Dawn Of The Dead
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The opening title sequence of "Dawn of the Dead" effectively sets an atmosphere of confusion and tension through its fast pacing and graphic visuals. It blurs the lines between horror and psychological thriller genres. While the graphic content is shocking, it establishes the film's genre. The sequence also introduces themes of the living versus the dead and uses stylistic techniques like color, camera angles, and music to further immerse the viewer in the story and build mystery around the events unfolding.
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Dawn Of The Dead
The title sequence uses fast cuts and shocking close-up shots to set an ominous tone and indicate the film's horror/thriller genre. Various shots provide clues to the plot, showing people praying, soldiers to suggest their importance, and what appears to be blood or DNA, hinting at an epidemic. The rapid cutting keeps shots brief to build tension while revealing little information. Both diagetic and non-diagetic sounds are used effectively, with a voiceover identified as the president to imply a national crisis.
Fri 13th poster analysis
The poster is for a Friday the 13th horror film. It depicts five protagonists in a cabin surrounded by woods under a full moon, with a silhouette of a man holding a knife in front of them. Text on the poster warns that the characters are doomed and nothing will save them from the killer during a 24-hour nightmare of terror. Typical horror conventions like the bloody number 13, dark coloring, isolated setting, and looming threat are used to signify the genre and intrigue viewers about the killer's identity and how he will defeat the characters.
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Media Question 1
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Question 1
During the initial planning, the group did not want to mimic mainstream horror conventions like slashers or possessions. They wanted an original story without excessive gore or a predictable killer.
The main character is juxtaposed to typical victims and brings a sense of isolation through silence rather than comic relief. There is no actual death scene, leaving an open ending to require more audience interaction than passive films.
While the setting of an abandoned building at night and basic sound effects of banging and scraping reference real horror films, the goal was to challenge conventions and reduce predictability through developing new approaches to character and plot.
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Textual analysis
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Orange Productions - Audience Results
The document contains the results of several surveys about preferences for different aspects of a thriller movie and opening sequence. The majority of respondents were male, preferred the thriller genre, and wanted the opening to be set in a forest with creepy music and a theme of revenge. They also preferred a mystery plot focused on a mysterious character rather than narrative. This provides guidance for creating a successful opening sequence for a thriller movie.
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Question 1
During the initial planning, the group did not want to mimic mainstream horror conventions like slashers or possessions. They wanted an original story without excessive gore or a predictable killer.
The main character is juxtaposed to typical victims and brings a sense of isolation through silence rather than comic relief. There is no actual death scene, leaving an open ending to require more audience interaction than passive films.
While the setting of an abandoned building at night and basic sound effects of banging and scraping reference real horror films, the goal was to challenge conventions and reduce predictability through developing new approaches to character and plot.
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The poster analyzes the movie poster for "Friday the 13th". It summarizes that the red title and capital letters make the film look creepy and dangerous, representing blood and violence. The black background makes the title stand out and suggests the characters will be trapped. The tagline welcomes the audience but hints their life may end. The villain wearing a mask creates mystery around their identity. In the background is a deserted lake, making the setting feel dark, isolated, and threatening.
Film Poster Overview
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Film Poster Overview
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Textual analysis
The teaser trailer provides glimpses of various scenes and characters that seem to be involved in a sinister situation. A woman is shown gagged with her eyes covered, suggesting she is in danger. Various shots introduce characters that appear angry, worried, and intimate in hidden areas. A blond woman seems to be a main character, shown with a knife in a low, sinister shot. The trailer aims to make the audience question what happened to the protagonist and why the antagonist is acting this way, following thriller conventions with an established audience.
Analysis of trailers
The three trailers for Oblivion, Iron Man 3, and After Earth are all action adventure genre based on their depictions of weapons, violence, and tense music. Both the male and female characters are represented similarly across the trailers, with males portrayed as dominant and using violence while women are shown as companions or assistants. Special effects play a major role in the trailers, conforming to the action adventure genre by enhancing things not otherwise possible for audience enjoyment.
Prime suspect slides
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins finding evidence suggesting Frank is the killer. Due to her friendship and trust in Frank, she ignores the evidence in an attempt to prove his innocence. On Charlotte's birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing people similar to her to make her unique. When Charlotte realizes the truth, a fight ensues where they draw their guns on each other. Gunshots are heard and everything goes black, but it's unclear who shot whom.
Choice of trailer and synopsis
A highlights trailer contains the most exciting parts of a film without significant plot details in order to generate initial buzz, while a scene trailer provides more information about plot and characters. The document discusses different types of trailers and how they are used. It then explains that the group has chosen to create a highlights trailer for their film to build excitement through multiple scenes rather than focusing on one, without revealing major plot points.
Case 39 Poster Analysis
The film poster for Case 39 features a minimalist image of a blonde, blue-eyed woman whose face is partially concealed by a black object. A yellow glow surrounds the visible part of her face, suggesting she possesses innocence as she explores what lies behind the concealed darkness. Very little is revealed about the character's identity or her role in the film, arousing the audience's curiosity. The poster utilizes consistent fonts and a mysterious tone through blurred text and the mirroring of the image's yellow glow in the title to effectively advertise the film and generate hype around its undisclosed release date.
The Firm
The document provides a shot list and analysis for the teaser/trailer of the film "The Firm". It questions what the teaser is trying to convey through its lack of dialogue and focus on establishing various characters. The shot list details the teaser's visuals which are presented in black and white and include shots of the characters alone and in groups, in social and work settings. Colors like green and pink are noted as being potentially important to the overall film.
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Este documento resume las características y especificaciones oficiales del iPhone 6 presentado por Apple. El iPhone 6 tiene una pantalla de 4.7 pulgadas con una resolución de 1334x750 píxeles y está equipado con el procesador A8 de 64 bits y el coprocesador M8. La cámara trasera tiene 8 megapíxeles y puede grabar video en 1080p a 60 fps o cámara lenta a 240 fps.
Rangkuman MK Komputer
BAB I (Dasar TIK di SD)
BAB II (Pengenalan Komputer)
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BAB IV (Micr. Power Point)
Campaña para FEAPS
El documento presenta un resumen de la campaña publicitaria de una agencia llamada EclipsA para la organización FEAPS Castilla y León. La campaña busca crear conciencia sobre los derechos de las personas con discapacidad intelectual en el deporte. La campaña se llevará a cabo en dos fases, la primera en septiembre-diciembre de 2008 con un presupuesto de 2,935€ utilizando banners, página web, cartelería y radio. La segunda fase será en octubre-agosto de 2009 por 6,495€ incl
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Magazine Title
The author chose the title "Climax" for their magazine based on a music term meaning the climactic moment in a piece of music. They were inspired by the dramatic font of the title of magazine Kerrang and wanted their title to hint at their magazine being about musical theater. The title "Climax" is catchy and memorable as an actual music term but is unique with its altered spelling.
Script
Shoniqua is confronted by Sima outside a cafe about breaking up with her boyfriend Tom. Sima saw Tom holding hands with another girl. Shoniqua denies they broke up and storms into the cafe. Inside, Shoniqua finds Tom with another girl, Actress 3, who he has been dating for two weeks. An argument ensues between the three, with Shoniqua and Actress 3 pushing Tom and exiting together, leaving Tom remorseful.
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The title sequence of the film uses shocking close-up shots and mysterious long shots to imply the horror/thriller genre. Non-diegetic country music plays over fast-cut real news-style footage to build tension and convey a national crisis. Low-angle shots of soldiers suggest they will be important and shots of blood/DNA hint at an epidemic threatening humanity. The sequence blurs genre boundaries and uses techniques like an unknown hero and international threats to create mystery.
FMP Research
The document summarizes research conducted around audience and existing products to inform the development of a film trailer. A survey of 23 people found that most respondents were 16-21 years old, female, and interested in genres like action, sci-fi, and fantasy. Respondents said trailers should tease the plot, have good music, characters, and familiar actors. Existing trailers for films like The Hunger Games and Divergent were analyzed for techniques to build tension without spoiling the plot. Videos on title design, color grading, filming action, and recording sound provided production techniques to consider.
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This document provides an analysis of two soap opera trailers: one for EastEnders and one for Hollyoaks. The analysis examines the verbal codes (dialogue, music), non-verbal codes (settings, lighting, characters), and technical codes (shots, angles) used in each trailer. The document concludes by comparing the strengths of each trailer, noting that elements like the low-key lighting and lack of dialogue in the EastEnders trailer create suspense, while clips showing different episode moments in Hollyoaks help give the viewer a preview and entice them to watch.
FMP Research
The document discusses research on the intended audience and existing films in the genre of a dystopian sci-fi film trailer that the author is creating. It analyzes audience surveys that provided feedback on popular genres, what draws people to trailers, and suggestions for the author's trailer. It also summarizes existing film trailers like The Hunger Games, Divergent, and The Maze Runner to see how they effectively set up their worlds and hint at conflicts without revealing too much. Production techniques for titles, color grading, and scene composition are also considered.
Research
The document provides information from the research and planning for a film trailer project. It discusses the intended young adult audience and includes summaries of a survey given to audience members. The survey asked about demographics, favorite genres, and what draws people to watch trailers. Respondents said music, characters, plot teases are appealing. Existing trailers like The Hunger Games and Divergent were also analyzed for effective trailer techniques. Various production techniques for titles, color grading, and shot composition were considered.
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The document analyzes the title sequence of the horror film "Dawn of the Dead" to understand techniques used. It summarizes that the sequence uses short clips separated by credits to create intrigue and leave viewers wanting more. Shots of fleeing birds then a red "blood" text establish an ominous tone. Images of people praying, a mutating cell, and chaos conveyed through fire and glass suggest a large-scale infection is turning people into zombies and causing panic.
Film Trailer Analysis
The trailer for the crime thriller film Nine Dead establishes the genre through its use of slow pacing at the beginning to build suspense, dark colors associated with danger, and shots of guns and a masked kidnapper. Throughout the trailer, the pacing increases alongside the growing threat and tension faced by the kidnapped victims. Elements like the soundtrack, voiceover, intertitles, and editing help further immerse the viewer in the thriller plot and leave them wanting to know how the story ends. The trailer effectively conveys the key elements of the film's crime thriller genre to attract fans of that genre.
Trailer Analysis - Death Note
This document provides an analysis of 9 frames from the teaser trailer for the 2017 film "Death Note." The frames are analyzed in terms of their mise-en-scene, cinematography, and how they advance the narrative and provide clues about the film's genre and themes. Key details that emerge are the mysterious falling of the Death Note book from the sky, the introduction of the potential protagonist and other characters, glimpses of the book's power to control life and death, and scenes depicting death, horror, and the dark supernatural elements of the story. Through these frames, the trailer establishes intrigue around the book and its abilities while hinting at thriller, horror and supernatural themes in the film.
Title analysis – devil inside
The trailer opens with simple white text on a dark background, giving little information about the story but creating an unsettling atmosphere. Later title cards include satanic symbols and blood red text suggesting themes of religion, evil, and death. Text highlighting the words "Science" and "Religion" emphasizes the two main themes in the film. The final title has an inverted letter suggesting tampering by demons. Overall, the simple yet ominous titles intrigue audiences about the horror elements in the film without revealing too much.
It Follows – Trailer Deconstruction
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Title sequence
Titles sequences provide insight into the type of film and its tempo. Fast-paced, dramatic titles imply an action thriller throughout. "Twin Peaks" titles set the scene peacefully but hint at danger from water and machinery to suggest the thriller genre. "Psycho" uses plain black and grey titles that reveal little and imply anything could happen in the mystery. Words in titles introduce characters and creators to entice audiences by showing actors they like. "Halloween 3" similarly lists full credits upfront to inform audiences of the cast and creators.
Saw movie trailer analysis
The film Saw is a 2004 horror film directed by James Wan. The trailer uses various techniques to establish it as a gory horror film. It features quick cuts and transitions between dark, tense scenes showing victims in peril. Non-diegetic sounds like heartbeats and screams build intensity, while the villain Jigsaw's distorted voice adds mystery. Overlaid text directly tells the audience he is a "madman" and "psychopath" to reinforce the disturbing tone. The trailer effectively uses visuals and audio to draw viewers in and generate fear and suspense around Jigsaw's deadly games.
3. Textual Analysis- Jordan Brace
This document provides an analysis of two soap opera trailers: Hollyoaks and EastEnders. For Hollyoaks, the trailer uses dialogue with cliffhangers, diegetic sound, and fast-paced music to create tension and intrigue. It features multiple settings and characters shown in mostly negative lights. EastEnders' trailer contains no dialogue or effects, relying solely on a dark, ominous song and freeze frames of characters with suspicious facial expressions across varied settings under low lighting. Both aim to entice viewers by depicting drama and mysteries without fully revealing details, leaving audiences wanting more information through continued viewing.
9 piece sequence hollowman
The document summarizes and analyzes scenes from the opening title sequence of the film "Hollowman". It notes that the initial scenes show the producer's names against a black background with green text, which can represent themes of mystery and safety/jealousy common in thriller films. Subsequent scenes show a green sphere expanding to fill the screen over the credits, potentially representing jealousy or enigmatic elements taking over. Later shots introduce biological imagery and eventually reveal the film's title, linking it to biological themes. However, the consistent color scheme and lack of changing visuals throughout the title sequence is assessed as quite dull and boring compared to a typical exciting thriller opening.
Textual Analysis
This document provides an analysis of two soap opera trailers - one for Eastenders and one for Hollyoaks.
The analysis examines both the verbal and non-verbal codes used in each trailer to establish genre and create drama/tension. For the Eastenders trailer, these include dialogue hinting at secrets/scandal, a dramatic soundtrack, low camera angles on characters, and captions adding meaning. The Hollyoaks trailer uses dialogue about threats/crimes, a soundtrack that speeds up tension, close-ups of emotional expressions, and settings like courtrooms.
The document evaluates the strengths of each, noting conventions that would be repeated or exploited in a new trailer, such as costumes allowing audience identification, dramatic scenes
'Se7en' Opening Sequence Title Research
This document provides a detailed summary and analysis of the opening credits sequence of an unnamed film. It analyzes the stylistic choices, ordering of credits, and use of lighting, music and imagery to set an ominous, mysterious tone and build intrigue around the narrative. Key details like the director and lead actors are revealed early to draw in audiences, while the title is delayed to increase tension. Distorted images and text flash by quickly to disorient the viewer and hint at disturbing plot elements, leaving them primed for the start of the film.
The grudge still image
This title sequence for the horror film "The Grudge" effectively sets up the horror genre and themes through its visuals and use of color. Over the course of 9 still images, it introduces elements like a rusty door [Image 1] and skull [Image 2] that suggest the archaic setting and horror genre. Disfigured bodies [Image 3], blood, and a rising hand [Image 5] prepare the viewer for violence and death. Recurring images like strands of hair and the color red connect to the film's main ghost. Later clips build tension as a lone character is shown with only a lighter for light [Image 7]. Finally, the director is featured against a plain image that references the aftermath of
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product analyzes and challenges conventions of real media. It analyzed existing horror trailers and films to understand conventions like isolated rural settings, fast-paced editing, dark lighting, and revealing the villain. The media product challenges some conventions by having a female villain target male victims rather than the typical vulnerable female victim. It also challenges conventions through the plot and by having the villain wear white instead of typical dark clothing for villains.
2. fmp research
Here are the key points from the interview:
- Silence of the Lambs is a liked psychological thriller due to the unpredictable nature of the plot.
- Psychological thrillers are appealing because they provide thrills and scares through intriguing case solving.
- A short film length of no more than half an hour is preferred to maintain audience engagement.
- Murderers and the psychology behind them make for compelling subject matter in psychological thrillers. The 'why' behind killers is intriguing to explore.
Thank you for your insights! This information will help ensure my psychological thriller short film covers appealing subject matter and has an engaging length. Focusing on the psychology of murder fits the genre well.
The culprit evaluation A2 Media
The document analyzes the short film "The Culprit" and how it uses and challenges conventions of the thriller genre for short films. It discusses how the film has teenage characters and settings, though thrillers typically feature adult themes. It also summarizes how the film challenges conventions with its nonlinear narrative and use of flashbacks. Cinematography and sound techniques like silhouette lighting and diegetic/non-diegetic sounds are also discussed. The film is compared to the short thriller "Across The Hall" which also builds suspense through a slowly revealed narrative.
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The video depicts a struggling relationship between a boy and girl through references to guns. In separate rooms, the protagonists experience gunshots going off behind them. An opening shot shows a bullet on the floor, suggesting it was the catalyst for a breakup by playing on the saying "when the penny drops." Shots of the protagonists and lead singer show guns firing behind them, representing the "ammunition" or bad things about the relationship.
Adele Chasing Pavements
This song tells the story of a romance that ends tragically in a car accident. The music video depicts the dead couple reliving and contemplating how they lived their lives. Several shots are used to convey this retrospective mood, including a long shot of Adele walking that suggests reflection, and high angle shots that give a sense of looking down on the scene of one's death. An unusual opening shot shows the woman's body after being hit by the car, catching the audience's attention and setting the theme that life can end unexpectedly so one shouldn't have regrets.
In what ways does your media product use
The document summarizes how the media product uses and develops conventions of psychological thriller films. It introduces two characters in the opening, which follows conventions. While it breaks convention by introducing a problem in the first two minutes, similar to "The Ring." It uses a female victim character, as most psychological thrillers do. Symbols of the eye and window are used to get inside the character's thoughts and signify the genre, as seen in films like "Vertigo" and "The Ring" by focusing on these elements. Looking down on the victim character conveys vulnerability, relating to the conventions seen in "Misery" but in a more subtle way.
Who is the target audience?
This document discusses the target audience for a psychological thriller film. It analyzes similar films in the genre like Memento and The Sixth Sense that target older working class audiences between ages 24-45. As the filmmakers want their movie to be a "pure" psychological thriller, their target audience is suggested to be men and women in the working class age range of 25-45, who enjoy movies that keep them on the edge with an exciting thickening plot.
Leant about technology
The document discusses several technologies the author learned about while constructing a media project, including Blogger for publishing work online, Slideshare for uploading PowerPoint and Word files, and iMovie for editing videos and adding sound/footage. The author found Blogger and Slideshare easy to use but encountered difficulties with sound synchronization in iMovie, learning about the challenges of video editing.
Leant about technology
The document discusses several technologies the author learned about while constructing a media project, including Blogger for publishing work online, Slideshare for uploading PowerPoint and Word files, and iMovie for editing videos and adding sound/footage. The author found Blogger and Slideshare easy to use but encountered difficulties with sound editing in iMovie, learning about its challenges and YouTube's popularity for hosting videos.
List Of Organization
This document provides a list of props and actors needed to stage a psychologist's office scene, including a casually dressed female victim, a smartly dressed male psychologist with glasses and clipboard, certificates and pictures on the wall to indicate it is a psychologist's office, and video and still cameras on tripods to film the scene.
List Of Organization
This document provides a list of props and actors needed to portray a psychologist's office, including a casually dressed female victim and a smartly dressed male psychologist holding a clipboard and glasses. The office set up would include a couch, certificates and framed pictures on the wall, and video and still cameras on tripods to film the scene.
Coursework Timetable
This document contains a schedule for six periods across five days of the week. It assigns different students and activities to each time period. Media and certain students' names like Sanam and Tahir are recurring activities and names throughout the weeks' periods.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Killer Instinct
John is a serial killer who has evaded the police for years. Detective Smith has been obsessed with catching John and believes he has a lead on his latest victim. Smith tracks John to an abandoned warehouse, where a climactic confrontation ensues between the two. After a brutal fight, Smith is able to subdue and arrest John, finally bringing the killer to justice.
Killer Instinct 3
John is a serial killer who has evaded the police for years. A new detective, Sarah, is determined to catch John and profiles his past victims to predict where he will strike next. After a tense showdown, Sarah is able to capture and arrest John, bringing his reign of terror to an end.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made because these elements in the movie place it within the 15 age rating category set by the British Board of Film Classification.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made to give the film a 15 rating based on these factors being present in several scenes.
Target Audience
The target audience for psychological thriller films like The Sixth Sense, The Shining, Vertigo, Misery, and Memento is people in their late 20s to early 40s. These films deal with themes of death and danger in a subtle rather than graphic way. They also feature lead actors in a similar age range to the intended viewers. According to uses and gratifications theory, audiences seek reinforcement of their personal values and insights into themselves from media featuring protagonists of similar age.
Order of Titling
The document discusses three orders of titling films based on the status of those involved. Order 1 lists the director first if they have the highest status, followed by main actor and film title. Order 2 lists the main actor first if they have the highest status, then director and film title. Order 3 lists the film title first for films with lesser known stars and directors, followed by actor/director. The conclusion recommends orders 1 and 2 for films with big name stars and directors to highlight them, and order 3 for independent films with lesser known people involved.
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6:个人职称评审加20分
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The teleprotection market size has grown
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Dawn Of The Dead
- 1. Even though “Dawn of the dead” is a slasher I feel that the opening sequence is very effective and does in a way link in to a psychological thriller, in the used of titles, in the pace of the scene which is frantic maybe to confuse the audience before settling into the actual storyline, it also shows that the boundaries between genres – especially the sub genres of horror and thrillers – are blurred and are not definite and in this new day there are many cross over’s (hybrids). As much as it is effective it also shows what techniques not to use to send the wrong messages to the audience for example the uses of blood and gore. In the terms of narrative structure, there is use of Levi’s binary opposites in dead vs. alive a key feature in films such as this and in most thrillers and horrors, they also subvert the ideals of narrative structure as they do introduce the villain or villains, but if there is a hero and the identity of this hero is unknown – creates mystery. It seems clear that this problem is international as an international icon – and someone who arguably is the most powerful man in the world – the American president is used in the sequence. The title sequence starts with a long shot of people kneeling over and praying and this gives the sequence a mysterious start. 1828165614743518281655290820182816544157901828165355981018281652645410182816583566018281651711325-895350-914400The sudden change to a very graphic close up shot taken an angle is used to shock and also give the audience the first indication into the films genre – horror/thriller. The title sequence incorporates a different sequence of titles as the film title comes in before the actual character names most of the other movies when the main character is a recognisable name they tend to come before the film title, the rest of the sequence then follow this hierarchy of power system most other film sequences use. The use of the colour red is also a recurring theme in most thrillers and horrors as it is a symbol for danger (blood). The sequence also uses a low angle shot looking up on what seems to be soldiers suggesting that the soldiers will have a big part to play in the rest of the film as the low angle shot looking up may represent power. There is also a shot of what looks like DNA or blood this suggests along with all of the other pictures that this is an epidemic which has affected the blood of humans. 1842135426212018376903315335The writing also seems to turn into blood which also hints at the genre of the film.The cutting rhythm is also very fast also to build up some tension and atmosphere the shots stay no longer than 5 seconds on screen this enables the viewer to take in a lot of information but also helps create many questions that the audience cannot answer. The hero of the movie cannot be identified clearly but the vampire like people can be distinguished as the villains. There seem to be many principle characters but the group of vampire like people can be seen as one. The sequence also uses non diagetic and diagetic sound very well and effectively as the voice over is both diagetic and non diagetic, this is effective as you can put a face to the voice and the voice turns out to be the president thus implying that there is a national or international crisis. Later on in the sequence there is non diagetic country music in the background this seems to be out of place with the footage but could have been used as a juxtaposition to emphasise that this is happening to normal people. This is backed up by the clever use of what seems like real live news style footage which also conveys a sense of realism.