In 1932, Nina Ricci established her Parisian couture house which became renowned for its sophisticated yet relaxed feminine style combining luxurious materials with soft draping. By capturing each woman's essence, Nina Ricci's designs emphasized natural beauty over ostentation and her goal was to make women look beautiful with youthful charm. Over time, the house expanded into perfumes and brought on new designers who further developed the Ricci style while staying true to its foundations of elegance, femininity and quality craftsmanship.
This week I worked with the Italian luxury fashion house Valentino, now owned by the Qatari royal family. In this presentation you will find a brief history of the brand, my interpretation of its DNA and the Luxury Codes Prism applied to it step by step.
Please check the Google Presentation to enjoy the full audiovisual experience:
https://docs.google.com/a/ied.edu/presentation/d/1IBIOkiAfAq4ipSJ2OOTF7k-y8Y5yKXRFEF9Ka1Ur_Gc/edit?usp=sharing
Feel free to comment!
Swedish Antiques Master Class presented by Toma Clark Haines The Antiques Di...The Antiques Diva & Co
The Golden Age: The most important Swedish furniture styles and periods (watch on Facebook LIVE: https://www.facebook.com/TomaClarkHaines/videos/10209172756975863/ by Toma Clark Haines – CEO The Antiques Diva & Co
and Diva Guide Swedish Antiques Expert Daniel Larsson – D Larsson Antiques & Interiors)
• Stockholm Pieces vs. Manor vs. Folk Art
• Transitional Pieces
• Original Paint
• Fakes
• Period vs. Style
In the 18th Century the government instigated a ban on the import on furniture thus igniting one of the greatest cultural contributions to the history of furniture making. As a result of the ban - national furniture making took off creating Masterpieces that would change the history of antiques.
In 1846 the guild system dissolved in Sweden and the carpenter's strict quality controls ceased. Cabinetmakers were now able to freely practice their craft. During the second half of the 19th century it became more common with machine-made parts and the handmade furniture decreased most significantly and unfortunately so did the quality.
Much of the Swedish furniture currently available on the "antique" market has been comprehensively rebuilt and restored, often repainted in popular pale colors and sadly some of these created or "style" pieces are sold as period. It is paramount to pay attention and look closely. During the 80’s and 90’s a lot of furniture with original color was unfortunately destroyed by chemicals.
In conclusion: Pieces that look Gustavian but were made one or two hundred years later or even last year are properly designated in the Gustavian style.
The Antiques Diva & Co http://antiquesdiva.com/ is the largest antiques touring company in the world . We offer one-on-one customized antique buying tours on 3 continents – EUROPE, ASIA and USA and 15 countries. To book an antiques buying tour in Europe, Asia or America with \ contact Toma: info@antiquesdiva.com
This week I worked with the Italian luxury fashion house Valentino, now owned by the Qatari royal family. In this presentation you will find a brief history of the brand, my interpretation of its DNA and the Luxury Codes Prism applied to it step by step.
Please check the Google Presentation to enjoy the full audiovisual experience:
https://docs.google.com/a/ied.edu/presentation/d/1IBIOkiAfAq4ipSJ2OOTF7k-y8Y5yKXRFEF9Ka1Ur_Gc/edit?usp=sharing
Feel free to comment!
Swedish Antiques Master Class presented by Toma Clark Haines The Antiques Di...The Antiques Diva & Co
The Golden Age: The most important Swedish furniture styles and periods (watch on Facebook LIVE: https://www.facebook.com/TomaClarkHaines/videos/10209172756975863/ by Toma Clark Haines – CEO The Antiques Diva & Co
and Diva Guide Swedish Antiques Expert Daniel Larsson – D Larsson Antiques & Interiors)
• Stockholm Pieces vs. Manor vs. Folk Art
• Transitional Pieces
• Original Paint
• Fakes
• Period vs. Style
In the 18th Century the government instigated a ban on the import on furniture thus igniting one of the greatest cultural contributions to the history of furniture making. As a result of the ban - national furniture making took off creating Masterpieces that would change the history of antiques.
In 1846 the guild system dissolved in Sweden and the carpenter's strict quality controls ceased. Cabinetmakers were now able to freely practice their craft. During the second half of the 19th century it became more common with machine-made parts and the handmade furniture decreased most significantly and unfortunately so did the quality.
Much of the Swedish furniture currently available on the "antique" market has been comprehensively rebuilt and restored, often repainted in popular pale colors and sadly some of these created or "style" pieces are sold as period. It is paramount to pay attention and look closely. During the 80’s and 90’s a lot of furniture with original color was unfortunately destroyed by chemicals.
In conclusion: Pieces that look Gustavian but were made one or two hundred years later or even last year are properly designated in the Gustavian style.
The Antiques Diva & Co http://antiquesdiva.com/ is the largest antiques touring company in the world . We offer one-on-one customized antique buying tours on 3 continents – EUROPE, ASIA and USA and 15 countries. To book an antiques buying tour in Europe, Asia or America with \ contact Toma: info@antiquesdiva.com
Here's a proposition of an Experiential Concept Store for Chanel. A completely new way of wowing your public, the media and going viral!
Creators: @alexandre_MB_ + @Stephan_Denis + Simon + Laura + Sara
Published and distributed in Paris since 1992, the magazine Where Paris is part of the global Where® network present in over 100 destinations around the world. It is the publication of reference for hotels and players on the tourism scene by bringing each month practical and cultural information and up-to-date Parisian news to its readers. Reflecting the dynamic lifestyles of affluent travellers, Where Paris is a unique platform for targeting this valuable but hard-to-reach audience. It is available free of charge in hotels and places frequented by tourists.
Here's a proposition of an Experiential Concept Store for Chanel. A completely new way of wowing your public, the media and going viral!
Creators: @alexandre_MB_ + @Stephan_Denis + Simon + Laura + Sara
Published and distributed in Paris since 1992, the magazine Where Paris is part of the global Where® network present in over 100 destinations around the world. It is the publication of reference for hotels and players on the tourism scene by bringing each month practical and cultural information and up-to-date Parisian news to its readers. Reflecting the dynamic lifestyles of affluent travellers, Where Paris is a unique platform for targeting this valuable but hard-to-reach audience. It is available free of charge in hotels and places frequented by tourists.
Magazine mensuel Where Paris n°265, english edition, daté février 2016 / Febr...Where Paris Editions
Circulation 51 000 copy/month
The magazine is available in the suites, rooms and concierge services of the 400 largest luxury hotels and palaces in Paris. the restocking of the magazine is based on the needs of each hotel (a member of the Where® team is dedicated to the distribution and visit all hotels)
Magazine Where Paris n°249, daté octobre 2014, Jean-Louis Roux-FouilletWhere Paris Editions
Magazine Where Paris n°249, english edition, daté octobre 2014.
Magazine le plus lu par les touristes premium à Paris, existe depuis 23 ans dans la capitale et depuis 1936 dans le monde (Disponible sur plus de 100 destinations).
Distribué dans les hôtels 4 et 5 étoiles, palaces (60% en chambres), 40 escales VIP lounges Air France à destination de Paris, à bord de certaines compagnies aériennes à la place et en main propre, en business et class affaires (russe, chinoise etc.), les aéroports, mais aussi dans les ambassades, lieux touristiques et trendy parisiens.
54.080 exemplaires (OJD), 286.000 lecteurs chaque mois qui se renouvellent en permanence.
Ceux-ci arrivent à Paris pour la culture, l'art et le tourisme, la gastronomie et le vin mais aussi et avant tout pour faire du shopping.
Nous avons bien évidemment comme lecteurs tous les voyageurs d’affaires qui fréquentent ces luxueux hôtels.
Le tourisme sur le Grand Paris, un marché de 47 millions de visiteurs.
Magazine Where Paris n°252, english edition, daté janvier 2015, leader sur les touristes premium visitant Paris, The most read monthly magazine by affluent tourists in Paris, Jean-louis Roux-Fouillet
Where paris english Issue n° 255 edition avril 2015 /2015 aprilWhere Paris Editions
Magazine Where Paris n°255, english edition, daté avril 2015, leader sur les touristes premium visitant Paris, The most read monthly magazine by affluent tourists in Paris, Jean-louis Roux-Fouillet
Magazine Where Paris n°237, english edition, daté octobre 2013, Jean-Louis Ro...Where Paris Editions
Magazine leader sur les touristes "premium" sur Paris.
Disponible dans les hôtels 4 et 5 étoiles, les palaces, les lounge VIP Air France, sur les classes business et affaires de certaines compagnies aériennes, les ambassades, les lieux touristiques...
Jean-Louis Roux-Fouillet : jeanlouis.rouxfouillet@wheremagazine.com
Magazine mensuel Where Paris n°264, english edition, daté janvier 2016 / Janu...Where Paris Editions
Circulation 51 000 copy/month
The magazine is available in the suites, rooms and concierge services of the 400 largest luxury hotels and palaces in Paris. the restocking of the magazine is based on the needs of each hotel (a member of the Where® team is dedicated to the distribution and visit all hotels)
Magazine Where Paris n°253, english edition, daté février 2015, leader sur les touristes premium visitant Paris, The most read monthly magazine by affluent tourists in Paris, Jean-louis Roux-Fouillet
Where Paris english Issue n° 259 edition août 2015 /2015 AugustWhere Paris Editions
Magazine mensuel Where Paris n°259, english edition, daté août 2015 / August 2015, leader sur les touristes premium visitant Paris, The most read monthly magazine by affluent tourists in Paris, Jean-louis Roux-Fouillet.
Red Scarf Equestrian bags. Luxury boot bags, totes and travel. Presented in Cannes at the StyleshopUSA Luxury Lounge and in Monaco at the Monaco Grand Prix Fashion Event 2009.
www.styleshopusa.com
Our 2016 catalogue for corporate gifts and promotional materials. Please visit our website for more premium products www.premiumgroupng.com. Call us on 08035757999, 08093570749, 07089213573
Our 2016 catalog for corporate gifts and promotional materials. Please visit our website for more premium products www.premiumgroupng.com
Call us on: 08035757999, 08093570749, 07089213573
Nobody should tell the story of the Fashion House Emanuel Ungaro without starting with its founder Emanuel Ungaro. From the age of 5, Emanuel played with the sewing machine, the whole family’s work tool.
This provincial life provided him later with the key to his future trade and introduced him to a lifestyle embracing painting and music that has followed him throughout his life.
Bolstered by his exceptional creative talent, Emanuel moved to Paris at the age of 22 and started his apprenticeship alongside the Spanish designer, Cristobal Balenciaga. This period taught him rigor, perfection and the eternal search for an ideal in the silence required by the demanding yet generous Master.
In 1967, he decided to move his ateliers to Avenue Montaigne. The head offices and flagship store still occupy the same Haussmanian building.
Emanuel Ungaro acquired international fame through his incredible sense of colour and mix of unexpected patterns, by the purity of his shapes and the insolence of the details.
Today the house Emanuel Ungaro has a new owner. It is now present on all international markets: first of all Europe, cradle of the brand, but also the United States and then Japan were conquered by the brand’s style.
Then came the accessories, essential instruments to the brand development. This collection privileges shapes and refined details, developed into models intended for active and modern men, whilst attached to the tradition of Ungaro luxury.
2015 product catalogue for gift items. Visit our website for more www.premiumgroupng.com. Also visit: https://www.facebook.com/premiumsquareng
Tel: +2348035757999, +2348093570749, +2347089213573
SMM Cheap - No. 1 SMM panel in the worldsmmpanel567
Boost your social media marketing with our SMM Panel services offering SMM Cheap services! Get cost-effective services for your business and increase followers, likes, and engagement across all social media platforms. Get affordable services perfect for businesses and influencers looking to increase their social proof. See how cheap SMM strategies can help improve your social media presence and be a pro at the social media game.
Core Web Vitals SEO Workshop - improve your performance [pdf]Peter Mead
Core Web Vitals to improve your website performance for better SEO results with CWV.
CWV Topics include:
- Understanding the latest Core Web Vitals including the significance of LCP, INP and CLS + their impact on SEO
- Optimisation techniques from our experts on how to improve your CWV on platforms like WordPress and WP Engine
- The impact of user experience and SEO
The Secret to Engaging Modern Consumers: Journey Mapping and Personalization
In today's digital landscape, understanding the customer's journey and delivering personalized experiences are paramount. This masterclass delves into the art of consumer journey mapping, a powerful technique that visualizes the entire customer experience across touchpoints. Attendees will learn how to create detailed journey maps, identify pain points, and uncover opportunities for optimization. The presentation also explores personalization strategies that leverage data and technology to tailor content, products, and experiences to individual customers. From real-time personalization to predictive analytics, attendees will gain insights into cutting-edge approaches that drive engagement and loyalty.
Key Takeaways:
Current consumer landscape; Steps to mapping an effective consumer journey; Understanding the value of personalization; Integrating mapping and personalization for success; Brands that are getting It right!; Best Practices; Future Trends
In this presentation, Danny Leibrandt explains the impact of AI on SEO and what Google has been doing about it. Learn how to take your SEO game to the next level and win over Google with his new strategy anyone can use. Get actionable steps to rank your name, your business, and your clients on Google - the right way.
Key Takeaways:
1. Real content is king
2. Find ways to show EEAT
3. Repurpose across all platforms
SEO as the Backbone of Digital MarketingFelipe Bazon
In this talk Felipe Bazon will share how him and his team at Hedgehog Digital share our journey of making C-Levels alike, specially CMOS realize that SEO is the backbone of digital marketing by showing how SEO can contribute to brand awareness, reputation and authority and above all how to use SEO to create more robust global marketing strategies.
The digital marketing industry is changing faster than ever and those who don’t adapt with the times are losing market share. Where should marketers be focusing their efforts? What strategies are the experts seeing get the best results? Get up-to-speed with the latest industry insights, trends and predictions for the future in this panel discussion with some leading digital marketing experts.
For too many years marketing and sales have operated in silos...while in some forward thinking companies, the two organizations work together to drive new opportunity development and revenue. This session will explore the lessons learned in that beautiful dance that can occur when marketing and sales work together...to drive new opportunity development, account expansion and customer satisfaction.
No, this is not a conversation about MQLs and SQLs. Instead we will focus on a framework that allows the two organizations to drive company success together.
When most people in the industry talk about online or digital reputation management, what they're really saying is Google search and PPC. And it's usually reactive, left dealing with the aftermath of negative information published somewhere online. That's outdated. It leaves executives, organizations and other high-profile individuals at a high risk of a digital reputation attack that spans channels and tactics. But the tools needed to safeguard against an attack are more cybersecurity-oriented than most marketing and communications professionals can manage. Business leaders Leaders grasp the importance; 83% of executives place reputation in their top five areas of risk, yet only 23% are confident in their ability to address it. To succeed in 2024 and beyond, you need to turn online reputation on its axis and think like an attacker.\
Key Takeaways:
- New framework for examining and safeguarding an online reputation
- Tools and techniques to keep you a step ahead
- Practical examples that demonstrate when to act, how to act and how to recover
Top 3 Ways to Align Sales and Marketing Teams for Rapid GrowthDemandbase
In this session, Demandbase’s Stephanie Quinn, Sr. Director of Integrated and Digital Marketing, Devin Rosenberg, Director of Sales, and Kevin Rooney, Senior Director of Sales Development will share how sales and marketing shapes their day-to-day and what key areas are needed for true alignment.
Videos are more engaging, more memorable, and more popular than any other type of content out there. That’s why it’s estimated that 82% of consumer traffic will come from videos by 2025.
And with videos evolving from landscape to portrait and experts promoting shorter clips, one thing remains constant – our brains LOVE videos.
So is there science behind what makes people absolutely irresistible on camera?
The answer: definitely yes.
In this jam-packed session with Stephanie Garcia, you’ll get your hands on a steal-worthy guide that uncovers the art and science to being irresistible on camera. From body language to words that convert, she’ll show you how to captivate on command so that viewers are excited and ready to take action.
The session includes a brief history of the evolution of search before diving into the roles technology, content, and links play in developing a powerful SEO strategy in a world of Generative AI and social search. Discover how to optimize for TikTok searches, Google's Gemini, and Search Generative Experience while developing a powerful arsenal of tools and templates to help maximize the effectiveness of your SEO initiatives.
Key Takeaways:
Understand how search engines work
Be able to find out where your users search
Know what is required for each discipline of SEO
Feel confident creating an SEO Plan
Confidently measure SEO performance
The digital marketing industry is changing faster than ever and those who don’t adapt with the times are losing market share. Where should marketers be focusing their efforts? What strategies are the experts seeing get the best results? Get up-to-speed with the latest industry insights, trends and predictions for the future in this panel discussion with some leading digital marketing experts.
How to Use AI to Write a High-Quality Article that Ranksminatamang0021
In the world of content creation, many AI bloggers have drifted away from their original vision, resulting in low-quality articles that search engines overlook. Don't let that happen to you! Join us to discover how to leverage AI tools effectively to craft high-quality content that not only captures your audience's attention but also ranks well on search engines.
Disclaimer: Some of the prompts mentioned here are the examples of Matt Diggity. Please use it as reference and make your own custom prompts.
How to Use AI to Write a High-Quality Article that Ranks
Nina Ricci 2015 catalog.r
1.
2.
3. Robert Ricci founded the Maison Nina Ricci in 1932 for his mother Nina, a
widely respected couturière.
Robert Ricci, a young advertising entrepreneur and a co-founder of
Studios Harcourt, oversaw business development for the family-owned
company while his mother focused on creating Haute Couture fashions.
Renowned for her personalized attention to each of her clients, Ricci pre-
ferred to highlight each woman’s unique personality rather than design for
an idealized woman. Nina Ricci’s style was one of magnificent simplicity,
unerring tastefulness and beautiful craftsmanship. Rich colors and dis-
creet details, such as lacing, flowers and ribbons, brought freshness and
gaiety to rigorously-cut clothes. Her fashions conquered the Parisian elite
as well as American starlets. A distinctive figure herself, Madame Ricci
became a legendary figure of the era. Thanks to her affinity for the color
white, she became known as “la Dame blanche” (“the White lady”); to her
seamstresses she was “the Queen”.
In 1941, Robert Ricci created the Maison’s perfume department. A man
of taste, he participated in creating fragrances and collaborated with a
number of artists including the illustrators Christian Bérard and Dimitri
Bouchène as well as the crystal maker Marc Lalique. Cœur Joie launched
in 1946, followed shortly thereafter by l’Air du Temps (1948). In 1951, the
latter was produced with the immediately recognizable two-dove bottle, a
symbol of love, peace and hope, values that Nina Ricci held dear.
Driven by the growth of the perfume business and evolving modes of pro-
duction, the fashion world was changing. The brand needed to develop in-
ternationally, yet Madame Ricci was advancing in years. Young designers
came to her assistance and in 1954 Jules-François Crahay was appointed
design director. He introduced abstraction and geometric lines to the Ricci
style. The popularity of his fashions culminated in widespread acclaim,
notably for his Crocus suit in 1959. In 1962, he created Mademoiselle
Ricci, a collection made exclusively for the American market.
Gérard Pipart succeeded Jules-François Crahay in 1964. The young
ready-to-wear designer, a virtuoso of Haute Couture, brilliantly continued
his predecessor’s work. Pipart’s very feminine style echoed the richness
of the materials used and conveyed his mastery of extraordinary volumes.
Building on its success, the House moved to Paris’s Golden Triangle, ope-
ning in 1979 a flagship at the corner of 39 Avenue Montaigne and 17 Rue
François 1er. The Couture and Perfume divisions were brought together
under one roof. On the ground floor of the Avenue Montaigne, the house
opened its second boutique.
In 1987, the perfume Nina, Robert Ricci’s last project, was created in ho-
mage to his late mother. The brand became inextricably linked with image-
ry created by photographer David Hamilton, a collaboration that would last
for more than twenty years. In the years that followed, numerous contem-
porary artists continued to perpetuate and renew this cultural tradition.
1998 marked a turning point: the Spanish perfume group Puig, its long-
time distributor in the Spanish market, acquired the Maison Nina Ricci. The
Puig family’s intention: to perpetuate the spiritual legacy of Robert Ricci by
focusing on creativity and exceptional design.
The group named Nathalie Gervais artistic director of Nina Ricci ready-to-
wear collections. The designer’s arrival marked a new era. She injected
the brand with clear modernity and self-assured femininity. Later, other
designers such as Olivier Theyskens would offer their own variations on
this new emancipated and confident woman.
Peter Copping was named creative director in 2009. With grace and a light
touch, he revisited the image of this Parisian institution. He revived the spi-
rit of a feminine Nina Ricci style, which is often perceived as the foundation
of the brand’s identity. Season after season, he continues to redefine the
Maison’s wardrobe. Copping’s collections are elegant and refined, with
special attention paid to detail and the quality of materials and silhouettes
that are resolutely contemporary and modern.
Guillaume Henri joined the House as Creative Director in 2015. His first
collection, Fall Winter 2015-16, will be presented in March 2015.
maison de cou-
é, lequel devien-
de l’élégance, le
dans les courants
mais pour mieux
n désir essentiel
nnalité intime de
rtant une garde-
le naturel au lieu
stallée à Monaco
monte à Paris où
ne technicienne
re à la française,
onduite : embellir
at juvénile, d’une
euse, subtile et
1932 Nina Ricci established her Parisian couture
house. A hallmark of elegance, it would become
famous for representing femininity via a sophis-
ticated luxuriousness yet intentionally relaxed
style.
By combining sumptuous materials with soft
draping, tailoring and her ability to capture the
essence, Nina Ricci became synonymous with
contemporary fashion. Her main goal was to
channel the personality of every woman; propo-
sing a classic wardrobe that favoured naturalness
over ostentation.
Born in Turin 1883, Nina Ricci moved to Mo-
naco with her family. She then settled in Paris,
couturier and developing her unsurpassed tech-
nical expertise. Steeped in Parisian savoir-faire,
she pursued her mission to make women look
beautiful with a youthful sparkle. When wearing
her designs, they appeared subtly fresh and gra-
THE NINA RICCI HOUSE
5. 3
DUNE
1 2 3 4
Dune Black
Stylo plume – Fountain pen
Incl. Packaging ‘Ricci’ (RBS000)
1
RSS5052
Dune Black
Clé USB – USB stick
Incl. Packaging ‘Ricci’ (RBA000)
4
8RAU505
Dune Black
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
2
RSS5054
Dune Black
Stylo roller – Rollerball pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSS5055
6. 4
DUNE
1
2
3
4
Parure / Set
Set RAU505 + RNM505 + RSS5054
Incl. Packaging ‘Ricci’ (RBX000)
1
8RPBMU505
Parure / Set
Set RAU505 + RSS5054
Incl. Packaging ‘Ricci’ (RBE000)
2
8RPBU505
Parure / Set
Set RDM505 + RSS5055
Carton – Cardboard
3
RPHR505
Parure / Set
Set RSS5052 + RSS5055
Incl. Packaging ‘Ricci’ (RBE000)
4
RPPR505
7. 5
DUNE
1
2
Dune Black A6
Carnet A6 – Note pad A6
140 x 115 x 17 mm
Carton – Cardboard
1
RNM505
Dune Black A5
Ecritoire A5 – Folder A5
220 x 180 x 21 mm
Carton – Cardboard
2
RDM505
9. 7
DUNE
1 2 3 4
Dune White
Stylo plume – Fountain pen
Incl. Packaging ‘Ricci’ (RBS000)
1
RSS5062
Dune White
Clé USB – USB stick
18 x 58 mm
Incl. Packaging ‘Ricci’ (RBA000)
4
8RAU506
Dune White
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
2
RSS5064
Dune White
Stylo roller – Rollerball pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSS5065
10. 8
DUNE
1
2
3
4
Parure / Set
Set RAU506 + RNM506 + RSS5065
Incl. Packaging ‘Ricci’ (RBX000)
1
8RPMRU506
Parure / Set
Set RSS5062 + RSS5064
Incl. Packaging ‘Ricci’ (RBE000)
2
RPBP506
Parure / Set
Set RNM506 + RSS5064
Carton – Cardboard
3
RPBM506
Parure / Set
Set RAU506 + RSS5065
Incl. Packaging ‘Ricci’ (RBE000)
4
8RPRU506
11. 9
DUNE
1
2
Dune White A6
Carnet A6 – Note pad A6
145 x 115 x 17 mm
Carton – Cardboard
1
RNM506
Dune White A5
Ecritoire A5 – Folder A5
220 x 180 x 21 mm
Carton – Cardboard
2
RDM506
26. 24
SIERRA
1 2
3
4
Sierra
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
1
RSL4214
Sierra
Stylo roller – Rollerball pen
Incl. Packaging ‘Ricci’ (RBS000)
2
RSL4215
Parure / Set
Set RLW421 + RSL4214
Incl. Packaging ‘Ricci’ (RBW000)
3
RPBW421
Parure / Set
Set RSL4214 + RSL4215
Incl. Packaging ‘Ricci’ (RBE000)
4
RPBR421
27. 25
SIERRA
1
2
3
4
Sierra
Portefeuille-cartes – Card wallet
115 x 20 x 95 mm
Incl. Packaging ‘Ricci’ (RBW000)
4
RLW421
Sierra
Compagnon de voyage – Travel wallet
190 x 25 x 105 mm
Incl. Packaging White (RBN200)
2
RLT421
Sierra
Portefeuille porte-monnaie – Money wallet
115 x 15 x 95 mm
Incl. Packaging ‘Ricci’ (RBW000)
3
RLM421
Sierra
Porte-cartes – Card holder
90 x 20 x 115 mm
Incl. Packaging ‘Ricci’ (RBW000)
1
RLC421
29. 27
SIERRA
1
2
Sierra A4
Conférencier A4 – Conference folder A4
248 x 323 x 15 mm
Carton – Cardboard
2
RLF421
Sierra A5
Conférencier A5 – Conference folder A5
180 x 232 x 15 mm
Carton – Cardboard
1
RLH421
33. 31
CONTRASTE
1
2
3
Contraste
Portefeuille – Wallet
112 x 18 x 95 mm
Incl. Packaging ‘Ricci’ (RBW000)
3
RLW415
Contraste
Porte-cartes – Card holder
110 x 2 x 70 mm
Incl. Packaging ‘Ricci’ (RBW000)
1
RLC415
Contraste
Portefeuille porte-monnaie – Money wallet
95 x 20 x 130 mm
Incl. Packaging ‘Ricci’ (RBW000)
2
RLM415
34. CONTRASTE
32
1
2 3 4
Contraste
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSS4504
Contraste
Stylo roller – Rollerball pen
Incl. Packaging ‘Ricci’ (RBS000)
4
RSS4505
Contraste A5
Carnet A5 – Note pad A5
148 x 210 x 15 mm
Carton – Cardboard
1
RNH415
Contraste A6
Carnet A6 – Note pad A6
105 x 145 x 15 mm
Carton – Cardboard
2
RNM415
35. 33
1 2 4
3
EVIDENCE
Evidence Leather Black
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
1
RSL4634
Parure / Set
Set RAU463 + RNM415 + RSL4634
Incl. Packaging ‘Ricci’ (RBX000)
3
8RPBNU415
Parure / Set
Set RAU463 + RSL4634
Incl. Packaging ‘Ricci’ (RBE000)
4
8RPBU463
Evidence Black
Clé USB – USB stick
Dia. 15 x 50 / Ring: 26 mm
Incl. Packaging ‘Ricci’ (RBA000)
8
2
RAU463
36. 34
EVIDENCE
1
2 3
4
Evidence Leather Burgundy
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSL4074
Parure / Set
Set RNM407 + RSL4074
Carton – Cardboard
4
RPBN407
Evidence Burgundy A6
Carnet A6 – Note pad A6
108 x 145 x 15 mm
Carton – Cardboard
1
RNM407
Evidence Burgundy
Clé USB – USB stick
Dia. 15 x 50 / Ring: 26 mm
Incl. Packaging ‘Ricci’ (RBA000)
8
2
RAU407
37. 35
EVIDENCE
1
2 3
4
Evidence Leather Sandy Pink
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSL4084
Parure / Set
Set RAU408 + RNM408 + RSL4084
Incl. Packaging ‘Ricci’ (RBX000)
4
8RPBNU408
Evidence Sandy Pink A6
Carnet A6 – Note pad A6
108 x 145 x 15 mm
Carton – Cardboard
1
RNM408
Evidence Sandy Pink
Clé USB – USB stick
Dia. 15 x 50 / Ring: 26 mm
Incl. Packaging ‘Ricci’ (RBA000)
8
2
RAU408
38. 1
2
3
4
36
EVIDENCE
Parure / Set
Set RAK407 + RLG407 + RSN4074
Incl. Packaging ‘Ricci’ (RBX000)
1
RPBKP407
Parure / Set
Set RAH407 + RSL4074
Incl. Packaging ‘Ricci’ (RBW000)
2
RPBH407
Evidence Burgundy
Porte-sac – Bag hanger
Dia. 46 x 14 mm
Incl. Packaging ‘Ricci’ (RBA000)
4
RAH407
Evidence Burgundy
Boîte miroir – Mirror
Dia. 50 x 11 mm
Incl. Packaging ‘Ricci’ (RBA000)
3
RAG407
39. 37
1
2
3
EVIDENCE
Evidence Burgundy
Etui pour iPhone – iPhone pouch
80 x 2 x 135 mm
Incl. Packaging ‘Ricci’ (RBW000)
3
RLH407
Evidence Burgundy
Etui pour iPad – iPad pouch
275 x 20 x 205 mm
Incl. Packaging White (BF200)
1
RLE407
Evidence Burgundy
Zipped phone case – Zipped phone case
135 x 30 x 90 mm
Incl. Packaging ‘Ricci’ (RBX000)
2
RLG407
40. 1
2
3
4
38
EVIDENCE
Parure / Set
Set RAH408 + RLE408 + RSL4084
Incl. Packaging White (BF200)
1
RPBIH408
Parure / Set
Set RLG408 + RSL4084
Incl. Packaging ‘Ricci’ (RBW000)
2
RPBP408
Evidence Sandy Pink
Porte-sac – Bag hanger
Dia. 46 x 14 mm
Incl. Packaging ‘Ricci’ (RBA000)
4
RAH408
Evidence Sandy Pink
Boîte miroir – Mirror
Dia. 50 x 11 mm
Incl. Packaging ‘Ricci’ (RBA000)
3
RAG408
41. 39
1
2
EVIDENCE
Evidence Sandy Pink
Etui pour iPad – iPad pouch
275 x 20 x 205 mm
Incl. Packaging White (BF200)
2
RLE408
Evidence Sandy Pink
Phone case – Phone case
135 x 15 x 85 mm
Incl. Packaging ‘Ricci’ (RBW000)
1
RLG408
42. 40
EVIDENCE
1
2
3
4
Evidence Burgundy
Porte-clefs – Key ring
17 x 1.25 x 65 / Ring: 25 mm
Incl. Packaging ‘Ricci’ (RBA000)
3
RAK407
Evidence Sandy Pink
Porte-clefs – Key ring
17 x 1.25 x 65 / Ring: 25 mm
Incl. Packaging ‘Ricci’ (RBA000)
2
RAK408
Parure / Set
Set RAK407 + RSN4074
Incl. Packaging ‘Ricci’ (RBE000)
4
RPBK4074
Parure / Set
Set RNM408 + RSN4084
Carton – Cardboard
1
RPNB408
57. 55
CLUB
4
1
2
3
Parure / Set
Set RDN224 + RSN2504
Carton – Cardboard
4
RPBN224
Club A4
Conférencier A4 – Conference folder A4
248 x 321 x 20 mm
Carton – Cardboard
2
RDF224
Club A6
Carnet A6 – Note pad A6
112 x 145 x 17 mm
Carton – Cardboard
3
RDN224
Club A5
Conférencier A5 – Conference
187 x 234 x 20 mm
Carton – Cardboard
1
RDM224
58. 56
LEGENDE
1
2
3
Légende magnet A6
Carnet A6 – Note pad A6
150 x 105 x 18 mm
Carton – Cardboard
3
RNM218
Parure / Set
Set RAK218 + RNM218 + RSN2384
Incl. Packaging ‘Ricci’ (RBX000)
1
RPBKN218
Parure / Set
Set RAK218 + RSN2384
Incl. Packaging ‘Ricci’ (RBE000)
2
RPBK218
59. 57
LEGENDE
1
2
3 4 5 6
Légende burgundy
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
4
RSN2184
Légende green
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
5
RSN2984
Légende blue
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
6
RSN2784
Légende black
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSN2384
Légende
Porte-clefs – Key finder
111 x 45 x 3 mm
Incl. Packaging ‘Ricci’ (RBA000)
2
RAK218
Légende
Clé USB – USB stick
50 x 17 x 8 mm
Incl. Packaging ‘Ricci’ (RBA000)
1
8RAU218
68. 66
2
3
1
NEVE
Névé Leather
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSL3174
Névé
Etui IPhone – Iphone case
135 x 80 x 20 mm
Incl. Packaging ‘Ricci’ (RBW000)
1
RLH317
Névé
Porte Ipad – Ipad pouch
268 x 215 x 35 mm
Incl. Packaging White (BF200)
2
RLE317
69. 67
2
3
4
1
NEVE
Névé
Boîte miroir – Mirror
Dia. 50 x 10 mm
Incl. Packaging ‘Ricci’ (RBA000)
4
RAG317
Névé
Porte-sac – Bag hanger
Dia. 45 x 11 mm
Incl. Packaging ‘Ricci’ (RBA000)
2
RAH317
Névé A6
Ecritoire A6 – Folder A6
158 x 135 x 35 mm
Incl. Packaging White (RBN200)
1
RLF317
Parure / Set
Set RAH317 + RSL3174
Incl. Packaging ‘Ricci’ (RBW000)
3
RPBH317
70. 68
NEVE
1
2
Parure / Set
Set RNM317 + RSI3174
Carton – Cardboard
1
RPBM317
Parure / Set
Set RLH317 + RSI3172
Incl. Packaging ‘Ricci’ (RBW000)
2
RPHP317
71. 69
1
2 3
NEVE
Névé
Stylo plume – Fountain pen
Incl. Packaging ‘Ricci’ (RBS000)
2
RSI3172
Névé
Stylo bille – Ballpoint pen
Incl. Packaging ‘Ricci’ (RBS000)
3
RSI3174
Névé A6
Carnet A6 – Note pad A6
142 x 105 x 15 mm
Carton – Cardboard
1
75
RNM317
72. 70
PARCOURS
70
1
2
3
Parcours Blue
Sac shopping – Shopping bag
330 x 120 x 390 mm
Housse nylon – Nylon bag
3
RTS504
Parcours Blue
Sac de voyage – Travel bag
570 x 250 x 330 mm
Housse nylon – Nylon bag
2
RTB504
Parcours Blue
Porte-documents – Document bag
390 x 90 x 300 mm
Housse nylon – Nylon bag
1
RTD504
73. 7171
PARCOURS
1
2
3
Parcours Black
Sac shopping – Shopping bag
330 x 120 x 390 mm
Housse nylon – Nylon bag
3
RTS503
Parcours Black
Porte-documents – Document bag
390 x 90 x 300 mm
Housse nylon – Nylon bag
1
RTD503
Parcours Black
Sac de voyage – Travel bag
570 x 250 x 330 mm
Housse nylon – Nylon bag
2
RTB503
74. 72
1
2
72
SOUVENIR
Souvenir
Sac de voyage – Travel bag
440 x 335 x 230 mm
Housse nylon – Nylon bag
2
RLB501
Souvenir
Porte-documents – Document bag
370 x 295 x 70 mm
Housse nylon – Nylon bag
1
RLD501
76. 1 2
3
74
AMARRES
Amarres
Sac Trolley – Trolley bag
370 x 220 x 555 mm
Housse nylon – Nylon bag
3
RTT315
Amarres
Porte-documents – Document bag
400 x 85 x 290 mm
Housse nylon – Nylon bag
1
RTD315
Amarres
Sac de voyage – Travel bag
490 x 310 x 200 mm
Housse nylon – Nylon bag
2
RTB315
77. 1
2
3
75
ODYSSEE
Odyssée
Porte-documents – Document bag
335 x 260 x 15 mm
Housse nylon – Nylon bag
3
RLS225
Odyssée
Sac de voyage – Travel bag
530 x 385 x 230 mm
Housse nylon – Nylon bag
1
RLB225
Odyssée
Cartable – Portofolio
390 x 270 x 70 mm
Housse nylon – Nylon bag
2
RLD225