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MICHELANGELO
as a Painter
First pictorics works
• Classic, by using
pyramidal composition
like his
contemporaries.
• As innovation: big
measures and
importance of anatomy
The Doni tondo
. Naked in the background
represent the world of
ideas
. Cool colors,
Nature is just the scenery
His main work (1508-12),
Creation and Judgement
The Sistine Chapel ceiling
• It was commisioned by Julius II
• Designed from foot (Man in Sin) to head (perfection of
God’s face)
From the Book of Genesis
• Neoplatonic ideas
• Divided in nine different pictures divided by fictitious pillars
• As result: synthesis of architecture, painting and sculpture
Symbols under de main pictures
• Prophets and sibyls
to whom divine truth is
revealed
Cumea Sibyl and Isaias Prophet
Picture or sculture?
His compositions are
far away from the
ideal beauty.
Large male arms in
contrast with fragile
lower limbs
• Bulky, ugly and exaggereated forms
In lunette
• Christ's ancestors perform daily scenes to combine the pagan
world and the Christian world.
 
 
Naked
   Symbols of life and
passion.
Impossible positions
holding the vault.
Upward progression to the altar
Noah drunk and old
Noah's body is a symbol of human imperfection
The flood
Humanity remains imperfect and wants
to survive escaping punishment
‘And God created Man in His
image…’
• The figures appear in a brain shaped mantle which is the
spirit of God, the Origin of all.
• Energy of God in contrast with Adam’s passiveness
The creation of Eve
• The original sin and the expulsion from
paradise
God said, Let there be light
• and there was light
God created a firmament and
separated the waters and land
Creation is a violent act, this way
God makes his power known to man
The last Judgement
• Is concerned about
the future of
Humanity
Judge
• Christ, authority
and Judge, decides
the fate of humanity
• Christ young,
athletic, no
attributes of
passion, sets the
scene
On the left
Sinners struggling
to emerge from the
shadows of hell
On the right
The Saved go up by an
extraordinary force
Meanwhile angel musicians play sacred
hymns
St Bartolomeo and Michelangelo
• Beauty in itself does not interest Michelangelo
• Michelangelo had loved the human
figure, the living beauty, the charm that
emanates from man, but he realizes
that physical beauty is a sudden
illusion and loves the spiritual beauty,
because is eternal like the
contemplation of God.
The End

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MICHELANGELO'S MASTERPIECES AS A PAINTER