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David Bowie's 1983 music video for "Let's Dance" tells the narrative of an indigenous Australian couple struggling against westernization. Shot in an Australian village bar, the video juxtaposes indigenous and westernized culture through opposing imagery and color schemes. It uses split screens and flashbacks to portray the couple's isolation and loss of their traditional way of life. Both conceptual and performance-based, the video highlights the history of indigenous Australians and makes a statement against racism and oppression through its storytelling.
Tokyo Police Club is making a music video for their song "Favourite Colour". The video aims to be happy, colorful, quirky and unique. It will promote the band to a new audience in a fun and relaxed style. The video takes inspiration from British summer memories and activities like picnics. It will feature actors in unusual outfits like morph suits. The band plans to film outdoors at various locations over multiple days with a cast of 8-10 people.
Tokyo Police Club is creating a music video for their song "Favourite Colour". The video aims to be happy, colorful, quirky and unique. It will promote the band to a new audience in a fun and enjoyable way by basing it on memories of British summertime. The target audience includes fashionable young people interested in indie music. Inspirations include Bombay Bicycle Club and OK Go. The plan is to film outdoors with a cast in unusual costumes at locations reflecting the music's vibe. Challenges include organizing costumes, equipment and permissions.
Carlsson and Goodwin proposed theories on music video types and purposes. Carlsson identified four types: standard clips that blend singing with images and experimental film techniques; performance clips focused on live singing; narrative clips that tell a visual story; and art clips with no singing or narrative. Goodwin explained that music videos are made to sell songs, artists, record labels, merchandise, and lifestyles. The document discusses applying these theories to structure a realistic, successful music video that promotes the band's image and music.
Our music video will feature the song "Somebody Told Me" by the popular indie/rock band The Killers. We chose this song because our research found The Killers to be many indie/rock fans' favorite band. The video will show the band performing on stage, intercut with cutaway scenes of them backstage, signing autographs, and listening to music. We plan to use varied camera shots, editing techniques, clothing, and stage lighting to match the indie/rock genre and keep viewers engaged.
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
The document discusses EPs and LPs, summarizing that an EP has fewer songs than a full-length album, using the example of a 4-track EP by Municipal Waste. It also notes that a LP is considered a full-length album, using the example of a 15-track album. It then states that the store discussed does not offer consignment to indie artists. The document provides background on Record Store Day and notes that Undergrounds is a participating store that advertises album requests to add to its stock. It asks if the store would be used for a local indie artist release and suggests hosting an in-store signing event to introduce the artist to a wider college audience.
The proposed music video would have a summer vibe, following people going to the beach and a party, then to a music festival where The Allergies and Andy Cooper perform. The video would be around 3 minutes and 40 seconds to match the song length, using real people as extras rather than special effects. Bright, colorful costumes and aesthetics would portray happy vibes. Shooting would take around a month, with beach and party scenes taking a week, and the main locations being the beach and festival. The target audience would be 18-30 year olds who like hip hop and the artists. The video would be uploaded to YouTube in late July.
David Bowie's 1983 music video for "Let's Dance" tells the narrative of an indigenous Australian couple struggling against westernization. Shot in an Australian village bar, the video juxtaposes indigenous and westernized culture through opposing imagery and color schemes. It uses split screens and flashbacks to portray the couple's isolation and loss of their traditional way of life. Both conceptual and performance-based, the video highlights the history of indigenous Australians and makes a statement against racism and oppression through its storytelling.
Tokyo Police Club is making a music video for their song "Favourite Colour". The video aims to be happy, colorful, quirky and unique. It will promote the band to a new audience in a fun and relaxed style. The video takes inspiration from British summer memories and activities like picnics. It will feature actors in unusual outfits like morph suits. The band plans to film outdoors at various locations over multiple days with a cast of 8-10 people.
Tokyo Police Club is creating a music video for their song "Favourite Colour". The video aims to be happy, colorful, quirky and unique. It will promote the band to a new audience in a fun and enjoyable way by basing it on memories of British summertime. The target audience includes fashionable young people interested in indie music. Inspirations include Bombay Bicycle Club and OK Go. The plan is to film outdoors with a cast in unusual costumes at locations reflecting the music's vibe. Challenges include organizing costumes, equipment and permissions.
Carlsson and Goodwin proposed theories on music video types and purposes. Carlsson identified four types: standard clips that blend singing with images and experimental film techniques; performance clips focused on live singing; narrative clips that tell a visual story; and art clips with no singing or narrative. Goodwin explained that music videos are made to sell songs, artists, record labels, merchandise, and lifestyles. The document discusses applying these theories to structure a realistic, successful music video that promotes the band's image and music.
Our music video will feature the song "Somebody Told Me" by the popular indie/rock band The Killers. We chose this song because our research found The Killers to be many indie/rock fans' favorite band. The video will show the band performing on stage, intercut with cutaway scenes of them backstage, signing autographs, and listening to music. We plan to use varied camera shots, editing techniques, clothing, and stage lighting to match the indie/rock genre and keep viewers engaged.
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
The document discusses EPs and LPs, summarizing that an EP has fewer songs than a full-length album, using the example of a 4-track EP by Municipal Waste. It also notes that a LP is considered a full-length album, using the example of a 15-track album. It then states that the store discussed does not offer consignment to indie artists. The document provides background on Record Store Day and notes that Undergrounds is a participating store that advertises album requests to add to its stock. It asks if the store would be used for a local indie artist release and suggests hosting an in-store signing event to introduce the artist to a wider college audience.
The proposed music video would have a summer vibe, following people going to the beach and a party, then to a music festival where The Allergies and Andy Cooper perform. The video would be around 3 minutes and 40 seconds to match the song length, using real people as extras rather than special effects. Bright, colorful costumes and aesthetics would portray happy vibes. Shooting would take around a month, with beach and party scenes taking a week, and the main locations being the beach and festival. The target audience would be 18-30 year olds who like hip hop and the artists. The video would be uploaded to YouTube in late July.
This document summarizes Jamari Hodges' visit to Waterloo Records store in Austin, Texas. It discusses the differences between EPs and LPs using examples. It also addresses that the store offers consignment options for local and indie artists and has exclusive releases for Record Store Day. The document reflects on using the store for an indie artist album release through consignment and provides a reference to the store's website.
This document discusses two conceptual music videos and what makes them conceptual. The ASAP Rocky "L$D" video was edited to simulate the effects of an LSD trip, reflecting his experience taking LSD in Japan. The vibrant colors and strange editing style create a serial experience for viewers to get a sense of what an LSD trip feels like. The Yelawolf "Till It's Gone" video tells an unusual story of a man dying and contains disturbing elements like videos of violence to leave viewers questioning the meaning and remembering the video. Both videos use unusual editing styles and abstract concepts to create memorable experiences for viewers.
This document analyzes the music video for "Cat Daddy" by Rej3ctz. It notes that the fast-paced editing conveys the fast-paced lifestyle depicted. Shots show an urban, "gangster" environment in Los Angeles marked by graffiti and signs. Costumes also help set the fun, colorful tone. The video uses many shots of dancing to both genders to show anyone can do the dance. Aspects like establishing the location, promoting a sense of humor, and using colorful clothing will influence the video the author plans to create.
The document discusses Park Ave CDs, an independent record store. It provides details on how they determine if a release is an EP or LP based on length and number of songs. The store also offers consignment options for indie artists and promotes upcoming events and Record Store Day releases. Park Ave sells merchandise and provides promotional space on their website for new artist releases. In conclusion, the author believes Park Ave would be a good partner for future artist promotions.
Jesse Lozano Retail store scavenger hunt JesseTaylor42
Astro-Zombies is a record store in Albuquerque, NM that offers the largest selection of new and used vinyl records in the city. They offer consignment options for indie artists, with a 60/40 split and a minimum of 5-10 vinyl records. While they don't currently have any events scheduled due to COVID, they have previously hosted movie screenings. They don't participate in Record Store Day exclusives since they also sell comics and figurines. The store would be a good option for a local indie artist to release a new album and promote it through an in-store event.
The music video aims to promote a pop/dance song for a young adult audience aged 18-21. It was filmed in Camden Town using casual outfits and makeup to highlight the main performer. Close-ups and shots from behind were used to make the performer the clear focus. The video will be distributed on music channels like Capital TV and 4Music that play mainstream UK top 40 artists, as well as online platforms like YouTube, Facebook and Tumblr to reach a global audience. Though they didn't film enough scenes, requiring some repetition in editing, the video creatively represents the song and genre in a way that should appeal to its target demographic.
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Ryan Murphy Record Store Scavenger huntRyanMurphy291
Easy Street Records and Cafe is a record store located in Seattle, Washington that is considered one of the top 10 record stores in the country. The document discusses two albums for sale - Who The F**** are the Arctic Monkeys EP and Who Cares by Rex Orange County LP. It also provides details from a clerk about their consignment program, how often marketing reps visit, and typical Record Store Day turnout. The record store hosts in-store events multiple times a week and has attracted major artists. It prominently features upcoming and past Record Store Day exclusives on its website. The store sells stickers and promotions are an example provided. Reflection comments note the value of utilizing a top record store for local artist
Music videos have evolved from early promotional films set to music in the 1930s-1950s. Early forms included illustrated songs in the 1890s, Soundies musical films of the 1940s, and musical shorts that filled time between films. In the 1960s, Scopitones and early music videos known as "lip dubs" emerged. Video Concert Hall in 1979 was one of the first TV networks to feature music videos. Finally, MTV launched in 1981 and became the first channel dedicated solely to music videos, popularizing the format.
The document outlines plans for a new music television channel focused on house and garage music genres. The channel will broadcast both new and classic songs from these genres to appeal to young and older audiences. The name of the channel will be "House Now" to indicate the music style without confusion. Initial scheduling plans include playing new house songs, sessions of classic "old skool" songs, interviews, countdowns and call-in segments to engage audiences.
Easy Street Records and Cafe is a record store in Seattle that hosts many in-store events with artists. The document discusses two albums they carry - the Arctic Monkeys EP "Who The F**** are the Arctic Monkeys" and Rex Orange County's album "Who Cares". It also provides details from a clerk about their consignment program, how often marketing reps visit, and the large crowds they get for Record Store Day. Easy Street hosts many in-store events weekly with various sized artists. They have an area on their website dedicated to Record Store Day exclusives. The store also sells artist stickers and runs promotions. The reflection comments on utilizing a top record store like Easy Street for local artist releases and events
The document provides an analysis of Ellie Goulding's music video for the song "Guns and Horses". It summarizes that the video has a concept of Goulding singing while surrounded by soldiers in a dark wooded area. While the video is mainly a performance, the location and soldier costumes add a conceptual element. The music and visuals complement each other, with scenes matching the pace and tone of the song. Some lyrics are also visually represented, like "Let's join forces" showing soldiers. The video uses ambiguity and an unusual setting typical of indie music videos.
Sampling involves reusing portions of existing sound recordings in new music. It has been practiced since the 1960s in genres like hip hop, electronic music, and disco. Legally, sampling is an area of contention but was found to be fair use in the landmark 1994 Supreme Court case Campbell vs. Acuff-Rose involving 2 Live Crew sampling Roy Orbison. The document discusses various types of samples, famous samples like the "Amen break", legal issues, and both criticism and praise of sampling as an artistic technique.
- The music video falls into the acoustic genre and uses conventions like black and white effects, slow motion, and fading to create familiarity for the audience and signal that it is an acoustic music video.
- However, it also brings something new by creating an ambiguous storyline that leaves the audience to interpret what happened to the couple, catching their attention and interest.
- Audience feedback showed that 9 out of 10 people found the black and white and slow motion clips effectively conveyed memories, proving this approach worked well.
The document discusses how a student media product uses, develops, and challenges conventions of real media products. It summarizes that the music video follows conventions such as a single narrative structure and club setting but challenges norms through elements of humor and a dream sequence. Camera shots and editing aim to effectively portray the concept and flow with the music, while the mise-en-scene captures the feel of techno-mix music videos through settings, lighting, and dancing. The video drew inspiration from other dance-focused music videos to incorporate performance and influence viewers in a way typical of the genre.
This document discusses using the song "Build Me Up Buttercup" by The Foundations in a comedy music video featuring zombies. It notes that the song has a catchy chorus and jolly nature that would enhance the humor in scenes showing zombies. Using this song would contrast with the existing music video and draw new attention. The fast pace of the song would also compliment a quickly paced zombie video. Including a surprise "Punk'd" style ending would create humor and contrast between the serious song and lighthearted video.
The document summarizes how the student's media project of a dancehall music video for the song "Rum and Red Bull" both used conventions of the genre but also challenged them in some ways. It situated the project within popular dancehall music videos by artists like Beenie Man and Sean Paul to highlight similarities in conventions like an announcing DJ or sexualized dancing by women. However, it also noted ways they diverged like having the performer and dancer in separate scenes and focusing more on conceptual elements than large dance scenes. Intertextual references to silent films were also an unconventional choice for a dancehall video.
This document summarizes and analyzes a music video according to Goodwin's theory of characteristics found in rap and R&B music videos. It notes that the video begins with different shots of the artist that align with Goodwin's theory. Religious themes are prominent, with lyrics and visuals referencing confession, heaven, hell and Jesus. Throughout, the video cuts to a silhouetted dancing woman in white, possibly included to attract different audiences. Overall, the video incorporates many traits Goodwin associates with the genres, like references to money, stereotypical clothing, and dancing.
The Music Center of Los Angeles County is one of Southern California's premier cultural destinations. Centrally located in downtown Los Angeles along Grand Avenue, the Music Center is home to four internationally acclaimed resident companies: The Los Angeles Philharmonic, Center Theatre Group, LA Opera and Los Angeles Master Chorale and is comprised of four venues — Walt Disney Concert Hall, Dorothy Chandler Pavilion, Ahmanson Theatre and Mark Taper Forum — as well as outdoor theaters, plazas and gardens.
Eminem's music, in particular the songs "Kim" and "Stan," is a continuation of a tradition in music and American art in general: the Gothic murder ballad, which has been with us ever since the blues or Appalachian folk music Click here for more news http://www.musicdissect.org
This document summarizes Jamari Hodges' visit to Waterloo Records store in Austin, Texas. It discusses the differences between EPs and LPs using examples. It also addresses that the store offers consignment options for local and indie artists and has exclusive releases for Record Store Day. The document reflects on using the store for an indie artist album release through consignment and provides a reference to the store's website.
This document discusses two conceptual music videos and what makes them conceptual. The ASAP Rocky "L$D" video was edited to simulate the effects of an LSD trip, reflecting his experience taking LSD in Japan. The vibrant colors and strange editing style create a serial experience for viewers to get a sense of what an LSD trip feels like. The Yelawolf "Till It's Gone" video tells an unusual story of a man dying and contains disturbing elements like videos of violence to leave viewers questioning the meaning and remembering the video. Both videos use unusual editing styles and abstract concepts to create memorable experiences for viewers.
This document analyzes the music video for "Cat Daddy" by Rej3ctz. It notes that the fast-paced editing conveys the fast-paced lifestyle depicted. Shots show an urban, "gangster" environment in Los Angeles marked by graffiti and signs. Costumes also help set the fun, colorful tone. The video uses many shots of dancing to both genders to show anyone can do the dance. Aspects like establishing the location, promoting a sense of humor, and using colorful clothing will influence the video the author plans to create.
The document discusses Park Ave CDs, an independent record store. It provides details on how they determine if a release is an EP or LP based on length and number of songs. The store also offers consignment options for indie artists and promotes upcoming events and Record Store Day releases. Park Ave sells merchandise and provides promotional space on their website for new artist releases. In conclusion, the author believes Park Ave would be a good partner for future artist promotions.
Jesse Lozano Retail store scavenger hunt JesseTaylor42
Astro-Zombies is a record store in Albuquerque, NM that offers the largest selection of new and used vinyl records in the city. They offer consignment options for indie artists, with a 60/40 split and a minimum of 5-10 vinyl records. While they don't currently have any events scheduled due to COVID, they have previously hosted movie screenings. They don't participate in Record Store Day exclusives since they also sell comics and figurines. The store would be a good option for a local indie artist to release a new album and promote it through an in-store event.
The music video aims to promote a pop/dance song for a young adult audience aged 18-21. It was filmed in Camden Town using casual outfits and makeup to highlight the main performer. Close-ups and shots from behind were used to make the performer the clear focus. The video will be distributed on music channels like Capital TV and 4Music that play mainstream UK top 40 artists, as well as online platforms like YouTube, Facebook and Tumblr to reach a global audience. Though they didn't film enough scenes, requiring some repetition in editing, the video creatively represents the song and genre in a way that should appeal to its target demographic.
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Ryan Murphy Record Store Scavenger huntRyanMurphy291
Easy Street Records and Cafe is a record store located in Seattle, Washington that is considered one of the top 10 record stores in the country. The document discusses two albums for sale - Who The F**** are the Arctic Monkeys EP and Who Cares by Rex Orange County LP. It also provides details from a clerk about their consignment program, how often marketing reps visit, and typical Record Store Day turnout. The record store hosts in-store events multiple times a week and has attracted major artists. It prominently features upcoming and past Record Store Day exclusives on its website. The store sells stickers and promotions are an example provided. Reflection comments note the value of utilizing a top record store for local artist
Music videos have evolved from early promotional films set to music in the 1930s-1950s. Early forms included illustrated songs in the 1890s, Soundies musical films of the 1940s, and musical shorts that filled time between films. In the 1960s, Scopitones and early music videos known as "lip dubs" emerged. Video Concert Hall in 1979 was one of the first TV networks to feature music videos. Finally, MTV launched in 1981 and became the first channel dedicated solely to music videos, popularizing the format.
The document outlines plans for a new music television channel focused on house and garage music genres. The channel will broadcast both new and classic songs from these genres to appeal to young and older audiences. The name of the channel will be "House Now" to indicate the music style without confusion. Initial scheduling plans include playing new house songs, sessions of classic "old skool" songs, interviews, countdowns and call-in segments to engage audiences.
Easy Street Records and Cafe is a record store in Seattle that hosts many in-store events with artists. The document discusses two albums they carry - the Arctic Monkeys EP "Who The F**** are the Arctic Monkeys" and Rex Orange County's album "Who Cares". It also provides details from a clerk about their consignment program, how often marketing reps visit, and the large crowds they get for Record Store Day. Easy Street hosts many in-store events weekly with various sized artists. They have an area on their website dedicated to Record Store Day exclusives. The store also sells artist stickers and runs promotions. The reflection comments on utilizing a top record store like Easy Street for local artist releases and events
The document provides an analysis of Ellie Goulding's music video for the song "Guns and Horses". It summarizes that the video has a concept of Goulding singing while surrounded by soldiers in a dark wooded area. While the video is mainly a performance, the location and soldier costumes add a conceptual element. The music and visuals complement each other, with scenes matching the pace and tone of the song. Some lyrics are also visually represented, like "Let's join forces" showing soldiers. The video uses ambiguity and an unusual setting typical of indie music videos.
Sampling involves reusing portions of existing sound recordings in new music. It has been practiced since the 1960s in genres like hip hop, electronic music, and disco. Legally, sampling is an area of contention but was found to be fair use in the landmark 1994 Supreme Court case Campbell vs. Acuff-Rose involving 2 Live Crew sampling Roy Orbison. The document discusses various types of samples, famous samples like the "Amen break", legal issues, and both criticism and praise of sampling as an artistic technique.
- The music video falls into the acoustic genre and uses conventions like black and white effects, slow motion, and fading to create familiarity for the audience and signal that it is an acoustic music video.
- However, it also brings something new by creating an ambiguous storyline that leaves the audience to interpret what happened to the couple, catching their attention and interest.
- Audience feedback showed that 9 out of 10 people found the black and white and slow motion clips effectively conveyed memories, proving this approach worked well.
The document discusses how a student media product uses, develops, and challenges conventions of real media products. It summarizes that the music video follows conventions such as a single narrative structure and club setting but challenges norms through elements of humor and a dream sequence. Camera shots and editing aim to effectively portray the concept and flow with the music, while the mise-en-scene captures the feel of techno-mix music videos through settings, lighting, and dancing. The video drew inspiration from other dance-focused music videos to incorporate performance and influence viewers in a way typical of the genre.
This document discusses using the song "Build Me Up Buttercup" by The Foundations in a comedy music video featuring zombies. It notes that the song has a catchy chorus and jolly nature that would enhance the humor in scenes showing zombies. Using this song would contrast with the existing music video and draw new attention. The fast pace of the song would also compliment a quickly paced zombie video. Including a surprise "Punk'd" style ending would create humor and contrast between the serious song and lighthearted video.
The document summarizes how the student's media project of a dancehall music video for the song "Rum and Red Bull" both used conventions of the genre but also challenged them in some ways. It situated the project within popular dancehall music videos by artists like Beenie Man and Sean Paul to highlight similarities in conventions like an announcing DJ or sexualized dancing by women. However, it also noted ways they diverged like having the performer and dancer in separate scenes and focusing more on conceptual elements than large dance scenes. Intertextual references to silent films were also an unconventional choice for a dancehall video.
This document summarizes and analyzes a music video according to Goodwin's theory of characteristics found in rap and R&B music videos. It notes that the video begins with different shots of the artist that align with Goodwin's theory. Religious themes are prominent, with lyrics and visuals referencing confession, heaven, hell and Jesus. Throughout, the video cuts to a silhouetted dancing woman in white, possibly included to attract different audiences. Overall, the video incorporates many traits Goodwin associates with the genres, like references to money, stereotypical clothing, and dancing.
The Music Center of Los Angeles County is one of Southern California's premier cultural destinations. Centrally located in downtown Los Angeles along Grand Avenue, the Music Center is home to four internationally acclaimed resident companies: The Los Angeles Philharmonic, Center Theatre Group, LA Opera and Los Angeles Master Chorale and is comprised of four venues — Walt Disney Concert Hall, Dorothy Chandler Pavilion, Ahmanson Theatre and Mark Taper Forum — as well as outdoor theaters, plazas and gardens.
Eminem's music, in particular the songs "Kim" and "Stan," is a continuation of a tradition in music and American art in general: the Gothic murder ballad, which has been with us ever since the blues or Appalachian folk music Click here for more news http://www.musicdissect.org
House music originated in Chicago in the 1980s and later spread to the UK and Europe. It used repetitive 4/4 beats and was played on drum machines and synthesizers. Over time it evolved into various subgenres like deep house, electro house, and progressive house. Music videos in this genre typically feature scenes from clubs and parties with fast editing, flashing lights, and people dancing to reinforce the upbeat and energetic feel of the music. They also commonly portray youth culture stereotypes of partying, drinking, and attractive women dancing. Understanding the conventions of a genre helps creators make videos that will appeal to the intended audience.
This document summarizes the process of creating a piece of recorded music from start to finish. It discusses the following key steps:
1) Composition, where the song is written through lyrics, musical form, and instrumentation. Genre and prosody help guide the composition.
2) Arrangement and instrumentation, where additional elements are added to the song skeleton and it is rehearsed. Collaboration can elevate the song.
3) Recording, where each instrument is captured separately using specialized microphones and equipment. Mixing and editing refine the individual tracks.
4) Mixing, where all tracks are balanced and effects are applied to blend them cohesively into a full song. Techniques like doubling
1. Sweet Cider Music provides a free online resource for classical music lovers to browse information, discover sections on various topics, and join a virtual club to access benefits.
2. The website offers access to various genres of international music and a wide variety of content for entertainment.
3. Visitors can easily access hip hop music and information, as the genre has become more mainstream and popular in recent years.
SweetCiderMusic is one of the top sites that covers musics like hip hop,pop,jazz,rap, classical. Latest mp3 songs ,videos are available for free. Online radio facility is the best feature of our site.
Here is a case analysis of Elektra Records dropping Sara Hickman from her recording contract:
Issue: Elektra Records informed Sara Hickman that they were releasing her from her recording contract after three albums, and would not be releasing her recently completed fourth album.
Hickman's Perspective: Hickman would feel betrayed and frustrated. She dedicated time and effort to recording a fourth album as required by her contract, only to have Elektra decide not to release it. This jeopardizes her music career and income.
Elektra's Perspective: Elektra likely felt Hickman's music sales were not meeting expectations and they could no longer justify continued investment in promoting and distributing her albums. As a business, they need to
The document discusses several music genres including rock, pop, R&B/hip hop, indie, and jazz. It provides brief descriptions of the origins and typical characteristics of each genre. For rock music, it notes it emerged in the 1940s-1950s and was influenced by blues and country. Pop music originated in the 1920s and became popular in the 1950s, often featuring dancing. R&B/hip hop combines elements of hip hop, soul, R&B and funk and typically includes dancing and flashing lights in its music videos. Indie music originated as an alternative rock genre in the 1980s in the UK and US. Jazz emerged in African American communities in the early 20th century.
The document discusses several music genres including rock, pop, R&B/hip hop, indie, and jazz. It provides brief descriptions of the origins and typical characteristics of each genre. For rock music, it notes its origins in the 1940s-1950s and influence from blues and country. For pop music, it describes its origins in the 1920s and association with artists like The Beatles. For R&B, it mentions the genres of hip hop, soul, and funk that make it up and that dancing and flashing lights are common in its music videos.
Mr. Bersick will be giving a presentation on modern music titled "Making It: Modern Music" in two sessions at 1:30pm and 2:40pm. The presentation will include an introduction to modern music structure, modern music production using Ableton Live 8, and how to market and distribute music to become a successful professional musician. Mr. Bersick has 29 years of experience as a DJ, record store owner, and record label owner. The presentation will provide tips on crafting an artistic identity, promotion through social media and performances, and digital and vinyl distribution.
This document provides an introduction to modern music structure and production. It begins with an overview of basic music notation including the treble and bass clefs, followed by an explanation of common time signatures like 4/4 time. Next, it discusses modern music production tools like Ableton and the piano roll interface. It concludes by offering tips for marketing and monetizing music, including promotion through social media, distribution online and on vinyl, and drawing from the author's experience owning music businesses and DJing large events.
Tech house is a genre of house music that emerged in the 1990s and combines elements of techno and house. It features prominent kick drums, rhythmic buildups, and sampled vocals from 1980s/90s songs. The tempo typically ranges from 120-128 BPM, making it suitable for dancing but not as fast as other genres like hardstyle. The tech house scene involves young adults dressing uniquely and dancing at festivals, clubs, and warehouses often while using drugs like MDMA. Album covers for tech house EPs tend to be abstract with minimal text and colorful shapes that match the underground and groovy nature of the music.
This document discusses music video genres and their conventions. It covers 4 main genres: pop, hip-hop, rock, and dance. Each genre has distinguishing characteristics in terms of editing style, themes, costumes, settings, and treatment of the artist. For example, pop videos usually have fast edits, colorful imagery, choreographed dancing, and focus on the attractive star artist. Hip-hop videos commonly use direct address from the artist in staged settings with expensive displays of wealth and women. Rock videos emphasize live performances or imaginative storylines that reflect the song's atmosphere. Dance videos have fast edits synced to the music and feature bright colors, abstract stories, or depictions of dancing audiences.
DJing has evolved over time from radio DJs in the 1940s-50s to club DJs today. DJs play recorded music for audiences by selecting tracks and mixing them together using techniques like beatmatching. The role of DJs has expanded with developments in electronic music genres and advances in DJ equipment going digital. Today, DJing involves skills like reading crowds, deep music knowledge, filtering tracks, and building a brand as competition has grown in the globalized industry.
The document provides an overview of the history and development of music videos. It discusses how music videos started in the 1980s with the rise of MTV and have since evolved to include various techniques like animation, documentaries, and abstract film. Music videos serve several purposes like promoting artists and songs to generate more sales and publicity. They can also expand the income from songs through DVD/CD sales and partnerships with other companies. The styles of music videos vary widely depending on the genre of music and the vision of the artist and producer. Techniques discussed include narratives, live footage, animation, and parodies. Censorship also plays a key role in determining what content is appropriate for music channels.
The document analyzes the codes and conventions of artist websites. It finds that most sites feature a dark background with bright colors, reflecting darker music styles. Typography usually includes bold sans-serif or serif fonts for mastheads. Images dominate homepages, usually showing the artist. Menu buttons use consistent fonts. Secondary pages link to music on YouTube and streaming services.
The document reviews the Pioneer HDJ-1000 headphones. It gives the headphones 7.5/10 for sound quality, praising their ability to enhance mid-bass for DJ mixing in loud clubs, while sacrificing other parts of the frequency spectrum. It gives the headphones 8/10 for design, noting their iconic color schemes and foldable earcups. Key features include mono listening and adjustable earcup positions. The review concludes the headphones deliver enhanced mid-bass for DJ mixing as intended.
The document provides an overview of music videos, including their history, purposes, and various styles. It discusses how music videos started in the 1980s with the rise of MTV and how they are used to promote artists and make money. The document also examines different types of music video styles such as narratives, live footage, animation, and parodies/pastiches. Censorship and the roles of producers, major labels, and independent labels are also covered.
The rise of disco in the 1970s made dance music popular among the public. By the late 1970s, electronic dance music using synthesizers and drum machines was emerging. In the 1980s, house music developed from disco in gay clubs in New York and Chicago, using catchy melodies and four-on-the-floor beats. Also in the 1980s, techno developed in Detroit using electronic rhythms and sampled sections of old records. Common conventions in dance music videos include themes of freedom, clubbing, dancing, and sexuality; strobe or special lighting; quick cuts and camera angles matching the beat; and locations in clubs or festivals.
The Future of Independent Filmmaking Trends and Job OpportunitiesLetsFAME
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfoliogreendigital
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legaciesgreendigital
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesisgreendigital
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Tom Cruise Daughter: An Insight into the Life of Suri Cruisegreendigital
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
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