The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. The presentation was prepared for the P.G. students of AIHC and Archaeology Department in the year 2018. The site was visited by me along with my batch during Institute Of Archaeology times in the year 2009.
The PPP is for the students of UG and PG only. Not for my API.
For more pics of Chola period-
https://www.clevelandart.org/art/collection/search?i=1&search=chola
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
The presentation is based on the monolithic free standing pillar architecture of India with special focus on the Mauryan pillars. This is not for personal academic benefits... this is for the students of UG and PG..
This presentation providing basic information regarding the Gomteshwar statue of Sharavanbelgola, Karnataka. it is prepared for BA 1st year students of Vocational Courses.
This presentation is prepared for the participants of the 'Art Apreciation' course conducted by Bihar Museum, Patna, Bihar on dated 15.05.2022 at 04:00-05:00 PM.
The PPP is for the students of UG and PG only. Not for my API.
For more pics of Chola period-
https://www.clevelandart.org/art/collection/search?i=1&search=chola
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
The presentation is based on the monolithic free standing pillar architecture of India with special focus on the Mauryan pillars. This is not for personal academic benefits... this is for the students of UG and PG..
This presentation providing basic information regarding the Gomteshwar statue of Sharavanbelgola, Karnataka. it is prepared for BA 1st year students of Vocational Courses.
This presentation is prepared for the participants of the 'Art Apreciation' course conducted by Bihar Museum, Patna, Bihar on dated 15.05.2022 at 04:00-05:00 PM.
Pastoral Communities f Deccan- Ash Mound and Village sites of Karnataka and T...Virag Sontakke
This Presentation is prepared for the Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Various sources of the art of gupta period Ajay Kumar
This presentation is prepared by the MA student, to get basic and general information about the subject. This presentation is incomplete and students are advised to get the further and proper information from subjective and recommended books and research articles.
This slide is all about Gupta art and culture that was flourished during these times. It includes cave architecture, stupa architecture and temple Architecture along with their culture that was preserved in their formations.
Magao caves are situated at a strategic point along the Silk Route, at the crossroads of trade as well as religious, cultural and intellectual influences.
Outline :
The Pre Historic Era
I. The stone age
II. The bronze age
Vedic period
Janapadas and Mahajanapadas
Maurya empire
Gupta empire
Empires in deccan and south
Medieval and Early Modern periods
Modern period and Independence
This project is oriented to our syllabus so it’s a great support to the student of class 12 CBSE.
The decline of the highly developed civilization can give a way to cope up with the current problems faced by India.
Origin and Distribution of Megalithic Tradition in IndiaDebajit Ghosh
Exploring the origin and development of the megalithic tradition in India through simple and to-the-point explanations. This presentation is accompanied by a good number of relevant photographs also. I have made this presentation during my masters in Archaeology in 2018.
Similar to Bagh Caves (Mural, Sculptures, Conservation Issues) (20)
The PPP is for the students of UG & PG not for my API and not even for the commercial purpose.
The *slide 50* of this PPP is wrongly typed the name *Samudragupta instead of Chandragupta II*. so kindly correct in your notes.
The PPP is made for the students of PG not for my API.
Dont confuse with the Slide no. 08 picture is not the image of Prgyaparmita.... It is the image of Chunda. It is just for your understanding about similarities of an icons.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
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thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
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2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
1. Murals of Bagh Rock-Cut Caves
Sachin Tiwary Cave (?) - Rock-Cut-Cave/ Rock Cut Architecture
2. Location
Caves made in perpendicular cliff towering 45 – 50 m above the Baghani River, on the southern slopes of
Vindhya Range. They are hewn in vertical face of sandstone cliff – in fact the only outcrop of sandstone in
an area where for most part is found basalt.
How to Reach-Located 97 km from Dhar and 161 km from Indore, you can bypass congested Bagh town,
and drive 5 km onto Kukshi Road.
22°19′21.63″N 74°48′22.36″E
Kukshi Tehsil
Dhar District
6. Research
• Discovery-
– 1818 by Lt. Dajerfield (Literary Society of Bombay, Vol. II)
– 1854 by Dr. E. Imbey (Royal Asiatic Society, Mumbai)
– 1907-1908 by Col. C.E.Luard (Antiquity, Vol. XXXIX, 1909)
– 1923 by A.K. Haldar an article in Burlington Magazine
– 1925 by M.C. Dey – “Bagh as oasis in the middle of desert”.
a calm, pleasant place in the middle of some where busy and unpleasant
Copied- By M.D.Garde prepare copy of images which were displayed in Gujari
Mahal Museum of Gwalior city and their copies are also on display in British
Museum, London.
• Nomenclature-
– Still tigers lived here, among the locals they became known as Tiger (Bagh)
Caves.
– Baghini River.
– Nearest Village name is Bagh.
7. Previous Work
• Luard, Charles Eckford, 1869-1927: Dhar & Mandu : a
sketch for the sight-seer,
Bombay : Printed by G.W. and A.E. Claridge, 1916.
• Blavatsky, Helena Petrovna, From the Caves and Jungles
of Hindostan, 1892.
• Marshall, John Jean Philippe Vogel, The Bagh Caves in
the Gwalior State, India Society, 1927.
• S. Paramasivan, The Wall Paintings in the Bagh Caves –
an Investigation into their Methods, 1939.
• Anupa Pande, The Buddhist Cave Paintings of Bagh,
Aryan Book International, 2002.
• Verma, Archana, Cultural and Visual Flux at Early
Historical Bagh in Central India, Oxford: Archaeopress,
2007.
8. About Caves
• Period- the late 4th – 6th century CE. Some art historians consider that artistic qualities of these paintings
surpass the art of Ajanta, Ellora.
– 600-700 CE (Painted Inscription)
– Vakatak Period- According to Dr. M.B.Garde
– Cave No.02-copper plate with inscription about the donation for repair of vihara by Maharaja Subandhu
in the late 5th century AD. Though, the date of the Bagh inscription is missing, his Badwani copperplate
inscription is dated in the year (Gupta era) 167 (487) (Guha-Kalayan and Village- DASILKAPALLI) .
– DASHKUMARCHARITA- Dandin (7th Cen. CE), the son of Harishena was ruling here.
• History- According to legend these caves were established by Buddhist monk Dataka. Earlier it was considered
that caves were shaped in the 7th century CE.
• Abandon- With the decline of the Buddhism around the 10th century CE.
• Comparative-
– Mural are similar to the Ajanta Cave no. 01 and 02.
– Entrance façade of the cave o.04 similar to the Sanchi Gate.
Two Kind of Art
• Sculptures- High Relief, Rock-Cut Caves
• Murals- Tempara
– Over the Walls, Pillars and Ceilings
– Thick Mud plaster in brownish orange colour
– Over the plaster lime-priming and
– then Paintings were laid.
9.
10.
11. About Caves
• Cave 1 MONASTERY
• Cave 2 (Pandav Cave) is the largest and structurally the best preserved one
CHAITYA. Hall is held by 24 massive pillars.
• Cave 3 (Hathyakana) contains remnants of murals-MAONASTERY+CHAITYA.
• Cave 4 – Rang Mahal (Rangmahal, Rangmahala, Palace of Colors, Kalayan) is the
which cave has the most beautiful murals on the walls of portico. This includes
painting of Bodhisattva Padmapani, Mushroom paintings-MONASTERY.
• Cave 5 served as a location for discussions of Buddhist monks; nowadays it forms a
single body together with Cave 6-MONASTERY (4+5+6= Inter connected).
• Caves 7, 8 and 9 are in bad condition, nearly fully collapsed, with remnants of their
former glory.
Depiction
• Flora –Fauna, Life scene of Lord Budhha, Bodhisatva
• Dance
• Social Scene
• Foreign Contact (Lapiz-lazuli Stone as pigment)
12.
13.
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15.
16. Conservation-Preservation-Restoration-Management
• Factors for Damage of Mural - Caves contained bat colony – as they were damaging
the remnants of murals, this colony was removed.
• Ruff, Loose, Semi-Compact Crumbling Sandstone.
• Water seepage.
• Floral roots.
• During the removal of grime, soot and other dirt.
• In 1982 there were reconstructed and reinforced the remaining paintings – plaster
was carefully removed and replaced into nearby Archaeological Museum of
Gwalior and at the site.
17.
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24.
25.
26.
27.
28.
29. Conservation-Preservation-Restoration-Management
• In 1982 there were reconstructed and reinforced the remaining paintings –
• Plaster was carefully removed and replaced into nearby Archaeological Museum of
Gwalior and
• at the site.
Cave-4