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OCAD University
Open Research
Repository
http://openresearch.ocadu.ca
Jill Patrick
University Librarian
October 21, 2015
2
preserves and
showcases research
outputs
powered by EPrints 3
free software
developed by the
University of
Southampton
3
built in 2013-14 by
University Library and
Research & Graduate
Studies
contains 263 items
theses and MRPs
4
What is an IR?
• An Institutional Repository is an online locus for
collecting, preserving, and disseminating – in digital form
-- the intellectual output of an institution, particularly a
research institution.
• For a university, this includes research journal articles,
before (preprints) and after (postprints) undergoing peer
review, and digital versions of theses and dissertations,
as well as books, reports, and other digital assets
generated by the university.
5
Why an IR?
• The four main objectives for having an
institutional repository are:
– to create global visibility for an institution's scholarly
research;
– to collect content in a single location;
– to provide open access to institutional research output
by self-archiving it;
– to store and preserve other institutional digital assets,
including unpublished or otherwise easily lost ("grey")
literature (e.g., theses, reports, exhibition catalogues).
Benefits
Permanent identifier
For example: http://openresearch.ocadu.ca/82/
ID part of the URL is the permanent identifier.
It will never change and is never re-used.
6
Benefits
• Can be crawled and indexed by search
engines and other OA repository
harvesters such as ROAR (Registry of
Open Access Repositories) and OAIster, a
union catalog harvesting from open
access collections worldwide
7
8
DIVISIONS
Our repository was built with a
preliminary hierarchical list of
divisions based on the current
departmental structure
a deposit may be linked to more than
one division
9
THESES & MRPs
Graduate Studies developed the metadata
configuration workflows and deposit
templates for Theses and MRPs, which had
been identified early in the project as priority
Item Types
10
OTHER ITEM TYPES
Templates were also created for Articles,
Books, Book Sections, Reports/ Working
Papers, Conferences/Workshops
We are currently promoting the IR and
expect to receive more deposits in 2015-16
from faculty and researchers
11
WORK TO BE DONE
Metadata configurations and workflows
need to be developed, in collaboration
with OCAD U faculty and researchers, for
several other Item Types before we can
accept deposits.
These include: Project, Patent, Art/Design
item, Digital Object, Show/Exhibition,
Performance, Image, Audio, Moving
Image, Teaching Resource, and Dataset.
12
RIGHTS MANAGEMENT
Authors grant OCAD University the right to store publications
and to make them available publicly for free on-line. Authors
own the copyright of their work.
Copyright statement is clearly displayed
on the bottom of every web page
“All items in the OCAD University Open
Research Repository are protected by
copyright, with all rights reserved except
where explicitly noted.”
13
14
Authors own the copyright of
their work.
copyright holder or license is
acknowledged for all associated
image and video files
15
16
17
Authors own the copyright of their
work.
When depositing items, authors
select from a list of license options.
If a specific license is not listed in the
drop down menu, or you are unsure
of your options, consult the Scholarly
Communications Librarian.
Deposit is not compulsory.
18
OUR INSPIRATION
In the UK, the major art & design university
libraries have undertaken significant R&D
since 2007.
They have successfully demonstrated that
an institutional repository can effectively
capture and preserve research outputs,
reveal research strengths, and demonstrate
research impacts to support the University
enterprise.
19
KULTUR Project
http://kultur.eprints.org/
20
2007 to 2009
•to create a model institutional repository for
research outputs in the creative arts.
•led by the University of Southampton with the
University for the Creative Arts (UCA), University
of the Arts London (UAL), and the Visual Arts
Data Service (VADS) as partners.
KULTIVATE Project
http://www.vads.ac.uk/kultur2group/projects/kultivate/
21
2010 to 2011
•to increase arts research deposit
in the UK Higher Education
sector.
•led by the University for the
Creative Arts
eNova Project
http://vads.ac.uk/kultur2group/projects/enova/index.html
22
2011
•to extend the functionality of the
ePrints open source MePrints
profile tool
•to ensure it meets the highly
specialised requirements of
researchers and others in the visual
and creative arts
KAPTUR Project
http://www.vads.ac.uk/kaptur/
23
2011 to 2013
•To manage research data in the arts
and to build a pilot repository to store
this information
•Institutional Partners Glasgow
School of Art, Goldsmiths University
of London, University for the Creative
Arts, University of the Arts London
KAPTUR Outcomes
• to investigate the current state of the
management of research data in the arts
• to develop a model of best practice
applicable to both specialist arts institutions
and arts departments in multidisciplinary
institutions
• to apply, test and embed the model with the
four institutional partners.
24
KAPTUR Outputs
• Toolkits for visual arts researchers
– Introduction to Research Data
– Data Management Planning
• Toolkit for visual arts data managers
– Managing the Material
• Institutional Data Management Policies
and Business and Sustainability Plans for
GSA, GOLD, UCA, and UAL
25
Visual Arts Data Skills for Researchers
http://www.vads4r.vads.ac.uk/
26
27
Goldsmiths Research Online
http://research.gold.ac.uk/
• a repository of research publications and other research
outputs by academics at Goldsmiths…intended to
provide long-term, public, free access to these materials
on the web.
– Bibliographic information about Goldsmiths research output
(metadata).
– Full text research articles, sample book chapters, working
papers and monographs.
– Images of visual art works, documentation of time-based and
complex multi-media research outputs.
– PhD theses.
• an integral part of Research & Enterprise at Goldsmiths
28
29
30
Glasgow School of Art RADAR
http://radar.gsa.ac.uk/
• RADAR is the Glasgow School of Art's research
repository, providing a digital archive of research and
enterprise output produced by Glasgow School of Art
staff and postgraduate students.
• RADAR (which stands for Research Art Design
Architecture Repository) makes information publically
available about a wide range of research outputs, from
books and journal articles to exhibitions and artefacts.
• Full text is available where possible, and some additional
content is available on request.
• RADAR is an integral part of Research at GSA
31
32
33
REF2014
http://www.ref.ac.uk/
• The Research Excellence Framework (REF) is
the new system for assessing the quality of
research in UK higher education institutions.
• The results of the 2014 REF were published on
18 December 2014.
• The primary purpose of REF 2014 was to
assess the quality of research and produce
outcomes for each submission made by
institutions
34
REF2014
• The four higher education funding bodies will
use the assessment outcomes to inform the
selective allocation of their grant for research to
the institutions which they fund, with effect from
2015-16.
• The assessment provides accountability for
public investment in research and produces
evidence of the benefits of this investment.
35
REF2014
• The assessment outcomes provide
benchmarking information and establish
reputational yardsticks, for use within the higher
education (HE) sector and for public information.
• REF 2014 permitted the submission of research
outputs in any form providing they embodied
original research.
• For REF2020 it has been proposed that all research
outputs must be freely available in an institutional
repository at the time of acceptance in order to be
eligible.
36
REF2014 Results
http://results.ref.ac.uk/
• Goldsmiths College
http://results.ref.ac.uk/Results/ByHei/129
• Glasgow School of Art
http://results.ref.ac.uk/Results/ByHei/95
• University for the Creative Arts
http://results.ref.ac.uk/Results/ByHei/725
• University of the Arts London
http://results.ref.ac.uk/Results/ByHei/23
37
Role of Eprints Repositories
• It is informative to study how these 4 exemplar
UK universities (GOLD, GSA, UCA, and UAL)
were able to demonstrate research impact for
the case studies that they put forward.
• The EPrints repositories were used by each
university to collect profile information and
research outputs in a wide variety of formats –
and in most cases, there was a direct link to the
repository item.
38
39
40
41
42
43
44
45
Scholarly Communications
• At the University of Arts London, UAL
Research Online is a component of a
larger Scholarly Communications program
that intersects with Research
Management
• UAL Research Online supports research
profiles using MePrints, an Eprints plugin
46
47
48
49
50
51
Scholarly Communications at UAL
http://arts.ac.libguides.com/c.php?g=366098&p=2473762
52
Scholarly Communications at OCAD U
http://ocad.libguides.com/c.php?g=385694&p=2615029
53
Scholarly Communications at OCAD U
…promotion of open access and the
development of our institutional repository
http://openresearch.ocadu.ca contributes to
a global effort to open up research, provide
a complementary avenue of distribution in
addition to print, increase discoverability,
and potentially open up new possibilities for
collaboration.
54
Scholarly Communications at OCAD U
These goals support the objectives of OCAD
University's Strategic Mandate Agreement
http://www.ocadu.ca/about/accountability.htm
…engaging in transformative education,
scholarship, research and innovation
…extending the studio into the community,
workplace, laboratory and online worlds.
55
Supporting the SMA
• demonstrate institutional strength in Jobs,
Innovation and Economic Development
and institutional strength in Research and
Graduate Studies ….
by preserving and showcasing research
outputs and imbedding the IR in Research
and Graduate Program pages
56
Supporting the SMA
• increase the percentage of graduate to
undergraduate students …
by preserving and promoting thesis/mrp
research and imbedding the IR in
Graduate Program pages.
57
Theses Canada - harvesting
58
Theses Canada - harvesting
59
Summon - harvesting
60
Supporting the SMA
• increase the amount of sponsored
research per FT faculty and the number of
Canada Research Chairs …
by building researcher profiles and collecting
research outputs to facilitate grant
applications and collaboration
61
Supporting the SMA
• Increase research impact and citations
by collecting research outputs on the IR and
tracking the IRStats analytics
– “The most significant benefit is the dramatic increase (50-250%) in citation
impact that results from electronic publishing.”
[Scholarship@Western http://ir.lib.uwo.ca/etd/ ]
62
Web Analytics
Increased visibility
• Crawled and indexed by Google, IR ranked
high in search engines
• Theses harvested by Library and Archives
Canada
Web analytics track where a visitor to the IR
originated (e.g., previous page, link from
another Web site, or search engine).
63
IRStats
64
IRStats
65
Supporting the SMA
• quantify research/outputs using models
from the United Kingdom……and develop
a framework that can be shared with other
institutions with Applied and Fine Arts
programs …
by studying the outcomes of the UK Kaptur
Project including best practices, models,
toolkits, plans and policies.
66
NEXT STEPS at OCAD U
• Further meetings of our Institutional
Repository and Scholarly Communications
Advisory Group (IRSCAG) to identify
priorities for 2015-16
• Further consultations with University
stakeholders
• Consider ways that the IR can assist with
research management at the University
and research impact beyond the
University 67
IRSCAG Role
• To consult on development of Institutional Repository
• To identify and prioritize projects that will generate
significant content for the IR
• To assist with formulation of budget requests and grant
applications to assure continued support for the IR
• To provide guidance and to oversee the work of the
Scholarly Communications Librarian/Digital Projects
Officer
• To consult and collaborate on promotional initiatives
such as Open Access Week
68
NEXT STEPS at OCAD U
• Pilot Project with Strategic Innovation Lab
http://slab.ocadu.ca/
• identify research outputs and build
metadata configurations and templates for
prioritized Item Types to enable deposit to
the Institutional Repository
• develop components of a basic Scholarly
Communications Program including
information, training and assistance
69
NEXT STEPS at OCAD U
• Submit joint proposal with Research &
Graduate Studies for an Operating Budget
that will support development and
maintenance of the IR and the SC
Program beyond 2015-16
70
Acknowledgements
• Research & Graduate Studies: Sarah
Hildebrandt, Alice Brummell, Martha Ladly, Brian
Desrosiers-Tam, Lauren Vaile, Greg Singer,
Helmut Reichenbacher
• IT Services: Andrew McAllister, Alastair Macleod
• Marketing & Communication: Ramtin Lotfabadi
• University Library: Maureen Carter, Jim
Forrester, Alex Homanchuk, Victoria Sigurdson,
Ling He, Chris Landry, Jill Patrick
71

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OCAD University Institutional Repository Overview

  • 2. 2 preserves and showcases research outputs powered by EPrints 3 free software developed by the University of Southampton
  • 3. 3 built in 2013-14 by University Library and Research & Graduate Studies contains 263 items theses and MRPs
  • 4. 4 What is an IR? • An Institutional Repository is an online locus for collecting, preserving, and disseminating – in digital form -- the intellectual output of an institution, particularly a research institution. • For a university, this includes research journal articles, before (preprints) and after (postprints) undergoing peer review, and digital versions of theses and dissertations, as well as books, reports, and other digital assets generated by the university.
  • 5. 5 Why an IR? • The four main objectives for having an institutional repository are: – to create global visibility for an institution's scholarly research; – to collect content in a single location; – to provide open access to institutional research output by self-archiving it; – to store and preserve other institutional digital assets, including unpublished or otherwise easily lost ("grey") literature (e.g., theses, reports, exhibition catalogues).
  • 6. Benefits Permanent identifier For example: http://openresearch.ocadu.ca/82/ ID part of the URL is the permanent identifier. It will never change and is never re-used. 6
  • 7. Benefits • Can be crawled and indexed by search engines and other OA repository harvesters such as ROAR (Registry of Open Access Repositories) and OAIster, a union catalog harvesting from open access collections worldwide 7
  • 8. 8 DIVISIONS Our repository was built with a preliminary hierarchical list of divisions based on the current departmental structure a deposit may be linked to more than one division
  • 9. 9 THESES & MRPs Graduate Studies developed the metadata configuration workflows and deposit templates for Theses and MRPs, which had been identified early in the project as priority Item Types
  • 10. 10 OTHER ITEM TYPES Templates were also created for Articles, Books, Book Sections, Reports/ Working Papers, Conferences/Workshops We are currently promoting the IR and expect to receive more deposits in 2015-16 from faculty and researchers
  • 11. 11 WORK TO BE DONE Metadata configurations and workflows need to be developed, in collaboration with OCAD U faculty and researchers, for several other Item Types before we can accept deposits. These include: Project, Patent, Art/Design item, Digital Object, Show/Exhibition, Performance, Image, Audio, Moving Image, Teaching Resource, and Dataset.
  • 12. 12 RIGHTS MANAGEMENT Authors grant OCAD University the right to store publications and to make them available publicly for free on-line. Authors own the copyright of their work. Copyright statement is clearly displayed on the bottom of every web page “All items in the OCAD University Open Research Repository are protected by copyright, with all rights reserved except where explicitly noted.”
  • 13. 13
  • 14. 14 Authors own the copyright of their work. copyright holder or license is acknowledged for all associated image and video files
  • 15. 15
  • 16. 16
  • 17. 17 Authors own the copyright of their work. When depositing items, authors select from a list of license options. If a specific license is not listed in the drop down menu, or you are unsure of your options, consult the Scholarly Communications Librarian. Deposit is not compulsory.
  • 18. 18
  • 19. OUR INSPIRATION In the UK, the major art & design university libraries have undertaken significant R&D since 2007. They have successfully demonstrated that an institutional repository can effectively capture and preserve research outputs, reveal research strengths, and demonstrate research impacts to support the University enterprise. 19
  • 20. KULTUR Project http://kultur.eprints.org/ 20 2007 to 2009 •to create a model institutional repository for research outputs in the creative arts. •led by the University of Southampton with the University for the Creative Arts (UCA), University of the Arts London (UAL), and the Visual Arts Data Service (VADS) as partners.
  • 21. KULTIVATE Project http://www.vads.ac.uk/kultur2group/projects/kultivate/ 21 2010 to 2011 •to increase arts research deposit in the UK Higher Education sector. •led by the University for the Creative Arts
  • 22. eNova Project http://vads.ac.uk/kultur2group/projects/enova/index.html 22 2011 •to extend the functionality of the ePrints open source MePrints profile tool •to ensure it meets the highly specialised requirements of researchers and others in the visual and creative arts
  • 23. KAPTUR Project http://www.vads.ac.uk/kaptur/ 23 2011 to 2013 •To manage research data in the arts and to build a pilot repository to store this information •Institutional Partners Glasgow School of Art, Goldsmiths University of London, University for the Creative Arts, University of the Arts London
  • 24. KAPTUR Outcomes • to investigate the current state of the management of research data in the arts • to develop a model of best practice applicable to both specialist arts institutions and arts departments in multidisciplinary institutions • to apply, test and embed the model with the four institutional partners. 24
  • 25. KAPTUR Outputs • Toolkits for visual arts researchers – Introduction to Research Data – Data Management Planning • Toolkit for visual arts data managers – Managing the Material • Institutional Data Management Policies and Business and Sustainability Plans for GSA, GOLD, UCA, and UAL 25
  • 26. Visual Arts Data Skills for Researchers http://www.vads4r.vads.ac.uk/ 26
  • 27. 27
  • 28. Goldsmiths Research Online http://research.gold.ac.uk/ • a repository of research publications and other research outputs by academics at Goldsmiths…intended to provide long-term, public, free access to these materials on the web. – Bibliographic information about Goldsmiths research output (metadata). – Full text research articles, sample book chapters, working papers and monographs. – Images of visual art works, documentation of time-based and complex multi-media research outputs. – PhD theses. • an integral part of Research & Enterprise at Goldsmiths 28
  • 29. 29
  • 30. 30
  • 31. Glasgow School of Art RADAR http://radar.gsa.ac.uk/ • RADAR is the Glasgow School of Art's research repository, providing a digital archive of research and enterprise output produced by Glasgow School of Art staff and postgraduate students. • RADAR (which stands for Research Art Design Architecture Repository) makes information publically available about a wide range of research outputs, from books and journal articles to exhibitions and artefacts. • Full text is available where possible, and some additional content is available on request. • RADAR is an integral part of Research at GSA 31
  • 32. 32
  • 33. 33
  • 34. REF2014 http://www.ref.ac.uk/ • The Research Excellence Framework (REF) is the new system for assessing the quality of research in UK higher education institutions. • The results of the 2014 REF were published on 18 December 2014. • The primary purpose of REF 2014 was to assess the quality of research and produce outcomes for each submission made by institutions 34
  • 35. REF2014 • The four higher education funding bodies will use the assessment outcomes to inform the selective allocation of their grant for research to the institutions which they fund, with effect from 2015-16. • The assessment provides accountability for public investment in research and produces evidence of the benefits of this investment. 35
  • 36. REF2014 • The assessment outcomes provide benchmarking information and establish reputational yardsticks, for use within the higher education (HE) sector and for public information. • REF 2014 permitted the submission of research outputs in any form providing they embodied original research. • For REF2020 it has been proposed that all research outputs must be freely available in an institutional repository at the time of acceptance in order to be eligible. 36
  • 37. REF2014 Results http://results.ref.ac.uk/ • Goldsmiths College http://results.ref.ac.uk/Results/ByHei/129 • Glasgow School of Art http://results.ref.ac.uk/Results/ByHei/95 • University for the Creative Arts http://results.ref.ac.uk/Results/ByHei/725 • University of the Arts London http://results.ref.ac.uk/Results/ByHei/23 37
  • 38. Role of Eprints Repositories • It is informative to study how these 4 exemplar UK universities (GOLD, GSA, UCA, and UAL) were able to demonstrate research impact for the case studies that they put forward. • The EPrints repositories were used by each university to collect profile information and research outputs in a wide variety of formats – and in most cases, there was a direct link to the repository item. 38
  • 39. 39
  • 40. 40
  • 41. 41
  • 42. 42
  • 43. 43
  • 44. 44
  • 45. 45
  • 46. Scholarly Communications • At the University of Arts London, UAL Research Online is a component of a larger Scholarly Communications program that intersects with Research Management • UAL Research Online supports research profiles using MePrints, an Eprints plugin 46
  • 47. 47
  • 48. 48
  • 49. 49
  • 50. 50
  • 51. 51
  • 52. Scholarly Communications at UAL http://arts.ac.libguides.com/c.php?g=366098&p=2473762 52
  • 53. Scholarly Communications at OCAD U http://ocad.libguides.com/c.php?g=385694&p=2615029 53
  • 54. Scholarly Communications at OCAD U …promotion of open access and the development of our institutional repository http://openresearch.ocadu.ca contributes to a global effort to open up research, provide a complementary avenue of distribution in addition to print, increase discoverability, and potentially open up new possibilities for collaboration. 54
  • 55. Scholarly Communications at OCAD U These goals support the objectives of OCAD University's Strategic Mandate Agreement http://www.ocadu.ca/about/accountability.htm …engaging in transformative education, scholarship, research and innovation …extending the studio into the community, workplace, laboratory and online worlds. 55
  • 56. Supporting the SMA • demonstrate institutional strength in Jobs, Innovation and Economic Development and institutional strength in Research and Graduate Studies …. by preserving and showcasing research outputs and imbedding the IR in Research and Graduate Program pages 56
  • 57. Supporting the SMA • increase the percentage of graduate to undergraduate students … by preserving and promoting thesis/mrp research and imbedding the IR in Graduate Program pages. 57
  • 58. Theses Canada - harvesting 58
  • 59. Theses Canada - harvesting 59
  • 61. Supporting the SMA • increase the amount of sponsored research per FT faculty and the number of Canada Research Chairs … by building researcher profiles and collecting research outputs to facilitate grant applications and collaboration 61
  • 62. Supporting the SMA • Increase research impact and citations by collecting research outputs on the IR and tracking the IRStats analytics – “The most significant benefit is the dramatic increase (50-250%) in citation impact that results from electronic publishing.” [Scholarship@Western http://ir.lib.uwo.ca/etd/ ] 62
  • 63. Web Analytics Increased visibility • Crawled and indexed by Google, IR ranked high in search engines • Theses harvested by Library and Archives Canada Web analytics track where a visitor to the IR originated (e.g., previous page, link from another Web site, or search engine). 63
  • 66. Supporting the SMA • quantify research/outputs using models from the United Kingdom……and develop a framework that can be shared with other institutions with Applied and Fine Arts programs … by studying the outcomes of the UK Kaptur Project including best practices, models, toolkits, plans and policies. 66
  • 67. NEXT STEPS at OCAD U • Further meetings of our Institutional Repository and Scholarly Communications Advisory Group (IRSCAG) to identify priorities for 2015-16 • Further consultations with University stakeholders • Consider ways that the IR can assist with research management at the University and research impact beyond the University 67
  • 68. IRSCAG Role • To consult on development of Institutional Repository • To identify and prioritize projects that will generate significant content for the IR • To assist with formulation of budget requests and grant applications to assure continued support for the IR • To provide guidance and to oversee the work of the Scholarly Communications Librarian/Digital Projects Officer • To consult and collaborate on promotional initiatives such as Open Access Week 68
  • 69. NEXT STEPS at OCAD U • Pilot Project with Strategic Innovation Lab http://slab.ocadu.ca/ • identify research outputs and build metadata configurations and templates for prioritized Item Types to enable deposit to the Institutional Repository • develop components of a basic Scholarly Communications Program including information, training and assistance 69
  • 70. NEXT STEPS at OCAD U • Submit joint proposal with Research & Graduate Studies for an Operating Budget that will support development and maintenance of the IR and the SC Program beyond 2015-16 70
  • 71. Acknowledgements • Research & Graduate Studies: Sarah Hildebrandt, Alice Brummell, Martha Ladly, Brian Desrosiers-Tam, Lauren Vaile, Greg Singer, Helmut Reichenbacher • IT Services: Andrew McAllister, Alastair Macleod • Marketing & Communication: Ramtin Lotfabadi • University Library: Maureen Carter, Jim Forrester, Alex Homanchuk, Victoria Sigurdson, Ling He, Chris Landry, Jill Patrick 71

Editor's Notes

  1. Metadata configuration for theses workflows was developed by Alice Brummell, Grad Studies. If there is time at the end of my presentation, I can quickly run through the e-thesis deposit template. Templates have also been developed for deposit of Articles, Books, Book Sections, Reports/Working Papers, and Conference/Workshop Items. Sara Diamond, Vera Roberts and Kathleen Webb were the first to agree to deposit their papers into our repository.
  2. Metadata configurations and workflows need to be developed, in collaboration with OCAD U faculty and researchers, for several other Item Types before we can accept deposits. The Library’s new Scholarly Communications Librarian will be working on a pilot with the Strategic Innovation Lab to work through these and other details.
  3. All items in the OCAD University Open Research Repository are protected by copyright, with all rights reserved except where explicitly noted.
  4. Unless otherwise stated c the author…
  5. If a specific license is not listed in the drop down menu, contact us. If you are not happy with the options, do not deposit. The author controls the deposit process.
  6. If a specific license is not listed in the drop down menu, contact us. If you are not happy with the options, do not deposit. The author controls the deposit process.
  7. Here is the Research & Enterprise page at Goldsmiths University of London. The Open Access link at the lower left leads to their repository Goldsmiths Research Online. If you click on the View our REF results, you will see how effective a repository can be….
  8. USouthampton also hosts the Eprints repository of the Glasgow School of Art. RADAR provides a digital archive of research and enterprise outputs and makes information publically available about a range of research outputs, from books and journal articles to exhibitions and artefacts. Full text is available where possible, and some additional content is available on request.
  9. The Research Repository, managed by Library & Learning Resources, is imbedded within the Research unit. The Repository populates the public-facing webpages of the research enterprise with relevant content including images and media. The Repository also generates web analytics that have been used to demonstrate research impacts that support statements such as
  10. The University of the Arts London has imbedded “research outputs” from the Repository directly into individual Researcher Profiles – here is an example. The link “View all outputs in UAL Research Online” leads to
  11. This page where the items are preserved. On the left hand column, you can again see how the Repository is situated. It is a collaboration of the UAL Research Management and Scholarly Communications which is a University Library division.
  12. Library and Archives Canada (LAC) preserves a copy of our theses files in their server. Harvesting from IR is the only way to submit e-theses to LAC currently.