts did business is surprisingly similar, in some respects,
to how present-day advertising is conducted — and that model is dangerously antiquated.
The good news is that we’re ideally positioned to take advantage of a tidal wave of change:
Ogilvy Mather has emerged from the global economic downturn in robust health.
That leads us to the second reason for overhauling our model: We continually rethink
the way we do things because we are Ogilvy Mather. In the year of our founder’s 101st
birthday, we believe it’s important to reengage with some of David Ogilvy’s most enduring
ideas. Specifically, we are driven by what David called “Divine Discontent.” There is no
“good enough,” this idea says. There is always a chance to improve.
We have happened upon a major shift in the way we perceive and market to our clients’
cherished customers. In the following pages we explain this shift and the manner in
which we need to respond to it. The stakes are high. It’s no exaggeration to say that
this is a change-or-die moment for many players in our industry. We believe that with
this blueprint we are poised to prosper rather than perish. And we believe that David,
who had great respect for the consumer and a deeply held belief in constant adaptation,
would have approved.
3
7. Ashley Mackel
Asten Morgan, Vibe Lifestyle Network
Brickson Diamond, founder, Blackhouse Foundation
Caroline Washington
CarolLyn Colon
Christine Villanueva
Deborah Balme
Dolly Turner and Felicia Walker Benson, NorthStar Group: Jones Magazine
Donna Pedro
Enrique Urquiola
Erin Goldson
Felipe Korzenny, PhD, coauthor of Hispanic Marketing: A Cultural Perspective
Jeremy Katz
John Seifert
Kathy Whitlock, Univision
Ogilvy Mather’s Professional Networks — Administrative Professional Network,
Black Diaspora, LatinRED, Ogilvy Pride, RedLotus, Women’s Leadership,
Working Parents Network, Young Professional Network
Peter Francese, founder and publisher of American Demographics Magazine
Rebecca Clayton
Sacha Xavier
Sidra Smith, Gate Pass Entertainment
Willow Gross
5
9. The agency model is old
If you watch Mad Men, you may be struck by one remarkable truth: Despite the outdated
social mores — the rampant daytime drinking and womanizing, the blue haze of cigarette
smoke drifting through the office — the fictional characters of Sterling Cooper Draper Pryce
still divide up the marketplace the same way we do. A bit of history: The first ad agency
catering to the general market opened in 1843. A pioneering ethnic agency came onto the
scene in 1956, creating the segmented structure to this day. The advertising industry still
divides itself into general market agencies (GMAs) and multicultural agencies (MCAs),
and our clients generally adhere to this model.
What’s so different, and is this a problem?
We’ll put it plainly: The bedrock industry practice of marketing to either general or ethnic
markets has remained unchanged since the Eisenhower administration. This model has
left us seriously out of step with the starkly altered demographics of the United States in
2012. The American population has changed profoundly and will continue to evolve in the
years ahead. In fact, as these demographic changes grow in magnitude, the whole notion
of what constitutes a minority must surely change.
Demographic1980 Note: he population was divided into five ethnic segments —
T
White, Black, American Indian/Aleut Eskimo, Asian
White83.1% American or Pacific Islander, and other races — until
Black11.7% March 1989. Beginning with the 2000 census, Hispanic
Asian American 1.5% status was added to census forms, in recognition of
the fact that Hispanics may be of any race. Thus, while
Hispanic6.4% it is now possible to ascertain exact percentages of
non-Hispanic minorities, pre-2000 figures do not allow
2010 this distinction.
White68.0%
Black12.6%
Asian American 4.8%
Hispanic13.9%
Point Change
White-15.1
Black+0.9
Asian American +3.3
Hispanic+7.4
Parts of our model have, in fact, morphed to reflect America’s dramatically shifting
demographics. Our business offerings now reflect the importance of Hispanics,
Blacks, and Asian Americans and the Lesbian, Gay, Bisexual and Transgender (LGBT)
community. However, as these segments have ballooned, the desire among clients for
MCA services has grown as well, and agencies more specifically focused on those markets
have often been better positioned to meet those needs.
But let there be no mistake: As the populations and spending power of minority consumers
continue to grow, the model that divides business between general market and MCAs is
7
10. increasingly obsolete. If you listen in on the whispered conversations in client meeting
rooms and agency huddles, you’ll hear people questioning the viability of this 60-year-
old structure.
And for good reason. In a recent survey, we asked chief marketing officers, executive
vice presidents and directors of marketing a few questions about their level of satisfaction
with both the GMAs and MCAs with which they have worked. We found they were
satisfied with neither — primarily because of the agencies’ inability to deliver integrated
communications across the two platforms.
Question: On a scale of 1 to 5, with 5 being the highest, how would you rate your general
market advertising and/or marketing agency?
1 Rating: 7.1% The most common comments were “Did not bring real breakthrough
2 Rating: 21.4% ideas,” “Too tied to the process and politics” and “Did not drive things
across channels to create a holistic, surround approach or really
3 Rating: 42.9% activate the idea.” Another was “Limited creative thinking;
4 Rating: 28.6% watered-down messaging to appeal to mass audiences.”
5 Rating: 0.0%
We asked the same executives about their multicultural advertising and/or
marketing agency.
1 Rating: 50.0% Most respondents did not have an MCA of record and instead used one
2 Rating: 14.3% on a project-by-project basis. One comment was “Only focused on
Hispanic market with same/similar messaging as general market.
3 Rating: 28.6% Not truly differentiated to meet the true needs of this target.”
4 Rating: 0.0%
5 Rating: 7.1%
Moreover, clients are frustrated that they have to endure multiple and seemingly redundant
meetings and billings in order to solve a single problem: how to build the brand. And that
effort isn’t always translating into the proper execution. Clients have responded to the
tremendous growth of the Hispanic market by shifting more of their budgets to focus
on that audience; despite this trend, however, measured media spend for that population
actually decreased from 2008 to 2009 by nearly 5%.
Spanish-Language Media Spend (in millions)
Q3 ’08 – Q2 ’09 Q3 ’07 – Q2 ’08 Point Change
Network and Cable TV $3,199.0 $3,265.8 -2.0%
Spot TV $1,521.1 $1,753.3 -13.2%
Spot Radio $569.0 $586.8 -3.0%
National Magazines $146.7 $177.9 -17.5%
Local Newspapers $88.6 $111.3 -20.3%
Total $5,524.5 $5,895.0 -6.3%
8
11. The Black community saw even more of a disparity: Media spend for that market is down
by more than 7%.
Black Media Spend (in millions)
Q3 ’08 – Q2 ’09 Q3 ’07 – Q2 ’08 Point Change
Spot Radio $794.1 $851.4 -6.7%
Cable TV $529.0 $495.7 6.7%
National Magazines $452.0 $578.2 -21.8%
Syndicated TV $45.2 $88.1 -48.7%
Network TV $27.3 $31.5 -13.3%
Total $1,847.6 $2,044.9 -9.6%
This has left brands with a dearth of culturally relevant communications for various
communities, and the current agency model is not flexible enough to address the problem.
In theory, GMAs speak to nearly 70% of the marketplace, and MCAs cover the remaining
30%. In practice, overall media spend for the United States is tilted steeply toward
the general market: The media buy for that segment chews up 93% of a $117B industry.
So, not only is the system clunky and frustrating for clients, it’s also increasingly ill-suited
to the task at hand. In a multihued nation, the advertising business looks alarmingly
monochrome. As presently structured, everybody loses. Clients reach only part of their
audience. Advertisers and marketers fall short of their benchmarks. The good news is that
all of this is avoidable, if we begin targeting The New General Market.
% of World Population by Age
50%
45%
40%
35%
30%
25%
20%
15%
10%
5%
0%
0-24 25-49 50-74 75-100+
Target markets have changed
Given the dissatisfaction with — and obvious shortcomings of — the GMA and MCA model,
it’s difficult to fathom how the old ways have continued to endure. There are valid reasons
for the longevity of the status quo: Many GMAs have limited experience and skill in the
multicultural space, and each type of agency naturally tends to feel protective of its own
position. But there is one undeniable truth we can no longer ignore: A new general market
9
12. is forcing change in the advertising world, whether we’re ready for it or not. We are in the
midst of one of the largest shifts in population and purchasing behavior in our nation’s
history. It’s time to adapt.
OgilvyCULTURE introduced The New General Market in 2010 to create a distinction
between the old general market and multicultural advertising model and the new
cross-cultural model we built. The New General Market recognizes the altered global
demographics created by burgeoning populations of youths, of members of religions
outside the Judeo-Christian tradition, and of women. Within the United States, as we’ve
mentioned, the changes in demographics are just as compelling. According to 2010 census
data, we have a population that looks remarkably different than it did 30 years ago.
Here in the United States, The New General Market includes the Hispanic, Black, Asian
American and LGBT audiences, which make up a combined purchasing demographic
superpower that now constitutes more than 40% of the population.
US Race Ethnicity
White 200.2 16%
Hispanic 50.0
White 12%
Black 37.6 Hispanic
Black
Asian American 13.6 Asian American 4%
Multiracial 65%
Other 2%
Multiracial 4.8
1%
Other 2.8
0 50 100 150 200
Population (in millions) Percentage of Total Population
It is important to understand not only the demographic changes but also where those
changes have taken place. Below is a look at how the demographics have changed in the
United States since the 1980 census was completed.
1980 Census, Hispanics 2010 Census, Hispanics
19% 14%
8%
West
8%
52% South 42%
Midwest
Northeast
21% 36%
10
13. Starting with that census, Hispanics began to post record population gains. Growth
in the Black community has been less dramatic, but that market has shifted in terms
of geographic density.
1980 Census, Blacks 2010 Census, Blacks
12% 9%
17%
West
23% South
44% 56%
Midwest
Northeast
18%
21%
When we analyzed the numbers state by state to compare the changes, the facts were
arresting. More than 50% of the people now living in California and Texas are firmly in
The New General Market. These are our two largest states in terms of population, and
their impact on elections, retail and education, as well as on media and advertising spend,
should not be underestimated.
2010 Census, Top 10 States
Rank State % Hispanic % Black % Asian American % TNGM
1 CA 38 6 13 56
2 TX 38 12 4 53
3 NY 18 14 7 39
4 FL 23 15 2 40
5 IL 16 14 5 35
6 PA 6 11 9 19
7 OH 3 12 2 17
8 MI 4 14 2 21
9 GA 9 30 9 42
10 NC 8 21 2 32
We were also struck by The New General Market’s prevalence in America’s top 10 most
populous cities. In each of the 10, the combined populations of Hispanics, Blacks and
Asian Americans account for at least 50% of the city’s total population. The New General
Market accounts for more than 60% of the population in five of these cities, and in
three — Houston, San Antonio and Dallas — it comprises 70% or more of the residents.
11
14. 2010 Census, Top US Cities
Rank City State % Hispanic % Black % Asian American % TNGM
1 New York NY 29 23 13 64
2 Los Angeles CA 49 9 11 69
3 Chicago IL 29 32 5 67
4 Houston TX 44 23 6 73
5 Philadelphia PA 12 42 6 61
6 Phoenix AZ 41 6 3 50
7 San Antonio TX 63 6 2 72
8 San Diego CA 29 6 16 51
9 Dallas TX 42 25 3 70
10 San Jose CA 33 3 32 68
We’re not necessarily surprised by these massive demographic changes — but we are
somewhat taken aback by the speed with which they have occurred, given that most
predictions estimated they wouldn’t happen until 2050.
These shifts should fundamentally alter our approach to the marketplace. As an agency,
we can no longer afford to be put into a traditional general market box if we want to
be able to deliver relevant and effective communications and meet all of our clients’
needs. In order to serve The New General Market in the United States, the marketing
communications industry must change its service model, starting with the hiring of
a workforce that mirrors The New General Market.
What do these changes mean to advertising?
In order to effectively speak in a relevant way to The New General Market, we need
to understand more than just the raw numbers. We must also fully grasp the changing
purchasing behavior of The New General Market. After all, the combined spending
power of Hispanics, Blacks, Asian Americans and multiracial American communities
is larger than the GDP of many global markets like Brazil, India, Spain, Russia,
Australia and Argentina.
Multicultural Buying Power 1990–2015 (in billions of dollars)
1,600
1,400
1,200
1,000
Hispanic
800 Black
Asian American
600 Multiracial
400
200
0
1990 2000 2010 Projected
12
15. Looking closer, we are faced with an even more surprising realization. On a per-household
basis, The New General Market outspent what’s considered to be the general market today
in most categories. While this makes sense once you think about it — all of the so-called
minorities combined now add up to a majority — the sheer size of the market is sobering.
US Average Annual Expenditure Spending:
White vs. Hispanic, Black and Asian American (in dollars)
Categories White TNGMDifference
Transportation 8,172 21,242 13,070
Food 5,488 18,183 12,695
Insurance Pensions 4,247 14,897 10,650
Apparel 1,642 5,907 4,265
Healthcare 2,588 5,829 3,241
Entertainment 2,220 5,338 3,118
Education 791 3,625 2,834
Personal Care Products 536 1,625 1,089
Furniture 427 906 479
Alcohol 425 818 393
Laundry Cleaning Supplies 133 448 315
Clients are grasping the significance of this, particularly in the retail/shopper space, where
customer experience is a fast-growing area of interest. Unlike with traditional marketing
communications via television, radio and print, advertisers can improvise a retail display-
and-search model and test its relevance in real time. Today’s retailers see firsthand the
effects of shopper marketing and can gauge whether their stores and customer experiences
are speaking to the audiences they serve.
Through the use of heat maps, some retailers and marketers are taking a precise approach
to The New General Market. The maps below illustrate where the most dynamic changes
are occurring across the United States.
Hispanic Population Density 2010 Black Population Density 2010
13
16. Asian American Population Density 2010
Media and The New General Market
America’s sweeping demographic shifts will have an effect far beyond just the shopper
experience. For our purposes, the coming transformations in media and content hold
the most intense interest.
To understand the impact of demographic shifts, we must first understand spending
patterns past and present and use that knowledge to project how media will change.
In addition to analyzing demographics in the nation’s largest cities, we analyzed the
designated market areas (DMAs) that most media buying agencies use for targeting.
The results were even more compelling. In nine of the 10 largest DMAs, The New General
Market already comprises more than 50% of the population. The remaining DMA —
Boston — is at 49%. It’s no wonder brands are scrambling to target their messages
to The New General Market.
2010 DMA City % TNGM
1 New York New York 64
2 Los Angeles Los Angeles 69
3 Chicago Chicago 67
4 Philadelphia Philadelphia 61
5 Dallas-Fort Worth Dallas-Fort Worth 70
6 San Francisco- San Francisco- 56
Oakland-San Jose Oakland-San Jose 54/69
7 Boston Boston 49
8 Atlanta Atlanta 62
9 Washington DC Washington DC 63
10 Houston Houston 73
To amplify this data, OgilvyCULTURE met with the industry’s top media and content
partners and formed an alliance aimed at examining best practices and emerging offerings
for The New General Market. One factor stood out above all else — the impact of these
new demographics on technology, particularly on mobile and social media.
14
17. Advertisers and clients rightly look to digital as a way to create targeted and effective
communication. As the technology space formed in the 1990s, a digital divide emerged
between the general market and several minority groups. People in the general market
tended to have better connections to the Internet and greater access to email, and
therefore spent significantly more time online.
US Internet Use by Ethnicity
Ethnicity 2009 2010 2011
White (non-Hispanic) 71.5% 70.7% 70.9%
Black 11.5% 11.8% 11.8%
Hispanic 10.9% 11.2% 11.6%
Asian American 6.1% 6.3% 6.5%
Other 1.3% 1.3% 1.3%
This disparity persists in traditional Internet use, but has been erased in the realms of mobile
and social media. The New General Market not only has caught up, but is in fact now the
driver of change in technology — one of the forces now shaping our culture. A study con-
ducted by eMarketer found that nearly half of Black and Hispanic consumers reported
having used a mobile device in 2009, versus 28% of Whites. A study by Pew Research also
shows that high mobile usage among minorities is not limited to online content. Black and
Hispanic users were more likely than Whites to participate in every mobile activity, from
sending and receiving text messages to taking pictures to playing games and accessing email.
Mobile Content Used by US Mobile Device Owners by Ethnicity, March–April 2009
(% of Respondents in Each Group)
Response White BlackHispanic
Send/Receive Text 40% 47% 59%
Take a Photo 15% 22% 41%
Play a Game 7% 12% 16%
Send/Receive Email 13% 16% 21%
Access Internet 12% 21% 23%
Record a Video 2% 7% 8%
Play Music 6% 23% 14%
Send/Receive IM 6% 22% 14%
Get Map/Directions 3% 4% 5%
Watch Videos 2% 3% 5%
Did One of These 50% 58% 70%
Mobile and smartphones are now in the vanguard of the new advertising frontier.
Advertisers and marketers are looking to develop relevant content for The New General
Market, paying special attention to foreign-language sports, entertainment and lifestyle
content for Hispanic users.
15
18. But television remains the king of all media, whether it’s in the form of traditional digital
black box viewing or online via Hulu®, YouTube® or one of the other streaming services
now available. One audience in particular leads all ethnic groups when it comes to
television viewing: According to Nielsen, Blacks between the ages of 18 and 49 clock in
at a whopping 7 hours and 12 minutes a day. That’s more than 2 hours per day above the
national rate of 5 hours and 11 minutes and nearly 4 hours more than Asian Americans
watch (3 hours and 14 minutes). In other words, The New General Market can be reached
online, but not through a traditional PC. The best way to connect with them is via the
most traditional channel, the television.
16
19. Ogilvy Mather’s new
approach: Cross‑Cultural
rather than General Market
or Multicultural
20. The segment shifts we saw in conjunction with our aging agency model led us to reevaluate
whether Ogilvy Mather is increasingly trying to fit a square peg into a round hole.
And this led us to consider how to position the agency for the next 50 years. We realized
the question of GMA versus MCA is moot. The answer today is neither.
If we examine why we believe the agency model is broken, we can see that it’s partly
because of the way agencies and clients began to cheat at gathering insights.
A bit more background: Prior to the 1980 census, the industry was comprised of GMAs
and Black agencies — both of which were knowledgeable about their segments and thus
successful. Once the 1980 census correctly predicted the ascendancy of the Hispanic
population, the marketing budgets began to follow.
CONSUMER CONSUMER
INSIGHT INSIGHT
GENERAL
MARKET HISPANICS
BLACKS
CONSUMER
INSIGHT
This fully took hold after the 1990 census. The 1990s, of course, saw the introduction of
digital, which cut even deeper into most US brands’ already shrinking budgets for the
Black segment. By the end of the decade, the line item for Black marketing had fully
vanished into the general market box. This begs the question as to whether brands and
agencies are properly structured and planning correctly for The New General Market.
CONSUMER CONSUMER
INSIGHT INSIGHT
GENERAL
MARKET HISPANICS
18
21. When it comes to budgeting, most brands today consider only two audiences: General
Market and Hispanics. We believe this approach fails to deliver insights that are culturally
relevant across all segments (White, Black, Hispanic, Asian American and LGBT).
The new approach that Ogilvy Mather is pursuing is cross-cultural. This new way of
doing business enables us to mine both the general and various multicultural markets for
insights, wants and needs.
General Market and Cross-Cultural
Multicultural Marketing Marketing
Ethnic-based Total market
planning budget budget
Multiple creative Comprehensive
strategies creative strategy
Siloed Integrated
measurement measurement
Better targeting and service delivery
In today’s advertising world, clients can face a dizzying array of ideas and input.
Suppose they aspire to build their brand with five audience segments. To handle this
work, they might have five different agencies creating research projects and creative
briefs and executing five distinct marketing plans — all for a single brand problem.
CONSUMER CONSUMER
INSIGHT INSIGHT
GENERAL
MARKET HISPANICS
BLACKS
LGBTs
ASIAN
CONSUMER
INSIGHT AMERICANS
CONSUMER
INSIGHT
CONSUMER
INSIGHT
19
22. By contrast, our new cross-cultural marketing positioning enables an examination of the
“old” general market and newly relevant Hispanic, Black, Asian American and LGBT
audiences. This model will serve as a bridge between all marketplaces, leading not only to
a more streamlined business but also to better targeting and product/service positioning.
More relevant and effective advertising and communications
Knowing that The New General Market will only continue to grow, we will be ideally
poised to incorporate cross-cultural components when serving our clients. By incorporat-
ing broader research and findings, we can generate creative briefs that are more informed
and that firmly move Ogilvy Mather out of the general market box and into one labeled
“total market.” Then we can measure our impact across all stages of the customer journey
as well as across all consumer segments. Clients can focus on a comprehensive strategy
that feels much more integrated and holistic.
THE BUSINESS CULTURAL INSIGHTS
COMMUNICATIONS PLATFORM
ASIAN GENERAL
BLACKS HISPANICS LGBTs
AMERICANS MARKET
CROSS-CULTURAL STRATEGY
Establishing the cross-cultural strategy requires significant investment and structural
change for both clients and the agency. The responsibility for adapting this approach does
not reside only within planning, creative, account and senior leadership; rather, it requires
internal embedding and talent acquisition, development and retention as well as retooled
day-to-day practices. Today we can deploy the cross-cultural strategy because of our talent,
value proposition and partners. The payback for making this commitment promises to be
profound: Moving forward, we will be able to offer clients the opportunity to understand
the cross-cultural value of their brand and the methodologies for maximizing that value.
20
23. “How does the
Cross-Cultural model
increase the value of
my brand?”
24. Taking a page out of David A. Aaker’s book published in 1991, Managing Brand Equity,
we’ve developed strategic territories for how brands increase their brand value with
The New General Market (See page 25). We asked ourselves two questions: What defines
brand equity? How can brands increase their value?
The question we pose to clients and brands today is: If the demographic landscape has
changed or the customers who have traditionally purchased products have changed or are
changing as we have demonstrated in previous chapters, what is the new way of building
brand equity and increasing a brand’s value?
Over the last year we’ve been refining what we believe to be the future of building a brand
and a consumer relationship, and measuring the relevancy of The New General Market.
OgilvyCULTURE’s five key strategic territories
In order to develop our cross-cultural offering, we interviewed key clients and stakeholders
in both the current general market and multicultural spaces and augmented those findings
with desk research on the different ways brands are now targeting multicultural audiences.
We found our research complicated by the shifting boundaries between the general and the
multicultural markets. The clients we interviewed found it difficult to pinpoint a transition
point between their efforts to serve the two audiences.
We analyzed the ways in which more than 100 brands were marketed to Hispanic, Black,
Asian American and LGBT audiences separately. We eventually identified certain patterns
that we refined into five key strategies:
Cultural Community™
Cultural Currency™
Cultural Authenticity™
Cultural Confluence™
The Cultural Loop™
While we sought to avoid oversimplifying more than 40 years of multicultural and general
market executions, we needed a structured way of looking at how brands increase relevancy
and equity measures over time. These five elements create that framework. Faced with
today’s rapidly morphing landscape, in which brands are learning to engage socially and
through new and emerging channels, we’re still working out how to deploy these tactics as
part of a broad-based cross-cultural strategy funneled through various channels and touch
points along the customer journey.
22
25. The Cross-Cultural Strategic Territory Framework for Building Brand Relevancy and Equity
• Heavy brand investment
• rands with low relevancy and equity
B
measures within the segments
Cultural
Community • ong-term commitment and no “in and
L Provides Value
out” investments with the product or event to Customer
by Enhancing
• nce the brand is established, provides
O Customer’s:
high barriers to entry from the competition
• elationship/
R
Processing of
Benefits
• Low to medium brand investment
• onfidence in
C
• rand with low relevancy and equity
B the Purchase
measures Decision
• orrowing equity from an established
B • roduct/Brand
P
Cultural brand/talent that has a relationship or
Currency Satisfaction
trust with the segments
• rands receive immediate awareness
B
and consideration but do not establish
high barriers to entry from the
competition
• Medium to high brand investment
• sually unique and authentic value
U
The New proposition
General
• rand with high relevancy and low
B
Market
Cultural equity or vice versa
Strategic Provides Value to
Authenticity
Territories • equires deep levels of consumer
R Firm by Enhancing:
for Building commitment from heavy users of
Brand Equity • fficiency and
E
the brand
Effectiveness
• sually results in attracting new users
U of Marketing
and loyal repeat purchasers Investment
• Brand Affinity
• Prices/Margins
• eavy investment to build the brand
H
across all segments • Brand Association
• sually the brand has high equity and
U • Trade Leverage
relevancy measures within one key
segment • ompetitive
C
Cultural Advantage
Confluence • he brand has a unique and ownable
T
value proposition
• esults in significant trial and usage,
R
usually creating a larger loyal base of
consumers
• Medium to high brand investment
• urpose-driven brand building for
P
The New General Market specific
to the Hispanic, Black, Asian American
The Cultural and LGBT segments
Loop • uilds high brand relevancy and
B
equity measures
• stablishes a deep relationship with
E
the segments and usually delivers
brand loyalty
23
26. cultural community ™
Participating in long-standing community-based cultural events and programs
Within many ethnic segments, people often strongly identify with community-based
events that celebrate a shared identity and carry cultural value down from generation
to generation. Take, for example, Calle Ocho, a street party staged by Miami’s sizable
Cuban American population; or the ESSENCE Music Festival, held annually in
New Orleans and widely attended by Blacks.
These “for the community, by the community” events have traditionally served to
strengthen the fabric of cultural communities, bringing extended families and friends
together around a common celebration to reinforce identity. For some brands, this is
an opportunity to introduce the brand to the community. For others, it’s a means of
reinforcing their long-standing support. Either way, the barriers to entry are usually low,
opening the door to the longer process of embedding the brand in community culture.
Caters well to :
Brands with low relevancy and low equity measures.
Risk/reward:
Depending on a brand’s levels of engagement — from, say, a sponsorship on the one hand,
to dedication of human resources and other forms of more tangible participation on the
other — it runs an expected risk of low initial payoff. Buying sponsorship rights will not
likely translate into deep affinity for the brand, at least in the short term.
When brands invest time and resources, the benefits are often rewarding. The Cultural
Community approach requires a long-term commitment; it’s the equivalent of the
residents of a tight-knit ethnic segment inviting the brands into their homes and offering
them the chance to prove they want a relationship.
For those brands that invest in the Cultural Community approach over time, the rewards
can be substantial. Demonstrating a commitment to a community’s shared culture signals
that the brand cares and is here to stay. The community’s younger members grow up
with the brand and see it as an ally — a friendly entity that’s investing in them personally.
Long-term brand loyalty often emerges as older generations endorse the products and
services they introduce to their progeny.
24
27. Calle Ocho
Calle Ocho started in 1978 as a way
to showcase Cuban culture in Miami.
Today over one million people come from
all over the world to attend this street
party, which is covered by press and major
networks and sponsored by many top
brands. Calle Ocho is renowned for its
music, with top Hispanic acts performing
during the weekend festival.
ESSENCE Music Festival
For three days hundreds of thousands
gather for concerts and community-based
events in New Orleans. The 2012 ESSENCE
Music Festival, presented by Coca-Cola,
drove more than 422,000 guests to the
city. According to Michelle Ebanks,
President of Essence Communications
Inc., “The ESSENCE Music Festival is the
ultimate destination for entertainment
and inspiration as we gather together to
celebrate culture and connect to our com-
munity with some of the hottest names in
music and entertainment.” Now in its 18th
year, The ESSENCE Music Festival is the
nation’s definitive African-American live
music and cultural experience.
25
28. cultural currency ™
A partnership with talent or a prominent figure within the community
Sometimes, affinity by association helps. Prominent figures act not only as cultural icons,
but also as cultural gatekeepers. Brands that build associations/partnerships with talent
who’s built up cultural cachet and influence with a segment are borrowing cultural equity
to better reach and connect with that segment of consumers.
The most frequently used model is that of brands that engage talent (entertainment)
that “identifies with” a particular segment and has special authority to speak on its behalf.
Segments look to such brands for signals on what to trust (and brands to avoid) —
a quasi – litmus test of trust.
Caters well to:
Brands with low relevancy and low/medium equity measures.
Risk/reward:
As with Cultural Community, the Cultural Currency approach can serve as a needed
introduction between a brand and a community — a point of entry to establish an audience.
Instead of a community-based event, the channel for a relationship is through brand asso-
ciation via talent. Additionally, by borrowing cultural equity, brands may reap a particular
seal of approval — the equivalent of a reference from a well-trusted source.
But “quick entry” should not be conflated with “low risk.” Partnering through brand
association always carries inherit risk. Through association, the brand’s equity relies,
at least partially, on the equity of the talent. Should the talent lose his or her standing
in the community, so too might the brand.
Cîroc Vodka
After Diageo partnered with Sean
“Diddy” Combs, the brand grew 552%
from 2007 to 2010, replacing Belvedere
as the second-ranked vodka in the
“ultra-premium” category.
26
29. cultural authenticity™
Connecting with The New General Market based on insights driven inward (multicultural) to outward
(general market), or vice versa
Most often, brands are practiced at connecting to a “general market” audience — one
with which they’re familiar — but face the challenge of building relevance with a specific
multicultural audience. As opposed to making an introduction (say, through an event
sponsorship), the Cultural Authenticity approach is a process of “getting to know you.”
Brands develop authentic relationships through the process of uncovering and utilizing
relevant cultural insights.
The best examples come from brands that use an insight most relevant to a particular
community. Distilling cultural insights requires heavy lifting by research, influencing
everything from product/service development to communications. Ultimately, the
approach calls for a high degree of insight and a dedication to reflecting that insight
in the marketplace.
Caters well to:
Brands with high relevancy and low equity measures, or vice versa.
Risk/reward:
Using Cultural Authenticity requires deep levels of understanding and commitment.
The best examples come from brands that, in their own way, create an organic bond with
the community. This requires a heavy investment in research or innovation during the
product development cycle, with the particular audience in mind. Sometimes brands
simply get it right from the beginning due to a deep cultural understanding of the total
market. But in general, Cultural Authenticity is not an easy tactic to execute because it
requires a powerful cultural insight rolled out in a holistic manner. The brands, in effect,
become natural extensions of the community. Brands that are successful at executing this
strategy often enjoy a long and profitable tenure with high barriers to category entry.
Honey Bunches of Oats
80% of Hispanics, regardless of fluency,
want bilingual packaging. The Honey
Bunches of Oats “Think Positive”
campaign marks the first time the
company has implemented a bilingual
pack promotion.
27
30. cultural confluence ™
Turning a segment’s cultural values into attributes relevant to what’s considered the general market
When we reference Cultural Confluence, people sometimes think we’re suggesting
meshing or “watering down” the brand, thereby costing the brand its authenticity.
This is far from the truth. This cross-cultural approach is more accurately defined as
taking a holistic approach to the total marketplace.
Caters well to:
Brands with medium to high relevancy and/or medium to high equity measures.
Usually brands that are successful at this tactic have a high degree of initial trial and usage
measures and get a high degree of repeat usage.
Risk/reward:
This tactic helps brands increase loyalty among a larger base of consumers and establish
higher barriers to entry for competitors. We believe that as we continue to explore the
impact of The New General Market, we will begin to see more Cultural Confluence.
Red Rooster
After a celebrated run as executive
chef at Aquavit Restaurant, the Ethiopia-
born Marcus Samuelsson has built
Red Rooster, critically heralded and
reflective of Harlem’s many cultures.
The restaurant was named after the
legendary Harlem speakeasy that
was located at 138th Street and 7th
Avenue, where neighborhood folk, jazz
greats, authors, politicians and some
of the most noteworthy figures of the
20th century uch as Adam Clayton
—s
Powell Jr., Nat King Cole and James
Baldwin ould converge to enjoy drinks
—w
and music in an inviting atmosphere.
Since opening, it has attracted a world of
patrons. Red Rooster has hosted everyone
from the president of the United States
to Halle Berry. Red Rooster has embraced
today’s Harlem with that same spirit of
inclusiveness and community from its
past and present.
28
31. the cultural loop ™
Linking a brand with a social cause or purpose
Purpose-driven brands — those brands that put their capabilities to use in service of
a pressing social problem — are sometimes neglected within the context of multicultural
marketing. And yet research definitively points toward the conclusion that multi-
cultural segments respond to and support those brands that address relevant social
issues — often more so than the general market.
“Social issues” is a broad umbrella, from sustainability to health to education, and much
in between. The Cultural Loop poses the question: What issues are most important
to the community, and how can brands go beyond business as usual to address them?
This approach, broadly speaking, is about responding to what matters by playing a con-
structive role in cultural communities.
Caters well to:
Brands with high relevancy and equity measures.
Risk/reward:
Research suggests that affinity and loyalty increase for those brands that effectively go
beyond business as usual. For cultural communities in particular, The Cultural Loop can
work toward building trust, demonstrating the brand’s commitment to “what matters”
and conviction to do what’s best for the audience it serves.
However, good intentions are not enough. Social issues must be relevant both to the
community and to a brand’s own capabilities. Putting resources behind a certain social
issue that the brand has little license to address will likely hit a note of dissonance and
risk inauthenticity.
Black Girls Rock! b condoms
Black Girls Rock! Inc. is a nonprofit youth empower- b condoms focuses on bettering sexual health
ment and mentoring organization established to practices among four main target audiences:
promote the arts for young women of color, as well Blacks, Hispanics, 50 and over, and gay and
as to encourage dialogue and analysis of the ways bisexual males. b condoms reinvests a portion
women of color are portrayed in the media. Black of its profits in organizations across the
Girls Rock! offers unique programs that range from country that support sexually transmitted
DJ academies to cuisine tasting. The organization disease education and prevention in the most
has also established an awards show on BET, which affected areas.
was extremely successful in its inaugural year.
29
33. The term “cross-cultural marketing” dates back to the 1930s, but circumstances did not
converge in a way that allowed the advertising industry to fully embrace the concept
until now. Because of global and domestic demographic shifts, a cross-cultural approach
is suddenly essential in terms of analyzing the changing consumer and gaining deeper
insights into The New General Market. With current technology allowing us to better
target within this evolving audience, we will be poised to meet the demand for effective
advertising and produce a greater ROI.
Below is a case study that demonstrates how we solved a client’s total market communica-
tions and business opportunity.
Case study: A total market strategy using the cross-cultural approach
In 2008, a global retail brand that had matured in the United States encountered a down-
turn when the economy went into a nosedive. The number of store visitors was declining,
and growth through expansion was not an option.
The challenges presented to OgilvyCULTURE were as follows: First, increase the number
of visits by 2015. Second, demonstrate what OgilvyCULTURE means by a “total market”
approach — and explain the benefits of such a strategy. And third, inform the regional and
local markets.
An investigation into the retailer’s current approach revealed some interesting facts.
The first insight was that the retailer, seeking to find new customers, had only gone after
Hispanics — but that segment comprised less than half (48%) of the total population of
potential new customers. Another revelation was that something was being lost in transla-
tion: The retailer’s positioning did not address each of the segments in a meaningful
way. Further, we discovered that there was no consistent strategy that linked the national
market to regional and local markets.
Given the opportunity, OgilvyCULTURE responded with a four-pronged approach.
Initially, we sized and segmented the opportunity. Then we performed a qualitative assess-
ment and a quantitative assessment designed to show that we were correct in our hypothesis
about where the retailer’s efforts were falling short. Once our theory was validated, we
developed a cross-cultural strategy and followed that up by designing a cross-cultural
experience plan.
The outcome? The retailer was able to understand the total market opportunity and the
need to prioritize all segments. Rather than create a one-size-fits-all multicultural strategy
that was in fact geared only toward Hispanics, it executed a communications strategy that
included Blacks, Asian Americans and the LGBT community in addition to the general
market and Hispanics. The retailer also launched an integrated experience strategy that was
consistent across the national and regional/local markets. Finally, we put in place a measure-
ment and effectiveness plan to track results.
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34. The Ogilvy Mather Cross-Cultural Matrix
Is there an enormous untapped value in this approach? We are just beginning to tap
the surface. Usually the last question we get from clients after discussing the strategic
territories is “Where is my brand with regard to the relevancy or equity measures within
The New General Market?”
Our view is we must understand where the brand is with regard to cross-cultural
equity measures. Over the past year, we’ve measured relevancy through qualitative and
quantitative tools, stakeholder interviews and client sources. After assessing the brand,
we plot where it falls within the Ogilvy Mather Cross-Cultural Matrix (see below).
Relevancy
Growing Strong
Cross-Cultural Cross-Cultural
Equity Equity
Category Index
(Small, Strong Brands) (Large, Strong Brands)
Little Declining
Cross-Cultural Cross-Cultural
Equity Equity
(Small, Weak
(Large, Weak Brands)
or New Brands)
By plotting the brand’s current position within the Cross-Cultural Matrix, we are
able to understand how the brand is positioned within The New General Market and
begin to formulate a hypothesis as to how to increase the brand’s value with The New
General Market.
We develop a strategy to build the brand’s relevancy and equity measures with The
New General Market, based on the brand’s position within the Cross-Cultural Matrix.
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35. The Ogilvy Mather Cross-Cultural Matrix
Relevancy
Cultural Cultural
Currency Confluence
Category Index
The
Cultural
Loop
Cultural Cultural
Community Authenticity
As presented earlier in this report, these are our proprietary strategic territories. Using
this methodology and approach helps us understand what a brand needs to work on
to strengthen its positioning and how to increase the value of the brand over time with
The New General Market. The insights we gain allow us to evaluate various tactics based
on the brand’s cross-cultural assessment.
What’s next?
In the fall of 2012, through a joint WPP partnership using BrandZ™, Ogilvy Mather,
Millward Brown and Firefly Millward Brown will release the marketing and advertising
industry’s first Cross-Cultural Index. It is a proprietary approach we’ve developed to
measure how cross-cultural a brand is based on an assessment. This approach will allow
us to reassess a brand’s market value and other brand metrics for the “Total Market”
within BrandZ™.
The beta version of the Cross-Cultural Index will rank and score a brand’s equity within
The New General Market. It is our belief that once this tool is released and refined, we truly
will have a “Total Market” view of a brand’s value in the marketplace. Companies will
have a better understanding of how to elevate their brand’s value using our cross-cultural
strategies and how to invest their assets in The New General Market. In the end we will
have a way to measure the Total Market for effective and inspiring communications for all.
The marketplace continues to evolve. With this report, we have established a framework
for addressing The New General Market needs for current and future brands that engage
with our services in this fast-changing world. We believe there is a need to change our
current methodology in order to produce deeper consumer insights, better targeting and
more effective communications. If you have any questions or comments, please do not
hesitate to contact Jeffrey Bowman at jeffrey.bowman@ogilvy.com.
33
37. Jeffrey Bowman
Cross-Cultural Practice Lead
Jeffrey leads the North American Cross-Cultural Practice at Ogilvy Mather, one of the
largest advertising and communications agencies in the world. Ogilvy Mather’s cross-
cultural approach is viewed as an industry breakthrough because of the Inside-Outside
strategy, “The New General Market” approach, partnerships and client service model.
Since its launch in 2011, the Cross-Cultural Practice has nabbed eight global brands looking
to target The New General Market. Jeffrey has partnered with John Seifert, Chairman and
CEO of Ogilvy Mather North America, and Donna Pedro, Chief Diversity Officer of
Ogilvy Mather North America, to create a new communications model that serves as a
bridge between the general market and multicultural marketing communications models:
a “Total Market” communications model. This model has been celebrated in The New York
Times, Advertising Age, The Economist and other industry publications as well as at conferences.
Ogilvy Mather’s depth and diversity of talent allowed Jeffrey to bring his experience
to a space thirsty for innovation. Jeffrey has more than 15 years of experience in marketing
strategy, brand management, experience planning, digital strategy, channel strategy and
marketing effectiveness with global brands within the beverage, consumer packaged goods,
retail and technology industries. Still in its infancy, OgilvyCULTURE is recognized as
a very promising practice for the agency.
When Jeffrey is not working, he enjoys spending time with his wife and two daughters in
New York City. Jeffrey holds an MBA in Marketing from Clark Atlanta University and
a BS in Marketing from South Carolina State University.
Contact us: contact.ogilvyculture@ogilvy.com
Follow us: @ogilvyculture
Learn more: ogilvyculture.com
Facebook: facebook.com/ogilvyculture
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39. Chart/Visual Page Source
1980 vs. 2010 Population Growth Rates 8 1990 via World Databank, 2010 via CIA
World Factbook
Survey Data 9 OgilvyCULTURE LinkedIn Survey
Multicultural Spending and Shift to 9 The Nielsen Company
Emphasize Hispanic Advertising
Black Media Spend 10 Nielsen Report Media Spend 2009
Global Population by Age 10 US Census Bureau International Database
Race and Ethnicity Chart 11 Ad Age, “2010 America: What the 2010
Census Means for Marketing and
Advertising,” by Peter Francese
TNGM by Region, 1980 – 2010 12 US Census Bureau
TNGM by State, Top 10 Populated, 12 US Census Bureau
1980 – 2010
TNGM by City, Top 25 Populated, 13 US Census Bureau
1980 – 2010
Multicultural Buying Power 13 Selig Center for Economic Growth, Terry
College of Business, University of Georgia,
US Average Annual Expenditure
Household Expenditure Spending: 14 US Department of Labor, Bureau of Labor
Hispanic, Black and Asian American Statistics, Consumer Expenditure Survey
2010 Census Tract Heat Map, 14 Data from US Census Bureau, Map via
% Hispanic SocialExplorer
2010 Census Tract Heat Map, 14 Data from US Census Bureau, Map via
% Non-Hispanic, Black SocialExplorer
2010 Census Tract Heat Map, 15 Data from US Census Bureau, Map via
% Non-Hispanic, Asian American SocialExplorer
Top 10 DMAs and % TNGM in City 15 The Nielsen Company Local Television
Market Estimates; US Census Bureau
Technology Usage 16 Mintel, Pew Research Center, eMarketer, IDC,
US Census: Aside from Total Market, email
assumptions are based on Census data and
technology adoption rate
37