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Narrative theory
           THE WAY IN WHICH A STORY IS TOLD IN
            BOTH FICTIONAL AND NON FICTIONAL
                      MEDIA TEXTS.

          There are FOUR main narrative theories:



1                            2

Vladimir Propp’s Theory     Levi-Strauss binary opposition
                                        theory


3                                4
    Barthes enigma code              Todorov’s Theory
1
Vladimir Propp’s Theory:

 He proposed that it was possible to classify the characters
  and their actions into clearly defined roles and functions
 From studying Russian Fairytales, he discovered that in
  most stories there are always 8 types of characters present:
  The hero, the villain, the donor, the dispatcher, the
  false hero, the helper, the Princess and her father-
  however he didn’t state that these characters had to be
  different people.
 Once you have identified the character type it is relatively
  easy to guess what they will do (i.e. save the maiden, defeat
  the villain or marry the maiden) because each character has
  a sphere of action.


                                                      Harry Heath
2
Levi- Strauss’ binary opposition theory:

 He examined how stories unconsciously reflect the values,
  beliefs and myths of a culture.
 This narrative theory is the study that narrative tension is
  based on opposition or conflict.
 This could be as simple as two characters fighting, but these
  function more often at an ideological level. For example, in
  Westerns, you have:




                                                      Harry Heath
3
Barthes’ enigma code:

     This narrative establishes enigmas or mysteries as it goes
      along. Then it will gradually solve these inputted
      mysteries.
     He suggested that narrative works with five different
      codes which activate the reader to make sense of it. These
      five codes are:




     He also used the term denotation and connotation to
      analyse images.
                                                        Harry Heath
4
Todorov’s theory:

     He suggests that films and programmes begin with
      equilibrium (a calm period). Then agents of disruption
      cause disequilibrium- which is a period of unsettlement
      with lots of noise.
     This is then followed by a renewed state of peace and
      harmony for whoever the protagonists may be; this new
      equilibrium brings the chaos to an end. This is often
      referred as a ‘Classic’ or ‘Hollywood’ narrative.
     Equilibrium> Disequilibrium> New equilibrium




                                                      Harry Heath

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Narrative Theories

  • 1. Narrative theory THE WAY IN WHICH A STORY IS TOLD IN BOTH FICTIONAL AND NON FICTIONAL MEDIA TEXTS. There are FOUR main narrative theories: 1 2 Vladimir Propp’s Theory Levi-Strauss binary opposition theory 3 4 Barthes enigma code Todorov’s Theory
  • 2. 1 Vladimir Propp’s Theory:  He proposed that it was possible to classify the characters and their actions into clearly defined roles and functions  From studying Russian Fairytales, he discovered that in most stories there are always 8 types of characters present: The hero, the villain, the donor, the dispatcher, the false hero, the helper, the Princess and her father- however he didn’t state that these characters had to be different people.  Once you have identified the character type it is relatively easy to guess what they will do (i.e. save the maiden, defeat the villain or marry the maiden) because each character has a sphere of action. Harry Heath
  • 3. 2 Levi- Strauss’ binary opposition theory:  He examined how stories unconsciously reflect the values, beliefs and myths of a culture.  This narrative theory is the study that narrative tension is based on opposition or conflict.  This could be as simple as two characters fighting, but these function more often at an ideological level. For example, in Westerns, you have: Harry Heath
  • 4. 3 Barthes’ enigma code:  This narrative establishes enigmas or mysteries as it goes along. Then it will gradually solve these inputted mysteries.  He suggested that narrative works with five different codes which activate the reader to make sense of it. These five codes are:  He also used the term denotation and connotation to analyse images. Harry Heath
  • 5. 4 Todorov’s theory:  He suggests that films and programmes begin with equilibrium (a calm period). Then agents of disruption cause disequilibrium- which is a period of unsettlement with lots of noise.  This is then followed by a renewed state of peace and harmony for whoever the protagonists may be; this new equilibrium brings the chaos to an end. This is often referred as a ‘Classic’ or ‘Hollywood’ narrative.  Equilibrium> Disequilibrium> New equilibrium Harry Heath