What is a narrative story? Why is it important in filmmaking. In this presentation I share elements of a narrative story as my class makes a short film. You can find more of my teaching information on my blog at http://www.chipdizard.com
This document provides guidance on writing an effective documentary treatment. It explains that a treatment conveys the visual mood and story of a project in written form. It should read like a short story to imagine what the documentary will include based on research. Key elements to include are a logline, topic summary, narrative synopsis, and details on style, characters, and distribution. Treatments help secure funding and provide a framework to structure the documentary.
This document outlines the structure and goals for a documentary filmmaking course. It will introduce students to various documentary styles, the concepts of subjectivity and objectivity in documentary form and content, and encourage students to find their creative voice by reflecting on their own experiences and interests. Students will learn about documentary techniques like researching, planning, filming and editing as they complete a personal inventory, watch example films, and discuss the art of truth, intuition, fear and failure in documentary storytelling.
This document provides guidance on writing documentary treatments and pitches. It discusses the purpose of treatments, outlines common treatment elements like loglines and narrative synopses, and offers tips on style and common mistakes. Students will pitch their documentary projects to the class and receive feedback to help strengthen their treatments. Effective treatments tell a compelling story through visual language and present a worthy subject, theme, and central question.
The document provides guidance for conducting effective interviews. It discusses preparing for an interview by researching background information and developing an outline. It offers tips for structuring the interview such as asking open-ended questions, following up for details, and getting relevant quotes. The document also reviews note-taking techniques like using shorthand and getting spellings correct. Finally, it addresses handling sensitive topics with care during the interview.
This document provides guidance for developing a digital storytelling project. It discusses finding story topics, including ones from your own life, community, or causes. It explains how to shape stories using three-act structure and point of view. Tips are provided for writing a one-page synopsis and pitch. Examples are given of different types of narrative stories covering topics like recovery, changing lives, death/dying, and humor. Students are instructed to develop a storyline and synopsis for an initial class assignment due in mid-September.
This document provides guidance on writing feature stories. It explains that features are told in a less hurried and more creative way than standard news articles. Features can be trend stories, profiles of individuals, or human interest stories. The document offers tips for writing compelling feature leads, such as focusing on a single person, an incident, or setting. It provides examples of typical high school writing and improved feature leads that incorporate these techniques. The document also discusses including a "billboard" after the lead to outline what the story is about and ending with a memorable quote or "clincher."
Digital storytelling involves using computer tools to tell stories that usually include some combination of images, text, audio narration, video clips, and music. Stories are typically 2-10 minutes long. Benefits include serving as a multidimensional assessment tool that fosters 21st century skills like creativity, collaboration, and digital literacy. Elements of an effective digital story include a dramatic hook, emotional content, concise writing or script, and pacing. Teachers can use digital stories for novel studies, assessments, writing assignments, autobiographies, and more.
This document provides guidance on writing an effective documentary treatment. It explains that a treatment conveys the visual mood and story of a project in written form. It should read like a short story to imagine what the documentary will include based on research. Key elements to include are a logline, topic summary, narrative synopsis, and details on style, characters, and distribution. Treatments help secure funding and provide a framework to structure the documentary.
This document outlines the structure and goals for a documentary filmmaking course. It will introduce students to various documentary styles, the concepts of subjectivity and objectivity in documentary form and content, and encourage students to find their creative voice by reflecting on their own experiences and interests. Students will learn about documentary techniques like researching, planning, filming and editing as they complete a personal inventory, watch example films, and discuss the art of truth, intuition, fear and failure in documentary storytelling.
This document provides guidance on writing documentary treatments and pitches. It discusses the purpose of treatments, outlines common treatment elements like loglines and narrative synopses, and offers tips on style and common mistakes. Students will pitch their documentary projects to the class and receive feedback to help strengthen their treatments. Effective treatments tell a compelling story through visual language and present a worthy subject, theme, and central question.
The document provides guidance for conducting effective interviews. It discusses preparing for an interview by researching background information and developing an outline. It offers tips for structuring the interview such as asking open-ended questions, following up for details, and getting relevant quotes. The document also reviews note-taking techniques like using shorthand and getting spellings correct. Finally, it addresses handling sensitive topics with care during the interview.
This document provides guidance for developing a digital storytelling project. It discusses finding story topics, including ones from your own life, community, or causes. It explains how to shape stories using three-act structure and point of view. Tips are provided for writing a one-page synopsis and pitch. Examples are given of different types of narrative stories covering topics like recovery, changing lives, death/dying, and humor. Students are instructed to develop a storyline and synopsis for an initial class assignment due in mid-September.
This document provides guidance on writing feature stories. It explains that features are told in a less hurried and more creative way than standard news articles. Features can be trend stories, profiles of individuals, or human interest stories. The document offers tips for writing compelling feature leads, such as focusing on a single person, an incident, or setting. It provides examples of typical high school writing and improved feature leads that incorporate these techniques. The document also discusses including a "billboard" after the lead to outline what the story is about and ending with a memorable quote or "clincher."
Digital storytelling involves using computer tools to tell stories that usually include some combination of images, text, audio narration, video clips, and music. Stories are typically 2-10 minutes long. Benefits include serving as a multidimensional assessment tool that fosters 21st century skills like creativity, collaboration, and digital literacy. Elements of an effective digital story include a dramatic hook, emotional content, concise writing or script, and pacing. Teachers can use digital stories for novel studies, assessments, writing assignments, autobiographies, and more.
This document outlines the content and assessments for a course on the history of camera technologies. The course will cover the development of still and moving image cameras from early toys and magic lanterns to modern electronic cameras. Students will work in groups to produce a short film using a vintage 35mm camera and give a presentation reflecting on the technical and creative aspects. Assessments include an individual or paired flip book exercise in the first week and the group film production and presentations in later weeks.
This document provides an introduction to screenwriting, including defining what a movie is, how to externalize ideas, and key elements of drama like characters, setting, theme, plot, and structure. It discusses writing short films of 30 minutes in length, focusing on a moment or insight into a world. It also covers three-act structure, developing ideas, and writing story pitches as brief paragraphs about a character facing an obstacle.
This guided activity is for 3rd grade students and lasts 60-90 minutes where students will analyze fairytales involving wolves to understand their perspective, discuss how media portrays wolves differently, and create their own "Pop Art" style self-portrait showing their inner wolf inspired by artist Andy Warhol. The lesson aims to help students understand wolves' emotions and not define them as purely evil.
Increasing functionality and usage of video so that it may gain it’s rightful...Stephen Rhind-Tutt
This document discusses increasing the use and functionality of video in academia. It summarizes that video is growing quickly online with over 20,000 hours and 30,000 titles available. However, video is still neglected in academia due to issues with access, searchability, and integration. The document advocates for libraries to license and curate high-quality academic video content and to provide tools to search, cite, transcribe, and embed video into research. This would help video gain acceptance and usability for learning and research across disciplines.
This document provides information about narrative writing, including its key features and techniques. It discusses plot, characters, setting, narrative structure, and writing skills. It also provides ideas for developing characters and plots, including introducing characters through appearance, personality, background, and possessions. The document emphasizes creating convincing and imaginative narratives with compelling characters sustained throughout the story.
Winterbottom uses postmodern techniques in his films A Cock and Bull Story and 24 Hour Party People to both explore their themes and add humor and playfulness. In A Cock and Bull Story, the film breaks the fourth wall, uses nonlinear narrative, and is self-referential and metatextual in examining 18th century gender roles and celebrity egos. 24 Hour Party People similarly uses postmodern techniques like self-referencing to look at the creation of music in 1980s Manchester and the ego of its main subject. Through their postmodern styles, Winterbottom establishes himself as a postmodern auteur who experiment with form.
This document discusses using graded readers in English lessons. It provides models for literature teaching, benefits of graded readers like helping students practice reading and gain fluency. Potential disadvantages are that simplified texts may lose the original work's style. The document also provides strategies for choosing readers, engaging students in reading activities before, during and after reading assignments.
This document discusses using digital storytelling in language arts classes. Digital storytelling involves presenting a narrative using various digital media, such as text, images, video, recorded voice and music. Teachers can have students create different types of digital stories, such as personal narratives or movie trailers, to illuminate themes in literature by reenacting or documenting scenes where characters transform internally. Creating digital stories promotes 21st century skills like creativity, problem solving, communication and media literacy.
This document defines themes, discusses how they differ from plots and topics, and provides guidance on identifying themes in stories. The key points are:
- A theme is the central idea or message about life that an author conveys through a work of fiction. It transfers from the story to the real world.
- Themes are not stated directly but must be inferred from details and events. Multiple themes may exist in a single story.
- While a plot summarizes events, a theme expresses a deeper insight about people or life that the story illustrates. A topic is the subject matter, but a theme makes a statement about that topic.
The document summarizes a student group's entry in The Centenary essay competition to celebrate the 100th anniversary of the foundation of the Labour Party and the 1913 Lockout in Ireland. The competition tasked students with creating a project on the causes and implications of these events. The group created a timeline, pictures, poetry, a reenactment movie, 40-page essay, newspaper article, and portraits of key figures. Their project earned them a trip to Brussels to see the European Parliament. The document expresses thanks to teachers and classmates for their support and involvement in the project.
This document discusses how documentaries present stories and narrate events. It notes that documentaries about schools or competitions will often focus on a new story or character each episode. When telling individual stories, documentaries commonly use techniques like voiceovers, interviews, and background information to introduce characters and events. They also interweave multiple stories to give context and familiarity. Crime documentaries may reconstruct events through reenactments when real footage is unavailable. Disaster documentaries similarly piece together phone calls, eyewitness accounts and archived footage to narrate large-scale events over multiple episodes or films.
This document discusses how documentaries present stories and narrate events. It notes that documentaries about schools or competitions will often focus on a new story or character each episode. When telling individual stories, documentaries commonly use techniques like voiceovers, interviews, and background information to introduce characters and events. They also interweave multiple stories to give context and familiarity. Crime documentaries may reconstruct events through reenactments when real footage is unavailable. Disaster documentaries similarly piece together phone calls, eyewitness accounts and archived footage to narrate large-scale events over multiple episodes or films.
This document discusses how documentaries present stories and information to viewers. It notes that multi-episode documentaries often focus on a different story or aspect in each episode. For single-subject documentaries, the same story continues throughout. Common conventions used include voiceovers to provide context and background, interviews to allow subjects to share their experiences, and clips or reenactments to visually represent parts of the story when real footage is unavailable. Examples like educational documentaries, talent competitions, crime investigations, and disaster documentaries are discussed to illustrate how narration techniques bring individual stories to life within the overall documentary.
Dr. Rakhi Sawlani's document discusses using digital storytelling to teach science concepts. It explains the key elements of storytelling like plot, setting, characters, point of view, and theme. It then provides examples of 15 digital stories that were used to teach different science topics to students over 15 days. Assessment results indicated that the experimental group who learned through digital stories were more interested, motivated, and achieved better academic performance compared to traditional instruction. The document concludes that digital storytelling is an effective STEAM-based approach for teaching and learning science.
This document provides guidance on conceiving, reporting, organizing, and writing a news feature story. It defines a news feature as an in-depth story generated by reporters that is longer than a basic news story but not breaking news. The document discusses finding story ideas, assessing whether an idea merits further reporting, developing a theme sentence and nut graph to guide reporting, interviewing a variety of sources, organizing information using the six key concepts, and following a three-part structure with an anecdotal lead, supporting details, and concluding quotes.
This document provides definitions and explanations of short stories as a text type for teaching purposes. It defines short stories as works of fiction involving imagination that tell of a single event in a concentrated way through characters connected by a plot. Short stories are typically between 1,000-20,000 words and can be read in one sitting. The document also discusses elements of short stories like setting, characters, style, theme, and plot. It explores using short stories to help students develop reading comprehension, analysis, and writing skills. A multi-stage approach to teaching short stories is presented, including pre-reading, reading, and extension activities.
The document provides guidance on creating an audio slideshow project. It discusses key skills needed like taking and editing photos, conducting interviews, and audio editing. It recommends using a three-act story structure with a beginning, middle, and end. Different types of camera shots are described like wide shots, medium shots, and close-ups to build a narrative. Sound editing is also emphasized, including using interviews, narration, and natural sounds. The document provides examples of audio slideshows and advises planning the content, structure, and intended audience for the story.
This document provides guidance on finding a documentary subject and developing documentary ideas. It discusses four tendencies of documentaries, including recording/revealing, persuading, expressing, and analyzing. Tips are given such as following your passion, finding a compelling character, making it personal, and asking questions. The document emphasizes choosing a topic you have unique access to and personal connection with, and avoiding subjects you don't have direct experience with. It also provides examples of successful documentaries and encourages filmmakers to trust their instincts and passion in choosing a subject.
This presentation is to let all the students out there know about the significance of the narrative essay writing. Writing a narrative essay is of great problem for many students on both college and university level and this is something we all had been through http://www.papermoz.co.uk/theses/
As creatives we always are measuring ourselves. Measuring against other churches, against measuring against other creatives and sometimes we get stuck because we feel we don’t measure up. Our lives are shaped by how we choose to spend our time and energy each day. Measuring can help us spend that time in better ways, more consistently. But we must measure the right things. Greatness in any field comes from taking a novel idea and pushing it to its logical conclusion, redefining the medium in the process.
This document outlines the content and assessments for a course on the history of camera technologies. The course will cover the development of still and moving image cameras from early toys and magic lanterns to modern electronic cameras. Students will work in groups to produce a short film using a vintage 35mm camera and give a presentation reflecting on the technical and creative aspects. Assessments include an individual or paired flip book exercise in the first week and the group film production and presentations in later weeks.
This document provides an introduction to screenwriting, including defining what a movie is, how to externalize ideas, and key elements of drama like characters, setting, theme, plot, and structure. It discusses writing short films of 30 minutes in length, focusing on a moment or insight into a world. It also covers three-act structure, developing ideas, and writing story pitches as brief paragraphs about a character facing an obstacle.
This guided activity is for 3rd grade students and lasts 60-90 minutes where students will analyze fairytales involving wolves to understand their perspective, discuss how media portrays wolves differently, and create their own "Pop Art" style self-portrait showing their inner wolf inspired by artist Andy Warhol. The lesson aims to help students understand wolves' emotions and not define them as purely evil.
Increasing functionality and usage of video so that it may gain it’s rightful...Stephen Rhind-Tutt
This document discusses increasing the use and functionality of video in academia. It summarizes that video is growing quickly online with over 20,000 hours and 30,000 titles available. However, video is still neglected in academia due to issues with access, searchability, and integration. The document advocates for libraries to license and curate high-quality academic video content and to provide tools to search, cite, transcribe, and embed video into research. This would help video gain acceptance and usability for learning and research across disciplines.
This document provides information about narrative writing, including its key features and techniques. It discusses plot, characters, setting, narrative structure, and writing skills. It also provides ideas for developing characters and plots, including introducing characters through appearance, personality, background, and possessions. The document emphasizes creating convincing and imaginative narratives with compelling characters sustained throughout the story.
Winterbottom uses postmodern techniques in his films A Cock and Bull Story and 24 Hour Party People to both explore their themes and add humor and playfulness. In A Cock and Bull Story, the film breaks the fourth wall, uses nonlinear narrative, and is self-referential and metatextual in examining 18th century gender roles and celebrity egos. 24 Hour Party People similarly uses postmodern techniques like self-referencing to look at the creation of music in 1980s Manchester and the ego of its main subject. Through their postmodern styles, Winterbottom establishes himself as a postmodern auteur who experiment with form.
This document discusses using graded readers in English lessons. It provides models for literature teaching, benefits of graded readers like helping students practice reading and gain fluency. Potential disadvantages are that simplified texts may lose the original work's style. The document also provides strategies for choosing readers, engaging students in reading activities before, during and after reading assignments.
This document discusses using digital storytelling in language arts classes. Digital storytelling involves presenting a narrative using various digital media, such as text, images, video, recorded voice and music. Teachers can have students create different types of digital stories, such as personal narratives or movie trailers, to illuminate themes in literature by reenacting or documenting scenes where characters transform internally. Creating digital stories promotes 21st century skills like creativity, problem solving, communication and media literacy.
This document defines themes, discusses how they differ from plots and topics, and provides guidance on identifying themes in stories. The key points are:
- A theme is the central idea or message about life that an author conveys through a work of fiction. It transfers from the story to the real world.
- Themes are not stated directly but must be inferred from details and events. Multiple themes may exist in a single story.
- While a plot summarizes events, a theme expresses a deeper insight about people or life that the story illustrates. A topic is the subject matter, but a theme makes a statement about that topic.
The document summarizes a student group's entry in The Centenary essay competition to celebrate the 100th anniversary of the foundation of the Labour Party and the 1913 Lockout in Ireland. The competition tasked students with creating a project on the causes and implications of these events. The group created a timeline, pictures, poetry, a reenactment movie, 40-page essay, newspaper article, and portraits of key figures. Their project earned them a trip to Brussels to see the European Parliament. The document expresses thanks to teachers and classmates for their support and involvement in the project.
This document discusses how documentaries present stories and narrate events. It notes that documentaries about schools or competitions will often focus on a new story or character each episode. When telling individual stories, documentaries commonly use techniques like voiceovers, interviews, and background information to introduce characters and events. They also interweave multiple stories to give context and familiarity. Crime documentaries may reconstruct events through reenactments when real footage is unavailable. Disaster documentaries similarly piece together phone calls, eyewitness accounts and archived footage to narrate large-scale events over multiple episodes or films.
This document discusses how documentaries present stories and narrate events. It notes that documentaries about schools or competitions will often focus on a new story or character each episode. When telling individual stories, documentaries commonly use techniques like voiceovers, interviews, and background information to introduce characters and events. They also interweave multiple stories to give context and familiarity. Crime documentaries may reconstruct events through reenactments when real footage is unavailable. Disaster documentaries similarly piece together phone calls, eyewitness accounts and archived footage to narrate large-scale events over multiple episodes or films.
This document discusses how documentaries present stories and information to viewers. It notes that multi-episode documentaries often focus on a different story or aspect in each episode. For single-subject documentaries, the same story continues throughout. Common conventions used include voiceovers to provide context and background, interviews to allow subjects to share their experiences, and clips or reenactments to visually represent parts of the story when real footage is unavailable. Examples like educational documentaries, talent competitions, crime investigations, and disaster documentaries are discussed to illustrate how narration techniques bring individual stories to life within the overall documentary.
Dr. Rakhi Sawlani's document discusses using digital storytelling to teach science concepts. It explains the key elements of storytelling like plot, setting, characters, point of view, and theme. It then provides examples of 15 digital stories that were used to teach different science topics to students over 15 days. Assessment results indicated that the experimental group who learned through digital stories were more interested, motivated, and achieved better academic performance compared to traditional instruction. The document concludes that digital storytelling is an effective STEAM-based approach for teaching and learning science.
This document provides guidance on conceiving, reporting, organizing, and writing a news feature story. It defines a news feature as an in-depth story generated by reporters that is longer than a basic news story but not breaking news. The document discusses finding story ideas, assessing whether an idea merits further reporting, developing a theme sentence and nut graph to guide reporting, interviewing a variety of sources, organizing information using the six key concepts, and following a three-part structure with an anecdotal lead, supporting details, and concluding quotes.
This document provides definitions and explanations of short stories as a text type for teaching purposes. It defines short stories as works of fiction involving imagination that tell of a single event in a concentrated way through characters connected by a plot. Short stories are typically between 1,000-20,000 words and can be read in one sitting. The document also discusses elements of short stories like setting, characters, style, theme, and plot. It explores using short stories to help students develop reading comprehension, analysis, and writing skills. A multi-stage approach to teaching short stories is presented, including pre-reading, reading, and extension activities.
The document provides guidance on creating an audio slideshow project. It discusses key skills needed like taking and editing photos, conducting interviews, and audio editing. It recommends using a three-act story structure with a beginning, middle, and end. Different types of camera shots are described like wide shots, medium shots, and close-ups to build a narrative. Sound editing is also emphasized, including using interviews, narration, and natural sounds. The document provides examples of audio slideshows and advises planning the content, structure, and intended audience for the story.
This document provides guidance on finding a documentary subject and developing documentary ideas. It discusses four tendencies of documentaries, including recording/revealing, persuading, expressing, and analyzing. Tips are given such as following your passion, finding a compelling character, making it personal, and asking questions. The document emphasizes choosing a topic you have unique access to and personal connection with, and avoiding subjects you don't have direct experience with. It also provides examples of successful documentaries and encourages filmmakers to trust their instincts and passion in choosing a subject.
This presentation is to let all the students out there know about the significance of the narrative essay writing. Writing a narrative essay is of great problem for many students on both college and university level and this is something we all had been through http://www.papermoz.co.uk/theses/
As creatives we always are measuring ourselves. Measuring against other churches, against measuring against other creatives and sometimes we get stuck because we feel we don’t measure up. Our lives are shaped by how we choose to spend our time and energy each day. Measuring can help us spend that time in better ways, more consistently. But we must measure the right things. Greatness in any field comes from taking a novel idea and pushing it to its logical conclusion, redefining the medium in the process.
Messages come in many forms, but in order to be effective you must be specific and know your audience. Some of the best messages are bookended by stories. In this presentation I share why messaging is important, but how to tell your message to the right audience and create an engaging story.
Introduction to Digital Photography ClassChip Dizárd
The document provides tips for taking better digital photographs, including scanning the background before taking a photo, taking multiple photos from different perspectives and angles, moving close to the subject, and using editing tools to improve photos. It emphasizes capturing interesting photos that tell a story by including relevant details and looking for candid shots instead of posed photos.
This document discusses using social media in youth ministry. It notes that common social media platforms used by youth include Facebook, Twitter, Pinterest and Google+. The document provides tips for how youth ministers can use social media, like SMS texting and mobile apps, to connect with youth. It also presents statistics on social media and tactics for using Facebook. The goal is to discuss how social media can help reach youth and engage them in ministry.
This document provides 5 actions to change your story and life: 1) Recognize the voice in your head and whether it is empowering or limiting, 2) Record what that voice is saying by journaling, 3) Evaluate if the voice is empowering or limiting, 4) Write a new chapter starting today rather than waiting, and 5) Make a decision to focus on empowering yourself.
A presentation given on April 28, 2013 to the Pacific Union Conference Tech community about enlarging your reach.
http://db.tt/RfHGvSyl to download the audio from the presentation.
This tutorial provides instructions for using Logic Pro to create songs. It outlines the steps to open Logic Pro, select a template, adjust the tempo, record tracks, repeat and duplicate parts, and bounce the final song to an MP3 file. The key steps covered are opening Logic Pro, choosing a template, setting the tempo and loop length, recording multiple tracks by pressing record and spacebar, highlighting and repeating sections, and bouncing the final song to MP3 format.
Mr. Dizard's class is learning how to create podcasts using GarageBand. Students will write a script, record an audio story, and add music. They discussed podcasts they listened to for homework and the topics covered. The steps to create a podcast in GarageBand are to write a script, adjust audio levels, record, export as MP3, and save.
The document provides guidance for making a video or film with little to no budget. It outlines the three main stages of filmmaking - pre-production, production, and post-production. Pre-production involves planning, organizing, writing scripts, securing locations and equipment, and building a cast and crew. Production entails actually shooting the film and following best practices for running a set, conducting interviews, and directing actors. Issues to consider during shooting include proper use of equipment, white balancing, focus, shutter speed/iris settings, and audio quality. Preparation and organization are emphasized as keys to completing projects on a limited budget.
The document outlines several filmmaking rules for shooting sequences, including shooting action as it happens from different angles and distances, holding shots for 15 seconds each according to the 4-15 rule to give editors more choices, and never crossing the 180 degree line between subjects during dialogue to maintain clarity for viewers.
AI 101: An Introduction to the Basics and Impact of Artificial IntelligenceIndexBug
Imagine a world where machines not only perform tasks but also learn, adapt, and make decisions. This is the promise of Artificial Intelligence (AI), a technology that's not just enhancing our lives but revolutionizing entire industries.
Infrastructure Challenges in Scaling RAG with Custom AI modelsZilliz
Building Retrieval-Augmented Generation (RAG) systems with open-source and custom AI models is a complex task. This talk explores the challenges in productionizing RAG systems, including retrieval performance, response synthesis, and evaluation. We’ll discuss how to leverage open-source models like text embeddings, language models, and custom fine-tuned models to enhance RAG performance. Additionally, we’ll cover how BentoML can help orchestrate and scale these AI components efficiently, ensuring seamless deployment and management of RAG systems in the cloud.
“An Outlook of the Ongoing and Future Relationship between Blockchain Technologies and Process-aware Information Systems.” Invited talk at the joint workshop on Blockchain for Information Systems (BC4IS) and Blockchain for Trusted Data Sharing (B4TDS), co-located with with the 36th International Conference on Advanced Information Systems Engineering (CAiSE), 3 June 2024, Limassol, Cyprus.
Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
Discover the seamless integration of RPA (Robotic Process Automation), COMPOSER, and APM with AWS IDP enhanced with Slack notifications. Explore how these technologies converge to streamline workflows, optimize performance, and ensure secure access, all while leveraging the power of AWS IDP and real-time communication via Slack notifications.
Sudheer Mechineni, Head of Application Frameworks, Standard Chartered Bank
Discover how Standard Chartered Bank harnessed the power of Neo4j to transform complex data access challenges into a dynamic, scalable graph database solution. This keynote will cover their journey from initial adoption to deploying a fully automated, enterprise-grade causal cluster, highlighting key strategies for modelling organisational changes and ensuring robust disaster recovery. Learn how these innovations have not only enhanced Standard Chartered Bank’s data infrastructure but also positioned them as pioneers in the banking sector’s adoption of graph technology.
Removing Uninteresting Bytes in Software FuzzingAftab Hussain
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
UiPath Test Automation using UiPath Test Suite series, part 6DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 6. In this session, we will cover Test Automation with generative AI and Open AI.
UiPath Test Automation with generative AI and Open AI webinar offers an in-depth exploration of leveraging cutting-edge technologies for test automation within the UiPath platform. Attendees will delve into the integration of generative AI, a test automation solution, with Open AI advanced natural language processing capabilities.
Throughout the session, participants will discover how this synergy empowers testers to automate repetitive tasks, enhance testing accuracy, and expedite the software testing life cycle. Topics covered include the seamless integration process, practical use cases, and the benefits of harnessing AI-driven automation for UiPath testing initiatives. By attending this webinar, testers, and automation professionals can gain valuable insights into harnessing the power of AI to optimize their test automation workflows within the UiPath ecosystem, ultimately driving efficiency and quality in software development processes.
What will you get from this session?
1. Insights into integrating generative AI.
2. Understanding how this integration enhances test automation within the UiPath platform
3. Practical demonstrations
4. Exploration of real-world use cases illustrating the benefits of AI-driven test automation for UiPath
Topics covered:
What is generative AI
Test Automation with generative AI and Open AI.
UiPath integration with generative AI
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Driving Business Innovation: Latest Generative AI Advancements & Success StorySafe Software
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
Building Production Ready Search Pipelines with Spark and MilvusZilliz
Spark is the widely used ETL tool for processing, indexing and ingesting data to serving stack for search. Milvus is the production-ready open-source vector database. In this talk we will show how to use Spark to process unstructured data to extract vector representations, and push the vectors to Milvus vector database for search serving.
HCL Notes and Domino License Cost Reduction in the World of DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
We’ll show you how to fix common misconfigurations that cause higher-than-expected user counts, and how to identify accounts which you can deactivate to save money. There are also frequent patterns that can cause unnecessary cost, like using a person document instead of a mail-in for shared mailboxes. We’ll provide examples and solutions for those as well. And naturally we’ll explain the new licensing model.
Join HCL Ambassador Marc Thomas in this webinar with a special guest appearance from Franz Walder. It will give you the tools and know-how to stay on top of what is going on with Domino licensing. You will be able lower your cost through an optimized configuration and keep it low going forward.
These topics will be covered
- Reducing license cost by finding and fixing misconfigurations and superfluous accounts
- How do CCB and CCX licenses really work?
- Understanding the DLAU tool and how to best utilize it
- Tips for common problem areas, like team mailboxes, functional/test users, etc
- Practical examples and best practices to implement right away
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20240605 QFM017 Machine Intelligence Reading List May 2024
What is a Narrative Story?
1. What
is
a
Narra*ve
Story?
Mr.
Dizard’s
Interac*ve
Media
Produc*on
2. Defini*on
• A
narra*ve
story
is
a
way
of
ordering
events
and
thoughts
in
a
coherent
sequence
that
makes
them
interes*ng
to
watch
and
listen.
• For
our
purposes,
our
stories
will
be
under
15
minutes.
3. Must
Have’s
• Stories
must
have
some
sort
of
conflict
or
complica*on.
The
role
of
the
story
is
to
ul*mately
resolve
that
conflict
or
complica*on.
• Stories
oNen
have
a
surprise,
a
new
piece
of
informa*on
that
changes
the
direc*on.
• Stories
with
one
main
subject
usually
have
greater
impact
than
stories
with
many
subjects
4. What’s
not
a
story
• A
person
is
not
a
story
• A
place
is
not
a
story
– Those
are
topics
– A
story
shows
the
challenges
that
occur
to
a
person
or
place
over
*me.
5. Examples
• Not
a
Story
– Nick
TroRer
performing
for
the
AFSIVA
Talent
Show.
• Story
– A
*mid
student
who
can
really
sing
who
prepares
for
the
talent
show
for
the
first
*me.
6. Examples
• Not
a
Story
– Mr.
Fried’s
teaching
photography
to
Kyrell.
• Story
– How
a
student
with
no
prior
experience
with
photography
becomes
a
world-‐class
photographer
with
Mr.
Fried’s
guidance.
7. Examples
• Not
a
Story
– A
Crossing
Guard’s
work
• Story
– How
a
crossing
guard
is
the
first
line
of
defense
for
children
walking
into
the
building
and
why
she
has
been
doing
it
for
25
years.
8. Examples
• Not
a
Story
– Ms.
Stokes
Career
as
an
Educator.
(Maybe
a
documentary)
• Story
– A
former
student
impacted
by
Ms.
Stokes
and
why
the
student
sends
her
child
to
learn
under
her.
9. Stories
must
be
visual
• In
the
video/mul*media
world,
stories
must
be
able
to
be
shown
in
a
visual
world.
• Have
you
ever
read
a
book
and
then
seen
the
movie
and
been
disappointed?
10. Project
• Think
of
three
story
ideas
and
write
them
down
in
this
format:
• Not
a
story
• A
Story
• We
will
share
out
to
the
class.