This document contains details on several paintings by Amedeo Modigliani, including Jeanne Hebuterne In Red Shawl (1917), which depicts Modigliani's partner who later committed suicide after his death; Reclining Nude (1917), one of Modigliani's celebrated nude paintings; Sleeping Nude With Arms Open (1917), which may have led to the closure of Modigliani's only solo exhibition; Paul Guillaume, Novo Pilota (1915), a portrait of Modigliani's art dealer patron; Portrait Of Maude Abrantes (1908), one of his earlier more traditionally styled works; The Jewish Woman (1908
This slideshow is licensed under Creative Commons. He is of our friend Bernard Hardy that has made a tremendous job with this series very well documented.
You can view the collection of 9 presentations on its space Slideshare here: http://www.slideshare.net/Bern7/
I thank him for his permission
This slideshow is licensed under Creative Commons. He is of our friend Bernard Hardy that has made a tremendous job with this series very well documented.
You can view the collection of 9 presentations on its space Slideshare here: http://www.slideshare.net/Bern7/
I thank him for his permission
A presentation on Cubism with biographies of Pablo Picasso and Georges Brague. The presentation was created in Powerpoint 2010 and features transition effects.
Колекция интересна главным образом тем, что все работы подписаны с указанием года и, что является большой редкостью, места написания работы.
В колекции работы 20х-30х-40х-50х годов и несколько работ последних лет жизни 1976-1978.
Особенно интересны романтические работы латгальского цикла и пейзажи рижских окрестностей 30х годов.
Колекция когда то была подарена художником другу и соседу Вальфреду Пуке у которого и хранилась до последнего времени.Сохранились каталог 1925 года о персональной выставке художника в Рижском замке на немецком языке и пригласительные на эту выставку.
Цена одной работы - 515 EUR
При покупке всей колекции максимальная скидка 10%
Эдуард Метузалс
(1889-1978)
Художник родился 10 марта 1889 года в Риге.
Работал главным образом пастелью, писал пейзажи, фигуральные композиции и портреты. Учился в Рижской вечерней школе рисования Общества поощрения живописцев (1908-1910), после её окончания стал специалистом по художественной интерьерной росписи. Одновременно с 1907 года учился на вечерних курсах живописи Б.Борхерта.
В 1910 году эмигрировал в Западную Европу, работал грузчиком в порту Брюсселя, зарабатывал на хлеб малярными работами в Кёльне, в Германии начал писать заказные портреты.
С 1912 года жил главным образом в Швеции, был знаком с Райнисом и Аспазией, много их писал.
В 1921 году вернулся в Латвию.Получил зарубежную стипендию Фонда культуры и после этого путешествуя по Италии создал замечательный цикл итальянских пейзажей, наполненных солнцем и воздухом.
В выставках участвовал с 1912 года. С 1914 года регулярно экспонировал свои работы на выставках «Kunsthaus» в Цюрихе.
Персональные выставки организованны в Риге ( 1921, 1922, 1925, 1970, 1976), в Таллине ( 1923), Финляндии ( 1923), Кокнесе ( 1969).
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people.
Vidan, another of these great contemporary Italian painters, who know how to reflect the softness and strength, the beauty and depth of a woman. Enjoy !
This is non-linear learning resource designed for a year 8 visual art class. This learning resource is designed to be used independently by each student and allows for a range of abilities through the inclusion of extension tasks and activities. Different types of learners are also supported through the inclusion of visual, written and verbal information.
Bits de inteligencia sobre la figura de Modigliani. Diseñados para imprimir y mostrar en aula impresos (por las dos caras). No son una presentación propiamente dicha.
A presentation on Cubism with biographies of Pablo Picasso and Georges Brague. The presentation was created in Powerpoint 2010 and features transition effects.
Колекция интересна главным образом тем, что все работы подписаны с указанием года и, что является большой редкостью, места написания работы.
В колекции работы 20х-30х-40х-50х годов и несколько работ последних лет жизни 1976-1978.
Особенно интересны романтические работы латгальского цикла и пейзажи рижских окрестностей 30х годов.
Колекция когда то была подарена художником другу и соседу Вальфреду Пуке у которого и хранилась до последнего времени.Сохранились каталог 1925 года о персональной выставке художника в Рижском замке на немецком языке и пригласительные на эту выставку.
Цена одной работы - 515 EUR
При покупке всей колекции максимальная скидка 10%
Эдуард Метузалс
(1889-1978)
Художник родился 10 марта 1889 года в Риге.
Работал главным образом пастелью, писал пейзажи, фигуральные композиции и портреты. Учился в Рижской вечерней школе рисования Общества поощрения живописцев (1908-1910), после её окончания стал специалистом по художественной интерьерной росписи. Одновременно с 1907 года учился на вечерних курсах живописи Б.Борхерта.
В 1910 году эмигрировал в Западную Европу, работал грузчиком в порту Брюсселя, зарабатывал на хлеб малярными работами в Кёльне, в Германии начал писать заказные портреты.
С 1912 года жил главным образом в Швеции, был знаком с Райнисом и Аспазией, много их писал.
В 1921 году вернулся в Латвию.Получил зарубежную стипендию Фонда культуры и после этого путешествуя по Италии создал замечательный цикл итальянских пейзажей, наполненных солнцем и воздухом.
В выставках участвовал с 1912 года. С 1914 года регулярно экспонировал свои работы на выставках «Kunsthaus» в Цюрихе.
Персональные выставки организованны в Риге ( 1921, 1922, 1925, 1970, 1976), в Таллине ( 1923), Финляндии ( 1923), Кокнесе ( 1969).
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people.
Vidan, another of these great contemporary Italian painters, who know how to reflect the softness and strength, the beauty and depth of a woman. Enjoy !
This is non-linear learning resource designed for a year 8 visual art class. This learning resource is designed to be used independently by each student and allows for a range of abilities through the inclusion of extension tasks and activities. Different types of learners are also supported through the inclusion of visual, written and verbal information.
Bits de inteligencia sobre la figura de Modigliani. Diseñados para imprimir y mostrar en aula impresos (por las dos caras). No son una presentación propiamente dicha.
Lezing door Michiel Kersten, voorjaar 2018 over Lodewijk Schelfhout en het kubisme in Parijs rond 1910 naar aanleiding van de tentoonstelling in Singer Laren
Joaquin Sorolla was from a poor family, orphaned at the age of two and was bought up by his uncle. He showed his interest in painting at an early age. First attended evening classes and later won a scholarship to study in Rome. He painted Social Realism in his early professional life. He excelled in painting portraits, landscapes and monumental works Spanish cultural life. But it is his dazzling, brilliance seaside and beach paintings that are the hallmark of his works. That earned his title of ‘The Master of Light’. Some described his work as luminous impressionism. Throughout his life he was very closed to his family.
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
15. MODIGLIANI, Amedeo
Portrait Of Maude Abrantes (detail)
1908
Oil canvas, 80.6 x 50.1 cm
Hecht Museum, Haifa
The painting has a haunting quality. The face
emerges from blue-lilac and yellow-orange waves,
which create an elegant yet unsettling atmosphere.
The face is so pale that it seems to be bloodless,
the eyes are closed as if in some secret grief, and
the over-exaggerated sensuousness of the lips
makes them look vicious. The lilac shadows
around the eyes and the blue wash on the right eye
add to the expression of anxiety and torment,
creating a dissonance between suppressed
morality and morbid sensuality.
37. MODIGLIANI, Amedeo , Featured Paintings in
Detail (2)
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38. MODIGLIANI, Amedeo
Jeanne Hebuterne In Red Shawl
The subject of this painting was Modigliani’s longtime love and partner, Jeanne Hebuterne. The young woman renounced her family and her Roman Catholic background to be with the
painter, and the couple soon had one daughter. After two years together, Modigliani died of the tuberculosis from which he suffered the majority of his life. Jeanne, grief-stricken and
inconsolable, threw herself out of a fifth-floor window, killing herself and their unborn child. Complete with a long, thin frame and head cocked coyly to the side, the painting is done with
such care and simple beauty that you can almost see Jeanne through Modigliani’s eyes.
39. MODIGLIANI, Amedeo
Reclining Nude
Modigliani’s celebrated series of reclining nudes, begun in 1916, are influenced by Italian Renaissance representations of Venus and other idealized female figures.
In this painting from 1917, the model’s stylized, outlined body spans the entire canvas; viewed close-up and from above, her hands and feet disappear outside the frame as her
creamy skin glows against the dark red bed or couch.
Unlike depictions of Venus from the Renaissance to the nineteenth century, in which mythological or allegorical attributes provide a context for the figure’s nudity, Modigliani
provocatively presents his Reclining Nude without any such references, highlighting the figure’s eroticism.
40. MODIGLIANI, Amedeo
Sleeping Nude With Arms Open (Red Nude)
In 1917, Modigliani held a one-man exhibition in Paris, which was closed within a few hours by the Paris Chief of Police, who considered the nudes shocking and scandalous. This painting
was created in 1917, and thus it may be the culprit behind Modigliani’s failure, as it was the only exhibition he ever held. Unlike his other more elongated forms, the nude body of the
woman is graciously painted with flowing curves and a sensual texture; the mask-like face with eyes full of mystery, and a slight smile to the lips. It is not so scandalous and shocking as it
is a celebration of the woman’s form and her sensual nature.
41. MODIGLIANI, Amedeo
Paul Guillaume, Novo Pilota
Amedeo Modigliani met Paul Guillaume through the poet Max Jacob in 1914. Paul Guillaume was then just starting out as an art dealer, and he rented a studio for Modigliani in Montmartre. In
1915 and 1916 Modigliani produced four portraits of his patron. The portrait in the Musée de l’Orangerie was painted at the home of the artist’s mistress, the British poet, Beatrice Hastings, who
also lived in Montmartre.
Paul Guillaume, aged just 23, is shown as an elegant young man, sure of himself, looking directly at the viewer. His figure stands out against the red background. His dark suit and hat contrast
with his face and his white shirt. The planar rendering of the face and his well-defined features attract the eye, while his left hand is barely sketched.
In this portrait Modigliani pays tribute to the young art dealer who was already regarded as the "new helmsman", like a sailor or one of the wise men guided by a star, a patron and visionary
supporter of modern art in the years after 1910.
42. MODIGLIANI, Amedeo
Portrait Of Maude Abrantes
This painting is one of Modigliani’s earlier works, and as such has much more of a traditional look. This painting is also indicative of the artist’s later style in the figure’s elongated neck
and the still, somber emotion on her face. There is also much more detail in her clothing and her face than in Modigliani’s later works, which are characterized by simple lines and few
discernable features. Early on as an artist, Modigliani preferred life-drawn women subjects, many of whom engaged in love affairs with the handsome painter. One only wonders if this was
one such subject.
43. MODIGLIANI, Amedeo
The Jewish Woman
The Jewess was the first painting Modigliani sold after settling in Paris in 1906. It was purchased by his friend and patron, Paul Alexandre, who was so taken with the work that he had
Modigliani paint it into the background of three additional commissioned portraits. Although wearing a composed expression, the stark whiteness of the sitter's face contrasts harshly
with her dark apparel, giving the composition and inner tension and suggesting strong emotions lying beneath the surface. The painting's melancholic overtones have invited
comparison with the work of Picasso's Blue Period. The painting is also one of the few Jewish-themed works by Modigliani, who was of Sephardic Jewish descent and publically
embraced his Jewish identity.
44. MODIGLIANI, Amedeo
Modigliani was born in Livorno, Italy, into a family of Sephardic Jews who had little money but a rich cultural
life. When he arrived in Paris at the age of 22, he had had eight years of academic training behind him, and
possessed a great respect for the old masters and a passionate interest in literature, especially poetry.
He settled in Montmartre, entered the private Academy of Colorossi, and frequented gatherings of avant-garde
artists and poets. Even though he is reported to have had high esteem for Matisse and Picasso, his art,
according to scholars, never had any affinity to either the Fauves or the Cubists. Modigliani admired 14th
century Italian art (especially the Siena School of painting), and was interested in primitive art in general and
African art in particular. African art was an avant-garde craze at the time, and it is quite probable that Modigliani
saw the exhibition of African art displayed at the Trocadero in 1906.
In the autumn of 1907, Modigliani met a young physician, Dr. Paul Alexander, who bought most of his early
paintings. The doctor invited him to work at the artists' colony he had established on rue de Delta. They soon
became friends and shared their interest in literature and poetry.
Modigliani's art may be considered a personal version of expressionism. The expressionistic aspects of his
work were the thematic choice of profound, often painful aspects of human life, extensive use of sharp
outlines, and masterly yet intentionally strident or dissonant color combinations. He developed a highly
personal style of extremely elongated, simplified forms endowed with a sense of rhythmic vitality and linear
grace.
Modigliani died of tuberculosis aggravated by alcoholism and drug addiction in January 1920, at the age of 37.
The art dealers, who are assumed to have kept the prices of Modigliani's painting low during his lifetime, began
negotiating a new price level at his funeral.