Nang is a form of shadow puppetry entertainment in southern Thailand. Performances typically take place during the dry season and tell stories from religion or history through cut-out leather puppets manipulated on rods. There are two main types of Nang - Nang Yai puppets which are large and stationary, and Nang Talung puppets which are smaller with movable arms. A Nang performance incorporates puppetry, music, and a narrator who voices different characters.
India's Art and Culture notes
Lots of Pictures for easy understanding.....
Puppet forms,painting styles,Dance forms,Theatre forms,Music,Indian Architecture etc
very helpful for UPSC,SPSC , Civil services exams
India's Art and Culture notes
Lots of Pictures for easy understanding.....
Puppet forms,painting styles,Dance forms,Theatre forms,Music,Indian Architecture etc
very helpful for UPSC,SPSC , Civil services exams
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Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
3. • Shadow puppet
(Thai: Nang) was one
form of public
entertainment in the
south of Thailand.
• It is usually
performed during the
country's dry season
(February to August).
4. • It is still very popular
at village festivals,
temple fairs, and
celebrations such as
marriages.
• Its characters are
made from
intricately cut out
and articulated
shapes of leather.
5. • They are delicately
colored, but this does
not show during a
performance.
• They are manipulated
with rods that control
movements of the arms
and legs.
6. The puppets are colorful but really they do
not have to be because you only see the black
shadows. In the second picture you can see the
people holding the puppets. Normally you can
see only the shadows like in the third picture.
7. • Has a religious theme or has an episode from
the Ramayana epic which contains dozens of
individual stories. They may also be specially
written to include reflections, songs, and poems
about local events.
• There are hundreds of characters each with a
distinctive shadow, but the show will almost
always include a comedian who are great
favorites with the fun - loving audiences.
8. • Mr. Suchart Sapsin, he is a man of many talents.
He is not only an expert in the craft of making
the puppets but he is also an award - winning
writer and poet. He is narrator, speaking or
singing all the parts using different voices, and
he is a superb mimic.
9. Nang recites tales of
the gods and
contemporary people
through stories of love,
current events, and
tradition. The shadow
puppets used in the
Nang represent the 312
norms and mores of
Thai society.
10. • Family conflict
• Adventures of a
hero
• Romantic tales
• Magic
• People seeking
lost loved ones
11. • The Nang attempts to relay
to the audience the
importance of Thai
ideologies in a changing
world, however, historical
events remain fundamental
in performances.
• The association with Karma
act as allegories for Buddhist
morality and philosophy.
12. • And it is usually performed
during the country's dry
season (February to
August).
13.
14. • Made with leather
• Each characters are
separated
• Has movable, jointed
arm
• 50 centimeters high
• Made of cowhide
and/or rattan
• May have decorated
scenes
• Doesn’t have jointed
arms
• Two meters high
15. • Consists of 5-10 puppeteers and musicians
• Nai Nang-teachers and presenters of Nang Talung
• Nai Nangs hide themselves in wooden/bamboo
shelters
• The performances run from dusk to dawn and
incorporate narration, songs, prose, and the
performer's improvised dialogue.
• The rhythm and fluidity of each performance is
essential in maintaining audience interest, thus the
Nai Nang must vary their techniques and story lines.
16. • Gods and
goddesses
• Kings and queens
• Magical figures
• Comedians
It is the Nai Nang's responsibility to act as an
intermediary between the community and the gods,
thus the Nang and its producers are highly respected
and greatly entwined into Thailand's cultural fibers.
20. 1. The shadow puppets in Thailand are
.
a. Leather Monkey Show
b. Nang
c. Togalu Gombeyaata
d. Wayang Kulit
21. 2. The puppet given is an example of:
a. Nang Talung
b. Nang Yai
c. Wayang Golek
d. Wayang Kulit
22. 3. is played with leather
puppets, each representing a separate
character and usually possess a movable,
jointed arm controlled by a string.
a. Nang Talung
b. Nang Yai
c. Wayang Golek
d. Wayang Kulit
23. 4.The characters in Nang are the
following, except .
a. gods and goddesses,
b. kings and queens,
c. magical figures
d. current events
24. 5. It is the teacher and presenter
of Nang Talung.
a. Sida
b. Ramayana
c. Nang Yai
d. Nai Nang
