rcasco_u12

MY PROJECTS
By: Reigan Casco
Reigan Casco Wednesday, December 10, 2014 at 8:42:33 AM Central Standard Time 64:76:ba:a1:c4:94

WORST DESIGN
Sin 1, Centering
Problem
Sin 7, Cluttering
Sin 3, Too many different
fonts!
Sin 13, having negative space
Sin 2, Photos is not
proportionate

SINS LAYOUT
13 Layout Sins
1. Just avoid centering the layouts of your work.
2. Make sure the photos are align property.
3. Keep the fonts simple, just limit to a amount of reasonable means.
4. Make sure you keep the borders reasonable.
5. Make sure you put borders on all items on your layout, don't leave one out.
6. Headling must be in a straight line.
7. Never shotgun things on your layout.
8. Don’t leave space between the items on your layout, only put them off to the edge.
9. Make sure the background of your layout is not so busy, you need to attract people to your flyer.
10. Only emphasis the important things that need to be noticed.
11. Don’t use special bullets, keep them simple.
12. Keep your visuals simple, do not make them awkward.
13. Make sure everything is align, do not leave extra space, fill it up.
Centering Everything
Warped or Naked Photos
Too Many Fonts
Bulky Borders & Boxes
Cheated or Missing Margins
Stairstepping
4 Corners & Clutter
Trapped Negative Space
Busy Background
Tacky Type Emphasis:
Reversing, Stroking, Using All
Caps & Underlining.
Bad Bullets
Windows & Orphans
Justified Rivers

MAIN POSTER
SAVING LIVES
The people that save animals
from people that abuse,
animals becoming stray, and
becoming sick, inspire me to
take a stand and do the same
so that all animals get a home.
With all the animals getting hurt
or sick, they need a home. They
need a caring place to stay until
their strength is better. These
animals deserve better then
what these hurt animals are
treated today. They are as
important as people.

UNIT 4 PART 3

UNIT 5 PART 2 TIMELINE
Garamond!
1540
Garamond:!
1592 it has became an important source of information
about the Garamond types for later scholars and
designers. Garamond refined his Romans in other
William
Caslon!
1722
John
Baskerville!
1757
Baskerville is a "transitional" typeface, designed by
John Baskerville in England in the mid-18th century,
revived in the early 20th century and widely used for
books and other long texts. Many versions are
available.
A long running serif font first designed by William Caslon
in 1722 and used extensively throughout the British
Empire in the early eighteen century.!
Used for the U.S. Declaration of Independence, but fell
out of favor soon after. It continues to be a standard in
typography to this day.
Firmin Didot
1811
It was first designed by Giambattisa Bodoni in 1798 and is
generally considered a transitional font type. Bodoni was a prolific
type font designer and this particular font was highly influenced by
the work of John Baskerville, a designer whose work Bodoni
followed.
Giambattisa
Bodoni!
1798
Didot is a name given to a group of typefaces
named after the famous French printing and
type producing family. The classification is
known as modern, or Didone. The typeface we
know today was based on a collection of related
types developed in the period 1784–1811.
Alexander
Phemister
1858
Century is a family of type faces derived from the original Century
Roman cut by American Type Founders designer Linn Boyd
Benton in 1894. Despite originating in the nineteenth century, use
of the typeface remains strong, for periodicals, textbooks, and
Bookman or Bookman Old Style is a serif typeface
derived from Old Style Antique and designed by
Alexander Phemister in 1858 for Miller and Richard
foundry.[1] Several American foundries copied the
design, including the Bruce Type Foundry, and
issued it under various names.
literature.
Linn Boyd
Benton!
1894
Paul Renner!
1927
Gill Sans is a sans-serif typeface designed by Eric Gill.!
The original design appeared in 1926 when Douglas Cleverdon
opened a bookshop in his home town of Bristol, where Gill painted
the fascia over the window in sans-serif capitals that would later
In typography, Futura is a geometric sans-serif typeface
designed in 1927 by Paul Renner. It was designed as a
contribution on the New Frankfurt-project. It is based on
geometric shapes that became representative of visual
elements of the Bauhaus design style of 1919–33.
be known as Gill Sans.
Eric Gill!
1928
Times New Roman is a serif typeface commissioned by the British
newspaper The Times in 1931, created by Victor Lardent at the English
branch of Monotype. It was commissioned after Stanley Morison had
written an article criticizing The Times for being badly printed and
typographically antiquated.
Victor
Lardent!
1931
The typeface was designed at the Monotype foundry's in-house
design studio in 1934. Rockwell is geometric, its
upper- and lowercase O more of a circle than an ellipse. A
serif at the apex of uppercase A is distinct. The lowercase
a is two-story, somewhat incongruous for a geometrically
drawn typeface.
Monotype
Foundry!
1934
Hermann
Zapf!
1955
Palatino is the name of a large typeface family that began as an old style serif
typeface designed by Hermann Zapf initially released in 1948 by the Linotype
foundry.!
In 1984 Palatino was one of the typefaces originally included by Apple Computer
in the Macintosh.
Herman Zapf!
1938
Optima is a humanist sans-serif typeface
designed by Hermann Zapf between 1952
and 1955 for the D. Stempel AG foundry,
Frankfurt, Germany.
Max
Miedinger
1957
Helvetica is a widely used sans-serif typeface developed in 1957 by
Swiss typeface designer Max Miedinger with Eduard Hoffmann.!
Howard
Kettler!
1955
The typeface was designed by Howard
"Bud" Kettler in 1955, and it was later
redrawn by Adrian Frutiger for the IBM
Selectric Composer series of electric
typewriters.!
Although the design of the original Courier
typeface was commissioned by IBM, the
company deliberately chose not to secure
legal exclusivity to the typeface and it soon
became a standard font used throughout
the typewriter industry.
Mathew
Carter!
1996
Verdana is a humanist sans-serif typeface designed by Matthew Carter for
Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at
Monotype. Demand for such a typeface was recognized by Virginia Howlett
of Microsoft's typography group. The name "Verdana" is based on verdant
something green, and Ana, the name of Howlett's eldest daughter.

PRIMARY BLACK

SECONDARY WHITE

PRIMARY WHITE

SECONDARY BLACK

T.B.

T.W.

UNIT 7 PART 2
Lettermark(
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Combination(Mark(
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WordMark(
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Reigan Casco Tuesday, December 9, 2014 at 9:23:41 AM Central Standard Time 64:76:ba:a1:c4:94

UNIT 8
!
Farmer’s Market Guide
! Want!to!know!where!the!
Farmer’s!Market!is!at?!!Well!
come!on!down!to!Abilene,!
Texas!!Near!the!courthouse!!
We!give!great!service!to!all,!
and!we!all!hope!that!you!have!
a!great!trip!coming!here!and!
also!a!save!one!too!!
Open!June!through!October!
!
!
“You!don’t!want!those!
chemical!produce!!You!would!
want!the!real!grown!at!
produce!”!
We!are!open!from!6amI!12pm!on!
Saturday!!
6amI12pm!on!every!Tuesday!!
North!1st!and!Mesquite!across!from!
Frontier!Texas!Abilene,!Tx!79601!
Reigan Casco Tuesday, December 9, 2014 at 10:04:08 PM Central Standard Time 64:76:ba:a1:c4:94

UNIT 9
Want your July 4th party to end with a big
bang? Well we got your back, here at
Black Cat Industry we will make fireworks
special just for you!
Here at Black Cat Firework stand we will take the
time to bring all your satisfied needs up to great
shape!
We have the best fireworks you could ever get!
The fireworks here are always worth getting again
next year!
Our fireworks and other nik-naks will
always bring a smile to your face.
They will always impressed the
neighbors. Also some of our products
like the sparkler are kid friendly!
RISK! READ BELOW BEFORE PURCHASING AND/OR USING
We cannot take responsibility for any injuries that may
happen when using Black Cat products.
For your concern some fireworks may cause seizers!

UNIT 10

UNIT 11
Home Gallery About us Contact
Casco Inc.
About us Contact
RGC
Home Gallery
Why pick us? We are a
successful business
here with many great
reviews from our pre-vious
customers. We
will set up the things
you need as soon as
possible. We are also a
family owned business
and this business will
always give a 100%
satisfaction.
Our Main
Office:
645-463-8876
Fax Machine:
645-355-3645
My Phone:
445-645-9987
Welcome to our
site! Browse the
photos that we
have in our gallery.
Most of the photos
were from our
complete work
that was for the
customer, and
some of the others
are some exam-ples
that we put together
Casco’s Studio

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