This document provides details on several paintings by Johannes Vermeer, including A Lady Drinking and a Gentleman, Girl Reading a Letter at an Open Window, and The Procuress. For each painting, it gives the title, date created, materials used, and dimensions. It also includes images and short descriptions highlighting elements within the paintings like figures, props, and symbolism. Biographical information on Vermeer is provided at the end, noting he specialized in domestic interior scenes and became more obscure after his death before being rediscovered in the 19th century.
Venus and Tannhäuser Part III : from 1911 to 2005K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
Part I of a series of posts exploring how 'love and music' is depicted in art history, with special reference to the iconography of Aphrodite-Venus, the Greek-Roman Goddess of Love. Music cannot be far away because 'music is the food of love'.
For a full discussion, see Blog 'Iconography in Art History'
http://kbender.blogspot.be/?view=magazine
TIZIANO's 'Amor sacro e Amor-profano' and its repetitions Part IIK. Bender
The repetitions from 1900 to the present.
See further details in 'Iconography in Art History'
http://kbender.blogspot.be/2014/08/deja-vu-2-repetitions-of-tizianos-amor.html?view=magazine
TIZIANO's 'Allegory of marriage' (1533) and its many repetitions till the 19t...K. Bender
This painting of TIZIANO, also known as 'An allegory of marriage, in honour of Alfonso d'Avalos, marchese del Vasto' has a complicated provenance and was seemingly very popular, given the many known repetitions (drawings, copies, engravings). It was in the beginning of the 17th century in the collection of Charles I, where it was copied several times. It was finally sold to Louis XIV and entered the Musée du Louvre in 1785.
Venus and Tannhäuser Part III : from 1911 to 2005K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
Part I of a series of posts exploring how 'love and music' is depicted in art history, with special reference to the iconography of Aphrodite-Venus, the Greek-Roman Goddess of Love. Music cannot be far away because 'music is the food of love'.
For a full discussion, see Blog 'Iconography in Art History'
http://kbender.blogspot.be/?view=magazine
TIZIANO's 'Amor sacro e Amor-profano' and its repetitions Part IIK. Bender
The repetitions from 1900 to the present.
See further details in 'Iconography in Art History'
http://kbender.blogspot.be/2014/08/deja-vu-2-repetitions-of-tizianos-amor.html?view=magazine
TIZIANO's 'Allegory of marriage' (1533) and its many repetitions till the 19t...K. Bender
This painting of TIZIANO, also known as 'An allegory of marriage, in honour of Alfonso d'Avalos, marchese del Vasto' has a complicated provenance and was seemingly very popular, given the many known repetitions (drawings, copies, engravings). It was in the beginning of the 17th century in the collection of Charles I, where it was copied several times. It was finally sold to Louis XIV and entered the Musée du Louvre in 1785.
Venus and Tannhäuser Part II : from 1886 to 1910K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
A 2000-year old Roman wall decoration frieze known as the 'Aldobrandini Wedding (Nozze Aldobrandini)' was discovered in 1605 on the Esquiline Hill in Rome and soon transferred to a villa on the Quirinal Hill, possession of the Aldobrandini family, hence its name. Since 1818 it belongs to the Biblioteca Apostolica Vaticana in Rome. It was popular among artists of the 17th-19th centuries. See more about it my post of November 8, 2014 'Nuptial Allegory or the Aldobrandini Wedding' http://kbender.blogspot.be/2014/11/nuptial-allegory-or-aldobrandini-wedding.html?view=magazine
Venus and Tannhäuser Part I : from 1852 to1885K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
The Gallery was brought into existence, in 1651 by a Papal brief issued by Giambattiste Pamphilj, elected to the papal throne in 1644 as Innocent X. He placed the paintings and furnishings of Palazzo Pamphilj in Piazza Navona under the encumbrance of entail. The collection was enlarged later in 1647 by marriage to the Borghese. Today the gallery has a fairly large collection of around 400 paintings, including works by Rapheal, ?Tintoretto, Titian, Caravaggio, Bernini and some Flemish masters. It most famous painting is by Velazquez’s portrait of Pope innocent X.
This presentation explores basic information about opera. It briefly presents its history and evolution. It also presents a brief sample of the six major opera voices (three male and three female). This presentation was used in the backdrop to an oral presentation of the topic in an undergraduate class on Music History and as such it does not go into much detail on the slides. However, it may be useful for general knowledge and for persons seeking points of reference on the topic.
Venus and Tannhäuser Part II : from 1886 to 1910K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
A 2000-year old Roman wall decoration frieze known as the 'Aldobrandini Wedding (Nozze Aldobrandini)' was discovered in 1605 on the Esquiline Hill in Rome and soon transferred to a villa on the Quirinal Hill, possession of the Aldobrandini family, hence its name. Since 1818 it belongs to the Biblioteca Apostolica Vaticana in Rome. It was popular among artists of the 17th-19th centuries. See more about it my post of November 8, 2014 'Nuptial Allegory or the Aldobrandini Wedding' http://kbender.blogspot.be/2014/11/nuptial-allegory-or-aldobrandini-wedding.html?view=magazine
Venus and Tannhäuser Part I : from 1852 to1885K. Bender
The iconography of "Venus and Tannhäuser in the Venusberg" as seen by 49 visual artists. Slide presentation in three parts:
I from 1852 to 1885
II from 1886 to 1910
III from 1911 to 2005
Slides were uploaded as PDFs generated in the corresponding 'myHistro story'
View the timeline of all artists in my post of January 30, 2015 'Tannhäuser the villain! He has been in the Venusberg!'
http://kbender.blogspot.be/2015/01/tannhauser-villain-he-has-been-in.html
There the myHistro story is automatically shown with 1) text (read more) and references to the information source(s), 2) pictures, 3) videos and 4) geo-maps.
You can also move the timeline with the cursor and click any name in the timeline graph; or you can click any icon on the geo-maps.
The Gallery was brought into existence, in 1651 by a Papal brief issued by Giambattiste Pamphilj, elected to the papal throne in 1644 as Innocent X. He placed the paintings and furnishings of Palazzo Pamphilj in Piazza Navona under the encumbrance of entail. The collection was enlarged later in 1647 by marriage to the Borghese. Today the gallery has a fairly large collection of around 400 paintings, including works by Rapheal, ?Tintoretto, Titian, Caravaggio, Bernini and some Flemish masters. It most famous painting is by Velazquez’s portrait of Pope innocent X.
This presentation explores basic information about opera. It briefly presents its history and evolution. It also presents a brief sample of the six major opera voices (three male and three female). This presentation was used in the backdrop to an oral presentation of the topic in an undergraduate class on Music History and as such it does not go into much detail on the slides. However, it may be useful for general knowledge and for persons seeking points of reference on the topic.
Somehow Vermeer’s paintings manage to transcend time and place. They may have been created several hundred years ago, but they are almost shockingly present.
Vermeer of Delft was the most calm and peaceful of all the Dutch masters and the recognition of his greatness has been long delayed. Very little is known of his life and the pictures were completely forgotten until the end of 19C. He was certainly influenced by Carel Fabritius and may have been his pupil. Vermeer became a Master and in the Delft Guild in 1653 and became the Dean of the Guild between 1663 and 1670. He died in 1675 at the age of 43 leaving some 11 children behind. He painted very slowly and there are only about 40 known paintings of his.
Presentation for beginning foundations level art students with images, definitions and information about perspective, points of view and the artists who use this technique to create work that is visually stimulating.
Mauritshuis Art Gallery, Hague, Neatherland 1.3Jerry Daperro
In many ways the Mauritshuis is a smaller and more personal version of the collection at the Rijksmuseum. The paintings are exclusively Dutch, from its root at the beginning of the Netherlandish era. The museum is situation in the traditional centre in the Hague, by the city pond. Recently the museum undertook a modernisation project to create more space for the visitors. During this period the Mauritshuis collection went on a world tour. It visited several places, in particular Italy, the USA and Japan. The exhibitions were well received, particularly after the film the ‘Girl with a Pearl Earring’. A visiting 17C century Dutch paintings at these places is a rare occasion.
This display is a brief introduction to some of the best known and finest paintings, by the famous painters of Dutch Golden Age. Among them are Rembrandt, Vermeer, Frans Hals, Steen etc.
Portrait Painting Reviews - Most Beautiful Paintings in the Worlddavid ayer
Portrait painting is a very powerful way to express your feelings and can be effectively used to represent the artistic vision on a piece of paper. Portrait painting reviews define how beautifully and artistically the painter has poured his heart in making the painting. More the reviews, powerful becomes the presence of the one who has painted it.
Jacob Jordaens was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder. Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life.
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
3. VERMEER, Johannes
A Lady Drinking and a Gentleman
c. 1658
Oil on canvas, 66,3 x 76,5 cm
Staatliche Museen, Berlin
4. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
5. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
Like A Lady and Two Gentlemen, this
seduction scene contains an open
window which features the warning figure
of Temperance.
6. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
7. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
8. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
9. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
Women who had become intoxicated on
wine were considered to be the
embodiment of sin, and this is a motif
central to Vermeer's work. According to
Jacob Cats, a famous popular teacher of
the seventeenth century, women should
be forbidden drink altogether, as alcohol
was the first step towards whoring.
10. VERMEER, Johannes
A Lady Drinking and a Gentleman (detail)
c. 1658
Oil on canvas
Staatliche Museen, Berlin
13. VERMEER, Johannes
Girl Reading a Letter at an Open Window
(detail)
1657
Oil on canvas
Gemäldegalerie, Dresden
In this painting, a young woman stands in
the center of the composition, facing in
profile an open window to the left. The
window reflects the girl's features. She is
precisely silhouetted against a bare wall
that reflects the light and envelops her in
its luminosity.
16. VERMEER, Johannes
Girl Reading a Letter at an Open Window
(detail)
1657
Oil on canvas
Gemäldegalerie, Dresden
In the foreground is a table covered with
the same Oriental rug encountered in the
Woman Asleep. On it is the identical Delft
plate with fruit.
24. VERMEER, Johannes
The Procuress (detail)
1656
Oil on canvas
Gemäldegalerie, Dresden
It has been suggested that the smiling
man on the left holding a lute and a glass
is a self-portrait. If so, it is the only time
Vermeer allows us to approach him on
such intimate terms. But the identification
remains speculative; no visual or
documentary evidence corroborates it.
25. EYCK, Jan van, Featured Paintings in Detail (3)
images and text credit www.
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26. VERMEER, Johannes
The Procuress
There is no relationship between this painting and other authentic works by the master, neither in the conception nor the execution. One has attempted to establish a connection
between this work and the one by Dirck van Baburen from 1622, now in the Boston Museum of Fine Arts. However, aside from the subject matter, the Dresden painting has nothing in
common with the one in Boston. The latter seems to have been part of Vermeer van Delft's stock in trade and appears as such in two of his paintings. At one time, it must have been
the property of his mother-in-law.
The fact that Vermeer van Delft was a dealer and thus owned a number of works by other masters does not necessarily imply that he took them as models for his own productions;
even if he used some of them as background decorations in his paintings.
However, this painting is usually considered as a point of departure for an appraisal of Vermeer's achievement. There is very little indication of the interior and more action in it than
there will be in the later paintings. The erotic subject, size and decorative splendour are all closely related to the Utrecht Caravaggisti painted a generation earlier. The chiaroscuro
effect and the warm colour harmony of reds and yellows also indicate a connection with works painted in the early fifties by Rembrandt and his followers; perhaps Maes, who had
settled in nearby Dordrecht by 1653, was the conduit.
27. VERMEER, Johannes
Girl Reading a Letter at an Open Window
In this painting, a young woman stands in the center of the composition, facing in profile an open window to the left. In the foreground is a table covered with the same Oriental rug
encountered in the Woman Asleep. On it is the identical Delft plate with fruit. The window reflects the girl's features, while to the right the large green curtain forms a deceptive frame. She
is precisely silhouetted against a bare wall that reflects the light and envelops her in its luminosity.
We are here confronted with one of the salient aspects of Vermeer's sensibility and originality. It is the stillness that stands out, the inner absorption, the remoteness from the outer world.
She concentrates entirely upon the letter, holding it firmly and tautly, while she absorbs its content with utmost attention.
Much has been written about the trompe-l'oeil effect of the curtain. It is a pictorial artifice used by many other Dutch masters and in keeping with an old European tradition. Rembrandt,
Gerard Dou, Nicolaes Maes, and many still-life and even landscape painters made use of such curtains as a means of simulating effects that now seem theatrical.
28. VERMEER, Johannes
A Lady Drinking and a Gentleman
The leaden window to the left was entirely overpainted at the time of the purchase by the museum and replaced by a curtain and a view upon a landscape through an open window.
Vermeer's works set the tone for representations of the upper bourgeoisie, a social level more refined than that depicted by his contemporaries. This type of setting required finer and
smoother pictorial rendition than, for instance, the Milkmaid.
Like A Lady and Two Gentlemen, this seduction scene contains an open window which features the warning figure of Temperance.
29. VERMEER, Johannes
Johannes, Jan or Johan Vermeer was a Dutch painter who specialized in domestic interior scenes of middle-
class life. Vermeer was a moderately successful provincial genre painter in his lifetime. He evidently was not
wealthy, leaving his wife and children in debt at his death, perhaps because he produced relatively few
paintings.
Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly
renowned for his masterly treatment and use of light in his work.
Vermeer painted mostly domestic interior scenes. "Almost all his paintings are apparently set in two smallish
rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they
often portray the same people, mostly women."
He was recognized during his lifetime in Delft and The Hague, but his modest celebrity gave way to obscurity
after his death. He was barely mentioned in Arnold Houbraken's major source book on 17th-century Dutch
painting (Grand Theatre of Dutch Painters and Women Artists), and was thus omitted from subsequent
surveys of Dutch art for nearly two centuries. In the 19th century, Vermeer was rediscovered by Gustav
Friedrich Waagen and Théophile Thoré-Bürger, who published an essay attributing 66 pictures to him,
although only 34 paintings are universally attributed to him today. Since that time, Vermeer's reputation has
grown, and he is now acknowledged as one of the greatest painters of the Dutch Golden Age.