Miniature painting
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Miniature paintings from Rajasthan have been patronized since the 16th century by the Mughal court. These jewel-like paintings are known for their incredible details and have been prized possessions. Several schools of painting emerged from different princely states of Rajasthan, each with their own distinctive styles - for example, the Marwar school celebrated strong colors, while the Jaipuri style was inspired by Emperor Jehangir's court and incorporated both religious and secular subjects.
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Rajasthan miniature painting.. (1)
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
AAbanindranath tagore
Abanindranath Tagore was a prominent Indian artist and member of the distinguished Tagore family. He was one of the founders of the Bengal school of art, which aimed to modernize traditional Indian art styles like Mughal and Rajput paintings in response to growing Western influence. Tagore developed an interest in art as a student and was influenced by Mughal styles, incorporating them into his paintings of Hindu themes. He believed in adapting Indian artistic traditions to express Hindu philosophy and promote Indian national culture. Tagore taught many other influential Indian artists and is regarded as a pioneer in the development of a distinctive Indian painting style.
Ip
The document provides an overview of the history and genres of Indian painting. It discusses early rock paintings from pre-historic times. It describes the evolution of miniature paintings in manuscripts from the 10th century onward in eastern and western India. Key genres discussed include Mughal painting which fused Persian and Indian styles, as well as Rajput, Mysore, Tanjore, Madhubani, Pattachitra and modern Indian painting styles. The six principles of Indian painting from the Kamasutra are also summarized.
Mughal miniature painting
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Bengal school
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
Mughal painting
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
Indian paintings
The document provides information on the history of painting in India from prehistoric to Mughal periods. It discusses paintings found in ancient cave sites like Ajanta and Ellora dating from 2nd century BC to 10th century AD depicting religious themes. The Mughal style evolved under Akbar in the 16th century by synthesizing indigenous Indian and Persian styles, known for naturalism and fine detail. Major painting traditions across India are described, along with materials and techniques used.
Introduction to Indian Miniature School of ch- 1 ppt .
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Pala school, Jain school, Central India school. Sadanga, Six limbs of Art.
Recommended
Rajasthan miniature painting.. (1)
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
AAbanindranath tagore
Abanindranath Tagore was a prominent Indian artist and member of the distinguished Tagore family. He was one of the founders of the Bengal school of art, which aimed to modernize traditional Indian art styles like Mughal and Rajput paintings in response to growing Western influence. Tagore developed an interest in art as a student and was influenced by Mughal styles, incorporating them into his paintings of Hindu themes. He believed in adapting Indian artistic traditions to express Hindu philosophy and promote Indian national culture. Tagore taught many other influential Indian artists and is regarded as a pioneer in the development of a distinctive Indian painting style.
Ip
The document provides an overview of the history and genres of Indian painting. It discusses early rock paintings from pre-historic times. It describes the evolution of miniature paintings in manuscripts from the 10th century onward in eastern and western India. Key genres discussed include Mughal painting which fused Persian and Indian styles, as well as Rajput, Mysore, Tanjore, Madhubani, Pattachitra and modern Indian painting styles. The six principles of Indian painting from the Kamasutra are also summarized.
Mughal miniature painting
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Bengal school
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
Mughal painting
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
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The document provides information on the history of painting in India from prehistoric to Mughal periods. It discusses paintings found in ancient cave sites like Ajanta and Ellora dating from 2nd century BC to 10th century AD depicting religious themes. The Mughal style evolved under Akbar in the 16th century by synthesizing indigenous Indian and Persian styles, known for naturalism and fine detail. Major painting traditions across India are described, along with materials and techniques used.
Introduction to Indian Miniature School of ch- 1 ppt .
Introduction to Indian Miniature School, Class 12th CBSE chapter- 1
Pala school, Jain school, Central India school. Sadanga, Six limbs of Art.
Pahari miniature painting
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
Mughal Miniature Art
Mughal Miniature paintings are one of the most long-standing types of art that are still available for purchase today, and any piece can be a fantastic addition to a collection or stand on its own as a stunning piece of Indian historical art.
mughal paintings
Mughal painting developed in the court of the Mughal Empire from the 16th to 18th centuries. It emerged from Persian miniature painting, incorporating Indian influences. Mughal paintings were typically miniatures for book illustrations or single works in albums. They often depicted court scenes, portraits of rulers and nobility, or scenes from daily life and mythology. Many artists worked in the imperial atelier, including Persians who came with Humayun to India, as well as Hindu artists. The style flourished under Akbar and Jahangir, with master artists creating spectacular works, and continued during Shah Jahan's reign despite his lack of support. Today, the art form continues through artists in Lahore who produce copies
Abanindranath tagore
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
212121
The document provides an overview of visual arts in India, dividing it into three main categories: visual arts, performing arts, and miscellaneous arts. It focuses on visual arts such as architecture, sculpture, pottery, and painting. Key highlights include a discussion of architectural styles from ancient to modern periods. It also summarizes major schools of Indian painting such as Mughal, Rajasthani, Deccan, and Pahari styles. Regional schools of painting from states like Rajasthan, Kangra valley, and Basohli are described in terms of their themes, techniques and stylistic features.
Company school painting
This document provides an overview of Company School paintings created in India during British colonial rule between the 18th and 19th centuries. It discusses how British patrons commissioned Indian artists to depict scenes of everyday life, occupations, ceremonies, and wildlife. The paintings combined Western techniques like linear perspective with traditional Indian styles of miniature painting. Company paintings serve as valuable historical records of colonial India and helped spread images of Indian culture to European audiences. The document concludes with descriptions and analyses of 12 examples of Company paintings showcasing various subjects and styles.
Gond painting
Gond paintings originate from the Gond tribe in Madhya Pradesh and have a history of over 1400 years. The Gond people believed that depicting images of the natural world like hills, rivers, and trees showed respect for the spirits that inhabited them. They decorated the walls and floors of their homes with traditional motifs reflecting their close connection to the environment and depicting scenes of daily life. Bright colors like red, blue, yellow, and white are used, with pigments derived from natural sources like plants, leaves, sand, and cow dung. Lines and dots are added to the paintings to convey a sense of movement.
Company style (BRITISH PERIOD)
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
A far afternoon
Krishen Khanna, at 90 years old, painted a 22-foot long masterpiece called "A Far Afternoon" over 9 months depicting a wedding procession. The painting is constructed in 5 panels that flow together, using vibrant colors like Indian Yellow. It shows the bridegroom, bandwallahs, food and drink vendors, and captures the simple pleasures of life through the lively, dancing colors. Khanna was a stalwart of Modern Indian art and a founding member of the Progressive Artists' Group who pioneered breaking from traditional styles to develop an Indian avant-garde.
Famous Indian Paintings
All types of paintings for sale - https://www.tradeindia.com/Seller/Gifts-Crafts/Paintings/
A presentation on some of the most famous paintings, their styles and genres from India. The painting styles and genres include: Mughal Paintings, Mural Paintings, Rajput Paintings, Traditional Paintings, Modern Paintings, Tanjore Paintings, Mysore Paintings, Kalighat Paintings, Miniature Paintings, Madhubani Paintings, Canvas Paintings, Acrylic Paintings, Oil Paintings, Ajanta Paintings, Marble Paintings, Landscape Paintings and Portrait Paintings.
Each type of painting has its photos alongwith brief detail.
INDIAN PAINTINGS
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
Bagh Caves (Mural, Sculptures, Conservation Issues)
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. The presentation was prepared for the P.G. students of AIHC and Archaeology Department in the year 2018. The site was visited by me along with my batch during Institute Of Archaeology times in the year 2009.
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This document provides an overview of contemporary Indian art, outlining its historical background and major artistic movements from the 1950s onwards. It covers early Harappan and Mauryan art, as well as regional Southern and Western Indian art. Key 20th century artistic groups discussed include the Calcutta Group, Progressive Artists Group, and Young Turks. Major post-Independence trends explored are the return to Indian themes in the 1960s, moving from realism to fiction in the 1970s, and expanding into new territories in the 1980s. Contemporary genres like installation art, conceptual art, modern art, live art, and media art are also introduced.
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This document summarizes several traditional Indian painting styles, including Rajasthani, Mysore, Tanjore, Madhubani, Pattachitra, Kalamkari, and Mughal paintings. Rajasthani paintings depict themes from Hindu epics and mythology using mineral and plant-derived colors. Mysore paintings originate from the town of Mysore and feature Hindu gods and goddesses. Tanjore paintings serve as religious icons with vivid colors and compositions. Madhubani paintings feature mythology and nature from the Mithila region of Bihar. Pattachitra paintings are inspired by Hindu mythology from Odisha and use vegetable colors. Kalamkari paintings feature scenes from mythology using
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The document discusses the history of sculpture and paintings in India. It notes that some of the earliest sculptures in India date back to the Indus Valley civilization in stone and bronze. As Hinduism, Buddhism, and Jainism developed, India produced intricate bronze sculptures and temple carvings. During the Mughal Empire from the 16th to 19th centuries, Mughal miniature paintings flourished, depicting various scenes and portraits. The paintings combined Persian influences with Indian styles and reached their height during the reigns of Akbar, Jahangir, and Shah Jahan before declining later on. Rajasthani painting also evolved from the Mughal style in the 18th century royal courts of Rajasthan.
Amrita Shergill
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Symbolism and art movements in india
Symbolism and various art movements have played an important role in Indian art traditions. The Samikshavad movement in the 1970s aimed to free art from personal obligations and socialize it. The Bengal School of Art reacted against academic styles by looking to medieval Indian traditions like paintings from Ajanta and Bagh caves. It sought to develop a genuine Indian style and identity for art. Major influencers included the Mughal, French, and British empires, while prominent artists involved Abanindranath Tagore, Amrita Sher-Gil, and Jamini Roy.
Indian art history
Indian art has a long history spanning various empires and periods. Some key highlights include:
- Ancient Indian art included Buddhist rock-cut architecture and sculptures from the Satavahana era around the 2nd century BC.
- Art flourished under later empires like the Guptas in the 5th century CE, producing sculptures such as the meditating Buddha.
- Regional kingdoms like the Pallavas in the 7th-8th century created structural temples at Mamallapuram.
- Under the Delhi Sultanate and Mughals from the 15th-17th century, miniature paintings depicted court scenes and events in manuscripts.
- Regional styles also emerged in South India
Ajanta Mural
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Indian Folk painting
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Mughal painting
Mughal painting emerged from Persian, Mongolian, Indian, and Islamic styles during the Mughal Empire in South Asia. It gained prominence during the rule of Akbar, Shah Jahan, and Jahangir in the 16th-17th centuries as they patronized works depicting court scenes, battles, wildlife, portraits and more. The style was influenced by two Persian artists, Mir-Sayyid and Abd-us-samad, brought to India by Emperor Humayun when he returned from exile. Key works that established the Mughal style include the 14th century Persian manuscript 'Tales of the Parrot'. The style later declined with the rise of the Rajput style during the 18th
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Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
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Mughal Miniature paintings are one of the most long-standing types of art that are still available for purchase today, and any piece can be a fantastic addition to a collection or stand on its own as a stunning piece of Indian historical art.
mughal paintings
Mughal painting developed in the court of the Mughal Empire from the 16th to 18th centuries. It emerged from Persian miniature painting, incorporating Indian influences. Mughal paintings were typically miniatures for book illustrations or single works in albums. They often depicted court scenes, portraits of rulers and nobility, or scenes from daily life and mythology. Many artists worked in the imperial atelier, including Persians who came with Humayun to India, as well as Hindu artists. The style flourished under Akbar and Jahangir, with master artists creating spectacular works, and continued during Shah Jahan's reign despite his lack of support. Today, the art form continues through artists in Lahore who produce copies
Abanindranath tagore
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
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Company school painting
This document provides an overview of Company School paintings created in India during British colonial rule between the 18th and 19th centuries. It discusses how British patrons commissioned Indian artists to depict scenes of everyday life, occupations, ceremonies, and wildlife. The paintings combined Western techniques like linear perspective with traditional Indian styles of miniature painting. Company paintings serve as valuable historical records of colonial India and helped spread images of Indian culture to European audiences. The document concludes with descriptions and analyses of 12 examples of Company paintings showcasing various subjects and styles.
Gond painting
Gond paintings originate from the Gond tribe in Madhya Pradesh and have a history of over 1400 years. The Gond people believed that depicting images of the natural world like hills, rivers, and trees showed respect for the spirits that inhabited them. They decorated the walls and floors of their homes with traditional motifs reflecting their close connection to the environment and depicting scenes of daily life. Bright colors like red, blue, yellow, and white are used, with pigments derived from natural sources like plants, leaves, sand, and cow dung. Lines and dots are added to the paintings to convey a sense of movement.
Company style (BRITISH PERIOD)
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
A far afternoon
Krishen Khanna, at 90 years old, painted a 22-foot long masterpiece called "A Far Afternoon" over 9 months depicting a wedding procession. The painting is constructed in 5 panels that flow together, using vibrant colors like Indian Yellow. It shows the bridegroom, bandwallahs, food and drink vendors, and captures the simple pleasures of life through the lively, dancing colors. Khanna was a stalwart of Modern Indian art and a founding member of the Progressive Artists' Group who pioneered breaking from traditional styles to develop an Indian avant-garde.
Famous Indian Paintings
All types of paintings for sale - https://www.tradeindia.com/Seller/Gifts-Crafts/Paintings/
A presentation on some of the most famous paintings, their styles and genres from India. The painting styles and genres include: Mughal Paintings, Mural Paintings, Rajput Paintings, Traditional Paintings, Modern Paintings, Tanjore Paintings, Mysore Paintings, Kalighat Paintings, Miniature Paintings, Madhubani Paintings, Canvas Paintings, Acrylic Paintings, Oil Paintings, Ajanta Paintings, Marble Paintings, Landscape Paintings and Portrait Paintings.
Each type of painting has its photos alongwith brief detail.
INDIAN PAINTINGS
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
Bagh Caves (Mural, Sculptures, Conservation Issues)
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. The presentation was prepared for the P.G. students of AIHC and Archaeology Department in the year 2018. The site was visited by me along with my batch during Institute Of Archaeology times in the year 2009.
Exploring contemporary indian art
This document provides an overview of contemporary Indian art, outlining its historical background and major artistic movements from the 1950s onwards. It covers early Harappan and Mauryan art, as well as regional Southern and Western Indian art. Key 20th century artistic groups discussed include the Calcutta Group, Progressive Artists Group, and Young Turks. Major post-Independence trends explored are the return to Indian themes in the 1960s, moving from realism to fiction in the 1970s, and expanding into new territories in the 1980s. Contemporary genres like installation art, conceptual art, modern art, live art, and media art are also introduced.
indian traditional painting styles
This document summarizes several traditional Indian painting styles, including Rajasthani, Mysore, Tanjore, Madhubani, Pattachitra, Kalamkari, and Mughal paintings. Rajasthani paintings depict themes from Hindu epics and mythology using mineral and plant-derived colors. Mysore paintings originate from the town of Mysore and feature Hindu gods and goddesses. Tanjore paintings serve as religious icons with vivid colors and compositions. Madhubani paintings feature mythology and nature from the Mithila region of Bihar. Pattachitra paintings are inspired by Hindu mythology from Odisha and use vegetable colors. Kalamkari paintings feature scenes from mythology using
Painting and Sculptures In India
The document discusses the history of sculpture and paintings in India. It notes that some of the earliest sculptures in India date back to the Indus Valley civilization in stone and bronze. As Hinduism, Buddhism, and Jainism developed, India produced intricate bronze sculptures and temple carvings. During the Mughal Empire from the 16th to 19th centuries, Mughal miniature paintings flourished, depicting various scenes and portraits. The paintings combined Persian influences with Indian styles and reached their height during the reigns of Akbar, Jahangir, and Shah Jahan before declining later on. Rajasthani painting also evolved from the Mughal style in the 18th century royal courts of Rajasthan.
Amrita Shergill
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Symbolism and art movements in india
Symbolism and various art movements have played an important role in Indian art traditions. The Samikshavad movement in the 1970s aimed to free art from personal obligations and socialize it. The Bengal School of Art reacted against academic styles by looking to medieval Indian traditions like paintings from Ajanta and Bagh caves. It sought to develop a genuine Indian style and identity for art. Major influencers included the Mughal, French, and British empires, while prominent artists involved Abanindranath Tagore, Amrita Sher-Gil, and Jamini Roy.
Indian art history
Indian art has a long history spanning various empires and periods. Some key highlights include:
- Ancient Indian art included Buddhist rock-cut architecture and sculptures from the Satavahana era around the 2nd century BC.
- Art flourished under later empires like the Guptas in the 5th century CE, producing sculptures such as the meditating Buddha.
- Regional kingdoms like the Pallavas in the 7th-8th century created structural temples at Mamallapuram.
- Under the Delhi Sultanate and Mughals from the 15th-17th century, miniature paintings depicted court scenes and events in manuscripts.
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Famous indian artists and their paintings.pptx
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Mughal art flourished during the Mughal Empire (16th to 18th centuries) under the patronage of emperors like Akbar, Jahangir, and Shah Jahan. It is characterized by its intricate detailing, vivid colors, and a fusion of Persian, Islamic, and Indian styles. Mughal paintings often depict historical events, court scenes, flora, fauna, and portraits of rulers and nobility. Artists employed techniques like meticulous brushwork, precise draftsmanship, and the extensive use of gold leaf to create opulent and lifelike compositions.
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Kangra painting originated in the Kangra Valley of Himachal Pradesh during the 17th to 19th centuries. It embodies the serene beauty of nature, love, and devotion. Kangra paintings are renowned for their delicate lines, pastel hues, and ethereal imagery, often depicting scenes from Hindu mythology, particularly the love stories of Radha and Krishna. Artists of Kangra school mastered the art of portraying emotions through subtle facial expressions and graceful gestures. The use of natural pigments derived from minerals and plants imparts a soft and luminous quality to these exquisite works of art.
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View: 22nd September - 15th October, 2010
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EW Art Gallery, 1 West California Blvd, Pasadena, CA 91105, USA
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Miniature painting
- 1. Miniature Paintings Miniature paintings from Rajasthan have been in vogue since the 16th century when the artists were patronized by the Mughal court. These jewel like paintings, replete with incredible details have been prized possessions. Several schools of paintings emerged from different princely states of Rajasthan – Mewar, Marwar, Jaipur, Jodhpur, Bundi, Bikaner, Kota, Kishangarh,. It all began with the idea of illustrating the ancient manuscripts, especially the palm leaf inscriptions but gradually the court events came to be recorded and it took different hues. Marwar was one of the largest school and it celebrated its strong show of colours. The Jaipuri style was inspired by Emperor Jehangir’s court and it incorporated a wider range of subjects that varied from religious to secular. It envisages round face and wide eyes, particularly in large size paintings of gods and kings. The Jodhpuri style features prominent eyelashes while the Bikaneri school is noted for its luxurious details amidst subdued colours, like the Mughal miniatures..
- 2. Kishangarh excels in perfection of its figures. Radha or BaniThani is usually the principal character with a most expressive face, notably the fish shaped eyes. Kota and Bundi miniatures usually depict hunt and battle scenes with a well composed background of over caste skies or green fields or forests. Feminine grace is depicted with great delicacy.