The document summarizes the history and rise of fantastic literature in Latin America. It discusses how [1] the fantastic genre became more widely utilized by Latin American writers in the mid-1930s, reaching a "Golden Age" from 1940-1965, and [2] how The Book of Fantasy by Borges, Ocampo and Bioy Casares in 1940 was influential in establishing the fantastic as a legitimate literary form in Latin America. It promoted [3] an "international," "open," and "hedonistic" approach that emphasized plot and internal logic over character psychology.
Sense and Sensitivities: A Review of David J. Linden's Touch: The Science of ...Susanne Thomas, PhD
1) The book Touch by neuroscientist David Linden explains how the human sense of touch has evolved over millions of years as the nervous system has developed different skin receptors. Linden discusses the structures and functions of these receptors in detail.
2) Linden aims to make the science accessible by using pop culture references and shifting between detailed discussions and more speculative philosophical perspectives to avoid overwhelming readers.
3) The sense of touch is shown to be fundamental to human development, language, and social interaction. Deprivation of touch in childhood can have negative psychological impacts.
Sophocles' play Oedipus Rex is examined as a tool for understanding human psychology. The protagonist Oedipus displays a range of human emotions and behaviors, including pride, anger, love, and guilt, which change according to his circumstances. His downfall is largely a result of his own actions and extreme emotions. The play highlights how human psychology influences behaviors and illustrates the uncertainty of the human mind. Analyzing Oedipus Rex through a psychological lens provides insights into human emotions and their consequences.
The document discusses several theories for explaining the origins and purposes of myths:
- Freud and Jung's psychological theories view myths as reflecting unconscious desires (Freud) or archetypes in the collective unconscious (Jung).
- Structuralist theories examine myths' surface elements (Propp) or underlying structures/binary oppositions (Levi-Strauss).
- Burkert's structuralist approach links myth elements to basic human biological programs.
- Campbell sees myth as universally conveying spiritual truths.
However, the document concludes that no single theory can explain all myths, and it is best to use multiple theories as appropriate for individual myths. Myths encode a society's worldview, beliefs, and understanding of
This document discusses the intrinsic elements of fiction, including plot, character, setting, theme, and point of view. It also describes different kinds of fiction such as short stories and novels. Finally, it explains that fiction theory involves questioning fundamental terms like text, narrative, and literature to understand how imaginary worlds in fiction relate to the real world.
Within the scope of the literary field, hermeneutics is applicable to disclose the subtle textual
implications and the authorial ideological orientations. Attempting to analyze Carter’s The Bloody Chamber
from a hermeneutic perspective reveals the writer’s intents behind the use of various literary techniques.
Metamorphosis, for instance, is deployed to study the male and female animal sides. Carter makes recourse to
this technique aiming at divulging the equal and natural human instincts regardless of the gender orientations.
The males’ transformation from a human shape to a wolf and vice versa connotes the animal side lurking
beneath maleness. Carter rewrites the patriarchal fairy tales of Charles Perrault from a feminist postmodern
angle in order to pay tribute to her female characters. Studying the story of Red Ridding Hood, we notice
Carter’s innovation that makes her story different from Perrault’s original one. Her Red Ridding Hood
character ensures her gender and sexual equality contrary to the traditional passive female who surrenders to
the wolf’s trap. Via the technique of metamorphosis, Carter conveys the postmodern gender equality.
This document is a transcription of a lecture given by Rudolf Steiner on ancient myths and their connection to evolution. In the lecture, Steiner discusses the Osiris-Isis myth of ancient Egypt and how it expressed deeper truths about humanity's connection to the cosmos through symbolic and spiritual means. He contrasts this to the more superficial understandings of myths prevalent today. Steiner also briefly touches on how the ancient Greeks conceived of multiple generations of gods to represent stages of soul development. The lecture aims to convey how myths captured spiritual realities in a way that modern thinking often fails to do.
This document discusses the taboo of anthropologists engaging in sexual relationships during fieldwork. It argues that prohibiting such relationships is an ethnocentric view that fails to recognize cultural differences in relationships and power dynamics. The document examines issues of power, trust, and objectivity that arise from intimate relationships in the field. It notes that desires will always be present and influence fieldwork, whether acted upon or not. Some researchers who engaged in relationships, like Gloria Wekker, found it provided cultural insights that enhanced their work. Overall, the document challenges the notion that sexuality must be avoided and argues for a more nuanced discussion of related ethics.
The document summarizes the history and rise of fantastic literature in Latin America. It discusses how [1] the fantastic genre became more widely utilized by Latin American writers in the mid-1930s, reaching a "Golden Age" from 1940-1965, and [2] how The Book of Fantasy by Borges, Ocampo and Bioy Casares in 1940 was influential in establishing the fantastic as a legitimate literary form in Latin America. It promoted [3] an "international," "open," and "hedonistic" approach that emphasized plot and internal logic over character psychology.
Sense and Sensitivities: A Review of David J. Linden's Touch: The Science of ...Susanne Thomas, PhD
1) The book Touch by neuroscientist David Linden explains how the human sense of touch has evolved over millions of years as the nervous system has developed different skin receptors. Linden discusses the structures and functions of these receptors in detail.
2) Linden aims to make the science accessible by using pop culture references and shifting between detailed discussions and more speculative philosophical perspectives to avoid overwhelming readers.
3) The sense of touch is shown to be fundamental to human development, language, and social interaction. Deprivation of touch in childhood can have negative psychological impacts.
Sophocles' play Oedipus Rex is examined as a tool for understanding human psychology. The protagonist Oedipus displays a range of human emotions and behaviors, including pride, anger, love, and guilt, which change according to his circumstances. His downfall is largely a result of his own actions and extreme emotions. The play highlights how human psychology influences behaviors and illustrates the uncertainty of the human mind. Analyzing Oedipus Rex through a psychological lens provides insights into human emotions and their consequences.
The document discusses several theories for explaining the origins and purposes of myths:
- Freud and Jung's psychological theories view myths as reflecting unconscious desires (Freud) or archetypes in the collective unconscious (Jung).
- Structuralist theories examine myths' surface elements (Propp) or underlying structures/binary oppositions (Levi-Strauss).
- Burkert's structuralist approach links myth elements to basic human biological programs.
- Campbell sees myth as universally conveying spiritual truths.
However, the document concludes that no single theory can explain all myths, and it is best to use multiple theories as appropriate for individual myths. Myths encode a society's worldview, beliefs, and understanding of
This document discusses the intrinsic elements of fiction, including plot, character, setting, theme, and point of view. It also describes different kinds of fiction such as short stories and novels. Finally, it explains that fiction theory involves questioning fundamental terms like text, narrative, and literature to understand how imaginary worlds in fiction relate to the real world.
Within the scope of the literary field, hermeneutics is applicable to disclose the subtle textual
implications and the authorial ideological orientations. Attempting to analyze Carter’s The Bloody Chamber
from a hermeneutic perspective reveals the writer’s intents behind the use of various literary techniques.
Metamorphosis, for instance, is deployed to study the male and female animal sides. Carter makes recourse to
this technique aiming at divulging the equal and natural human instincts regardless of the gender orientations.
The males’ transformation from a human shape to a wolf and vice versa connotes the animal side lurking
beneath maleness. Carter rewrites the patriarchal fairy tales of Charles Perrault from a feminist postmodern
angle in order to pay tribute to her female characters. Studying the story of Red Ridding Hood, we notice
Carter’s innovation that makes her story different from Perrault’s original one. Her Red Ridding Hood
character ensures her gender and sexual equality contrary to the traditional passive female who surrenders to
the wolf’s trap. Via the technique of metamorphosis, Carter conveys the postmodern gender equality.
This document is a transcription of a lecture given by Rudolf Steiner on ancient myths and their connection to evolution. In the lecture, Steiner discusses the Osiris-Isis myth of ancient Egypt and how it expressed deeper truths about humanity's connection to the cosmos through symbolic and spiritual means. He contrasts this to the more superficial understandings of myths prevalent today. Steiner also briefly touches on how the ancient Greeks conceived of multiple generations of gods to represent stages of soul development. The lecture aims to convey how myths captured spiritual realities in a way that modern thinking often fails to do.
This document discusses the taboo of anthropologists engaging in sexual relationships during fieldwork. It argues that prohibiting such relationships is an ethnocentric view that fails to recognize cultural differences in relationships and power dynamics. The document examines issues of power, trust, and objectivity that arise from intimate relationships in the field. It notes that desires will always be present and influence fieldwork, whether acted upon or not. Some researchers who engaged in relationships, like Gloria Wekker, found it provided cultural insights that enhanced their work. Overall, the document challenges the notion that sexuality must be avoided and argues for a more nuanced discussion of related ethics.
Beyond Belief: The Transformative Power of Mythic FictionLisaConnors6
This paper examines the transformative power of mythic fiction. It discusses how mythic fiction can expand readers' worldviews and beliefs by transporting them into an engaging secondary world. The paper analyzes how successful works of mythic fiction establish credibility and motivate readers to suspend disbelief, entering into a transformative reading experience. Specifically, it explores three craft techniques used by mythic fiction authors: 1) Contracting, or constructing an intriguing threshold between the primary and secondary worlds; 2) Pathmaking, enticing readers along a journey with wise guides; and 3) Rattle and Ache, crafting endings that provoke thought about one's core beliefs. The author aims to apply these techniques in their own work of mythic
This document provides background information on Washington Irving's short story "The Legend of Sleepy Hollow." It discusses Irving's biography and the social context in which he wrote. It then analyzes aspects of mysticism and the supernatural in the story. Specifically, it examines how Irving uses descriptions of nature to evoke mysticism and discusses the urban legends and haunted locations that are part of the story's setting. Quotes from the text are provided as examples to support how Irving incorporated mystical elements through the portrayal of the landscape and folklore traditions.
The narrative paradigm is based on the idea that humans think in terms of stories rather than logic. It proposes that people are more easily persuaded by compelling narratives than arguments. According to the paradigm, humans experience the world as a collection of stories and make decisions based on which stories they deem most truthful and consistent. The narrative paradigm contrasts with the rational world paradigm, which views humans as logical beings who make decisions through sound arguments and reasoning processes. Key concepts of the narrative paradigm include narration, narrative rationality based on coherence and fidelity, and the logic of good reasons for evaluating stories.
Myths are stories that help explain natural phenomena and human experiences. They shape culture and how we understand the world. Many authors borrow from mythology in their own works, allowing readers to better understand the characters and their struggles by relating them to primal human patterns established in myths like Homer's works. When writers incorporate mythological elements and readers recognize them, it enhances the reading experience and gives modern stories a shared power and meaning.
The Depiction of the Metaphysical in German and African Fiction: a study of s...iosrjce
IOSR Journal of Humanities and Social Science is a double blind peer reviewed International Journal edited by International Organization of Scientific Research (IOSR).The Journal provides a common forum where all aspects of humanities and social sciences are presented. IOSR-JHSS publishes original papers, review papers, conceptual framework, analytical and simulation models, case studies, empirical research, technical notes etc.
Walter Fisher proposed the narrative paradigm theory, which argues that human communication should be viewed as storytelling. According to the theory, people experience and understand their lives as a series of stories that have a beginning, middle, end, characters, and conflict. The way people communicate events in their past and future involves telling stories and constructing logical arguments using good reasons based on history, culture, and the people involved.
The document presents a concept for a detective fiction story set in the 18th Moon Station S3 Agency. The story would involve a detective named Lucen who opens his own agency while in college. Lucen discovers he has psychic/mind reading abilities due to being descended from mythical creatures. The government is also investigating psychic abilities for national security purposes. Lucen's twin sister Mei works with the government using her own strong mind reading skills. The story would explore Lucen and Mei discovering more about their past and abilities as well as interacting with other mythical beings living secretly in society.
- Walter Fisher proposes the narrative paradigm theory which argues that humans are naturally storytelling beings and make decisions based on good reasons and narratives rather than pure rationality.
- The narrative paradigm sees knowledge as arising from stories rather than just observable facts, and values aesthetics and the judgments of many instead of just experts.
- For a narrative to be considered reasonable according to the narrative paradigm, it must have narrative fidelity by resonating with one's experiences and coherence by having a consistent internal logic and fitting with other known stories.
1. Myths are traditional stories that may or may not be true, and serve important functions in religion and society. They often attempt to explain natural phenomena and provide a worldview.
2. Rituals are inspired by myths and help perpetuate religious traditions through symbolic ceremonies and practices. Myths are also often connected to the narrative aspects of important religious rituals.
3. Hindu mythology in particular provides the basis for many Hindu beliefs and practices. Stories from epics like the Ramayana and Mahabharata contain mythological elements that explain theology and influence rituals.
Magical realism blends magical elements into realistic settings to access a deeper understanding of reality. It originated as a genre in Germany in the 1920s and was later associated with Latin American fiction. In magical realism, extraordinary events are presented as part of everyday life and accepted as such. It influences art, literature, and film by mixing fantastical elements with the commonplace. In literature, magical realism invites readers to use their senses and imagination to experience stories, as seen in the works of authors like Gabriel Garcia Marquez and Laura Esquivel's novel Like Water for Chocolate, where magical elements like ghosts and the effects of recipes are integrated into everyday life.
The document summarizes the Narrative Paradigm theory proposed by Fisher. It discusses that the theory views people as storytelling creatures that comprehend life as ongoing narratives. The Narrative Paradigm sees narration as the basis for human communication and assumes people make decisions based on "good reasons" that vary by context. It also critiques the theory for being overly optimistic that people naturally prefer truths.
Brief overview of Bruner's narrative framework for brand psychology and transmedia storytelling. Bruner's work is particularly important in transmedia projects to inform storyworld coherence.
Creative nonfiction is a hybrid genre that combines elements of fiction and factual journalism. It uses literary techniques to tell true stories in an engaging way. Lee Gutkind defines creative nonfiction as adhering to the basics of nonfiction while allowing poetic and journalistic flexibility. Examples include books by Jon Krakauer and Truman Capote that are based on true events but told through narrative storytelling. When writing creative nonfiction, authors immerse themselves in their topics through in-depth research and observation.
Courage, Determination and Perseverance: A Psychological Approach of Amos Tut...AJHSSR Journal
ABSTRACT: This study is an attempt to bring us toward an understanding of courage, its nature, and its use
in Amos Tutuola‟s novel. Courage is perceived as a stable characteristic of human beings. The presence of
physical courage is linked to increased resilience, and greater feelings of personal competence. It is identified as
a factor of strength in his positive psychology model. The individual who performed acts of heroism and
bravery is more likely to be self-confident, has a tendency to take risk, and attribute their success on modeling of
others. Courage has helped win over all forces against except hunger.
KEY WORDS: Courage, nature use, physical, positive psychology, personality, characteristic.
Connecting Philippine Mythology to Magical Realism in Two Short Stories 2Gio Romero Chao
This document provides an overview of the development and history of magical realism. It begins by discussing the origins of the term "magical realism" coined by German art critic Franz Roh in 1924 to describe trends in Post-Expressionist painting. Roh saw these paintings as celebrating the mundane through fantastical representations of everyday objects. The document then traces how the concept shifted from the visual arts to literature, being adopted and adapted by writers and critics in Latin America in the 1940s-present. It outlines some of the key figures and theories that have shaped understandings of magical realism over time in both Western and Philippine contexts.
This document contains the responses to a questionnaire by Tanya Vorobieva, who was born on November 8, 1995. She indicated her favorite animals are cats, dogs and rabbits. Her favorite sports are biathlon and subjects are Russian, English and History. Her hobbies include reading and her favorite writers are Gogol and Pushkin.
Our media product resembles punk rock music videos through its use of live shots of the lead singer within a small shed setting, inspired by the garage rock genre. We associated heavy metal elements like costume and a chainsaw with a sinister character portrayed with a dark atmosphere of fear. Putting emphasis on the narrative kept the soloist as the main character and engagement for the intended audience.
The DVD cover focused on an eye icon to represent themes of dystopia and fear, blurring the lead singer's eye to connect it to the cover. Dark colors created synergy between the video, cover and advertisement, though the ad was less effective at appealing to audiences due to a lack of focus. Audience feedback confirmed our video successfully delivered a
Beyond Belief: The Transformative Power of Mythic FictionLisaConnors6
This paper examines the transformative power of mythic fiction. It discusses how mythic fiction can expand readers' worldviews and beliefs by transporting them into an engaging secondary world. The paper analyzes how successful works of mythic fiction establish credibility and motivate readers to suspend disbelief, entering into a transformative reading experience. Specifically, it explores three craft techniques used by mythic fiction authors: 1) Contracting, or constructing an intriguing threshold between the primary and secondary worlds; 2) Pathmaking, enticing readers along a journey with wise guides; and 3) Rattle and Ache, crafting endings that provoke thought about one's core beliefs. The author aims to apply these techniques in their own work of mythic
This document provides background information on Washington Irving's short story "The Legend of Sleepy Hollow." It discusses Irving's biography and the social context in which he wrote. It then analyzes aspects of mysticism and the supernatural in the story. Specifically, it examines how Irving uses descriptions of nature to evoke mysticism and discusses the urban legends and haunted locations that are part of the story's setting. Quotes from the text are provided as examples to support how Irving incorporated mystical elements through the portrayal of the landscape and folklore traditions.
The narrative paradigm is based on the idea that humans think in terms of stories rather than logic. It proposes that people are more easily persuaded by compelling narratives than arguments. According to the paradigm, humans experience the world as a collection of stories and make decisions based on which stories they deem most truthful and consistent. The narrative paradigm contrasts with the rational world paradigm, which views humans as logical beings who make decisions through sound arguments and reasoning processes. Key concepts of the narrative paradigm include narration, narrative rationality based on coherence and fidelity, and the logic of good reasons for evaluating stories.
Myths are stories that help explain natural phenomena and human experiences. They shape culture and how we understand the world. Many authors borrow from mythology in their own works, allowing readers to better understand the characters and their struggles by relating them to primal human patterns established in myths like Homer's works. When writers incorporate mythological elements and readers recognize them, it enhances the reading experience and gives modern stories a shared power and meaning.
The Depiction of the Metaphysical in German and African Fiction: a study of s...iosrjce
IOSR Journal of Humanities and Social Science is a double blind peer reviewed International Journal edited by International Organization of Scientific Research (IOSR).The Journal provides a common forum where all aspects of humanities and social sciences are presented. IOSR-JHSS publishes original papers, review papers, conceptual framework, analytical and simulation models, case studies, empirical research, technical notes etc.
Walter Fisher proposed the narrative paradigm theory, which argues that human communication should be viewed as storytelling. According to the theory, people experience and understand their lives as a series of stories that have a beginning, middle, end, characters, and conflict. The way people communicate events in their past and future involves telling stories and constructing logical arguments using good reasons based on history, culture, and the people involved.
The document presents a concept for a detective fiction story set in the 18th Moon Station S3 Agency. The story would involve a detective named Lucen who opens his own agency while in college. Lucen discovers he has psychic/mind reading abilities due to being descended from mythical creatures. The government is also investigating psychic abilities for national security purposes. Lucen's twin sister Mei works with the government using her own strong mind reading skills. The story would explore Lucen and Mei discovering more about their past and abilities as well as interacting with other mythical beings living secretly in society.
- Walter Fisher proposes the narrative paradigm theory which argues that humans are naturally storytelling beings and make decisions based on good reasons and narratives rather than pure rationality.
- The narrative paradigm sees knowledge as arising from stories rather than just observable facts, and values aesthetics and the judgments of many instead of just experts.
- For a narrative to be considered reasonable according to the narrative paradigm, it must have narrative fidelity by resonating with one's experiences and coherence by having a consistent internal logic and fitting with other known stories.
1. Myths are traditional stories that may or may not be true, and serve important functions in religion and society. They often attempt to explain natural phenomena and provide a worldview.
2. Rituals are inspired by myths and help perpetuate religious traditions through symbolic ceremonies and practices. Myths are also often connected to the narrative aspects of important religious rituals.
3. Hindu mythology in particular provides the basis for many Hindu beliefs and practices. Stories from epics like the Ramayana and Mahabharata contain mythological elements that explain theology and influence rituals.
Magical realism blends magical elements into realistic settings to access a deeper understanding of reality. It originated as a genre in Germany in the 1920s and was later associated with Latin American fiction. In magical realism, extraordinary events are presented as part of everyday life and accepted as such. It influences art, literature, and film by mixing fantastical elements with the commonplace. In literature, magical realism invites readers to use their senses and imagination to experience stories, as seen in the works of authors like Gabriel Garcia Marquez and Laura Esquivel's novel Like Water for Chocolate, where magical elements like ghosts and the effects of recipes are integrated into everyday life.
The document summarizes the Narrative Paradigm theory proposed by Fisher. It discusses that the theory views people as storytelling creatures that comprehend life as ongoing narratives. The Narrative Paradigm sees narration as the basis for human communication and assumes people make decisions based on "good reasons" that vary by context. It also critiques the theory for being overly optimistic that people naturally prefer truths.
Brief overview of Bruner's narrative framework for brand psychology and transmedia storytelling. Bruner's work is particularly important in transmedia projects to inform storyworld coherence.
Creative nonfiction is a hybrid genre that combines elements of fiction and factual journalism. It uses literary techniques to tell true stories in an engaging way. Lee Gutkind defines creative nonfiction as adhering to the basics of nonfiction while allowing poetic and journalistic flexibility. Examples include books by Jon Krakauer and Truman Capote that are based on true events but told through narrative storytelling. When writing creative nonfiction, authors immerse themselves in their topics through in-depth research and observation.
Courage, Determination and Perseverance: A Psychological Approach of Amos Tut...AJHSSR Journal
ABSTRACT: This study is an attempt to bring us toward an understanding of courage, its nature, and its use
in Amos Tutuola‟s novel. Courage is perceived as a stable characteristic of human beings. The presence of
physical courage is linked to increased resilience, and greater feelings of personal competence. It is identified as
a factor of strength in his positive psychology model. The individual who performed acts of heroism and
bravery is more likely to be self-confident, has a tendency to take risk, and attribute their success on modeling of
others. Courage has helped win over all forces against except hunger.
KEY WORDS: Courage, nature use, physical, positive psychology, personality, characteristic.
Connecting Philippine Mythology to Magical Realism in Two Short Stories 2Gio Romero Chao
This document provides an overview of the development and history of magical realism. It begins by discussing the origins of the term "magical realism" coined by German art critic Franz Roh in 1924 to describe trends in Post-Expressionist painting. Roh saw these paintings as celebrating the mundane through fantastical representations of everyday objects. The document then traces how the concept shifted from the visual arts to literature, being adopted and adapted by writers and critics in Latin America in the 1940s-present. It outlines some of the key figures and theories that have shaped understandings of magical realism over time in both Western and Philippine contexts.
This document contains the responses to a questionnaire by Tanya Vorobieva, who was born on November 8, 1995. She indicated her favorite animals are cats, dogs and rabbits. Her favorite sports are biathlon and subjects are Russian, English and History. Her hobbies include reading and her favorite writers are Gogol and Pushkin.
Our media product resembles punk rock music videos through its use of live shots of the lead singer within a small shed setting, inspired by the garage rock genre. We associated heavy metal elements like costume and a chainsaw with a sinister character portrayed with a dark atmosphere of fear. Putting emphasis on the narrative kept the soloist as the main character and engagement for the intended audience.
The DVD cover focused on an eye icon to represent themes of dystopia and fear, blurring the lead singer's eye to connect it to the cover. Dark colors created synergy between the video, cover and advertisement, though the ad was less effective at appealing to audiences due to a lack of focus. Audience feedback confirmed our video successfully delivered a
This document contains Tanya Vorobieva's responses to a questionnaire. It provides her name, birthday of November 8, 1995, and lists her favorite animals, sports, school subjects, hobby, writers, music genre, singer, painters, works of art, and films.
Hauling Out and Painting the Sailboat - April 2010guest9c1769
Every 5 years or so, sailboat hulls must be pressure-washed, sanded, patched, sanded again, primed, and painted. (We are also going to have the hull cleaned, patched, and polished above the water level.) The whole process is interesting ... at least to me. This slide presentation shows where we are as of yesterday (Sunday, April 18). The process began on April 2. It looks as if we have another 2 weeks until the job is completed. - Don
This document discusses memory and imagination. It explores how memories are formed through sense perception, language, and emotion. Memories can be personal, shared culturally, or part of collective memory stored in oral traditions, books, archives, etc. Memory is fallible and can be affected by factors like bias, amnesia, and dementia. Imagination is described as more important than knowledge, and plays a key role in creativity, storytelling, invention, innovation, and empathy. The power of imagination is discussed in contexts of business, science, and medicine.
The document discusses archetypes and their relationship to creative works and pedagogy. It provides an overview of Jungian archetypes like the shadow, wise old man, mother, and explains how archetypes emerge in symbols and influence human experience across cultures. Case studies of To Kill a Mockingbird and Sons and Lovers are presented, showing how racial archetypes impact the former and how denial of the male archetype affects the protagonist in the latter. The document proposes having students map archetypes in texts and outlines creative writing applications involving archetype mapping.
Myths are stories that help answer fundamental human questions about identity, purpose, and morality. Myths predate religion, art, literature, philosophy and science as ways for societies to explain origins, motivate behavior, and provide entertainment. Myths play an enormous role by shaping the symbolic value system and unconscious psyche of any given culture through the stories and heroes they commemorate.
The document discusses different definitions and understandings of the term "myth". It begins by explaining that myths are traditional stories that convey symbolic meanings and truths to a culture. While some myths describe real events, they often shift details over time. Myths are used to explain origins and natural phenomena, and sometimes involve supernatural beings. The document contrasts myths with legends, which are half-true stories based on history, and folktales, which are popular stories passed down through oral tradition.
Anthropology amp The Supernatural From Spirits to Consciousness.pdfSara Parker
1) Andrew Lang criticized Edward Tylor's emphasis on "savage man" irrationally misinterpreting experiences, arguing experiences of supernatural phenomena recorded in ethnographies should be taken seriously.
2) While Tylor's interpretation of supernatural beliefs as resulting from cognitive limitations became dominant, social-functionalism provided an alternative explanation for their persistence as serving social functions.
3) Publications like Carlos Castaneda's account of experiences with a Yaqui shaman rekindled debate by inspiring ethnographers to immerse themselves and document their own anomalous experiences, giving rise to the anthropology of experience and consciousness.
Myths are ancient stories that have been handed down through oral tradition to explain phenomena like the seasons, the natural world, life and death, and relationships. While myths may seem fantastical, they carry important social meanings and lessons. Common elements appear across myths from different cultures, such as creation stories involving birth, death and rebirth by supreme beings. Studying myths helps understand allusions and connects people across time and place by revealing our shared human experiences.
This summary provides an overview of key concepts from Chapter 1 of Classical Mythology by Mark P. O. Morford, Robert J. Lenardon, and Michael Sham. It discusses the challenges of defining myth and differentiates between myth, saga, legend, and folktale. Major approaches to interpreting myth are examined, including psychological, ritualist, structuralist, and feminist perspectives. The relationship between myth and religion, truth, and society is explored. Comparative studies of mythology are discussed as well as the inclusion of themes like homosexuality in classical myths. The summary is over 3 sentences.
Narayan Dario Q3 How Do Stories Tell Us Who We Are (Edited Again) narayan886
Stories come in many forms and serve to both define individual and collective identities. Myths in particular seek to explain our origins and purpose, forming the basis for religious and cultural worldviews. While single stories can promote stereotypes, myths and diverse stories as a whole help shape our shared values and sense of humanity by conveying our interconnectedness throughout history.
General Education courses A gymnasium of the mindKnowledge.docxbudbarber38650
General Education courses A gymnasium of the mindKnowledge beyond one’s specialtyWriting and thinking across disciplinesWorking in collaboration with othersThinking critically & reasoning logically Developing some computer skills Sensitivity to others’ cultures & problems
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Have Fun But Not Too Much!
“But perhaps the biggest reason why intellectuals excoriated entertainment was that they understood all too well their own precariousness in a world dominated by it. For whatever the overt content of any particular work, entertainment as a whole promulgated an unmistakable theme, one that took dead aim at the intellectual’s most cherished values. That theme was the triumph of the senses over the mind, of emotion over reason, of chaos over order, of the id over the superego, of Dionysian abandon over Apollonian harmony. Entertainment was Plato’s worst nightmare. It deposed the rational and enthroned the sensational and in so doing deposed the intellectual minority and enthroned the unrefined majority.
Therein, for the intellectuals, lay utmost danger and deepest despair. They know that in the end, after all the imprecations had rung down around it, entertainment was less about morality or even aesthetics than about power—the power to replace the old cultural order with a new one, the power to replace the sublime with fun.”—Neal Gabler, Life the Movie: How Entertainment Conquered Reality, Alfred A. Knopf, New York, 1998, page 21.
Critical thinking tipsThink about thinkingLearn how to unlearnKnow the ‘what’ and the ‘who’Synthesis versus analysisWisdom versus knowledgeAcademia versus the mediaFacts versus judgmentsTruth as a thinking virtue Action versus reactionJustice as a social virtueResist appeals to prejudices Be prepared for different perspectivesDon’t believe everything you thinkLearn the habit of gathering and examining
evidence before forming conclusionsBe always aware of illusionsThink sometimes outside the box
Truth that Matters to Society
“Scientists must seek not just truth in general but truth that matters, and truths that matter not just to scientists but also to the larger society in which they live and work”
Philip Kitcher, “On the Autonomy of the Sciences,” Philosophy Today, 2004, pp. 51-57.
Consider the Big Picture
“Many people fall for mistaken common beliefs regarding their health because medicine today does not look at the human body as a whole. For many years there has been a trend for doctors to specialize, looking at and treating just one part of the body. We can’t see the forest for the trees. Everything in the human body is interconnected. Just because a component found in a food helps one part of the body function well, it does not mean that it is good for the entire body. When picking your food and drink, consider the big picture. You cannot decide whether a food is good or bad simply by looking at one ingredient found in that food.”
Hiromi Shinya, MD, The Enzyme Factor: Diet for the Future that wil.
Myths are orally transmitted stories that are believed by their originating cultures and attempt to explain phenomena that cannot be easily explained. Myths exist in multiple versions and vary in details between tellings. Scholars from various fields like folklore, anthropology, psychology, and mythology have studied myths to understand the values, beliefs, and fears of cultures as reflected in their myths. Common elements in myths across cultures include explanations of creation, the structure of the universe, life and death, supernatural beings, disasters, heroes and tricksters, the relationship between humans and animals/plants, and concepts of the body, soul, marriage, and social norms.
Myths are orally transmitted stories that are believed by their originating cultures and attempt to explain phenomena that cannot be easily explained. They express the values and beliefs of their cultures. Myths are studied by folklorists, anthropologists, psychoanalysts, and mythologists, with each viewing myths through their own lens. Common elements of myths include symbols, themes of creation, supernatural beings, heroes and tricksters, and explanations of life and death.
Between 800 and 200 BCE, major religious and philosophical traditions emerged independently across Asia and the Mediterranean. These included Confucianism, Daoism, Buddhism, Hinduism, Zoroastrianism, Greek philosophy, and the prophets of Israel. This period saw increasing urbanization, political turmoil, and new concerns about morality and the afterlife. Major thinkers from this time established foundations for understanding humanity and its relationship with the cosmos that still influence many cultures today.
The document discusses Theosophy and the Mahatmas, including Helena Blavatsky and Henry Steel Olcott who co-founded the Theosophical Society. It provides biographical details on several Mahatmas such as Koot Hoomi, Morya, and K.H. It also discusses Alfred Sinnett's correspondence with the Mahatmas and their views on keeping occult knowledge secret from the public.
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Mythological criticism analyzes texts through recurring myths and archetypes. It combines anthropology, psychology, history, and religion. Key figures who developed this theory include James Frazer, Carl Jung, and Northrop Frye. A Doll's House by Henrik Ibsen can be interpreted through this lens. Situational myths in the play include light vs. darkness. Nora's tarantella dance symbolizes her inner turmoil. Character archetypes include the trickster (Helmer), the initiate (Nora), and the loyal sidekick (Mrs. Linde).
This document discusses the history of how truth and knowledge have been understood over time. It begins 500 years ago when the Roman Catholic Church determined truth through church authorities. Martin Luther challenged this view by believing individuals could understand the Bible.
The document then discusses how views of truth and knowledge have evolved from absolutism to pluralism and relativism. It notes we may be in a similar time today where dominant methods of knowing truth are being challenged. It questions how we will respond to such challenges. The document provides historical examples and perspectives on these issues over hundreds of years to encourage moving beyond absolutism and relativism to a proper confidence through understanding different viewpoints.
Traditional literature refers to ancient stories and poems that were originally passed down orally from generation to generation before being written down. They have no identifiable author, come from oral traditions, and reflect the values of the times and societies in which they originated. Traditional stories include folktales, fables, myths, legends, epics, and religious tales, which all share features like simple plots, stock beginning and endings, and themes of universal truths.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
17. Myths: What They Are Myths are fictional and imaginative accounts and explanations of abstract truths and/or realities that cannot be observed or explained by conventional means such as history and the sciences.
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19. Myths: What They Are Unlike the sciences and history, myths are not concerned about facts that can be directly observed by the senses.
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21. Myths: What They Are Instead, myths are primarily concerned with those kind of things that are just as real and true as scientific and historical facts but that are of a different nature.
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23. Myths: What They Are Myths, then, are primarily concerned with those kind of abstract things that can only be seen through the focused and trained eyes of the intellect, the human spirit, and the literary imagination.
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25. Myths: What They Are Thus, myths are about topics such as love, goodness, duty, adventure, virtue, loyalty, courage, wisdom, destiny, fate, life, death, friendship, coming of age, eternity, truth, enlightenment, and the hero.
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27. Myths: What They Are Obviously, the sciences and history cannot measure something that is impossible to observe through the senses. However, myths are designed to convey the lessons of love, goodness, courage, and all the rest of the many unseen truths that are beyond the physical realm.
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30. Myths: Why They Are Used Since most knowledge deals with those things that cannot be experienced by the five senses, myth has a fulltime task to perform in the enlightenment and wisdom of our human species.
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32. Myths: Why They Are Used To be sure, myth is not the only source of human knowledge of abstract realities, but it is one of the more significant ones. (Other sources include disciplines such as literature, philosophy, certain kinds of psychology, theology, and, of course, art. There are many more.)
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35. Myths: How They Are Used Myths are used in more ways and in more instances by more people than you can imagine. Since they operate below and above our sensory radar, myths are something we tend either to be unaware of or something we tend to take for granted.
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37. Myths: How They Are Used Myths and mythic elements are routinely used by artists and craftsmen of all types—novelists, short story writers, television writers, screenwriters, directors, painters, poets, dramatists, speech writers, music composers of all stripes, and in many more ways by many other diverse and creative people.
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39. Myths: How They Are Used It is important to realize that myths come from all cultures (western, eastern, third world, middle eastern, etc.) and from all times and eras (prehistoric, ancient, middle ages, modern, postmodern, and even the present) . One might say that we humans are myth-making beings!
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41. Myths: How They Are Used Thus, whether we realize it or not, myths of every conceivable kind and from every conceivable culture and time are continually being used, adapted, and modified by those who create what we see, hear, feel, and even taste and smell!
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43. Myths: How They Are Used Myths transform abstract truths and realities that we cannot perceive through our five senses into representations that are so concrete and vivid we can almost sense them. Myths provide us with “images” of those things which can only be seen through the intellect, the spirit, and the literary imagination of humans.