2. 1. Causal Analysis
Tackles the causes and effects of a
particular event, phenomenon, or situation.
Relationship between or among at least
two happenings.
It answers the questions “why”and “how”
3. Writer’s Purpose
1. Informative – which primarily explains
2. Persuasive – attempts to convince the
reader to believe what the writer is
saying
3. Speculative – suggest possibilities
4. A casual chain is a set of cause and effect that leads to
multiple other sets – all happening one after the other.
The primary and secondary causes and effects of the
situation. This is to maintain order and coherence in
your essay, and also to avoid losing focus.
5. Concentrate on the immediate rather than the
remote causes and/or effects.
Root cause – a primary cause is studying well for
the past few days.
Be wary of the logical fallacy of faulty causality or
propter hoc, ergo propter hoc (Latin for “after
this, therefore because of this”)
6. 2. Narrative Writing
Storytelling
Sequence of events, not necessarily arranged in
chronological order, told by a narrator,
happening in a particular place at a particular
time.
Creating a world based on the writer’s
imagination.
7. “
”
Show rather than tell
A RULE OF THUMB THAT MOST WRITERS ABIDE BY
Vivid Description of Details
8. Consistent Point of View (POV)
Three most commonly used points of view:
FIRST, SECOND, THIRD POINTS OF VIEW
Third person POV – used to convey the narrator
as an omniscient and dispassionate observer.
- narrator is all-knowing; enables the
reader to see not only the dialogue, but also the
innermost thoughts and desire.
9. Consistent Verb Tense
To make clear to the reader whether the story:
had already happened;
has been happening for some time now;
happens on a regular basis;
is currently happening; and
Will do so indefinitely, or will happen sometime in
the future
10. Well – Defined Point or Significance
Theme
– unifying thought or idea born
out of all the other elements of
the story.
11. Narrative Devices – technique writers utilizes to add
flavor and enrich the meaning of their stories.
Anecdote – brief narratives that are written from the
writer’s memory.
Flashback – event that happened in the past
12. Time Stretch – a single event in the story that the author
focuses writing about.
Time Summary – a single event is prolonged, a time summary
is characterized by jamming together multiple events and/or
shortening a relatively long period of time.
Flash-forward – an event that has yet to happen in the story.
Dialogue – a word or a series of words enclosed in a pair of
quotation marks, which signal the characters’ spoken language.
13. 3. Definition
Understanding the essence of a word, an idea, a
concept, or an expression.
It should be done clearly or through specific
terms so that even the most abstract concepts
can be easily understood and relatable to the
human perception.
To give information to the reader as to what the
author intends to explain.
15. Analysis
– process of breaking down a concept into its constituent
parts.
Collocation
- there are words or expressions that are usually almost
immediately associated with the concept you are trying to
define.
16. Comparison
- Make abstract concepts more understandable by
using comparison to appeal to the human senses.
Contrast
- Understanding how at least two similar concept are
different from each other
17. Etymology
- The history of a word. It explains the evolution of a word or
how it has come to be.
Exemplification and Illustration
- Exemplification: Defining something by giving examples
- Illustration: Giving an example and focusing on it to
elaborate on the concept you are trying to define.
18. Extended Definition – a personal interpretation of an author to an
abstract and multifaceted concept.
Function – another way of understanding what a word or concept
means is to know its purpose.
- answers the question: “What is it used for?”
Negation – a technique that you can use to define a word or
concept by explaining what it is not.
Synonyms – a single word or phrase that share almost the same
meaning with the concept you are trying to define
* SLANG or COLLOQUIAL LANGUAGE
- Considered under the umbrella term of synonyms.
19. 4. Division and Classification
are essential not just in writing but also in everyday
concepts.
Enables humans to have some sense of order and
predictability in otherwise chaotic and
unpredictable life.
20. DIVISION
Breaks down a concept into its constituent parts.
Process necessitates separating items.
CLASSIFICATION
Entails categorization which enables one to group
together items according to their similarities.
To further organize data that have already been defined
and classified.
21. Principles to consider
Consistency
- Parallel similarities in the divisions you make in writing.
Exclusiveness
- No overlapping between or among the items divided and classified
together.
Completeness
- No important part is omitted from the writing.
22. 5. Comparison and Contrast
Weighing your choices’ pros and cons,
consequently shedding light to a well-thought
of decision/judgement.
Banks so much on the use of figurative
language as the use of such adds artistic and
literary value to, and deepens the meaning
and interpretation of discourse
23. ANALOGY
Common technique that writers use to demonstrate
comparison and contrast
Delves beneath the surface differences of at
least two subjects expose unperceived and
unsuspecting similarities and/or differences.
24. Figurative Language
SIMILE – direct comparison between or among subjects.
- “like” or “as”
METAPHOR – indirect comparison between or among subjects
OXYMORON – two seemingly opposite terms are juxtaposed
next to – or near – each other in a single expression.
PERSONIFICATION – process of making something human.
25. 6. Exemplification
Considered as one wat to define a concept
Process of enumerating or giving
examples.
Provide specific instances to support a
claim.
26. Visual Illustrations
- Appeals to the sense of sight
Facts
- concepts, ideas, and statement that are generally
assumed true, realm and/or existing
27. Anecdotes
- Brief narratives within a piece of writing
Details
- Entails analyzing, process of breaking down a
concept or idea into its constituent parts.
28. Opinions
- Individual interpretations of people on certain
events, situations, ideas, and/or concepts.
Observations
- Similar to describing; make use of description –
appealing to the five senses.
29. 7. Persuasion
Based on the assumption that all essays are essentially
assertive; the writer always, whether consciously or not,
fights for something in his/her paper.
Always coupled with argumentation.
Argumentation is the use of facts and logic to convince
an audience while in persuasion, there is an addition of
using emotional appeal or pathos.
30. Make use of …
Logos - appealing to the audience’s logic; that is, when
you argue, you use facts, and well-supported and well-
developed claims to support an argument.
Pathos – appealing to the audience’s emotions.
Ethos – the appeal to credibility. As a source of
information, you are credible, reputable, and respectable.
Through honesty and sound judgement.
31. Types of Audiences
The Supportive Audience
- Who are briefed on the issue at hand.
- Logos in not much needed; Pathos should be
maximized to drive your point home.
(-Logos ; +Pathos)
32. The Wavering Audience
- Not readily accepting to your ideas.
- Make use of your logos to win their support.
And since their belief is wavering, build up on
your ethos as well.
(Logos = Ethos)
33. The Hostile Audience
- Most difficult to please and win.
- Lessen the use of pathos, for they are antagonistic.
Stick to your logos as you have a good chance of being
somewhat believed – but not necessarily sided with-by
the hostile audience.
(-Pathos; ~Logos)