Media studies key terms
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This document discusses key terms in media studies, including semiotics, signs, signifiers, and signifieds. It provides the definition of semiotics as the science of signs and sign systems in society. It explains that a sign has two components: the signifier, which is the physical object like a word, and the signified, which is the meaning or concept conveyed. Genres rely on these signs and signifying practices to define them. For example, horror film conventions include scary settings and villains.
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Fri 13th poster analysis
The poster is for a Friday the 13th horror film. It depicts five protagonists in a cabin surrounded by woods under a full moon, with a silhouette of a man holding a knife in front of them. Text on the poster warns that the characters are doomed and nothing will save them from the killer during a 24-hour nightmare of terror. Typical horror conventions like the bloody number 13, dark coloring, isolated setting, and looming threat are used to signify the genre and intrigue viewers about the killer's identity and how he will defeat the characters.
Narrative theory
This document discusses various theories of narrative analysis that can be applied to different media. It defines narrative as a chain of causally linked events with a beginning, middle, and end. Narrative theory analyzes how media texts communicate events. Several theorists are discussed, including Propp, who identified common character archetypes in folk stories, and Todorov, who proposed a 5-stage model of narrative structure. Other theorists mentioned are Barthes, Levi-Strauss, and Cameron. The document also discusses postmodern narratives and how narrative analysis considers elements like editing and sound to create meaning for audiences.
Subgenres
This document discusses different subgenres of horror and analyzes posters representing each subgenre:
1) Supernatural/paranormal horror posters use dark backgrounds, illuminous writing, fonts representing the supernatural, and distorted images in the background.
2) Body horror posters represent pain and death through skulls, straplines about death, and sharp typography alluding to knives.
3) Science fiction horror posters show communicating aliens, distant lettering representing planets, and glowing white writing in the dark.
4) Comedy horror posters make jokes through straplines and images while keeping a simple design that is less effective than other genres but uses a character looking at the audience hypnotically.
Police Crime Thriller Film Genre History Complete
This genre includes films that involve solving crimes or committing criminal acts with an aspect of suspense. Police crime thrillers typically feature a male detective as the protagonist trying to solve a complicated murder case, while the antagonist has high status or power in society. Examples of subgenres include film noir, which depicted post-war America in a dark, cynical light, and mystery films, which present an initially inscrutable crime. Modern police crime thrillers like Inside Man and The Dark Knight Rises put unique spins on the conventions of the genre.
23presentation
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Case 39 Poster Analysis
The film poster for Case 39 features a minimalist image of a blonde, blue-eyed woman whose face is partially concealed by a black object. A yellow glow surrounds the visible part of her face, suggesting she possesses innocence as she explores what lies behind the concealed darkness. Very little is revealed about the character's identity or her role in the film, arousing the audience's curiosity. The poster utilizes consistent fonts and a mysterious tone through blurred text and the mirroring of the image's yellow glow in the title to effectively advertise the film and generate hype around its undisclosed release date.
Film Poster Analysis
The document analyzes several horror movie posters providing details on visual elements and how they contribute to establishing tone and genre. Common techniques identified across the posters include dark lighting and colors, ominous backgrounds like forests or jungles, mysterious or frightening central images like faceless figures, and titles/fonts designed to evoke blood or scratches that add to an unsettling atmosphere. Visual clues and taglines are examined for how they set expectations about the films being supernatural horror or involving murder, vampires, or dangerous settings like jungles.
Question 1 of Film Evaluation
Question 1 - In what ways does our media product use, develop or challenge forms and conventions of real media products?
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Fri 13th poster analysis
The poster is for a Friday the 13th horror film. It depicts five protagonists in a cabin surrounded by woods under a full moon, with a silhouette of a man holding a knife in front of them. Text on the poster warns that the characters are doomed and nothing will save them from the killer during a 24-hour nightmare of terror. Typical horror conventions like the bloody number 13, dark coloring, isolated setting, and looming threat are used to signify the genre and intrigue viewers about the killer's identity and how he will defeat the characters.
Narrative theory
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Subgenres
This document discusses different subgenres of horror and analyzes posters representing each subgenre:
1) Supernatural/paranormal horror posters use dark backgrounds, illuminous writing, fonts representing the supernatural, and distorted images in the background.
2) Body horror posters represent pain and death through skulls, straplines about death, and sharp typography alluding to knives.
3) Science fiction horror posters show communicating aliens, distant lettering representing planets, and glowing white writing in the dark.
4) Comedy horror posters make jokes through straplines and images while keeping a simple design that is less effective than other genres but uses a character looking at the audience hypnotically.
Police Crime Thriller Film Genre History Complete
This genre includes films that involve solving crimes or committing criminal acts with an aspect of suspense. Police crime thrillers typically feature a male detective as the protagonist trying to solve a complicated murder case, while the antagonist has high status or power in society. Examples of subgenres include film noir, which depicted post-war America in a dark, cynical light, and mystery films, which present an initially inscrutable crime. Modern police crime thrillers like Inside Man and The Dark Knight Rises put unique spins on the conventions of the genre.
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Walter becomes obsessed with a novel that seems to be about him. As his obsession grows, he finds more similarities between himself and the character. The trailer shows Walter's obsession and sanity worsening as he finds striking connections to the number 23 in the book and his own life. Through close shots of Walter and integration of the number 23, the trailer uses music, editing and camera work to convey Walter's increasing hysteria and fit the genre of a psychological thriller.
Case 39 Poster Analysis
The film poster for Case 39 features a minimalist image of a blonde, blue-eyed woman whose face is partially concealed by a black object. A yellow glow surrounds the visible part of her face, suggesting she possesses innocence as she explores what lies behind the concealed darkness. Very little is revealed about the character's identity or her role in the film, arousing the audience's curiosity. The poster utilizes consistent fonts and a mysterious tone through blurred text and the mirroring of the image's yellow glow in the title to effectively advertise the film and generate hype around its undisclosed release date.
Film Poster Analysis
The document analyzes several horror movie posters providing details on visual elements and how they contribute to establishing tone and genre. Common techniques identified across the posters include dark lighting and colors, ominous backgrounds like forests or jungles, mysterious or frightening central images like faceless figures, and titles/fonts designed to evoke blood or scratches that add to an unsettling atmosphere. Visual clues and taglines are examined for how they set expectations about the films being supernatural horror or involving murder, vampires, or dangerous settings like jungles.
Question 1 of Film Evaluation
Question 1 - In what ways does our media product use, develop or challenge forms and conventions of real media products?
Friday the 13th analysis
The poster depicts themes of good vs. evil, nightmares, serial killers, and slasher horror through its imagery and use of lighting. The villain is positioned centrally and portrayed as strong and intimidating to heighten fear. Symbols like the machete weapon and isolated forest setting foreshadow violence, murder, and a sense of being trapped. Colors like red are used to connote danger and draw attention, while the title plays on the superstition around Friday the 13th to intrigue audiences. Overall the poster employs standard horror iconography and techniques to advertise the film as adhering to slasher conventions while challenging stereotypes through its physically imposing villain.
Horror research
Horror films aim to elicit emotions of fear, disgust, and horror in viewers through techniques like jump scenes involving macabre or supernatural elements. They often overlap with fantasy, science fiction, and thriller genres. Horror fiction in literature also aims to frighten readers through supernatural or non-supernatural means. Thrillers use suspense and tension to excite viewers, with common subgenres being mystery, crime, and psychological thrillers. Horror relies more on graphic violence while thrillers emphasize unexpected scary moments to engage audiences. Common horror conventions include vulnerable young female protagonists, isolated settings at night, and graphic blood and weapons.
Film Poster Analysis
The document analyzes three posters for the film "Man on Fire." Poster 1 depicts the main characters and symbolizes their relationship, with fire and smoke representing the film's beginning and ending. Poster 2 focuses on the lead character, showing him emerging from flames to suggest his journey through fire. Poster 3 uses red and black colors and an image of fire, but these are not felt to be very significant representations of the film.
Nine frame analysis of donnie darko
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Dawn Of The Dead
The opening title sequence of "Dawn of the Dead" effectively sets an atmosphere of confusion and tension through its fast pacing and graphic visuals. It blurs the lines between horror and psychological thriller genres. While the graphic content is shocking, it establishes the film's genre. The sequence also introduces themes of the living versus the dead and uses stylistic techniques like color, camera angles, and music to further immerse the viewer in the story and build mystery around the events unfolding.
Twilight magazine
The magazine cover features the three main characters from the Twilight film franchise. The use of both male and female characters on the cover makes the magazine appeal to both genders. The dark color scheme with light text allows the text to stand out clearly. The placement and positioning of the characters on the cover signifies their relationships and roles in a way that is conventional for the romance thriller genre. The language and design aim to attract an audience aged 16 and older while still advertising the key interview article about the film.
The magazine is promoting the film franchise twilight which is a romantic thr...
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Sin City Trailer Analysis
The trailer establishes the neo-noir style of Sin City through its black and white visuals with pops of color and introduces the urban setting and rival gangs. As more characters are shown engaging in crime, murder, torture, and violence, the narrative develops the themes of conflict between the gangs. While the main protagonist is unclear, it seems there are multiple protagonists including Bruce Willis' character, and the trailer hints at various characters and possible femme fatales that will drive the story.
Codes and Conventions of Film Opening Sequences
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Story board
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Fargo opening analysis
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Sub genre
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Conjuring analysis
The document analyzes 5 frames from the film The Conjuring. Frame 1 shows old black and white photos of a family, indicating their relationship has progressed but the husband is missing. Frame 2 shows a house in the distance with a white figure at the door, creating suspense. Frame 3 shows a newspaper article announcing a lecture on ghost-hunting, suggesting the film involves ghosts. Frame 4 shows a newspaper article with "small town" overlaid, implying the film is set in a small community. Frame 5 shows an article about a haunted artifacts museum, indicating the film may involve a possessed artifact.
Narrative Theory
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Thriller
Thrillers typically involve a crime such as theft or murder that keeps viewers captivated. The protagonist is threatened by the antagonist, who exploits their weaknesses. Throughout the film, the antagonist ensnares the protagonist in an increasingly complex situation, isolating and endangering them, until the resolution. Thrillers use complex narrative structures, suspenseful elements, ambiguous perspectives, and enigmas to keep audiences engaged and trying to solve clues up until the ending.
Music Video Theorys
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2) Roland Barthes saw texts as open to many interpretations depending on the codes and perspectives used. He identified five main codes that structure meaning.
3) Laura Mulvey introduced the concept of the "male gaze" where media presents a heterosexual male perspective that objectifies women. Some criticize that gaze is not always sexual or directed at women.
Tara and tiree day 3
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This document outlines various text features used in both fiction and non-fiction works. It discusses features such as characters, setting, and plot for narratives, as well as tables of contents, indexes, photographs, captions, labels, cutaways, close-ups, comparisons, charts, maps, print styles, glossaries, and standards. Each text feature is defined and an example is provided to illustrate how it helps the reader understand or engage with the text.
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This document discusses the various text features found in non-fiction works that help readers better understand the content. Some of the major text features it outlines include tables of contents, indexes, glossaries, titles and subheadings, photographs and illustrations, and infographics like tables, charts, timelines and maps. These features provide contextual information outside of the main body text that can help readers locate specific information, understand key terms, and grasp the overall structure and topics being covered.
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Friday the 13th analysis
The poster depicts themes of good vs. evil, nightmares, serial killers, and slasher horror through its imagery and use of lighting. The villain is positioned centrally and portrayed as strong and intimidating to heighten fear. Symbols like the machete weapon and isolated forest setting foreshadow violence, murder, and a sense of being trapped. Colors like red are used to connote danger and draw attention, while the title plays on the superstition around Friday the 13th to intrigue audiences. Overall the poster employs standard horror iconography and techniques to advertise the film as adhering to slasher conventions while challenging stereotypes through its physically imposing villain.
Horror research
Horror films aim to elicit emotions of fear, disgust, and horror in viewers through techniques like jump scenes involving macabre or supernatural elements. They often overlap with fantasy, science fiction, and thriller genres. Horror fiction in literature also aims to frighten readers through supernatural or non-supernatural means. Thrillers use suspense and tension to excite viewers, with common subgenres being mystery, crime, and psychological thrillers. Horror relies more on graphic violence while thrillers emphasize unexpected scary moments to engage audiences. Common horror conventions include vulnerable young female protagonists, isolated settings at night, and graphic blood and weapons.
Film Poster Analysis
The document analyzes three posters for the film "Man on Fire." Poster 1 depicts the main characters and symbolizes their relationship, with fire and smoke representing the film's beginning and ending. Poster 2 focuses on the lead character, showing him emerging from flames to suggest his journey through fire. Poster 3 uses red and black colors and an image of fire, but these are not felt to be very significant representations of the film.
Nine frame analysis of donnie darko
The opening sequence of a psychological thriller film establishes the genre through its secluded setting, mysterious elements, and contrasting scenes. It introduces the main character alone on a country road at dawn, dirty and on a bike, hinting at an unraveling plot. Shots include varying camera work and editing to build an air of mystery, while the font and gothic title contribute to the darker tone expected of the genre. By contrasting a strange first scene with a subsequent normal family scene, it hints at themes like split personalities that will be explored throughout the story.
Dawn Of The Dead
The opening title sequence of "Dawn of the Dead" effectively sets an atmosphere of confusion and tension through its fast pacing and graphic visuals. It blurs the lines between horror and psychological thriller genres. While the graphic content is shocking, it establishes the film's genre. The sequence also introduces themes of the living versus the dead and uses stylistic techniques like color, camera angles, and music to further immerse the viewer in the story and build mystery around the events unfolding.
Twilight magazine
The magazine cover features the three main characters from the Twilight film franchise. The use of both male and female characters on the cover makes the magazine appeal to both genders. The dark color scheme with light text allows the text to stand out clearly. The placement and positioning of the characters on the cover signifies their relationships and roles in a way that is conventional for the romance thriller genre. The language and design aim to attract an audience aged 16 and older while still advertising the key interview article about the film.
The magazine is promoting the film franchise twilight which is a romantic thr...
The magazine cover features the three main characters from the Twilight film franchise. It aims to attract both male and female readers by including characters of both genders and using dark, neutral colors. The composition places the characters in a way that suggests the relationships between them and protection of the female character, reflecting common tropes in romance genres. The text is laid out clearly and aims its content at an older teenage audience, in line with the 12A film rating of Twilight.
Sin City Trailer Analysis
The trailer establishes the neo-noir style of Sin City through its black and white visuals with pops of color and introduces the urban setting and rival gangs. As more characters are shown engaging in crime, murder, torture, and violence, the narrative develops the themes of conflict between the gangs. While the main protagonist is unclear, it seems there are multiple protagonists including Bruce Willis' character, and the trailer hints at various characters and possible femme fatales that will drive the story.
Codes and Conventions of Film Opening Sequences
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Story board
The document discusses several common conventions and tropes found in slasher films. It describes how there is usually a sole female survivor known as the "final girl" who is less promiscuous than her peers. It also notes that slasher films typically take place in suburban or isolated settings to heighten fear, and feature an ineffectual male authority figure and a monster that is eventually killed by the final girl.
Fargo opening analysis
Fargo (1996) is a neo noir black comedy crime thriller that stars Frances McDormand as a pregnant Minnesota police chief investigating a series of homicides resulting from a botched kidnapping scheme. The opening sequence uses stylistic elements common to neo noir films like obscured camerawork in snowy landscapes and low key color tones to set the tone. Analysis of the opening found it establishes a sense of mystery through obscured actions and builds tension through emotive music to engage the audience.
Sub genre
A melodrama is a dramatic work where the plot and emotions take precedence over character development. Characters are often one-dimensional and stereotyped. Romantic dramas explore the complexities of love and center around obstacles preventing a relationship. Biographical films dramatize the real lives of historical figures. Teen dramas focus on teenage characters and became popular in the 1990s. Dramatic comedies feature characters overcoming challenges with a hopeful resolution.
Story and Writing
This document discusses various concepts related to storytelling and filmmaking, including the differences between story and plot, points of view in narratives, adaptations of literature to film, and types of documentaries. It provides examples of motifs in films like water in The Graduate. It also outlines the three main types of literary adaptations - loose, faithful, and literal. Finally, it notes how modern documentaries differ from early documentary films by imposing narrative structures on real footage rather than simply recording events.
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The document analyzes 5 frames from the film The Conjuring. Frame 1 shows old black and white photos of a family, indicating their relationship has progressed but the husband is missing. Frame 2 shows a house in the distance with a white figure at the door, creating suspense. Frame 3 shows a newspaper article announcing a lecture on ghost-hunting, suggesting the film involves ghosts. Frame 4 shows a newspaper article with "small town" overlaid, implying the film is set in a small community. Frame 5 shows an article about a haunted artifacts museum, indicating the film may involve a possessed artifact.
Narrative Theory
Narrative theory describes approaches to understanding narratives or storytelling. The main theorists discussed are Claude Levi-Strauss, Vladimir Propp, and Tzvetan Todorov. Levi-Strauss focused on binary opposites like day/night structuring texts. Propp identified 32 character categories in folk tales, like hero and villain. Todorov proposed 5 stages to writing a narrative: equilibrium, disruption, realization, attempt to repair, and restoration of equilibrium. The document discusses applying these theories to a music video by using opposites, including defined characters, and employing flashbacks with an unconventional ending.
Thriller
Thrillers typically involve a crime such as theft or murder that keeps viewers captivated. The protagonist is threatened by the antagonist, who exploits their weaknesses. Throughout the film, the antagonist ensnares the protagonist in an increasingly complex situation, isolating and endangering them, until the resolution. Thrillers use complex narrative structures, suspenseful elements, ambiguous perspectives, and enigmas to keep audiences engaged and trying to solve clues up until the ending.
Music Video Theorys
This document discusses several key theories for analyzing music videos:
1) Music videos demonstrate genre characteristics and show relationships between lyrics, music, and visuals. Visuals often reference the artist or contain intertextual references.
2) Roland Barthes saw texts as open to many interpretations depending on the codes and perspectives used. He identified five main codes that structure meaning.
3) Laura Mulvey introduced the concept of the "male gaze" where media presents a heterosexual male perspective that objectifies women. Some criticize that gaze is not always sexual or directed at women.
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The magazine is promoting the film franchise twilight which is a romantic thr...
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Guild_STF
Guild partnered with Target and Deutsch LA to create an immersive Star Wars experience called "Share the Force" at LA Live prior to the release of Star Wars: The Force Awakens. Custom displays housed over 700 action figures in "Galactic History Domes" to fully immerse consumers in the Star Wars universe. A dramatic step and repeat retail fixture created from the action figures was a focal piece that garnered significant attention.
Dhtic
Este documento ofrece consejos para realizar una buena investigación en internet de manera efectiva. Sugiere delimitar el contexto, definir conceptos clave y sinónimos, y usar operadores de búsqueda como comillas, menos signos y sitio: para enfocar los resultados. También recomienda tener una pregunta de investigación clara basada en la curiosidad y no confiar solo en el primer resultado.
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Theory meaning
The document discusses various theory concepts including denotation versus connotation for symbols like snakes, flags, and guns. It also analyzes how meaning is created in movie posters through use of colors, fonts, images, and other design elements. Specific movie posters analyzed include Maleficent, Twilight, and The Hunger Games. The document also discusses stereotypes associated with different social groups. Iconography for different film genres like western, sci-fi, and fantasy are explored. Key concepts of linear versus non-linear narratives in films are defined and examples are provided.
Poster overview
This document analyzes eight movie posters from slasher films and identifies common patterns and conventions across the posters. Nearly all posters feature the villain prominently, usually wearing a mask to hide their identity and build suspense. Common colors used are red, white, and black to signify blood, danger, and evil. Weapons associated with each killer, like Jason's machete in Friday the 13th, are also featured. Location settings aim to isolate and scare viewers. Overall, the posters emphasize villains, weapons, blood-colored schemes, and ominous settings to promote fear and intrigue around the films' violent narratives.
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Here are some key points of comparison between the posters:
Representation:
- The 1963 poster depicts more traditional gender roles with the female victim in a submissive pose while the female vampire takes on a more empowered, active role.
- The 2017 poster shows both male and female leads in positions of equal empowerment and action.
Media language:
- Both use familiar horror iconography (bats, blood) but the 2017 version utilizes more modern visual styles.
Context:
- The 1963 poster reflects attitudes of its era while the 2017 version aligns with modern ideals of gender equality.
Semiotics:
- Traditional codes of victimization vs. empowerment are presented in the 1963 poster while the
Narrative presentation
This document discusses several narrative theories and how they can be applied to film analysis. It explains Tzvaten Todorov's theory of equilibrium being disrupted and later resolved. Vladimir Propp is discussed for identifying character roles and narrative functions that are often present. Claude Levi-Strauss looked at binary oppositions that reveal narrative structure. Finally, Roland Barthes' semiotic theory of signs, signifiers and signifieds is examined, specifically how words can have deeper connotative meanings. An example is provided of how these theories were incorporated into analyzing a student film about an undercover police officer catching a suspected pedophile.
Assign 10
The document discusses observations about opening title sequences (OTS) in horror films. It notes that OTS can introduce the horror story and set expectations to feel scared. Camerawork, editing, sound, makeup and effects, and setting can be used to make an OTS terrifying. An OTS also sets the mood and provides insight into the film's location and themes. The document then analyzes the OTS for the video game The Last of Us, noting it is symbolic rather than showing gameplay scenes. It sets the post-apocalyptic story background and mood, while challenging genre conventions with calmer music. The OTS represents characters and presents credits against a dark background with large, clear text.
Title sequence analysis
The document discusses conventions in title sequences of horror films. It provides examples from Friday the 13th, Scream 3, and Dracula. The Friday the 13th sequence uses a red and black splatter background representing darkness and death. The title appears in a distorted fast movement symbolizing hiding from the killer Jason. The Scream 3 sequence has only the title flashing briefly, meant to unsettle viewers about the efficiency of the killer. Dracula's simple 2 frame sequence features a bat symbolizing the supernatural horror of vampires, with unsettling dramatic music in a minor key.
Narrative theories
Tzvetan Todorov's narrative theory states that all narratives follow three stages of equilibrium: 1) the initial equilibrium, 2) a disruption of the equilibrium (disequilibrium), and 3) a return to the new equilibrium. Vladimir Propp's character theory suggests there are recognizable character types in narratives, such as heroes, villains, helpers. Claude Levi-Strauss's binary opposition theory says narratives contain opposites like protagonists vs. antagonists that create conflict. Roland Barthes identified five narrative codes that structure how audiences understand stories: action, enigma, semic, symbolic, and cultural.
Imagery, symbolism, and allusionImageryImagery refers
Imagery, symbolism, and allusion
Imagery
Imagery refers to the creation of mental images – sight, sound, taste, touch – through words.
Imagery is related to the themes and ideas of a poem. Poets use imagery to create an experience that opens the reader up to the poem’s themes and ideas.
Types of imagery
Visual imagery uses words to create sights. In Pound’s “In a Station of the Metro,” the visual is that of faces in a station crowd. In Pound’s image, these faces are “Petals on a wet, black bough” (line 2).
Auditory imagery captures sounds. In “Preludes,” Eliot’s images of the city include the familiar sounds of inner-city life:
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps. (lines 9 – 12)
Types of imagery
Olfactory imagery uses smell to create an experience. It’s quite direct in Eliot’s “Preludes”: “The winter evening settles down / With smell of steaks in passageways” (lines 1-2). And again: “The morning comes to consciousness / Of faint stale smells of beer” (14-15).
Gustatory imagery describes tastes. In “Ode to a Nightingale,” Keats describes pining for the taste of wine thus: “O, for a draught of vintage! that hath been / Cool’d a long age in the deep-delved earth, / Tasting of Flora and the country green” (lines 11 – 13).
Types of imagery
Tactile imagery relates to touch and texture. Eliot’s “Preludes” creates a cycle of urban life that connects day and night, work and rest, using images:
Sitting along the bed’s edge, where
You curled the papers from your hair
Or clasped the yellow soles of feet
In the palms of both soiled hands. (lines 35-38)
Kinetic imagery is images of general motion, while kinesthetic imagery is images of human or animal movement. In “Sonnet 130,” Shakespeare describes the awkward walk of his beloved: “My mistress, when she walks, treads on the ground” (line 12).
Symbolism
Symbolism is the use of symbols to create meaning in an imaginative way.
A symbol is a thing that represents something else. Think of symbolism as using code to express ideas.
A word, an action, a setting, a character, a situation – all of these can be symbolic and, as symbols, significant to the themes and ideas of a work.
Symbolism
Symbols are often indirect and subtle. For example, one wouldn’t say that a character’s cough is a symbol for the character’s illness. The cough is a symptom of the illness and directly related to it.
Be careful how you use the terms “symbolism,” “symbolize,” and “symbol.” Often students use “symbolizes” when they actually mean “represents” in the general sense.
Identifying symbolism and symbols in works of literature is interpretation, and, like all interpretation, it must be supported by the text.
symbolism
Cultural or universal symbols are symbols that are common and easily recognized. Spring as a symbol for new life is a cultural/universal symbol.
Contextual, private, or authorial symbols are sy ...
Title font analysis
The document discusses font choices in posters for psychological thriller films. It notes that these posters often use red, white, black or grey fonts to match the eerie, mysterious imagery. Font color is also chosen for its contrast against dark backgrounds in these posters. Additionally, some thriller posters design their fonts to reflect themes in the film's title, name or plot through styles evoking elements like dripping blood or blurred strangers.
The horror genre
The document discusses various elements of horror films including genres, codes and conventions, narrative themes, structures, and mise-en-scene. It provides examples of different horror subgenres such as slasher, psychological, aquatic and defines them. Common codes like creating fear and developing dark atmospheres are explained. Elements like surprise, mystery and suspense are described as important to a good horror film. Mise-en-scene details the use of lighting, sets and props to set the scene. Color symbolism and cinematography techniques are also reviewed.
THRILLER GENRE CONVENTIONS
This document discusses genre conventions for psychological thriller films. It outlines key elements like settings that isolate characters, themes of death and fear, and character archetypes such as serial killers and victims. Iconography in thrillers often involves weapons and blood. Cinematography like close-ups, silhouettes, and low-key lighting build tension. Narratives commonly involve characters being stalked or trapped by the antagonist. Famous examples that employ these conventions help capture audiences interested in solving mysteries.
Assign 10
The document analyzes the opening title sequence (OTS) of the video game The Last of Us. It notes that the OTS uses symbolic imagery to show the spread of a fungal infection, sets the post-apocalyptic mood, and creates narrative mysteries without showing typical horror elements. The OTS challenges conventions through its calm acoustic music choice and lack of intense scenes. It represents characters like a serious female reporter to inform the story. The title displays in bold white text against a black background for clear reading.
Research of film posters
The document discusses conventions of film posters for horror movies. Generic conventions include showing the antagonist prominently to emphasize the horror scale and build mystery around them. Color, font, images, and layout are all deliberately designed to unsettle the audience and attract them to the film. Analysis of individual posters shows how visual elements like lighting, composition, and text imply a narrative of terror and isolate the vulnerable protagonist against a mysterious antagonist in a dark setting.
Literary_Terms_and_Devices.ppt
This document defines and provides examples of common literary elements, techniques, and terms used in analyzing literature. It discusses the two main categories of literary devices - literary elements and literary techniques. Literary elements, such as point of view, setting, character, theme, plot, and conflict are common to all literature. Literary techniques, such as foreshadowing, irony, tone, and figurative language are specific choices made by individual authors. It also defines important literary terms used to discuss literature.
Literature Ii Elements Of Literature
The document defines and provides examples of various literary devices and terms used in literature. It discusses two main categories of literary devices - literary elements like setting, character, theme and plot that are common to all stories, and literary techniques specific to individual authors like metaphor, simile, irony and symbolism. Examples are provided for most literary devices and terms to illustrate how authors employ them in writing.
Poster:magazine analysis
This poster analyzes many visual and textual elements that conform to horror/thriller genre conventions. Red and black connote danger and death. Bold colors and a direct gaze suggest female empowerment. Black and white imply a binary between life and death. Ambiguous text like "Coming Soon" leaves questions. Mysterious flying creatures represent a biblical plague. A contorted face shows pain and fear. Darkness and low-key lighting create a sinister mood. Symbols like a graveyard and "Sleep" represent death. Characters' positions and gazes provide clues while maintaining some mystery. Overall, the poster uses many established techniques to set expectations for a horror/thriller narrative.
Genre research
The document discusses the history and conventions of the thriller genre, particularly psychological thrillers. It notes that Alfred Hitchcock pioneered many techniques still used in thrillers today through films in the 1920s-1950s. Psychological thrillers often involve characters with dark pasts or unstable mental states set in urban environments portrayed through techniques like voiceovers, diegetic sounds, and fluctuating non-diegetic music to build tension and suspense. Cinematography techniques like point of view shots and over the shoulder shots aim to increase audience emotional involvement in the character's perspective.
Narrative research
The document provides information on three narrative theorists: Tzvetan Todorov, Vladimir Propp, and Claude Levi-Strauss. Todorov suggests narratives follow a three-part structure of equilibrium, disequilibrium, and new equilibrium. Propp analyzed Russian folktales and determined that only a certain number of character types, such as hero, villain, and helper, appear in narratives. Levi-Strauss believed narratives are driven by conflicts caused by opposing forces, and that the solution restores balance between these forces.
Macro features Film Studies
Slideshow with information on macro features and the main types of macro features which are analysed in film studies.
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Enigma code
The document discusses the use of an "enigma code" in film openings. Specifically, it explains that an enigma code poses an unanswered question to the audience at the beginning of a film that remains mysterious for most of the movie. It then provides an analysis of the opening sequence of the film Se7en, noting that tight close-ups of a man's hands leave the audience wondering who he is and what he is doing, setting up the film's enigma code.
Why is mise en scene effective in horror?
Mise-en-scène is a filmmaking technique that includes props, costumes, lighting, and setting. The document discusses mise-en-scène elements like setting the location of the film versus where it is actually shot, choosing appropriate locations based on genre, using props and costumes to maintain realism, and how lighting and sounds can set mood and enhance horror films specifically.
Why is editing effective in a horror film
The document discusses various editing techniques that are effective in horror films. It explains cuts and variations like jump cuts that change viewpoints suddenly to create drama. Cutting rhythm and rate can emphasize points and induce shock through frequent interruptions. Cross-cuts and cutaway shots change between lines of action or intercut other shots. Motion on action makes repeated actions seem interesting. Reaction shots show a person responding to an event. Transitions like fades and dissolves are alternatives to cuts. Shot reverse shots capture reactions during conversations. Superimpositions place images over each other to create metaphors. Split screens divide the screen to show multiple simultaneous images.
Why is sound effective in a horror film
Sound is effective in horror films for several reasons. Silence can raise suspense and tension, while a soundtrack can accompany and escalate action sequences. A lesson activity had students watch a trailer for "The Shining" without sound to guess missing audio, such as an immediate soundtrack, voiceover, dialogue, and a child's scream. They also learned about diegetic sounds, which characters can see and acknowledge, and non-diegetic sounds that only the audience can hear, like a soundtrack or voiceover. When watching with sound, some of the student's guesses about missing effects were correct, but the music played throughout the entire trailer.
Horror conventions
The document discusses conventions commonly used in the opening credits and scenes of American horror films. Some key conventions discussed include:
1) Using distinctive colors in the opening titles that connect to the film's themes, like Halloween's black and orange titles.
2) Establishing the antagonist early on to make the audience aware of their presence, through icons like the doll in Chucky or puppet in Saw.
3) Employing fast-paced editing with quick cuts and shaky camera work to confuse viewers and put them in the character's shoes.
4) Featuring the death or peril of a character to introduce the antagonist's power and provide an early scare.
Analysis of a horror opening
The opening sequence of 28 Weeks Later uses various techniques to set the tone and build tension. It introduces characters at an isolated cottage location to relate to. While the beginning has a calm, normal feel with no music or dialogue, the sequence gets increasingly fast-paced with electronic music and quick cuts between shots. Little context is directly provided to leave the audience wondering and engaged in the story.
Ms Macedo media presentation
This document provides an outline for a case study on horror films. It discusses the key concepts that need to be covered, including horror film language/categories, media institutions, media representations, and media audiences. Specific genres like zombie, demonic, and psyche films are mentioned. Major film distributors like Paramount, Universal, and Warner Brothers are listed. The target audience for horror films is given as ages 12-40, and common audience pleasures like adrenaline rushes are noted.
Questionnaire
1) The document discusses conducting primary research through questionnaires to understand audience preferences for horror films.
2) The author created a 10 question survey asking about favorite horror genres, effective film techniques, character preferences, and what scares audiences most.
3) The results showed that audiences preferred psychological horror, demonic villains, and found imagery, characters, and atmosphere most important to effective horror films.
Questionnaire
The document outlines a learning objective to understand primary research and define different ways of collecting it. It then discusses types of primary research like questionnaires, focus groups, and using social networking sites. The document provides an example questionnaire for a horror film with 10 questions about preferences, scares, and effective elements. It asks for the participant's name, age, and gender before the questionnaire.
Ms macedo media
The document discusses several conventions of different genres of horror films including zombie, demonic, and psychological horror films. It provides examples of films that follow certain conventions for each genre. The document also discusses some of the major film distributors for both mainstream and independent horror films and lists some of their most famous horror film franchises and titles. It summarizes conventions for character representations and scary settings in horror films. Finally, it briefly discusses the target audience for horror films.
Ms Konlon Media
The document summarizes the evolution of horror films from the 1950s through the 1980s. It describes how Hammer horror films of the 1950s-1960s focused on Gothic themes and atmosphere but declined as they became cliche. Horror films of the 1970s expanded into new genres like occult, supernatural, psychological, and nature/disaster films with higher production values and more graphic violence and gore. The 1980s saw the rise of slasher franchises like Friday the 13th along with more gore as budgets declined and films went straight to video.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
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But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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A Prime Location
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Sustainable Features
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Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
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留信网认证的作用:
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1奥克兰理工大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
The Enigma of the Midnight Canvas, In the heart of Paris
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Media studies key terms
- 1. 03/11/2011 Media Studies Key Terms Semiotics Key theorist Ferdinand Saussure The science of the life of signs and sign systems in society Derived from the Greek- Semeion- Sign Focused on the text itself and the signs and codes contained within it. A comparison between symbols between Poland and England. The symbols for toilets in Poland and England are completely different. The triangle is supposed to represent male toilet and the circle is supposed to represent the female toilet. Genre relies on signs, signifiers and signifying practives. Signifying practices are what define a genre, for example horror films and some conventions of these are a scary setting, a villain and a female victim. The sign Two components Signifier- (denotation) the physical object for example a sound, printed word or advertisement In the example of the horror films it would e a combination of the visual and sound elements of the text. Signified (connotation) Meaning or mental concept conveyed by the signifier for example a horror film.
- 2. 03/11/2011 The denotations for this poster are five people, which are the main characters for the film. In the background there is an image of a scared woman and the title is in a bold white font. There are some credits above the title written in the same font. The person at the background is about to scream. Connotations= The title of the film is supposed to tell the audience that this is a horror film. The face at the back is white and the background is black, and this is a reference to one of the first slasher films- Psycho. The two most important characters are at the front of the arrow, which points backwards to the least important person.