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MUSIC VIDEO TREATMENT
Intro/Set3 – The 1975
MUSIC IS FADING IN
• When the music is fading in, I am going to have the clouds fading in and speeding
up. I am going to change the colour of the clouds so they are darker as these are
the colours I see when listening to the music. This will be 23 seconds worth of
clouds moving across the sky and speeding up with the music.
SECTION 1
• ‘The skin that you’re in, is all soft now’
• At this part, I was probably going to have a section from the gig that I am going to
(which actually features the band) and it was going to be from that but for it to fit
with the music, it was probably going to be one of their slower songs that they play
at the gig. As well as this, it will be breaking the fourth wall as we get the audience’s
interpretation of the gig.
SECTION 2
• ‘And your bones are dry as ice’
• Introduction to the main protagonist walking a long the beach (hopefully, I will go
when the weather is cloudy with a slight breeze. Check weather and tide times). She
will have her back to the camera as we follow her down the beach
SECTION 3
• ‘What are you sitting round here for, why’s that?’
Cut back to the gig and have more shots of the gig.
SECTION 4
• ‘Cos everybody’s pushing out babies now’
Back to the beach where she’s getting into the rhythm of the music
SECTION 5
• Mini instrumental – as it gets slower, I was thinking that using shots from the gig, I
was going to slow them down so it fits with the music
SECTION 6
• ‘Cos everybody’s pushin’’ x2 ‘in the mornings I was getting high with you’ x2
• This is the bit where the dancing from the main protagonist picks up. Shots are on
her now
SECTION 7
• Instrumental
• Crazy dancing
SECTION 8
• ‘Cos everybody’s pushin’ ‘ Well I’d thought I’d see you around but you’re dead now,
you’re dead now’ x12
• Running along the beach going into the sea and kicking it
SECTION 9
• Instrumental to finish
• Ending with a time lapse of the beach and the sea coming in or going out

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Music video treatment x2

  • 2. MUSIC IS FADING IN • When the music is fading in, I am going to have the clouds fading in and speeding up. I am going to change the colour of the clouds so they are darker as these are the colours I see when listening to the music. This will be 23 seconds worth of clouds moving across the sky and speeding up with the music.
  • 3. SECTION 1 • ‘The skin that you’re in, is all soft now’ • At this part, I was probably going to have a section from the gig that I am going to (which actually features the band) and it was going to be from that but for it to fit with the music, it was probably going to be one of their slower songs that they play at the gig. As well as this, it will be breaking the fourth wall as we get the audience’s interpretation of the gig.
  • 4. SECTION 2 • ‘And your bones are dry as ice’ • Introduction to the main protagonist walking a long the beach (hopefully, I will go when the weather is cloudy with a slight breeze. Check weather and tide times). She will have her back to the camera as we follow her down the beach
  • 5. SECTION 3 • ‘What are you sitting round here for, why’s that?’ Cut back to the gig and have more shots of the gig.
  • 6. SECTION 4 • ‘Cos everybody’s pushing out babies now’ Back to the beach where she’s getting into the rhythm of the music
  • 7. SECTION 5 • Mini instrumental – as it gets slower, I was thinking that using shots from the gig, I was going to slow them down so it fits with the music
  • 8. SECTION 6 • ‘Cos everybody’s pushin’’ x2 ‘in the mornings I was getting high with you’ x2 • This is the bit where the dancing from the main protagonist picks up. Shots are on her now
  • 10. SECTION 8 • ‘Cos everybody’s pushin’ ‘ Well I’d thought I’d see you around but you’re dead now, you’re dead now’ x12 • Running along the beach going into the sea and kicking it
  • 11. SECTION 9 • Instrumental to finish • Ending with a time lapse of the beach and the sea coming in or going out