EMC 3130/2130 Lecture Five - Framing and Composition
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Stanley Crouch strongly criticized Bill Evans' jazz piano playing, saying he could not swing and there was no blues in his playing. Beethoven's Symphony No. 5 received harsh criticism when it was still new and radical, with one critic saying it was "full of a sort of odious meowing and discords." Aspect ratios are measurements that determine the dimensions and proportions of frames in films, with common ratios including 1.33:1, 1.66:1, 1.77:1, 1.85:1, 2:35:1, and 1.7:1 for IMAX. Framing involves the size and placement of subjects within the frame, with common shots being close-
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EMC 3130/2130 Lecture Five - Framing and Composition
- 1. EMC 3130 Framing and Composition Edward Bowen
- 3. The Rules Bill Evans http://www.billevanswebpages.com/burns.html As far as Bill Evans is concerned, readers should note that Stanley Crouch, Marsalis' admitted mentor, is responsible for serious negative attacks on the pianist, as noted by jazz writer Eric Nisenson: "I once overheard [the jazz critic] Stanley Crouch giving a diatribe against Evans. It was just before a kind of symposium of jazz critics.... Evans, according to Crouch, was a 'punk' whose playing could scarcely be considered jazz. He could not swing, according to Crouch, and there was no blues in his playing."
- 5. The Rules Beethoven’s 5th It is full of a sort of odious meowing and discords to shatter the least sensitive ears,” in response to Beethoven’s Symphony no. 5. It may surprise you that Beethoven’s music was often met with harsh criticism because it was, frankly, extraordinarily radical. In fact, Symphony no. 5 was even castigated before it premiered, when the conductor Beethoven had hired walked out of the first rehearsal in anger over the unpleasant harmonies the composer had written. 19th century critic Alexander Oulibicheff
- 6. The Rules “Learn the rules like a pro so you can break them like an artist.” Pablo Picasso
- 7. The Rules The Shaky Cam http://youtu.be/lPdg4WvoP2g
- 10. The Parameters Aspect Ratios The Changing Shape of Cinema: The History of Aspect Ratio http://vimeo.com/68830569
- 11. The Parameters Aspect Ratios Aspect Ratios – 1.33:1 or 4 3 Academy Ratio
- 12. The Parameters Aspect Ratios Aspect Ratios – 1.66:1 European and British Standard Widescreen
- 13. The Parameters Aspect Ratios Aspect Ratios – 16x9 or 1.77:1 HD TV
- 14. The Parameters Aspect Ratios Aspect Ratios – 1.85:1 Standard Widescreen
- 15. The Parameters Aspect Ratios Aspect Ratios – 2:35:1 Anamorphic of Super 35mm Widescreen
- 16. The Parameters Aspect Ratios Aspect Ratios – Imax 1.7:1
- 26. Framing Close-Ups - Extreme Close-Ups
- 27. Framing Close-Ups - Extreme Close-Ups
- 28. Framing Close-Ups - Extreme Close-Ups
- 29. Framing Close-Ups - Extreme Close-Ups
- 30. Framing Close-Ups - Extreme Close-Ups
- 31. Framing Close-Ups - Shoulder Shot
- 32. Framing Close-Ups - Shoulder Shot
- 33. Framing Close-Ups - Shoulder Shot
- 36. Framing Medium Shots - Waist Shots
- 37. Framing Medium Shots - Waist Shots
- 38. Framing Medium Shots - Cowboys
- 39. Framing Medium Shots - Cowboys
- 40. Framing Medium Shots - Cowboys
- 55. Framing Long Shots - Extreme Long Shots
- 56. Framing Long Shots - Extreme Long Shots
- 57. Framing Long Shots - Extreme Long Shots
- 58. Framing Long Shots - Extreme Long Shots
- 65. Content Single
- 66. Content Single - Dirty Single
- 67. Content Single - Dirty Single
- 68. Content Single - Dirty Single “Apricot’http://vimeo.com/8076064
- 70. Content Two Shot
- 71. Content Two Shot
- 72. Content Three Shot, Four Shot …
- 81. Perspective Canted / Dutch / Oblique Angle
- 82. Perspective Canted / Dutch / Oblique Angle
- 83. Perspective Point of View (POV)
- 84. Perspective Point of View (POV)
- 85. Perspective Point of View (POV) http://youtu.be/hmpCU9s6TTw http://youtu.be/hmpCU9s6TTw
- 86. Perspective Point of View (POV) http://youtu.be/dYZm7jB9YA4
- 87. Perspective Point of View (POV) “Rear Window”
- 88. Composition The X, Y and Z Axes
- 89. Composition The X, Y and Z Axes
- 110. Composition Rule of Thirds “Kill Bill” http://youtu.be/U0EtQTf_bsE
- 112. Composition Golden Ratio 1: 1.618 approximates 1:1.666 or 1/3:2/3 Which by dividing the image into thirds Becomes the rule of thirds.
- 113. Composition Look (Eye), Head and Lead Space
- 114. Composition Look (Eye), Head and Lead Space
- 115. Composition Look (Eye), Head and Lead Space http://youtu.be/FHK1kyTZKIk
- 126. Composition Symmetry
- 127. Composition Symmetry
- 128. Composition Summary
Editor's Notes
- Video: James-Cameron-on-Avatar-aspect-ratio--Hometheaterforum-com.mov http://www.youtube.com/watch?v=OqwCQQ4qIXw
- Video: master-shot-with-cut-aways.mov http://vimeo.com/11207027
- Video: Master-Shot-1.mov http://www.youtube.com/watch?v=JENat_v2vTk&feature=player_embedded
- POV-shot-sequence-wmv http://www.youtube.td/watch?v=QLL8HY8MSPs
- The-Film-Lab--Composition--The-Rule-of-Thirds http://www.youtube.com/watch?v=FsFXtI1hG34
- Kill-Bill-with-Rule-of-Thirds.mov