SlideShare a Scribd company logo
THE 7 KEY
CONCEPTS
THE 7 KEY CONCEPTS
• The key concepts underpin all of your
A level Media studies work.
• You must use the key concepts as a
framework for analysis.
• The application of the key concepts is
equally important across all four topic
areas.
THE 7 KEY CONCEPTS
• The key concepts can be remembered in the
following way:
Media Language M
Institution I
Genre G
Representation = R
(migraine)
Audience A
Ideology I
Narrative N
Everything else E
MEDIA LANGUAGE
• Media Language is the language we use to
deconstruct a media text.
• Remember, a text does not use media language,
YOU DO as a tool for analysing still or moving
image products.
• You should not refer to this concept directly as
‘media language’ in your analysis.
MEDIA LANGUAGE
• KEY WORDS INCLUDE:
DENOTATION; CONNOTATION; MISE-EN-SCENE
NON-VERBAL COMMUNICATION; ANCHORAGE
ICONOGRAPHY; EDITING; INTERTEXTUALITY
Are you able to name any type of camera shot/angle?
INSTITUTION
• The context and origin of a media text and how
this has an influence upon the form and content of
a product is very important.
• Essentially, you must consider who made the text
and why.
• The motivation/purpose for making the text may
have some bearing upon how the text is shaped.
INSTITUTION
• KEY WORDS TO CONSIDER:
COMMERCIAL; PUBLIC SERVICE BROADCASTER
MAINSTREAM; ALTERNATIVE; INDEPENDENT
MULTINATIONAL CORPORATIONS
Can you think of 6 major media institutions?
GENRE
• Genre, in the context of media studies, is defined
as:
• All media texts, whether audio, audio-visual or
print based belong to a particular genre, that will
possess specific codes and conventions.
• Media industries use genres because they aid
audience understanding and help them reduce
their risks.
• Modern media texts are said to be less rigid in
their use of media texts.
GENRE
• KEY WORDS TO CONSIDER:
GENERIC CONVENTIONS; SUB-GENRES
GENERIC HYBRIDISATION
GENERIC DETERMINATION
Can you think of any characteristics of the teen pic?
REPRESENTATION
• Representation is the way that media texts re-
present different aspects of society, particularly
in relation to age, sexuality, race and gender.
• The manner in which these aspects are re-
presented will be effected by the ideology in the
production of the text.
• Representations can work to support or challenge
widely accepted values, attitudes or opinions.
REPRESENTATION
• KEY WORDS TO CONSIDER:
STEREOTYPES
POSITIVE/NEGATIVE REPRESENTATIONS
MINORITY GROUPS; POWER; IDEOLOGY
RACE/CLASS/GENDER/SEXUALITY/AGE
What words would you use to describe a ‘chav’ ?
AUDIENCE
• Media products are never made just for the sake
of it.
• They are always made to appeal to a specific
audience or audiences in order to inform, educate
and/or entertain.
• You should never just state who the target
audience are.
• You must also consider how the audience are being
target and for what purpose.
AUDIENCE
• KEY WORDS TO CONSIDER:
TARGET AUDIENCE
MAINSTREAM; ALTERNATIVE
NICHE
PREFERRED/NEGOTIATED/OPPOSITIONAL
READINGS
Who do you think would watch Big Brother?
IDEOLOGY
• Ideology relates to the system of attitudes,
values and beliefs that are apparent within
society.
• When studying media texts, it is important to
understand that they will be supported by a
particular ideological point of view e.g. pro-family,
heterosexuality.
• The views within the media often represent the
views of those with the most power in society and
so the texts they produce often help to support
dominant ideology.
IDEOLOGY
• KEYS WORDS TO CONSIDER:
DOMINANT IDEOLOGY; HEGEMONY
MAINSTREAM OR ALTERNATIVE
RACISM; SEXISM; HOMPHOBIA; XENOPHOBIA
How do soaps work to support dominant ideology?
NARRATIVE
• Whether you are examining print, audio or audio-
visual media products, they will contain a narrative
structure in which they present their ideas,
opinions, values to the audience.
• When exploring any media product, always think
about it in terms of how it tells a story.
• It is often the case, particularly with mainstream
narratives, that a deep structure or dominant set
of norms will directly influence the structure
which impacts on the messages for the audience.
NARRATIVE
• KEY WORDS TO CONSIDER:
CLASSIC HOLLYWOOD NARRATIVE
EQUILIBRIUM/DISEQUILIBRIUM
NARRATIVE AGENT; CLOSURE
MULTI-STRAND; CAUSE AND EFFECT
What do you expect from a Disney narrative?
EVERYTHING ELSE
• Outside of the key concepts, you must also
consider the wider social, political, economic and
historical contexts.
• You MUST keep your eye on the news and keep up
to date with what is happening in the world.
• If you do this, it will help you to understand the
texts we study on a higher level.
• READ NEWSPAPERS, WATCH TV AND GO TO
THE CINEMA!!!

More Related Content

What's hot

كيف يمكن أن تحرر نصاً صحفيا الكترونيا
كيف يمكن أن تحرر نصاً صحفيا الكترونياكيف يمكن أن تحرر نصاً صحفيا الكترونيا
كيف يمكن أن تحرر نصاً صحفيا الكترونيا
رؤى رقمية
 
سلسلة تعلم البرمجة بلغة C / C++ - 1
سلسلة تعلم البرمجة بلغة C / C++  - 1سلسلة تعلم البرمجة بلغة C / C++  - 1
سلسلة تعلم البرمجة بلغة C / C++ - 1
بندر المجلاد
 
Theories and models_of_comm._-_2013 - 2nd edit
Theories and models_of_comm._-_2013 - 2nd editTheories and models_of_comm._-_2013 - 2nd edit
Theories and models_of_comm._-_2013 - 2nd editAbdulaziz Al-Maosherji
 
محاضرات التحرير الصحفي
 محاضرات التحرير الصحفي محاضرات التحرير الصحفي
محاضرات التحرير الصحفي
Falah S. Elsafady
 
امن المعلومات المحاضرة الاولى
امن المعلومات المحاضرة الاولىامن المعلومات المحاضرة الاولى
امن المعلومات المحاضرة الاولى
ايمن البيلي
 
Narratologie 1 - Narrateur, focalisation
Narratologie 1 - Narrateur, focalisationNarratologie 1 - Narrateur, focalisation
Narratologie 1 - Narrateur, focalisation
iesdragobil
 
Uml package diagram
Uml package  diagramUml package  diagram
Uml package diagram
Vedaraj M
 
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
رؤية للحقائب التدريبية
 
Rapport Sockets en Java
Rapport Sockets en JavaRapport Sockets en Java
Rapport Sockets en Java
Soukaina Boujadi
 
Features of 'c' program
Features of 'c' programFeatures of 'c' program
Features of 'c' program
veer patel
 
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptxعرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
MoetazHM
 
إعداد الخبر الصحفي
إعداد الخبر الصحفيإعداد الخبر الصحفي
إعداد الخبر الصحفي
رؤية للحقائب التدريبية
 
Apache Maven 3
Apache Maven 3Apache Maven 3
Apache Maven 3
Maxime Gréau
 
استمارة تحكيم الأفلام الوثائقية
استمارة تحكيم الأفلام الوثائقيةاستمارة تحكيم الأفلام الوثائقية
استمارة تحكيم الأفلام الوثائقية
nawal al-matary
 
تحرير الأخبار
تحرير الأخبارتحرير الأخبار
تحرير الأخبار
SalloumRasha
 
Notes on visual pleasure and narrative cinema
Notes on visual pleasure and narrative cinemaNotes on visual pleasure and narrative cinema
Notes on visual pleasure and narrative cinema
Heath Park, Wolverhampton
 
Narrative theorists
Narrative theoristsNarrative theorists
Narrative theorists
Sarah mediafilm
 
Psychoanalysis film theory Essay
Psychoanalysis film theory EssayPsychoanalysis film theory Essay
Psychoanalysis film theory Essay
isuqhsu jqiwdjidwj
 
تصميم نظم
تصميم نظمتصميم نظم
تصميم نظم
ahmed66710
 

What's hot (20)

كيف يمكن أن تحرر نصاً صحفيا الكترونيا
كيف يمكن أن تحرر نصاً صحفيا الكترونياكيف يمكن أن تحرر نصاً صحفيا الكترونيا
كيف يمكن أن تحرر نصاً صحفيا الكترونيا
 
سلسلة تعلم البرمجة بلغة C / C++ - 1
سلسلة تعلم البرمجة بلغة C / C++  - 1سلسلة تعلم البرمجة بلغة C / C++  - 1
سلسلة تعلم البرمجة بلغة C / C++ - 1
 
Uml
UmlUml
Uml
 
Theories and models_of_comm._-_2013 - 2nd edit
Theories and models_of_comm._-_2013 - 2nd editTheories and models_of_comm._-_2013 - 2nd edit
Theories and models_of_comm._-_2013 - 2nd edit
 
محاضرات التحرير الصحفي
 محاضرات التحرير الصحفي محاضرات التحرير الصحفي
محاضرات التحرير الصحفي
 
امن المعلومات المحاضرة الاولى
امن المعلومات المحاضرة الاولىامن المعلومات المحاضرة الاولى
امن المعلومات المحاضرة الاولى
 
Narratologie 1 - Narrateur, focalisation
Narratologie 1 - Narrateur, focalisationNarratologie 1 - Narrateur, focalisation
Narratologie 1 - Narrateur, focalisation
 
Uml package diagram
Uml package  diagramUml package  diagram
Uml package diagram
 
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
الصحافة (الورقية – الإلكترونية – صحافة الموبايل)
 
Rapport Sockets en Java
Rapport Sockets en JavaRapport Sockets en Java
Rapport Sockets en Java
 
Features of 'c' program
Features of 'c' programFeatures of 'c' program
Features of 'c' program
 
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptxعرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
عرض تقديمي - معتز حاج محمد - اساسيات البرمجة.pptx
 
إعداد الخبر الصحفي
إعداد الخبر الصحفيإعداد الخبر الصحفي
إعداد الخبر الصحفي
 
Apache Maven 3
Apache Maven 3Apache Maven 3
Apache Maven 3
 
استمارة تحكيم الأفلام الوثائقية
استمارة تحكيم الأفلام الوثائقيةاستمارة تحكيم الأفلام الوثائقية
استمارة تحكيم الأفلام الوثائقية
 
تحرير الأخبار
تحرير الأخبارتحرير الأخبار
تحرير الأخبار
 
Notes on visual pleasure and narrative cinema
Notes on visual pleasure and narrative cinemaNotes on visual pleasure and narrative cinema
Notes on visual pleasure and narrative cinema
 
Narrative theorists
Narrative theoristsNarrative theorists
Narrative theorists
 
Psychoanalysis film theory Essay
Psychoanalysis film theory EssayPsychoanalysis film theory Essay
Psychoanalysis film theory Essay
 
تصميم نظم
تصميم نظمتصميم نظم
تصميم نظم
 

Similar to Media 7 Key concepts

F:\Kate\Media\Understanding Audience And Target Audiences Main
F:\Kate\Media\Understanding Audience And Target Audiences MainF:\Kate\Media\Understanding Audience And Target Audiences Main
F:\Kate\Media\Understanding Audience And Target Audiences Mainhurtwoodhousemedia5
 
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
KBucket
 
M.I.G.R.A.I.N
M.I.G.R.A.I.NM.I.G.R.A.I.N
M.I.G.R.A.I.N
geehardy
 
UAL Media Unit 4: Structuralism - binary opposites, genre and narrative
UAL Media Unit 4: Structuralism - binary opposites, genre and narrativeUAL Media Unit 4: Structuralism - binary opposites, genre and narrative
UAL Media Unit 4: Structuralism - binary opposites, genre and narrative
KBucket
 
Genre theory
Genre theoryGenre theory
Genre theory
Tiffanyyy101
 
ADVERTISING - UNSEEN COMPARISON.pptx
ADVERTISING - UNSEEN COMPARISON.pptxADVERTISING - UNSEEN COMPARISON.pptx
ADVERTISING - UNSEEN COMPARISON.pptx
iammrhaywood
 
A2 audience gr
A2 audience grA2 audience gr
A2 audience gr
Greg Rushworth
 
Critical perspectives in media
Critical perspectives in mediaCritical perspectives in media
Critical perspectives in media
bearskin_2
 
Media key concept research
Media key concept researchMedia key concept research
Media key concept research
Sophia Charalambous
 
1 audience
1 audience1 audience
1 audience1Bgbg
 
PRINT ADVERTS.pptx
PRINT ADVERTS.pptxPRINT ADVERTS.pptx
PRINT ADVERTS.pptx
iammrhaywood
 
1b Audience essay plan
1b Audience essay plan1b Audience essay plan
1b Audience essay planaquinasmedia
 
4. audience reception
4. audience reception4. audience reception
4. audience reception
Mike Gunn
 
Audience theory
Audience theoryAudience theory
Audience theory
hallidayhannah
 
Genre ppt
Genre pptGenre ppt
Genre pptsparkly
 
Using the media key concepts
Using the media key conceptsUsing the media key concepts
Using the media key concepts
Nathaniel William Hawley
 

Similar to Media 7 Key concepts (20)

F:\Kate\Media\Understanding Audience And Target Audiences Main
F:\Kate\Media\Understanding Audience And Target Audiences MainF:\Kate\Media\Understanding Audience And Target Audiences Main
F:\Kate\Media\Understanding Audience And Target Audiences Main
 
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
UAL Media Unit 4: Media Language - structuralism, binary oppositions, genre a...
 
Audience
AudienceAudience
Audience
 
Audience
AudienceAudience
Audience
 
M.I.G.R.A.I.N
M.I.G.R.A.I.NM.I.G.R.A.I.N
M.I.G.R.A.I.N
 
UAL Media Unit 4: Structuralism - binary opposites, genre and narrative
UAL Media Unit 4: Structuralism - binary opposites, genre and narrativeUAL Media Unit 4: Structuralism - binary opposites, genre and narrative
UAL Media Unit 4: Structuralism - binary opposites, genre and narrative
 
Genre theory
Genre theoryGenre theory
Genre theory
 
ADVERTISING - UNSEEN COMPARISON.pptx
ADVERTISING - UNSEEN COMPARISON.pptxADVERTISING - UNSEEN COMPARISON.pptx
ADVERTISING - UNSEEN COMPARISON.pptx
 
Genre
GenreGenre
Genre
 
A2 audience gr
A2 audience grA2 audience gr
A2 audience gr
 
Critical perspectives in media
Critical perspectives in mediaCritical perspectives in media
Critical perspectives in media
 
Media key concept research
Media key concept researchMedia key concept research
Media key concept research
 
1 audience
1 audience1 audience
1 audience
 
Representation
RepresentationRepresentation
Representation
 
PRINT ADVERTS.pptx
PRINT ADVERTS.pptxPRINT ADVERTS.pptx
PRINT ADVERTS.pptx
 
1b Audience essay plan
1b Audience essay plan1b Audience essay plan
1b Audience essay plan
 
4. audience reception
4. audience reception4. audience reception
4. audience reception
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Genre ppt
Genre pptGenre ppt
Genre ppt
 
Using the media key concepts
Using the media key conceptsUsing the media key concepts
Using the media key concepts
 

More from Nathaniel William Hawley

Photography: Andreas feininger
Photography: Andreas feiningerPhotography: Andreas feininger
Photography: Andreas feininger
Nathaniel William Hawley
 
Photography: Matthew writtle
Photography: Matthew writtlePhotography: Matthew writtle
Photography: Matthew writtle
Nathaniel William Hawley
 
Photography: Martin parr
Photography: Martin parrPhotography: Martin parr
Photography: Martin parr
Nathaniel William Hawley
 
Photography: Mario testino
Photography: Mario testinoPhotography: Mario testino
Photography: Mario testino
Nathaniel William Hawley
 
Photography: Man ray
Photography: Man rayPhotography: Man ray
Photography: Man ray
Nathaniel William Hawley
 
Photography: Lindsay adler powerpoint
Photography: Lindsay adler powerpointPhotography: Lindsay adler powerpoint
Photography: Lindsay adler powerpoint
Nathaniel William Hawley
 
Photography: Joel meyerowitz
Photography: Joel meyerowitzPhotography: Joel meyerowitz
Photography: Joel meyerowitz
Nathaniel William Hawley
 
Photography: Jerry n uelsmann
Photography: Jerry n uelsmannPhotography: Jerry n uelsmann
Photography: Jerry n uelsmann
Nathaniel William Hawley
 
Photography: Jeff wall
Photography: Jeff wallPhotography: Jeff wall
Photography: Jeff wall
Nathaniel William Hawley
 
Photography: Imogen cunningham
Photography: Imogen cunninghamPhotography: Imogen cunningham
Photography: Imogen cunningham
Nathaniel William Hawley
 
Photography: Harold edgerton
Photography: Harold edgertonPhotography: Harold edgerton
Photography: Harold edgerton
Nathaniel William Hawley
 
Photography: Guy le querrec
Photography: Guy le querrecPhotography: Guy le querrec
Photography: Guy le querrec
Nathaniel William Hawley
 
Photography: Garry winogrand
Photography: Garry winograndPhotography: Garry winogrand
Photography: Garry winogrand
Nathaniel William Hawley
 
Photography: Ernst haas
Photography: Ernst haasPhotography: Ernst haas
Photography: Ernst haas
Nathaniel William Hawley
 
Photography: Duane michals
Photography: Duane michalsPhotography: Duane michals
Photography: Duane michals
Nathaniel William Hawley
 
Photography: David la chapelle
Photography: David la chapellePhotography: David la chapelle
Photography: David la chapelle
Nathaniel William Hawley
 
Photography: David hockney
Photography: David hockneyPhotography: David hockney
Photography: David hockney
Nathaniel William Hawley
 
Photography: David doubilet
Photography: David doubiletPhotography: David doubilet
Photography: David doubilet
Nathaniel William Hawley
 
Photography: David bailey
Photography: David baileyPhotography: David bailey
Photography: David bailey
Nathaniel William Hawley
 
Photography: Cindy sherman
Photography: Cindy shermanPhotography: Cindy sherman
Photography: Cindy sherman
Nathaniel William Hawley
 

More from Nathaniel William Hawley (20)

Photography: Andreas feininger
Photography: Andreas feiningerPhotography: Andreas feininger
Photography: Andreas feininger
 
Photography: Matthew writtle
Photography: Matthew writtlePhotography: Matthew writtle
Photography: Matthew writtle
 
Photography: Martin parr
Photography: Martin parrPhotography: Martin parr
Photography: Martin parr
 
Photography: Mario testino
Photography: Mario testinoPhotography: Mario testino
Photography: Mario testino
 
Photography: Man ray
Photography: Man rayPhotography: Man ray
Photography: Man ray
 
Photography: Lindsay adler powerpoint
Photography: Lindsay adler powerpointPhotography: Lindsay adler powerpoint
Photography: Lindsay adler powerpoint
 
Photography: Joel meyerowitz
Photography: Joel meyerowitzPhotography: Joel meyerowitz
Photography: Joel meyerowitz
 
Photography: Jerry n uelsmann
Photography: Jerry n uelsmannPhotography: Jerry n uelsmann
Photography: Jerry n uelsmann
 
Photography: Jeff wall
Photography: Jeff wallPhotography: Jeff wall
Photography: Jeff wall
 
Photography: Imogen cunningham
Photography: Imogen cunninghamPhotography: Imogen cunningham
Photography: Imogen cunningham
 
Photography: Harold edgerton
Photography: Harold edgertonPhotography: Harold edgerton
Photography: Harold edgerton
 
Photography: Guy le querrec
Photography: Guy le querrecPhotography: Guy le querrec
Photography: Guy le querrec
 
Photography: Garry winogrand
Photography: Garry winograndPhotography: Garry winogrand
Photography: Garry winogrand
 
Photography: Ernst haas
Photography: Ernst haasPhotography: Ernst haas
Photography: Ernst haas
 
Photography: Duane michals
Photography: Duane michalsPhotography: Duane michals
Photography: Duane michals
 
Photography: David la chapelle
Photography: David la chapellePhotography: David la chapelle
Photography: David la chapelle
 
Photography: David hockney
Photography: David hockneyPhotography: David hockney
Photography: David hockney
 
Photography: David doubilet
Photography: David doubiletPhotography: David doubilet
Photography: David doubilet
 
Photography: David bailey
Photography: David baileyPhotography: David bailey
Photography: David bailey
 
Photography: Cindy sherman
Photography: Cindy shermanPhotography: Cindy sherman
Photography: Cindy sherman
 

Recently uploaded

Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Thiyagu K
 
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdfESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
Fundacja Rozwoju Społeczeństwa Przedsiębiorczego
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
Atul Kumar Singh
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
joachimlavalley1
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
Celine George
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
Fish and Chips - have they had their chips
Fish and Chips - have they had their chipsFish and Chips - have they had their chips
Fish and Chips - have they had their chips
GeoBlogs
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
siemaillard
 
The Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdfThe Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdf
kaushalkr1407
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
DeeptiGupta154
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
PedroFerreira53928
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
Col Mukteshwar Prasad
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
Special education needs
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
MIRIAMSALINAS13
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
Anna Sz.
 
How to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS ModuleHow to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS Module
Celine George
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
Vivekanand Anglo Vedic Academy
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
RaedMohamed3
 
Instructions for Submissions thorugh G- Classroom.pptx
Instructions for Submissions thorugh G- Classroom.pptxInstructions for Submissions thorugh G- Classroom.pptx
Instructions for Submissions thorugh G- Classroom.pptx
Jheel Barad
 
Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)
rosedainty
 

Recently uploaded (20)

Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
 
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdfESC Beyond Borders _From EU to You_ InfoPack general.pdf
ESC Beyond Borders _From EU to You_ InfoPack general.pdf
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
 
Fish and Chips - have they had their chips
Fish and Chips - have they had their chipsFish and Chips - have they had their chips
Fish and Chips - have they had their chips
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
 
The Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdfThe Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdf
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
 
How to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS ModuleHow to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS Module
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
 
Instructions for Submissions thorugh G- Classroom.pptx
Instructions for Submissions thorugh G- Classroom.pptxInstructions for Submissions thorugh G- Classroom.pptx
Instructions for Submissions thorugh G- Classroom.pptx
 
Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)Template Jadual Bertugas Kelas (Boleh Edit)
Template Jadual Bertugas Kelas (Boleh Edit)
 

Media 7 Key concepts

  • 2. THE 7 KEY CONCEPTS • The key concepts underpin all of your A level Media studies work. • You must use the key concepts as a framework for analysis. • The application of the key concepts is equally important across all four topic areas.
  • 3. THE 7 KEY CONCEPTS • The key concepts can be remembered in the following way: Media Language M Institution I Genre G Representation = R (migraine) Audience A Ideology I Narrative N Everything else E
  • 4. MEDIA LANGUAGE • Media Language is the language we use to deconstruct a media text. • Remember, a text does not use media language, YOU DO as a tool for analysing still or moving image products. • You should not refer to this concept directly as ‘media language’ in your analysis.
  • 5. MEDIA LANGUAGE • KEY WORDS INCLUDE: DENOTATION; CONNOTATION; MISE-EN-SCENE NON-VERBAL COMMUNICATION; ANCHORAGE ICONOGRAPHY; EDITING; INTERTEXTUALITY Are you able to name any type of camera shot/angle?
  • 6. INSTITUTION • The context and origin of a media text and how this has an influence upon the form and content of a product is very important. • Essentially, you must consider who made the text and why. • The motivation/purpose for making the text may have some bearing upon how the text is shaped.
  • 7. INSTITUTION • KEY WORDS TO CONSIDER: COMMERCIAL; PUBLIC SERVICE BROADCASTER MAINSTREAM; ALTERNATIVE; INDEPENDENT MULTINATIONAL CORPORATIONS Can you think of 6 major media institutions?
  • 8. GENRE • Genre, in the context of media studies, is defined as: • All media texts, whether audio, audio-visual or print based belong to a particular genre, that will possess specific codes and conventions. • Media industries use genres because they aid audience understanding and help them reduce their risks. • Modern media texts are said to be less rigid in their use of media texts.
  • 9. GENRE • KEY WORDS TO CONSIDER: GENERIC CONVENTIONS; SUB-GENRES GENERIC HYBRIDISATION GENERIC DETERMINATION Can you think of any characteristics of the teen pic?
  • 10. REPRESENTATION • Representation is the way that media texts re- present different aspects of society, particularly in relation to age, sexuality, race and gender. • The manner in which these aspects are re- presented will be effected by the ideology in the production of the text. • Representations can work to support or challenge widely accepted values, attitudes or opinions.
  • 11. REPRESENTATION • KEY WORDS TO CONSIDER: STEREOTYPES POSITIVE/NEGATIVE REPRESENTATIONS MINORITY GROUPS; POWER; IDEOLOGY RACE/CLASS/GENDER/SEXUALITY/AGE What words would you use to describe a ‘chav’ ?
  • 12. AUDIENCE • Media products are never made just for the sake of it. • They are always made to appeal to a specific audience or audiences in order to inform, educate and/or entertain. • You should never just state who the target audience are. • You must also consider how the audience are being target and for what purpose.
  • 13. AUDIENCE • KEY WORDS TO CONSIDER: TARGET AUDIENCE MAINSTREAM; ALTERNATIVE NICHE PREFERRED/NEGOTIATED/OPPOSITIONAL READINGS Who do you think would watch Big Brother?
  • 14. IDEOLOGY • Ideology relates to the system of attitudes, values and beliefs that are apparent within society. • When studying media texts, it is important to understand that they will be supported by a particular ideological point of view e.g. pro-family, heterosexuality. • The views within the media often represent the views of those with the most power in society and so the texts they produce often help to support dominant ideology.
  • 15. IDEOLOGY • KEYS WORDS TO CONSIDER: DOMINANT IDEOLOGY; HEGEMONY MAINSTREAM OR ALTERNATIVE RACISM; SEXISM; HOMPHOBIA; XENOPHOBIA How do soaps work to support dominant ideology?
  • 16. NARRATIVE • Whether you are examining print, audio or audio- visual media products, they will contain a narrative structure in which they present their ideas, opinions, values to the audience. • When exploring any media product, always think about it in terms of how it tells a story. • It is often the case, particularly with mainstream narratives, that a deep structure or dominant set of norms will directly influence the structure which impacts on the messages for the audience.
  • 17. NARRATIVE • KEY WORDS TO CONSIDER: CLASSIC HOLLYWOOD NARRATIVE EQUILIBRIUM/DISEQUILIBRIUM NARRATIVE AGENT; CLOSURE MULTI-STRAND; CAUSE AND EFFECT What do you expect from a Disney narrative?
  • 18. EVERYTHING ELSE • Outside of the key concepts, you must also consider the wider social, political, economic and historical contexts. • You MUST keep your eye on the news and keep up to date with what is happening in the world. • If you do this, it will help you to understand the texts we study on a higher level. • READ NEWSPAPERS, WATCH TV AND GO TO THE CINEMA!!!