SlideShare a Scribd company logo
My Podcast Script.
Part 1:
Within the creation of a movie, the media use a lot of different things to determent weather
or not a movie will be made.
They use several different research techniques to find out what sort of movie they should
make (Like sifi, action, romance, thriller e.c.t) these can be done by in a variety of different
ways, the main way is to use a survey, This is because it can give them a rough idea what the
general public would like to see. This also lets them know how the public feel about specific
parts or the movie industry, so they could be asked who their favourite actor is, or their
favourite actor for a specific genera. This would give the directors a starting point to a new
movie.
After they have done this, they could either shoot the movie or make a rough draft edit.
Then they could go out, choose a small selection of people, totally at random and ask them
to do a test screening. This would allow the directors of the movie to see if there was
anything in the movie that people might not like, for example 𝑑𝑖𝑑 π‘¦π‘œπ‘’ π‘’π‘›π‘—π‘œπ‘¦ π‘‘β„Žπ‘’ 𝑒𝑛𝑑𝑖𝑛𝑔?
Or 𝑖𝑓 π‘¦π‘œπ‘’ π‘€π‘’π‘Ÿπ‘’ π‘‘β„Žπ‘’ π‘‘π‘–π‘Ÿπ‘’π‘π‘‘π‘œπ‘Ÿ π‘€β„Žπ‘Žπ‘‘, 𝑖𝑓 π‘Žπ‘›π‘¦π‘‘β„Žπ‘–π‘›π‘” π‘€π‘œπ‘’π‘™π‘‘ π‘¦π‘œπ‘’ π‘β„Žπ‘›π‘Žπ‘”π‘’ π‘Žπ‘π‘œπ‘’π‘‘ π‘‘β„Žπ‘–π‘  π‘šπ‘œπ‘£π‘–π‘’?
this means the directors would be able to tell if there was anything negative about their
movie, and to make sure they could change it if it was necessary. This also means the movie
gets more shaped around the public interest and would make it more likeable.
These different types of research techniques I have discussed have all been types or primary
research.
Primary: survey’s (Pre-Production), Exit polls (Post-Production), Test Screenings (Post-
Production)
For secondary research they could use BIF/IMdB websites. These are types of quantitative
and qualitative data, collected and shown online. The IMdB is a website that rates nearly all
movies and shows there reviews of the movies. This lets the audience know whats well-
liked, but it also lets the prooducers know what people like other than the results from a
surveys.
Secondary: BIF/IMdB Data (Post-Production).
Part 2:
In part 2 I will be talkingaboutthe basisof the Guttenbergdesignprinciple.Inthissectionof this
podcastI will be walkingyouthoughthe specificproductsof a movie.Foran example Iwill use Walk
AmongThe Tombstonesasan example.
The target audience forthe movie walkamongthe tombstonesis15-35 yearoldmales.Andthe
social classificationof mostof the people more likelytowatchthismovie isB-Eclass.Thisis because
it fitsinthe descriptions.
The way I came to gripswiththese classificationsforthe targetaudience wassoulybasedonthe
informationIgatheredfromthe traileranda little bitorresearch.Ithe mese enscene,also known
as the location,Ifoundthat inthe traileritshowsimagesof Washingtonheights.Thisisabig city
and a lotof thingscouldhappen. We alsospottedseveral conventionsof the mese enscece.These
were Washingtonheights,imagesof the new Yorkskyline,A bar,andchases onthe street.
Liam Neesonwasthe pantagonistinthe movie.Thisbasicallymeanshe wasthe goodguy. He was
put forwardforthisrole,and staredin the movie because he previouslystaredinamovie thatwas
verysimilartothis one;these movieswere takenandtaken2.Hisacting in hispreviousmovieswas
reallywell done,thismeanshe wasa perfectpersonforthisrole. There wasthe victim, the man’s
wife,whowe knowverylittleabout.Thisgivesthe audience asense of mystery,andintisesthe
audience tofindoutmore abouther. The secondvictim, the girl inthe redcoat, again we know very
little abouther,thiscreatesanarrative enigma.
All thismakesthe trailermore interestingandhooksthe audience reallywell.
The narrative aspectof the trailer,isverydifferentbutyetusedina lotof movie typesorthis
genera.Theyuse the edittype showreverse shottoattract us to the movie because we don’tknow
what’sfullygoingonyet.Andthe wasthe narrative voice overtalksaboutthe movie,makesuswant
to go watch itmore.
There wasa fewiconicthingsthatwasshownin thtrailer.One of these wasthe New York skyline.
There wasalso the bar, the streetandeventhe wayspecificcolourswere editedsotheyweren’tas
vibrant.
________________________________________________________________________
Part 3:
Carrying on closely to part 2, this section will be about how movie posters hook the
audience, and the way they anchor you.
Using the Axis Of Orientation you can see how they specifically places things inside the
poster to attract the audience more. For starters in the β€˜primal optical area’ (top left of the
poster), tells your that LiamNeeson is in the movie, this is all done to entice people to see
the rest of the poster, and in turn attract people to go watch the movie. You then look at
the terminal area. This is where your eyes look last. This area displays the dates and other
things of that notion. Also there is a headstone that is associated with death, and suffering.
On the way down the Axis Of Orientation your eyes look at the weak and strong fellow area.
In the strong fellow area you can see the film name but also that Liam Neeson is staring in
the movie. This is why in most posters you see, if the title is at the top, the tent to drag it
out, across the whole width of the poster. This allows more attention to be attracted to it.
In the week fellow area you will see conformation that this movie will be an action thriller,
this is because it I filled with more tombstones and contains a hand gun.
Genre Codes and Conventions – Liam Neeson, in the poster looks like a drifter, he’s
wearing shabby clothes, holding a gun in one hand and a black bag in the other. The fact
he’s strolling through a graveyard gives the viewer both a sinister and hope feeling,
because the graveyard symbolises death, but it also symbolises life
ο‚· Anchorage - Angry man(Liam Neeson), Looks like a β€˜bad ass`, walking thought a
graveyard, carrying a black bag, holding a gun, its black and white.
ο‚· Modes of address – Liam Neeson is staring straight at the camera, this gives us a
sense that he’s looking straight at us. This makes the viewer more attracted into the
Poster, and anchor’s them more.
Part 4:
In my exit pol I asked 10 questions to 100 people, and these are some of the results I got.
In my first question I asked the gender, the results I got were 60% male and 40% female.
This means the movie attracted more males, the age range percentage I got was 90% 15-
24and 10% 25-34. This may be because the action thriller genera tents to attracted more
15-24 year olds.
I also asked what attracted you to the movie I got that 100% of people got hooked by the
trailer and 10% of people were also attracted by the actor/actresses staring in this movie.
I also asked how you found out about this movie, the answer’s I got were both 40% for the
media and word of mouth and 20% from the trailers in other movies.
All in all, I personally believe by my results from the exit pol that the marketing campaign
was successful and the audience it attracted was actuate to what they has anticipated.

More Related Content

What's hot

DRONE PPT .1234.pptx
DRONE PPT .1234.pptxDRONE PPT .1234.pptx
DRONE PPT .1234.pptx
AbhishekChauhan510107
Β 
Drones
DronesDrones
11. Future of Drones
11. Future of Drones11. Future of Drones
11. Future of Drones
Devender Singh Bohra
Β 
The Anatomy of a Drone - DJI Phantom 4
The Anatomy of a Drone - DJI Phantom 4The Anatomy of a Drone - DJI Phantom 4
The Anatomy of a Drone - DJI Phantom 4
Dronefly
Β 
ETOPS - Extended Twinned Engine Operations
ETOPS - Extended Twinned Engine OperationsETOPS - Extended Twinned Engine Operations
ETOPS - Extended Twinned Engine Operations
Kelvin Lam
Β 
unmanned aerial vehicles
 unmanned aerial vehicles unmanned aerial vehicles
unmanned aerial vehicles
sundara mahalingam v
Β 
French new wave cinema
French new wave cinemaFrench new wave cinema
French new wave cinemaswatifariya
Β 
IB Film- Documentaries
IB Film- DocumentariesIB Film- Documentaries
IB Film- Documentaries
Iain Williamson
Β 
The Theory of Montage:
The Theory of Montage: The Theory of Montage:
The Theory of Montage: gregdut
Β 
drones future need
drones future needdrones future need
drones future need
Rushikesh Dudhate
Β 
Drone advisor
Drone advisorDrone advisor
Drone advisor
Best Drone Advisor
Β 
Music video Risk Assessment
Music video Risk AssessmentMusic video Risk Assessment
Music video Risk Assessment
alyblue98
Β 
The Silent Era
The Silent EraThe Silent Era
The Silent Eracharlieflinty
Β 
Podcast script
Podcast scriptPodcast script
Podcast script
Sadie Bailey
Β 
Autorotations
AutorotationsAutorotations
AutorotationsSmart Vino
Β 
A Short History Of Documentary
A Short History Of DocumentaryA Short History Of Documentary
A Short History Of Documentaryjontowlson
Β 
Codes And Conventions Of Documentary
Codes And Conventions Of DocumentaryCodes And Conventions Of Documentary
Codes And Conventions Of Documentary
Greenwich Council
Β 
Pros and cons of music video’s
Pros and cons of music video’sPros and cons of music video’s
Pros and cons of music video’s
Courtney Hunt
Β 
UAV (Unmanned Aerial Vehicle)
UAV (Unmanned Aerial Vehicle)UAV (Unmanned Aerial Vehicle)
UAV (Unmanned Aerial Vehicle)
UDIT PATEL
Β 
The Male Gaze Laura Mulvey
The Male Gaze Laura MulveyThe Male Gaze Laura Mulvey
The Male Gaze Laura MulveyMr Smith
Β 

What's hot (20)

DRONE PPT .1234.pptx
DRONE PPT .1234.pptxDRONE PPT .1234.pptx
DRONE PPT .1234.pptx
Β 
Drones
DronesDrones
Drones
Β 
11. Future of Drones
11. Future of Drones11. Future of Drones
11. Future of Drones
Β 
The Anatomy of a Drone - DJI Phantom 4
The Anatomy of a Drone - DJI Phantom 4The Anatomy of a Drone - DJI Phantom 4
The Anatomy of a Drone - DJI Phantom 4
Β 
ETOPS - Extended Twinned Engine Operations
ETOPS - Extended Twinned Engine OperationsETOPS - Extended Twinned Engine Operations
ETOPS - Extended Twinned Engine Operations
Β 
unmanned aerial vehicles
 unmanned aerial vehicles unmanned aerial vehicles
unmanned aerial vehicles
Β 
French new wave cinema
French new wave cinemaFrench new wave cinema
French new wave cinema
Β 
IB Film- Documentaries
IB Film- DocumentariesIB Film- Documentaries
IB Film- Documentaries
Β 
The Theory of Montage:
The Theory of Montage: The Theory of Montage:
The Theory of Montage:
Β 
drones future need
drones future needdrones future need
drones future need
Β 
Drone advisor
Drone advisorDrone advisor
Drone advisor
Β 
Music video Risk Assessment
Music video Risk AssessmentMusic video Risk Assessment
Music video Risk Assessment
Β 
The Silent Era
The Silent EraThe Silent Era
The Silent Era
Β 
Podcast script
Podcast scriptPodcast script
Podcast script
Β 
Autorotations
AutorotationsAutorotations
Autorotations
Β 
A Short History Of Documentary
A Short History Of DocumentaryA Short History Of Documentary
A Short History Of Documentary
Β 
Codes And Conventions Of Documentary
Codes And Conventions Of DocumentaryCodes And Conventions Of Documentary
Codes And Conventions Of Documentary
Β 
Pros and cons of music video’s
Pros and cons of music video’sPros and cons of music video’s
Pros and cons of music video’s
Β 
UAV (Unmanned Aerial Vehicle)
UAV (Unmanned Aerial Vehicle)UAV (Unmanned Aerial Vehicle)
UAV (Unmanned Aerial Vehicle)
Β 
The Male Gaze Laura Mulvey
The Male Gaze Laura MulveyThe Male Gaze Laura Mulvey
The Male Gaze Laura Mulvey
Β 

Viewers also liked

5 Excellent Examples Of Podcasts
5 Excellent Examples Of Podcasts5 Excellent Examples Of Podcasts
5 Excellent Examples Of Podcasts
Tavis Riederer
Β 
Podcasting storyboard template
Podcasting storyboard templatePodcasting storyboard template
Podcasting storyboard templateFrances O'Neill
Β 
Radio podcast script
Radio podcast scriptRadio podcast script
Radio podcast script
Oliver Dyer
Β 
Podcasting+script+template
Podcasting+script+templatePodcasting+script+template
Podcasting+script+templateFrances O'Neill
Β 
Example radio script
Example radio scriptExample radio script
Example radio scriptISM
Β 
Spoken language part 2 writing a podcast
Spoken language part 2 writing a podcastSpoken language part 2 writing a podcast
Spoken language part 2 writing a podcastGc Howard
Β 
FM Radio Program Script
FM Radio Program ScriptFM Radio Program Script
FM Radio Program ScriptRoxanne Robes
Β 
Script for tv interview
Script for tv interviewScript for tv interview
Script for tv interviewramsz001
Β 
Radio Script writing and Broadcasting
Radio Script writing and BroadcastingRadio Script writing and Broadcasting
Radio Script writing and Broadcasting
Mary Queen Bernardo
Β 
Writing a radio script
Writing a radio scriptWriting a radio script
Writing a radio script
David Brewer
Β 
Script for my podcast
Script for my podcastScript for my podcast
Script for my podcast
Justin Fox-rothwell
Β 
Script - charity at cranford - Radio broadcast
Script - charity at cranford - Radio broadcastScript - charity at cranford - Radio broadcast
Script - charity at cranford - Radio broadcastsaujanya94
Β 
integrated marketing communications
integrated marketing communicationsintegrated marketing communications
integrated marketing communicationsumesh yadav
Β 
Apa Citation Style
Apa Citation StyleApa Citation Style
Apa Citation Style
dhemmo
Β 
Podcast Presentation
Podcast PresentationPodcast Presentation
Podcast Presentation
We Talk Radio Network
Β 
What Is A Podcast
What Is A PodcastWhat Is A Podcast
What Is A Podcastkwilfert
Β 

Viewers also liked (20)

Podcasting Outlining Template
Podcasting Outlining TemplatePodcasting Outlining Template
Podcasting Outlining Template
Β 
5 Excellent Examples Of Podcasts
5 Excellent Examples Of Podcasts5 Excellent Examples Of Podcasts
5 Excellent Examples Of Podcasts
Β 
Podcasting storyboard template
Podcasting storyboard templatePodcasting storyboard template
Podcasting storyboard template
Β 
Radio podcast script
Radio podcast scriptRadio podcast script
Radio podcast script
Β 
Podcasting+script+template
Podcasting+script+templatePodcasting+script+template
Podcasting+script+template
Β 
Example radio script
Example radio scriptExample radio script
Example radio script
Β 
Spoken language part 2 writing a podcast
Spoken language part 2 writing a podcastSpoken language part 2 writing a podcast
Spoken language part 2 writing a podcast
Β 
FM Radio Program Script
FM Radio Program ScriptFM Radio Program Script
FM Radio Program Script
Β 
Script for tv interview
Script for tv interviewScript for tv interview
Script for tv interview
Β 
Podcast script
Podcast scriptPodcast script
Podcast script
Β 
Radio Script writing and Broadcasting
Radio Script writing and BroadcastingRadio Script writing and Broadcasting
Radio Script writing and Broadcasting
Β 
Talk show example and structure
Talk show example and structureTalk show example and structure
Talk show example and structure
Β 
Writing a radio script
Writing a radio scriptWriting a radio script
Writing a radio script
Β 
Script for my podcast
Script for my podcastScript for my podcast
Script for my podcast
Β 
Script - charity at cranford - Radio broadcast
Script - charity at cranford - Radio broadcastScript - charity at cranford - Radio broadcast
Script - charity at cranford - Radio broadcast
Β 
integrated marketing communications
integrated marketing communicationsintegrated marketing communications
integrated marketing communications
Β 
Digital Marketing Planning_13947813
Digital Marketing Planning_13947813Digital Marketing Planning_13947813
Digital Marketing Planning_13947813
Β 
Apa Citation Style
Apa Citation StyleApa Citation Style
Apa Citation Style
Β 
Podcast Presentation
Podcast PresentationPodcast Presentation
Podcast Presentation
Β 
What Is A Podcast
What Is A PodcastWhat Is A Podcast
What Is A Podcast
Β 

Similar to My podcast script

2. research sf 2017
2. research sf 20172. research sf 2017
2. research sf 2017
Samuel-Schoettner
Β 
Pr1 research types
Pr1  research typesPr1  research types
Pr1 research types
Kieran Jackson
Β 
PR1 Research techniques
PR1 Research techniquesPR1 Research techniques
PR1 Research techniques
Rhys Cohen
Β 
A2 Advanced Portfolio
A2 Advanced PortfolioA2 Advanced Portfolio
A2 Advanced Portfolioguest01cb5d
Β 
PR1: Research techniques in film
PR1: Research techniques in filmPR1: Research techniques in film
PR1: Research techniques in film
Stephen Buckley
Β 
Production management
Production management Production management
Production management
charles-stick
Β 
Campaign planning final pwp
Campaign planning final pwpCampaign planning final pwp
Campaign planning final pwp
mollyallen19
Β 
Production Management Stage 1
Production Management Stage 1Production Management Stage 1
Production Management Stage 1
ShahsYack
Β 
Presentation2
Presentation2Presentation2
Presentation2lozyloo53
Β 
laurens evaluation
laurens evaluationlaurens evaluation
laurens evaluationlozyloo53
Β 
3. research(1)
3. research(1)3. research(1)
3. research(1)
shameur-rahman
Β 
A2 Advanced Portfolio
A2 Advanced PortfolioA2 Advanced Portfolio
A2 Advanced Portfolio
Isabell Ayres
Β 
Secondary research into my target audience
Secondary research into my target audienceSecondary research into my target audience
Secondary research into my target audience
chloegreig1998
Β 
AS Media Studies Title Sequence Evaluation take 3
AS Media Studies Title Sequence Evaluation take 3AS Media Studies Title Sequence Evaluation take 3
AS Media Studies Title Sequence Evaluation take 3Oliver Buckle
Β 
Critical Reflection Question 2
Critical Reflection Question 2 Critical Reflection Question 2
Critical Reflection Question 2
mediastudiesfinearts
Β 
Film Marketing Survey - Audience Responses
Film Marketing Survey - Audience ResponsesFilm Marketing Survey - Audience Responses
Film Marketing Survey - Audience ResponsesLucy Bennett
Β 
Pitch
Pitch Pitch
Pitch
BethPotter4
Β 
Pr
PrPr

Similar to My podcast script (20)

2. research sf 2017
2. research sf 20172. research sf 2017
2. research sf 2017
Β 
Pr1 research types
Pr1  research typesPr1  research types
Pr1 research types
Β 
PR1 Research techniques
PR1 Research techniquesPR1 Research techniques
PR1 Research techniques
Β 
A2 Advanced Portfolio
A2 Advanced PortfolioA2 Advanced Portfolio
A2 Advanced Portfolio
Β 
PR1: Research techniques in film
PR1: Research techniques in filmPR1: Research techniques in film
PR1: Research techniques in film
Β 
Production management
Production management Production management
Production management
Β 
Iron man 3
Iron man 3Iron man 3
Iron man 3
Β 
Campaign planning final pwp
Campaign planning final pwpCampaign planning final pwp
Campaign planning final pwp
Β 
Production Management Stage 1
Production Management Stage 1Production Management Stage 1
Production Management Stage 1
Β 
Presentation2
Presentation2Presentation2
Presentation2
Β 
laurens evaluation
laurens evaluationlaurens evaluation
laurens evaluation
Β 
3. research(1)
3. research(1)3. research(1)
3. research(1)
Β 
A2 Advanced Portfolio
A2 Advanced PortfolioA2 Advanced Portfolio
A2 Advanced Portfolio
Β 
Secondary research into my target audience
Secondary research into my target audienceSecondary research into my target audience
Secondary research into my target audience
Β 
AS Media Studies Title Sequence Evaluation take 3
AS Media Studies Title Sequence Evaluation take 3AS Media Studies Title Sequence Evaluation take 3
AS Media Studies Title Sequence Evaluation take 3
Β 
Critical Reflection Question 2
Critical Reflection Question 2 Critical Reflection Question 2
Critical Reflection Question 2
Β 
Film Marketing Survey - Audience Responses
Film Marketing Survey - Audience ResponsesFilm Marketing Survey - Audience Responses
Film Marketing Survey - Audience Responses
Β 
Pitch
Pitch Pitch
Pitch
Β 
Pr
PrPr
Pr
Β 
Paul
PaulPaul
Paul
Β 

More from skyeeneel

Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my moviesskyeeneel
Β 
Unit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesUnit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesskyeeneel
Β 
Pr11 production commentary
Pr11 production commentaryPr11 production commentary
Pr11 production commentaryskyeeneel
Β 
Preparing my images
Preparing my imagesPreparing my images
Preparing my imagesskyeeneel
Β 
Unit 51 pr10 sourcing images
Unit 51 pr10 sourcing imagesUnit 51 pr10 sourcing images
Unit 51 pr10 sourcing imagesskyeeneel
Β 
Unit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesUnit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesskyeeneel
Β 
Target kerrang and vibe
Target kerrang and vibeTarget kerrang and vibe
Target kerrang and vibeskyeeneel
Β 
Survey
SurveySurvey
Surveyskyeeneel
Β 
Depression and bipolar disorder secondary research
Depression and bipolar disorder secondary researchDepression and bipolar disorder secondary research
Depression and bipolar disorder secondary researchskyeeneel
Β 
Evaluation
EvaluationEvaluation
Evaluationskyeeneel
Β 
Mood board
Mood boardMood board
Mood boardskyeeneel
Β 
Creative production briefs
Creative production briefsCreative production briefs
Creative production briefsskyeeneel
Β 
Evaluation
EvaluationEvaluation
Evaluationskyeeneel
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my moviesskyeeneel
Β 
Review
ReviewReview
Review
skyeeneel
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
skyeeneel
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
skyeeneel
Β 
Script
ScriptScript
Scriptskyeeneel
Β 
Emma's interview prep sheet
Emma's   interview prep sheetEmma's   interview prep sheet
Emma's interview prep sheet
skyeeneel
Β 
Emma's research
Emma's researchEmma's research
Emma's research
skyeeneel
Β 

More from skyeeneel (20)

Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
Β 
Unit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesUnit 51 pr9 sourcing images
Unit 51 pr9 sourcing images
Β 
Pr11 production commentary
Pr11 production commentaryPr11 production commentary
Pr11 production commentary
Β 
Preparing my images
Preparing my imagesPreparing my images
Preparing my images
Β 
Unit 51 pr10 sourcing images
Unit 51 pr10 sourcing imagesUnit 51 pr10 sourcing images
Unit 51 pr10 sourcing images
Β 
Unit 51 pr9 sourcing images
Unit 51 pr9 sourcing imagesUnit 51 pr9 sourcing images
Unit 51 pr9 sourcing images
Β 
Target kerrang and vibe
Target kerrang and vibeTarget kerrang and vibe
Target kerrang and vibe
Β 
Survey
SurveySurvey
Survey
Β 
Depression and bipolar disorder secondary research
Depression and bipolar disorder secondary researchDepression and bipolar disorder secondary research
Depression and bipolar disorder secondary research
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
Mood board
Mood boardMood board
Mood board
Β 
Creative production briefs
Creative production briefsCreative production briefs
Creative production briefs
Β 
Evaluation
EvaluationEvaluation
Evaluation
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
Β 
Review
ReviewReview
Review
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
Β 
Pr7 me and my movies
Pr7 me and my moviesPr7 me and my movies
Pr7 me and my movies
Β 
Script
ScriptScript
Script
Β 
Emma's interview prep sheet
Emma's   interview prep sheetEmma's   interview prep sheet
Emma's interview prep sheet
Β 
Emma's research
Emma's researchEmma's research
Emma's research
Β 

My podcast script

  • 1. My Podcast Script. Part 1: Within the creation of a movie, the media use a lot of different things to determent weather or not a movie will be made. They use several different research techniques to find out what sort of movie they should make (Like sifi, action, romance, thriller e.c.t) these can be done by in a variety of different ways, the main way is to use a survey, This is because it can give them a rough idea what the general public would like to see. This also lets them know how the public feel about specific parts or the movie industry, so they could be asked who their favourite actor is, or their favourite actor for a specific genera. This would give the directors a starting point to a new movie. After they have done this, they could either shoot the movie or make a rough draft edit. Then they could go out, choose a small selection of people, totally at random and ask them to do a test screening. This would allow the directors of the movie to see if there was anything in the movie that people might not like, for example 𝑑𝑖𝑑 π‘¦π‘œπ‘’ π‘’π‘›π‘—π‘œπ‘¦ π‘‘β„Žπ‘’ 𝑒𝑛𝑑𝑖𝑛𝑔? Or 𝑖𝑓 π‘¦π‘œπ‘’ π‘€π‘’π‘Ÿπ‘’ π‘‘β„Žπ‘’ π‘‘π‘–π‘Ÿπ‘’π‘π‘‘π‘œπ‘Ÿ π‘€β„Žπ‘Žπ‘‘, 𝑖𝑓 π‘Žπ‘›π‘¦π‘‘β„Žπ‘–π‘›π‘” π‘€π‘œπ‘’π‘™π‘‘ π‘¦π‘œπ‘’ π‘β„Žπ‘›π‘Žπ‘”π‘’ π‘Žπ‘π‘œπ‘’π‘‘ π‘‘β„Žπ‘–π‘  π‘šπ‘œπ‘£π‘–π‘’? this means the directors would be able to tell if there was anything negative about their movie, and to make sure they could change it if it was necessary. This also means the movie gets more shaped around the public interest and would make it more likeable. These different types of research techniques I have discussed have all been types or primary research. Primary: survey’s (Pre-Production), Exit polls (Post-Production), Test Screenings (Post- Production) For secondary research they could use BIF/IMdB websites. These are types of quantitative and qualitative data, collected and shown online. The IMdB is a website that rates nearly all movies and shows there reviews of the movies. This lets the audience know whats well- liked, but it also lets the prooducers know what people like other than the results from a surveys. Secondary: BIF/IMdB Data (Post-Production).
  • 2. Part 2: In part 2 I will be talkingaboutthe basisof the Guttenbergdesignprinciple.Inthissectionof this podcastI will be walkingyouthoughthe specificproductsof a movie.Foran example Iwill use Walk AmongThe Tombstonesasan example. The target audience forthe movie walkamongthe tombstonesis15-35 yearoldmales.Andthe social classificationof mostof the people more likelytowatchthismovie isB-Eclass.Thisis because it fitsinthe descriptions. The way I came to gripswiththese classificationsforthe targetaudience wassoulybasedonthe informationIgatheredfromthe traileranda little bitorresearch.Ithe mese enscene,also known as the location,Ifoundthat inthe traileritshowsimagesof Washingtonheights.Thisisabig city and a lotof thingscouldhappen. We alsospottedseveral conventionsof the mese enscece.These were Washingtonheights,imagesof the new Yorkskyline,A bar,andchases onthe street. Liam Neesonwasthe pantagonistinthe movie.Thisbasicallymeanshe wasthe goodguy. He was put forwardforthisrole,and staredin the movie because he previouslystaredinamovie thatwas verysimilartothis one;these movieswere takenandtaken2.Hisacting in hispreviousmovieswas reallywell done,thismeanshe wasa perfectpersonforthisrole. There wasthe victim, the man’s wife,whowe knowverylittleabout.Thisgivesthe audience asense of mystery,andintisesthe audience tofindoutmore abouther. The secondvictim, the girl inthe redcoat, again we know very little abouther,thiscreatesanarrative enigma. All thismakesthe trailermore interestingandhooksthe audience reallywell. The narrative aspectof the trailer,isverydifferentbutyetusedina lotof movie typesorthis genera.Theyuse the edittype showreverse shottoattract us to the movie because we don’tknow what’sfullygoingonyet.Andthe wasthe narrative voice overtalksaboutthe movie,makesuswant to go watch itmore. There wasa fewiconicthingsthatwasshownin thtrailer.One of these wasthe New York skyline. There wasalso the bar, the streetandeventhe wayspecificcolourswere editedsotheyweren’tas vibrant. ________________________________________________________________________ Part 3: Carrying on closely to part 2, this section will be about how movie posters hook the audience, and the way they anchor you. Using the Axis Of Orientation you can see how they specifically places things inside the poster to attract the audience more. For starters in the β€˜primal optical area’ (top left of the poster), tells your that LiamNeeson is in the movie, this is all done to entice people to see the rest of the poster, and in turn attract people to go watch the movie. You then look at
  • 3. the terminal area. This is where your eyes look last. This area displays the dates and other things of that notion. Also there is a headstone that is associated with death, and suffering. On the way down the Axis Of Orientation your eyes look at the weak and strong fellow area. In the strong fellow area you can see the film name but also that Liam Neeson is staring in the movie. This is why in most posters you see, if the title is at the top, the tent to drag it out, across the whole width of the poster. This allows more attention to be attracted to it. In the week fellow area you will see conformation that this movie will be an action thriller, this is because it I filled with more tombstones and contains a hand gun. Genre Codes and Conventions – Liam Neeson, in the poster looks like a drifter, he’s wearing shabby clothes, holding a gun in one hand and a black bag in the other. The fact he’s strolling through a graveyard gives the viewer both a sinister and hope feeling, because the graveyard symbolises death, but it also symbolises life ο‚· Anchorage - Angry man(Liam Neeson), Looks like a β€˜bad ass`, walking thought a graveyard, carrying a black bag, holding a gun, its black and white. ο‚· Modes of address – Liam Neeson is staring straight at the camera, this gives us a sense that he’s looking straight at us. This makes the viewer more attracted into the Poster, and anchor’s them more. Part 4: In my exit pol I asked 10 questions to 100 people, and these are some of the results I got. In my first question I asked the gender, the results I got were 60% male and 40% female. This means the movie attracted more males, the age range percentage I got was 90% 15- 24and 10% 25-34. This may be because the action thriller genera tents to attracted more 15-24 year olds. I also asked what attracted you to the movie I got that 100% of people got hooked by the trailer and 10% of people were also attracted by the actor/actresses staring in this movie. I also asked how you found out about this movie, the answer’s I got were both 40% for the media and word of mouth and 20% from the trailers in other movies. All in all, I personally believe by my results from the exit pol that the marketing campaign was successful and the audience it attracted was actuate to what they has anticipated.