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Kate Horn
Music Video
Analysis #2
Sloppy Seconds
Watsky
❖ This is the establishing shot, here we see where the music video is taking place. These
shots are montaged together, there is quite fast paced editing - giving us an overview of
their relationship, showing us multiple scenes within it - matching the lyrics and beat
regularly. We are shown a few establishing shots, which gives us as the audience a
sense of location. The camera pans around to follow the car, follow the action, and this is
then when the camera is then flipped inside the car - and we meet the characters.
Throughout there is only non-diegetic sound, apart from the performance element.
❖ This tells us about the character, taken at a point of view shot as if we were sitting in the
back seat. It does also look like a slight over the shoulder shot, giving us a real close-
ness to the characters, and a real sense of what it would be like to road trip with them.
The camera is hand-held as it’s slightly shaky - giving us a very personal feel. Also could
link to feeling like a ‘home movie’, as if someones filming them for a keepsake. She is
also seen to be filming of taking photos, emphasising they like to capture these
moments. Also with the guitar and the old fashioned camera gives the video quite a indie
feel.
❖ This overview shot shows cars speeding down a
highway. Which then cuts to a action match of their car
from a different angle, the shot of these cars are very
fast, whereas the shot inside the car is very slow. This
could link to the pair being in a bubble of their own.
❖ This shot tells us about the character, they like to capture
moments. The camera angle of this shot also gives us a point of
view perspective of what it would be like to sit in the back seat of
the car. We also see a close-up of her rings, a sign of
commitment. These shots are jump cutting between performance
and action within the scene.
❖ This is a close-up of the artist doing performance, the video is
made up of a mixture of performance and narrative. He’s singing
next to a fallen tree, perhaps representing that he has fallen. The
tree looks like it’s dying and lost it’s life - perhaps he feels without
he is lost, much like the surrounding deserted area.
❖ This shot represents them as a couple and their close-ness. The
camera is at a tracking angle with a slight hand held affect- as if
we are following them on their journey. This idea could also think
with the fact they are walking over a train tracks - trains also
represent going forth on a journey - linking to the fact of them
crossing a journey.
❖ This shot is a wide long shot, showing the two of them. It
shows their closeness, and walking down the
journey/path as previously mentioned.
❖ This close-up of the two of them. It really represents their
connection, and you can see how happy they are.
Having the camera pan in, emphasises their smiles and
emotions.
❖ This shot shows the two of them together, again representing how
close they are. Towards the end of the video, the shots dissolve
in-between different shots, some overlapping, overall the video
begins to slow down which emphasises everything. He looks up
here, perhaps representing he is unsure of what’s going to happen
next.
❖ This shot is a good example of layered shots. It has a duvet cover
underneath, with a map over the top. The wrinkles in his hand,
linking with the lines on the map, giving both a double meaning.
Ending with another interception of performance of the artist, with
slow pans across the floor - dried up dirt - loss of feeling and life, as
stated earlier perhaps linking to him feeling lost without her.

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Mv#2

  • 1. Kate Horn Music Video Analysis #2 Sloppy Seconds Watsky
  • 2. ❖ This is the establishing shot, here we see where the music video is taking place. These shots are montaged together, there is quite fast paced editing - giving us an overview of their relationship, showing us multiple scenes within it - matching the lyrics and beat regularly. We are shown a few establishing shots, which gives us as the audience a sense of location. The camera pans around to follow the car, follow the action, and this is then when the camera is then flipped inside the car - and we meet the characters. Throughout there is only non-diegetic sound, apart from the performance element.
  • 3. ❖ This tells us about the character, taken at a point of view shot as if we were sitting in the back seat. It does also look like a slight over the shoulder shot, giving us a real close- ness to the characters, and a real sense of what it would be like to road trip with them. The camera is hand-held as it’s slightly shaky - giving us a very personal feel. Also could link to feeling like a ‘home movie’, as if someones filming them for a keepsake. She is also seen to be filming of taking photos, emphasising they like to capture these moments. Also with the guitar and the old fashioned camera gives the video quite a indie feel.
  • 4. ❖ This overview shot shows cars speeding down a highway. Which then cuts to a action match of their car from a different angle, the shot of these cars are very fast, whereas the shot inside the car is very slow. This could link to the pair being in a bubble of their own.
  • 5. ❖ This shot tells us about the character, they like to capture moments. The camera angle of this shot also gives us a point of view perspective of what it would be like to sit in the back seat of the car. We also see a close-up of her rings, a sign of commitment. These shots are jump cutting between performance and action within the scene.
  • 6. ❖ This is a close-up of the artist doing performance, the video is made up of a mixture of performance and narrative. He’s singing next to a fallen tree, perhaps representing that he has fallen. The tree looks like it’s dying and lost it’s life - perhaps he feels without he is lost, much like the surrounding deserted area.
  • 7. ❖ This shot represents them as a couple and their close-ness. The camera is at a tracking angle with a slight hand held affect- as if we are following them on their journey. This idea could also think with the fact they are walking over a train tracks - trains also represent going forth on a journey - linking to the fact of them crossing a journey.
  • 8. ❖ This shot is a wide long shot, showing the two of them. It shows their closeness, and walking down the journey/path as previously mentioned.
  • 9. ❖ This close-up of the two of them. It really represents their connection, and you can see how happy they are. Having the camera pan in, emphasises their smiles and emotions.
  • 10. ❖ This shot shows the two of them together, again representing how close they are. Towards the end of the video, the shots dissolve in-between different shots, some overlapping, overall the video begins to slow down which emphasises everything. He looks up here, perhaps representing he is unsure of what’s going to happen next.
  • 11. ❖ This shot is a good example of layered shots. It has a duvet cover underneath, with a map over the top. The wrinkles in his hand, linking with the lines on the map, giving both a double meaning. Ending with another interception of performance of the artist, with slow pans across the floor - dried up dirt - loss of feeling and life, as stated earlier perhaps linking to him feeling lost without her.