Music video analysis
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The document analyzes the music video for Ed Sheeran's "The A Team" based on Goodwin's features of music video analysis. It finds that the visuals closely match the lyrics at several points. It also notes that the edits and music have the same pace. While Ed Sheeran is linked to many genres, the video does not focus on a particular style. It suggests the video tells the story of a girl from an outsider's perspective rather than involving the artist. Voyeurism is present as the video shows personal aspects of the girl's life falling into drugs and prostitution.
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Music video analysis
This document analyzes two music videos using Goodwin's features for analyzing music videos. It summarizes the key relationships between the visuals and lyrics in Ed Sheeran's "The A Team" video, noting how the visuals depict what is described in the lyrics. It also notes how Noah and the Whale's "5 Years Time" video effectively synchronizes the music and visual editing. The document then evaluates both videos in terms of Goodwin's additional features such as music genre, close-ups of artists, voyeurism, and intertextual references.
Andrew goodwin
The key conventions of music videos according to Andrew Goodwin are:
1) The relationship between the visuals and lyrics, which can amplify, illustrate, or contradict the song.
2) The relationship between the music and visuals, where sounds can be seen being played.
3) Different music genres have distinguishing styles and symbols used in their music videos.
4) There is often voyeurism, especially in the portrayal of women, and close ups of the artist to satisfy record company demands.
5) Music videos may reference other videos, films, or texts through intertextuality.
Powerpoint on chosen song
Whitney Wiatt is a folk/pop singer from Onalaska, Wisconsin in her late teens/early twenties. The document discusses plans for a music video for her song "Come Around." The video aims to tell a love story through performance and narration, drawing inspiration from Taylor Swift videos. It will feature two actors at various romantic locations and use props like a guitar. Feedback suggested making the video appeal to a wider audience than just teenage girls.
Textual analysis
The music video tells the narrative story of a poor father who works hard to support his son. It shows the father dressing up to pretend they are wealthy when leaving home, but he actually works low-paying jobs like garbage handling. Through his work, he finds toys in the trash to gift his son, showing his efforts to make his son happy despite their poverty. The video represents the struggles of impoverished families and promotes a message of a father's love for his son.
Papa roach – broken home ryan
The music video for Papa Roach's "Broken Home" tells the story of the singer's abusive childhood through flashbacks. It uses a handheld camera and close-ups of the singer to make the audience feel his anger and pain. The dark lighting and dim interior of the house where he grew up enhances the somber mood. By juxtaposing happy family photos with flashes of abuse, the video gives a dark twist to memories and challenges stereotypes of happy American homes. The genres are both performance and narrative as it cuts between the band playing and memories of the past.
Rudimental
The document summarizes and compares the music video for the song "Not Giving In" by Rudimental to the video the author's band wants to create. Some key points:
1) "Not Giving In" tells a narrative story of a boy who chooses dancing over a life of crime, relating to the author's idea of their video featuring a boy pursuing his dreams of music.
2) Both videos will feature shots of run-down areas and aim to encourage strength and perseverance in difficult times.
3) The author believes Rudimental's target audience and message are similar to their own band's, trying to help people who experienced painful childhoods.
4) Rudiment
Media
The document discusses several aspects of music videos, including how they demonstrate genre characteristics. It provides examples of how One Direction displays traits common to the boy band genre through their appearance and video shots. Additionally, it outlines five key aspects of music videos according to Andrew Goodwin: the relationship between lyrics and visuals, the narrative and song performance, technical aspects, and the protagonist. Specific techniques are described, such as using visuals that correlate to the music or portray lyrics in a literal sense.
A2 - Favourite Music Video Analysis.
This document contains analyses of the music video for the song "Good Life" by Kanye West featuring T-Pain. It discusses several aspects of the video, including its portrayal of wealth in line with R&B genre characteristics, how the lyrics and visuals work together, the use of close-ups to connect with the audience, and intertextual references that make the song relatable. The video is praised for its engaging visual effects that match the lyrics and keep the viewer interested in watching to see how the words are represented.
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Music video analysis
This document analyzes two music videos using Goodwin's features for analyzing music videos. It summarizes the key relationships between the visuals and lyrics in Ed Sheeran's "The A Team" video, noting how the visuals depict what is described in the lyrics. It also notes how Noah and the Whale's "5 Years Time" video effectively synchronizes the music and visual editing. The document then evaluates both videos in terms of Goodwin's additional features such as music genre, close-ups of artists, voyeurism, and intertextual references.
Andrew goodwin
The key conventions of music videos according to Andrew Goodwin are:
1) The relationship between the visuals and lyrics, which can amplify, illustrate, or contradict the song.
2) The relationship between the music and visuals, where sounds can be seen being played.
3) Different music genres have distinguishing styles and symbols used in their music videos.
4) There is often voyeurism, especially in the portrayal of women, and close ups of the artist to satisfy record company demands.
5) Music videos may reference other videos, films, or texts through intertextuality.
Powerpoint on chosen song
Whitney Wiatt is a folk/pop singer from Onalaska, Wisconsin in her late teens/early twenties. The document discusses plans for a music video for her song "Come Around." The video aims to tell a love story through performance and narration, drawing inspiration from Taylor Swift videos. It will feature two actors at various romantic locations and use props like a guitar. Feedback suggested making the video appeal to a wider audience than just teenage girls.
Textual analysis
The music video tells the narrative story of a poor father who works hard to support his son. It shows the father dressing up to pretend they are wealthy when leaving home, but he actually works low-paying jobs like garbage handling. Through his work, he finds toys in the trash to gift his son, showing his efforts to make his son happy despite their poverty. The video represents the struggles of impoverished families and promotes a message of a father's love for his son.
Papa roach – broken home ryan
The music video for Papa Roach's "Broken Home" tells the story of the singer's abusive childhood through flashbacks. It uses a handheld camera and close-ups of the singer to make the audience feel his anger and pain. The dark lighting and dim interior of the house where he grew up enhances the somber mood. By juxtaposing happy family photos with flashes of abuse, the video gives a dark twist to memories and challenges stereotypes of happy American homes. The genres are both performance and narrative as it cuts between the band playing and memories of the past.
Rudimental
The document summarizes and compares the music video for the song "Not Giving In" by Rudimental to the video the author's band wants to create. Some key points:
1) "Not Giving In" tells a narrative story of a boy who chooses dancing over a life of crime, relating to the author's idea of their video featuring a boy pursuing his dreams of music.
2) Both videos will feature shots of run-down areas and aim to encourage strength and perseverance in difficult times.
3) The author believes Rudimental's target audience and message are similar to their own band's, trying to help people who experienced painful childhoods.
4) Rudiment
Media
The document discusses several aspects of music videos, including how they demonstrate genre characteristics. It provides examples of how One Direction displays traits common to the boy band genre through their appearance and video shots. Additionally, it outlines five key aspects of music videos according to Andrew Goodwin: the relationship between lyrics and visuals, the narrative and song performance, technical aspects, and the protagonist. Specific techniques are described, such as using visuals that correlate to the music or portray lyrics in a literal sense.
A2 - Favourite Music Video Analysis.
This document contains analyses of the music video for the song "Good Life" by Kanye West featuring T-Pain. It discusses several aspects of the video, including its portrayal of wealth in line with R&B genre characteristics, how the lyrics and visuals work together, the use of close-ups to connect with the audience, and intertextual references that make the song relatable. The video is praised for its engaging visual effects that match the lyrics and keep the viewer interested in watching to see how the words are represented.
Initial Music Video Research
Initial research into music videos found they serve three main purposes: to promote artists and albums, create star images, and add meaning to songs. Andrew Goodwin's theory identified three types of music videos: illustrative videos that give meaning to lyrics through narrative and images, amplification videos that exaggerate lyrics and are repetitive, and disjunctive videos that ignore the song's meaning. Goodwin's theory also examines the relationship between lyrics and visuals, music and visuals, and how music videos reference other media and emphasize artists through close-ups.
Music Video Analysis Powerpoint
This document provides an analysis of three music videos:
1) "Sexy Chick" by David Guetta ft. Akon shows scantily clad women dancing to lyrics about attractive girls. It aims to appeal to a young male audience.
2) "Heartless" by Kanye West is animated, telling a story through visuals of a broken relationship.
3) "Get Shakey" by The Ian Carey Project depicts school children dancing after class to match lyrics about dancing after school. It has an upbeat, quick editing pace fitting its dance genre.
Analysis of twenty one pilots' Stressed Out
The music video for "Stressed Out" by twenty one pilots uses handheld camera work and static shots to create a sense of realism for the audience. It features settings like bedrooms and residential areas that are relatable to the audience and portray the nostalgia in the song's lyrics. The video also introduces the character of "Blurryface" and has a muted color scheme with an emphasis on red. The band's movements sync with the song and the video theme explores nostalgia and childhood to relate to the lyrics. Both band members are prominently featured conforming to genre conventions but in a way that is relatable to audiences.
Music video analysis powerpoint file
This document provides an analysis of Aiden Grimshaw's 2015 music video for his song "Virtually Married" according to Andrew Goodwin's 7 key areas for analyzing music videos. It finds that the video demonstrates several characteristics of its indie dance genre, including its color scheme, editing style, and visual aesthetic. It also establishes relationships between the lyrics and visuals, as well as between the music and visuals, with the tone and pacing of the video reflecting the song. As a relatively new artist, the video aims to develop motifs for Grimshaw through many close-ups and medium shots of him to establish his style. Finally, the analysis finds no clear intertextual references to other works in the video,
Music vid analysiss
This document discusses and analyzes the music video for the Kanye West song featuring T-Pain. It notes several characteristics of the R&B genre displayed in the video, such as references to wealth, money and cars. The lyrics match the visuals of the video, showing Kanye pursuing his dreams in the music industry. Close-ups are used prominently to connect the audience to the artists. The video also exhibits voyeurism through the sexualized depiction of a woman. Intertextual references and samples help audiences relate to the song.
Who is Andrew Goodwin?
Andrew Goodwin identified six key points used in music videos in his book "Dancing in the Distraction Factory". These include genre characteristics, relationships between lyrics/music and visuals, the star image of the artist, voyeurism, and intertextuality. He analyzed how elements like dance routines, camera shots, and ideas borrowed from other videos are used to illustrate meanings, emphasize themes, or promote the artist.
F our five seconds rihannaaa
This performance-based music video features Rihanna and Kanye West lip-syncing and performing the song "Four Five Seconds" throughout. Both artists wear denim shirts and jeans while delivering emotional expressions directly to the camera against a plain white background. Rihanna appears sad and cries at times, conveying feelings of being fed up and taken for granted through her body language and facial expressions. Paul McCartney also makes an appearance playing guitar. The black and white, 3 minute 8 second video was directed by Inez and Vinoodh and has no narrative, instead focusing on the artists' live performance of the song.
A2 media goodwin analysis
The document discusses different types of music videos and their characteristics. It outlines that music videos typically link lyrics and visuals, as well as music and visuals. Genre characteristics, intertextual references, and notions of looking are also associated with music videos. The document further discusses narrative, performance, and concept-based music videos, as well as demands that may be placed on artists by record labels.
Star imagekkkk
Justin Bieber released his debut EP "My World" in 2009 featuring his breakout single. His early music videos featured a forward bangs hairstyle and incorporated pop and R&B styles focused on teen romance. His second studio album "My World 2.0" continued this style. His third album "Under the Mistletoe" was his first Christmas album and showed a darker, more mature style. His fourth album "Believe" marked a change to spikier hair and more mature, black and white imagery, signifying Bieber's transition from teen pop to a more grown-up sound and image.
Andrew Goodwin' theory
Goodwin's theory analyzes key features of music videos that help promote artists and sell music. These include linking visuals to lyrics to reinforce or draw attention away from the message; using genre-specific visual cues and pacing to identify the music style; branding artists with distinctive imagery to promote recognition; objectifying female artists through close-ups to draw larger audiences; and including references to other works to help viewers relate to the artist and music.
Textual analysis
This music video by The Script tells the narrative story of a father who works as a garbage handler to support his son. It shows the father dressing up before work to hide his true job from his son, finding toys in the trash to gift to his son, and their relationship. The video aims to represent the struggles of lower-income families and the efforts fathers make for their children. It uses various camera techniques and visual effects to tell the story and show the band's performance.
Intertextuality in music videos – andrew goodwin’s theory
Andrew Goodwin's theory of intertextuality in music videos identifies 5 key aspects: 1) the star image of the artist, 2) narrative/performance in the video, 3) relating the visuals to the lyrics, 4) technical elements like editing, and 5) the relationship between the visuals and song. Goodwin believes the star image is most important for promoting the artist and video. Narrative/performance helps audiences understand the song. Technical aspects produce a professional video, while visuals can illustrate, disjuncture from, or amplify the lyrics. Intertextuality is used to keep elements familiar to audiences and signify genre.
Andrew Goodwin's Music Video Theory
Andrew Goodwin developed a theory that most music videos today follow at least one of his six ideas: 1) Demonstrating genre characteristics, 2) Having a relationship between lyrics and visuals, 3) Having a relationship between music and visuals, 4) Including close-ups of the artist to promote them, 5) Developing visual motifs across their work, and 6) Referencing the notion of looking or including intertextual references. Goodwin's theory suggests that effective music videos link aspects of the music, lyrics, genre conventions and visual storytelling.
Evaluation part 1
Our media product uses, develops, and challenges conventions of real music videos. We chose the tropical house song "I Do" by Felix Jaehn to create a video that adheres to genre conventions like beach settings and revealing costumes. However, we challenge conventions by presenting a homosexual relationship reveal at the end, as mainstream videos typically only show heterosexual couples. Throughout the video, we aim to balance following conventions, like close-up shots of the artist and synchronization of visuals to lyrics, while also promoting a message of love without oppression.
Film Director- MUSIC VIDEOS
David Fincher is an American film director and music video director known for films like The Curious Case of Benjamin Button and The Social Network. He has directed several acclaimed music videos for artists like Madonna ("Express Yourself", "Oh Father", "Vogue") and Justin Timberlake ("Suit & Tie"). The music video for Madonna's "Bad Girl" and Justin Timberlake's "Suit & Tie" were both directed by Fincher, known for his stylish and cinematic visuals in music videos and films.
Influences: Mise en Scene
This document lists the influences on the mise-en-scene choices for various scenes in a music video. For the lip-synching scene, the black outfit and bright lipstick were inspired by Taylor Swift's "Shake It Off" video. The intro scene depicts social media on a phone, inspired by Little Mix's "Hair" video. Photos and a memory box showing memories in the memory box scene were inspired by One Direction's "Story of My Life" video. School uniforms in the school scene took inspiration from Britney Spears' "One More Time" video, while flashbacks were inspired by Taylor Swift's "Everything Has Changed" featuring Ed Sheeran.
Beyonce
Beyoncé first gained prominence in the 1990s as the lead singer of Destiny's Child. She has since had a very successful solo career, releasing four albums that have all reached number one on the US charts. Beyoncé's image and physical appearance are a major part of her marketing across various media formats like album artwork, music videos, and her website. These emphasize portraying her as strong, glamorous, and sexy to appeal to audiences and promote record sales.
Music video analysis-Andrew Goodwin Theology
Christina Aguilera's "Hurt" music video is primarily narrative-based, telling the story of a young girl whose relationship with her father is strained after he dies and she follows her dreams. The video illustrates the song's lyrics about a broken father-daughter relationship through scenes of Christina's childhood with her father and their relationship deteriorating as she grows up. The video also includes elements of performance, showing Christina singing throughout. Frequent close-ups of Christina and editing that matches the music's beat demonstrate conventions of pop music videos. Intertextual references to films set in circuses like "Water for Elephants" also relate to the video's narrative and setting.
Goodwin’s Theory
This document discusses Goodwin's theory and how it applies to analyzing the music video for "Invincible" by Griminal. Some key points:
1) The lyrics and visuals in the video strongly reinforce each other, with the visuals emphasizing what is described in the lyrics.
2) The video exhibits characteristics of grime and R&B genres, such as depicting the artist as sexy and smooth.
3) The narrative is linear, showing a relationship between two teenagers in a simple progression from one point to the next.
4) Analyzing music videos through Goodwin's theoretical framework provides insights that can help create more effective videos by strategically incorporating different elements.
Goodwins features
The document discusses several relationships between music videos and the songs they accompany. It provides examples of how visuals can illustrate, amplify, or contradict lyrics and music. Record companies often include close-ups of artists to promote their branding. Music videos may also contain intertextual references to other music videos, films, or TV shows.
Seo training indore
Galaxy Finishing School provides vocational training to make students market ready for web development jobs. It has successfully trained web developers over 3 years. With hands-on practical work and live projects, students gain real-world experience meeting deadlines. GFS has 4 branches in India and provides quality teaching, materials, and experienced teachers to prepare students as well as a regular academic course would.
Mindful Leadership - Self-Awareness
The document discusses gaining self-awareness through group support. It describes a True North Group, where 6-8 peers meet regularly to openly and honestly discuss intimate issues in their lives, following a program of topics. The keys to success of these groups are openness, trust, confidentiality, honest feedback, and candor. It suggests that shared awareness and group support can help people gain self-awareness, along with experience, reflection, and introspection.
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Initial Music Video Research
Initial research into music videos found they serve three main purposes: to promote artists and albums, create star images, and add meaning to songs. Andrew Goodwin's theory identified three types of music videos: illustrative videos that give meaning to lyrics through narrative and images, amplification videos that exaggerate lyrics and are repetitive, and disjunctive videos that ignore the song's meaning. Goodwin's theory also examines the relationship between lyrics and visuals, music and visuals, and how music videos reference other media and emphasize artists through close-ups.
Music Video Analysis Powerpoint
This document provides an analysis of three music videos:
1) "Sexy Chick" by David Guetta ft. Akon shows scantily clad women dancing to lyrics about attractive girls. It aims to appeal to a young male audience.
2) "Heartless" by Kanye West is animated, telling a story through visuals of a broken relationship.
3) "Get Shakey" by The Ian Carey Project depicts school children dancing after class to match lyrics about dancing after school. It has an upbeat, quick editing pace fitting its dance genre.
Analysis of twenty one pilots' Stressed Out
The music video for "Stressed Out" by twenty one pilots uses handheld camera work and static shots to create a sense of realism for the audience. It features settings like bedrooms and residential areas that are relatable to the audience and portray the nostalgia in the song's lyrics. The video also introduces the character of "Blurryface" and has a muted color scheme with an emphasis on red. The band's movements sync with the song and the video theme explores nostalgia and childhood to relate to the lyrics. Both band members are prominently featured conforming to genre conventions but in a way that is relatable to audiences.
Music video analysis powerpoint file
This document provides an analysis of Aiden Grimshaw's 2015 music video for his song "Virtually Married" according to Andrew Goodwin's 7 key areas for analyzing music videos. It finds that the video demonstrates several characteristics of its indie dance genre, including its color scheme, editing style, and visual aesthetic. It also establishes relationships between the lyrics and visuals, as well as between the music and visuals, with the tone and pacing of the video reflecting the song. As a relatively new artist, the video aims to develop motifs for Grimshaw through many close-ups and medium shots of him to establish his style. Finally, the analysis finds no clear intertextual references to other works in the video,
Music vid analysiss
This document discusses and analyzes the music video for the Kanye West song featuring T-Pain. It notes several characteristics of the R&B genre displayed in the video, such as references to wealth, money and cars. The lyrics match the visuals of the video, showing Kanye pursuing his dreams in the music industry. Close-ups are used prominently to connect the audience to the artists. The video also exhibits voyeurism through the sexualized depiction of a woman. Intertextual references and samples help audiences relate to the song.
Who is Andrew Goodwin?
Andrew Goodwin identified six key points used in music videos in his book "Dancing in the Distraction Factory". These include genre characteristics, relationships between lyrics/music and visuals, the star image of the artist, voyeurism, and intertextuality. He analyzed how elements like dance routines, camera shots, and ideas borrowed from other videos are used to illustrate meanings, emphasize themes, or promote the artist.
F our five seconds rihannaaa
This performance-based music video features Rihanna and Kanye West lip-syncing and performing the song "Four Five Seconds" throughout. Both artists wear denim shirts and jeans while delivering emotional expressions directly to the camera against a plain white background. Rihanna appears sad and cries at times, conveying feelings of being fed up and taken for granted through her body language and facial expressions. Paul McCartney also makes an appearance playing guitar. The black and white, 3 minute 8 second video was directed by Inez and Vinoodh and has no narrative, instead focusing on the artists' live performance of the song.
A2 media goodwin analysis
The document discusses different types of music videos and their characteristics. It outlines that music videos typically link lyrics and visuals, as well as music and visuals. Genre characteristics, intertextual references, and notions of looking are also associated with music videos. The document further discusses narrative, performance, and concept-based music videos, as well as demands that may be placed on artists by record labels.
Star imagekkkk
Justin Bieber released his debut EP "My World" in 2009 featuring his breakout single. His early music videos featured a forward bangs hairstyle and incorporated pop and R&B styles focused on teen romance. His second studio album "My World 2.0" continued this style. His third album "Under the Mistletoe" was his first Christmas album and showed a darker, more mature style. His fourth album "Believe" marked a change to spikier hair and more mature, black and white imagery, signifying Bieber's transition from teen pop to a more grown-up sound and image.
Andrew Goodwin' theory
Goodwin's theory analyzes key features of music videos that help promote artists and sell music. These include linking visuals to lyrics to reinforce or draw attention away from the message; using genre-specific visual cues and pacing to identify the music style; branding artists with distinctive imagery to promote recognition; objectifying female artists through close-ups to draw larger audiences; and including references to other works to help viewers relate to the artist and music.
Textual analysis
This music video by The Script tells the narrative story of a father who works as a garbage handler to support his son. It shows the father dressing up before work to hide his true job from his son, finding toys in the trash to gift to his son, and their relationship. The video aims to represent the struggles of lower-income families and the efforts fathers make for their children. It uses various camera techniques and visual effects to tell the story and show the band's performance.
Intertextuality in music videos – andrew goodwin’s theory
Andrew Goodwin's theory of intertextuality in music videos identifies 5 key aspects: 1) the star image of the artist, 2) narrative/performance in the video, 3) relating the visuals to the lyrics, 4) technical elements like editing, and 5) the relationship between the visuals and song. Goodwin believes the star image is most important for promoting the artist and video. Narrative/performance helps audiences understand the song. Technical aspects produce a professional video, while visuals can illustrate, disjuncture from, or amplify the lyrics. Intertextuality is used to keep elements familiar to audiences and signify genre.
Andrew Goodwin's Music Video Theory
Andrew Goodwin developed a theory that most music videos today follow at least one of his six ideas: 1) Demonstrating genre characteristics, 2) Having a relationship between lyrics and visuals, 3) Having a relationship between music and visuals, 4) Including close-ups of the artist to promote them, 5) Developing visual motifs across their work, and 6) Referencing the notion of looking or including intertextual references. Goodwin's theory suggests that effective music videos link aspects of the music, lyrics, genre conventions and visual storytelling.
Evaluation part 1
Our media product uses, develops, and challenges conventions of real music videos. We chose the tropical house song "I Do" by Felix Jaehn to create a video that adheres to genre conventions like beach settings and revealing costumes. However, we challenge conventions by presenting a homosexual relationship reveal at the end, as mainstream videos typically only show heterosexual couples. Throughout the video, we aim to balance following conventions, like close-up shots of the artist and synchronization of visuals to lyrics, while also promoting a message of love without oppression.
Film Director- MUSIC VIDEOS
David Fincher is an American film director and music video director known for films like The Curious Case of Benjamin Button and The Social Network. He has directed several acclaimed music videos for artists like Madonna ("Express Yourself", "Oh Father", "Vogue") and Justin Timberlake ("Suit & Tie"). The music video for Madonna's "Bad Girl" and Justin Timberlake's "Suit & Tie" were both directed by Fincher, known for his stylish and cinematic visuals in music videos and films.
Influences: Mise en Scene
This document lists the influences on the mise-en-scene choices for various scenes in a music video. For the lip-synching scene, the black outfit and bright lipstick were inspired by Taylor Swift's "Shake It Off" video. The intro scene depicts social media on a phone, inspired by Little Mix's "Hair" video. Photos and a memory box showing memories in the memory box scene were inspired by One Direction's "Story of My Life" video. School uniforms in the school scene took inspiration from Britney Spears' "One More Time" video, while flashbacks were inspired by Taylor Swift's "Everything Has Changed" featuring Ed Sheeran.
Beyonce
Beyoncé first gained prominence in the 1990s as the lead singer of Destiny's Child. She has since had a very successful solo career, releasing four albums that have all reached number one on the US charts. Beyoncé's image and physical appearance are a major part of her marketing across various media formats like album artwork, music videos, and her website. These emphasize portraying her as strong, glamorous, and sexy to appeal to audiences and promote record sales.
Music video analysis-Andrew Goodwin Theology
Christina Aguilera's "Hurt" music video is primarily narrative-based, telling the story of a young girl whose relationship with her father is strained after he dies and she follows her dreams. The video illustrates the song's lyrics about a broken father-daughter relationship through scenes of Christina's childhood with her father and their relationship deteriorating as she grows up. The video also includes elements of performance, showing Christina singing throughout. Frequent close-ups of Christina and editing that matches the music's beat demonstrate conventions of pop music videos. Intertextual references to films set in circuses like "Water for Elephants" also relate to the video's narrative and setting.
Goodwin’s Theory
This document discusses Goodwin's theory and how it applies to analyzing the music video for "Invincible" by Griminal. Some key points:
1) The lyrics and visuals in the video strongly reinforce each other, with the visuals emphasizing what is described in the lyrics.
2) The video exhibits characteristics of grime and R&B genres, such as depicting the artist as sexy and smooth.
3) The narrative is linear, showing a relationship between two teenagers in a simple progression from one point to the next.
4) Analyzing music videos through Goodwin's theoretical framework provides insights that can help create more effective videos by strategically incorporating different elements.
Goodwins features
The document discusses several relationships between music videos and the songs they accompany. It provides examples of how visuals can illustrate, amplify, or contradict lyrics and music. Record companies often include close-ups of artists to promote their branding. Music videos may also contain intertextual references to other music videos, films, or TV shows.
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Intertextuality in music videos – andrew goodwin’s theory
Intertextuality in music videos – andrew goodwin’s theory
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Mindful Leadership - Self-Awareness
The document discusses gaining self-awareness through group support. It describes a True North Group, where 6-8 peers meet regularly to openly and honestly discuss intimate issues in their lives, following a program of topics. The keys to success of these groups are openness, trust, confidentiality, honest feedback, and candor. It suggests that shared awareness and group support can help people gain self-awareness, along with experience, reflection, and introspection.
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Goodwin common occurences
The document discusses Goodwin's theory of common occurrences in music videos and analyzes how two music videos conform to the theory. It examines six common occurrences: 1) demonstrating genre characteristics 2) relationship between lyrics and visuals 3) relationship between music and visuals 4) role of the artist 5) intertextual references 6) voyeuristic treatment of female bodies. It finds that "When You Love Someone" conforms to most principles while "The A-Team" conforms to some but not others due to its low budget. Relating lyrics to visuals is identified as an important principle for an effective music video.
MEDIA EVALUATION QUESTION ONE
The music video created by the student conforms to some conventions of real music videos identified by Andrew Goodwin in his work. Specifically, it matches the lyrics to corresponding visuals, such as showing a couple on a boat when the lyrics mention the sea. The calm atmosphere of the video also reflects the relaxed tone of the music. Additionally, close-ups of the artist are included to help identify and promote them, as record labels typically demand. However, the video does not emphasize genre characteristics or voyeuristic treatment of the female body, as those would not fit the theme. It also includes an intertextual film reference, merging footage to match the lyrics.
Andrew goodwin's theory
The document discusses Andrew Goodwin's theory of how music videos can link the lyrics, visuals, music, and other elements. It provides examples of how Lady Gaga's "Love Game" and Miley Cyrus's "Wrecking Ball" apply elements of the theory through connections between lyrics and visuals, representations of the artists, notions of looking, and other characteristics. It also analyzes Adele's "Someone Like You" music video in terms of its genre characteristics and connections between the music and visuals.
Andrew goodwin’s rules task 1
Andrew Goodwin outlines several rules for creating effective music videos, including demonstrating genre characteristics, establishing relationships between the lyrics, music, and visuals, developing a consistent visual style for the artist, and potentially incorporating notions of looking or voyeurism. Some of his recommended techniques are using narratives to link lyrics and visuals, matching the tempo of the music to the pace of images, and creating intertextual references to other media to promote the artist.
Question One: In what ways does your media product develop, challenge or use ...
My music video challenges some conventions of music videos in the dance pop genre while adhering to others. It challenges conventions by not featuring the artists Cupid and Medusa, whereas dance pop videos typically have many close-ups of the artist. However, it adheres to conventions by showing a relationship between lyrics and visuals to tell a narrative, and by editing the visuals to match the pace of the upbeat music. While not fully conforming due to the absent artists, the video aims to attract target audiences through familiar genre tropes.
Andrew Goodwin theory
Todd Goodwin is a theorist and founder of USF's media studies department. He authored a book analyzing music videos and developed theories about codes and conventions in music videos. His work showed that visuals can illustrate, amplify, or contradict lyrics and music. Common conventions include demonstrating genre characteristics through repeated actions, using sexual imagery for voyeurism and wider appeal, including references to other media, and promoting artists' star quality through close-up shots. Goodwin's theories provided a framework for analyzing relationships between audio and visual elements in music videos.
Q1
Our music video uses, develops, and challenges conventions of music videos for the pop/hip-hop genre in several ways. It develops conventions by using the rap portions of the song to tell the narrative rather than showing the rapper rapping. It also challenges conventions by portraying women in a vulnerable way rather than as objects. The video develops conventions through its focus on a single artist and through techniques like close-ups that build her iconography. Overall, the video both draws from and reworks typical music video conventions for its genre.
Question 1: In what ways does your music video/digipak/magazine advert, use d...
The document discusses the creation of a music video, digipak, and magazine advertisement for a hybrid R&B and pop song. It analyzes the works using theories from scholars on music video conventions. The project aims to incorporate representations from both genres effectively. Key influences included using neutral colors and plain settings from R&B, with bold colors and a focus on the artist from pop. The video tells a narrative of the artist expressing feelings over a lost love through flashbacks. The other works continue this theme. Analysis finds the project illustrates lyrics, uses performance and conceptual elements, and promotes the artist's image in line with music video conventions.
Music video analysis - The XX
The music video for The XX's song "Islands" is primarily a performance-based video that focuses on the band singing and dancers moving to the music. It emphasizes repetition through continuous zooming shots that match the repetitive lyrics and beat. While it deviates from using close-ups of instruments, the focus on performance still establishes the band's indie genre. The relationship between the music and visuals is largely amplifying, with the dancers' moves and changing shots synchronizing with shifts in the music.
6 features of music videos
1) Andrew Goodwin identified 6 key features of music videos: the relationship between lyrics and video imagery, synchronization of edits/shots with lyrics, genre characteristics, close-ups of the artist, location/setting, and narrative elements.
2) The document provides examples of how lyrics can be illustrated, amplified, or contradicted visually in a music video. It also gives an example of edits syncing with lyrics from the music video for "50 Grand" by Devlin feat. Skepta.
3) Genre conventions are discussed, with examples showing similarities between grime music videos by Skepta and Stormzy; other genres' conventions are also mentioned.
4) Goodwin noted that a key feature
Kings of leon video analysis
This document provides an analysis of the Kings of Leon music video for "Sex on Fire" using various music video and film theories:
1) The video demonstrates characteristics of the indie/alternative genre through its low-budget production, the band's ragged appearance, and lyrics about sex, drugs and alcohol.
2) While the lyrics are understandable, the visuals are disjunctured and don't relate to the lyrics, showing one band member eating chicken for no reason.
3) The sad music matches the sad lyrics and visuals that fade in and out with the beat.
4) There are many close-ups of the band, especially the singer, to build recognition for future releases.
Music Video Analysis
1. The music video for Chase and Status' song "Let You Go" satirizes a Jeremy Kyle-style talk show, showing the host committing the offenses discussed on the show.
2. The video uses close-ups, dark lighting, and dreary locations to match the hard-hitting drum and bass genre and tone of the song.
3. Chase and Status' videos generally feature narratives involving violence and substance use to seriously represent their music and DJ personas.
Question 1
The document summarizes and analyzes a music video the author created in reference to music video theory. It examines the narrative, editing, camerawork, and relationship between visuals and lyrics/music. The summary analyzes these elements in the author's video and references how other popular music videos use similar techniques, like Taylor Swift's "Trouble" video which tells a narrative through the lyrics. Quick cuts, close-ups of the artist, and handheld camerawork are used to emphasize the beat and maintain focus on the performer.
Pop music video deconstructions
A PowerPoint presentation which includes the deconstruction of 3 pop music videos, discussing how they conform, develop and challenge genre conventions. Also linking the videos to Goodwin's theory.
Media evaluation question 1
My music video for the Arctic Monkeys song "A Certain Romance" uses several conventions of the indie genre. It features a narrative about a romance, which is a common theme for indie songs. The main character wears skinny jeans and a knitted jumper, reflecting the typical "indie look." The video also has elements common to other music video genres, like cutting shots to the beat of the song and using black and white cinematography initially to set the mood. While most music videos feature the "female gaze," my video focuses more on the male protagonist, subverting this convention. Overall, the video represents the theme of the song and utilizes conventions of both the indie genre and other music video styles.
Analysis of 3 products similar to main product
The document analyzes and summarizes three music videos:
1) Jake Bugg's "Two Fingers" contrasts his life before and after success, representing the indie rock genre through his clothing and lyrics about drug use.
2) Kings of Leon's "Use Somebody" shows the band experiencing loneliness like ordinary people despite fame, portraying the indie rock lifestyle through smoking and partying.
3) Adele's "Someone Like You" focuses on her painful performance, using a slow pace, black and white filming in Paris to represent her sadness and inability to find love.
Use tegan and sara music video analysis
The music video for "I Just Want Back in Your Head" by Tegan and Sara amplifies the lyrics through corresponding visuals, such as a band member running when the lyrics say "run run run". While not all visuals directly relate to the lyrics, they do not contradict each other. The mellow, free-flowing music matches the slow-paced visuals of the band performing. As an indie music video, it follows genres traits of being quirky and conceptual through its unusual clothing, masked audience members, and focus on instrument performances without a narrative. The record label likely wanted the video to appeal to indie fans and familiarize them with the band through its distinct style.
Use tegan and sara music video analysis
The music video for "I Just Want Back in Your Head" by Tegan and Sara amplifies the lyrics through corresponding visuals, such as a band member running when the lyrics say "run run run". While not all lyrics are illustrated, they do not contradict the visuals. The mellow, free-flowing music matches the slow-paced visuals of the band performing. As an indie music video, it follows genres traits of being quirky and conceptual through its unusual clothing, masked audience members, and focus on instrument performances without a narrative. The record label likely wanted the video to appeal to indie fans and familiarize them with the band through its distinct style.
Music video analysis
1. The music video analyzes Jeremy Loops' song "Down South" using 5 aspects: thought beats, narrative and performance, star image, ways to promote the song, and technical aspects.
2. It synchronizes the visuals with the music to create a summer vibe and connect the audience to Jeremy Loops' personality. Scenes of nature and horses accompany slower parts of the song.
3. The video uses narrative and performance shots to illustrate Jeremy Loops leaving his friends and family "Down South" to travel, emphasizing the song's lyrics and creating an atmosphere of love and warmth. Close-ups establish Jeremy Loops as the star.
Question 1
The document discusses the conventions of music videos according to Andrew Goodwin. It summarizes that music videos typically demonstrate genre characteristics, have a relationship between music and visuals in terms of tone and atmosphere, include close-ups of the artist, reference notions of looking, and can include intertextual references. The response then analyzes how the student's own music video conforms to several of these conventions, including having visuals that reflect the tone of the music, including close-ups of the actor's face, and illustrating the overall story or narrative of the song.
Similar to Music video analysis (20)
Question One: In what ways does your media product develop, challenge or use ...
Question One: In what ways does your media product develop, challenge or use ...
Question 1: In what ways does your music video/digipak/magazine advert, use d...
Question 1: In what ways does your music video/digipak/magazine advert, use d...
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
How OTT Players Are Transforming Our TV Viewing Experience.pdf
The advent of Over-The-Top (OTT) players has brought a seismic shift in the television industry, transforming how we consume media. These digital platforms, which deliver content directly over the internet, have outpaced traditional cable and satellite television, offering unparalleled convenience, variety, and personalization. Here’s an in-depth look at how OTT players are revolutionizing the TV viewing experience.
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A Brief Introduction About Jason Kozup
Jason Kozup is a versatile figure whose impact spans numerous sectors. From the realms of entertainment and security, he has thrived as a producer, actor, stuntman, model, and aerospace defense contractor, showcasing excellence across the board.
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With IPTV apps, you can access and stream live TV, on-demand movies, series, and other content you like online. Viewers have more flexibility and customization of content to watch. To develop the best IPTV app that functions, you must combine creative problem-solving skills and technical knowledge. This post will look into the details of IPTV app development, so keep reading to learn more.
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◇面对父母的压力，希望尽快拿到；
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◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
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Music video analysis
- 1. Rebekah Edmondson Music Video Analysis
- 2. Ed Sheeran- The A team http://www.youtube.com/watch?v=UAWcs5H-qgQ
- 3. Goodwin’s Features. Relationship between visuals and lyrics; - There are many points in the video were the visuals match the lyrics for example when he says ‘white lips, pale face’ the girl in the video has a white face and pale lips. -Other examples are ‘going mad for a couple of grams’ at this point it shows her buying drugs. Relationship between music and visuals; -every new line the images changes, this shows that the edits and the music have the same pace and matches. This video is a medium pace, this helps so you can see clearly the story of the video.
- 4. Goodwin’s Features. Music genre may have it’s own style and iconography; -This video doesn’t really capture this as Ed Sheeran is linked to all different types of music genre’s such as Folk rock, acoustic, hip-hop and grime. Lots of CUs of the main artist/band; -In this video the artist only appears once. - I think they have done this because the lyrics of the song is describing another persons life and he is telling the story of girl and is not really involved in her life.
- 5. Goodwin’s Features. Artist/band may have their own star iconography e.g. trademark style. -Ed Sheeran is associated with many genres so each song/video he produces are different. -He usually performs with other artist and only recently has started his solo career. -Maybe his trademark is reinventing himself each time he creates and new video.
- 6. Goodwin’s Features. Voyeurism; -In this video you experience a life that is normally closed to us, as this video is about prostitution, drugs, etc. -You also are able to watch the girls life fall down which is something that is personal to somebody. Some images also show her getting dress, showing close up of the chest area. Intertexual reference; -This video is a made up story but it could relate to charity ads maybe, trying to make you aware that things like this do happen to people.
- 7. Noah and the Whale- 5 Years Time. http://www.youtube.com/watch?v=T8YCSJpF4g4
- 8. Goodwin’s Features. Relationship between visuals and lyrics; -