Ma'en Bata - Portfolio

1 2
5
9
13
17
21
25
31
33
35
37
39
41
43
47
LEARNING
1. Motel Design
2. Audiology Center
3. 20 Housing Units in Abdoun
4. Competing With ... Wild Jordan
5. German - Jordanian University Sports Complex
6. Othman Bdeir House of Architecture and Design
PRACTICING
7. Remal Al-Akaria
8. Wadi Musa Downtown Development
9. Le Gray (Campbell Gray) Hotel
10. Union Square
11. Ministry of Presidential Affairs Military School
12. Dubai Marine Station (RTA)
13. Al-Rajhi City Walk Business Park
VISUALIZING
14. Rendering and Visualization

5 6
One of the most challenging tasks is to go public
within a private frame. Setting the site in the
middle of a calm housing block in As-Salt -
Jordan, the implementation of a separative device
within the connection between the two different
functions was the general concept in reaching
the developed stage of design, with a great
concentration on the functional successes and
the general appealing layout of the motel itself.
Behind the concrete facades of the motel, there exists
the areas of human interaction and hence, reaching
the maximum level of social appeal of a motel,
without forcing it to the outside sides. As a result of
this, comes the idea behind separating the masses
based on the applied functions within them, such
as the entrance and registration, the restaurant and
utility section, and the accommodation of the guests.
Having a concrete skin surrounding, it did
not mean having no feel of light integration
and ventilation. Those were provided by the
subtracted and shifted masses of concrete, adding
a visual representation of an intended movement.
M O T E L
DESIGN
Theplansexistingon boththepreviousandthecurrent
page are representations of the Ground Floor Level
and the First Floor Level respectively. This shows
the application of the grid used and the unity, that
is obvious within the arrangement of the structural
columns, that the whole complex is built upon.
The above drawing represents the arrangement of the masses on the site, showing the entrance and the
restaurant departments (bottom) and the two accommodation masses (top), with the landscape flow-
ing around. Below is the “Human Perspective”, showing the regulation of the height in proportion.

7 8
Introducing the elevations, and the three dimensional
interpretation of them shows a better understanding
of the statement of height regulation and divisions.
North Elevation (Above Diagram)
South Elevation (Adjacent Diagram)
Section through South Side (Adjacent Diagram)
West Elevation (Below Diagram)
At a closer look, the pencil-rendered drawings pro-
vide a better understanding of the casting shadows,
and the depth of each and every space within the
motel. The material-representation describes the in-
tegration of plane concrete facades, and the stone
work provided at the entrance of the restaurant.
The isometric drawing (Adjacent Diagram) pro-
vides an “Arial View” of the project as a whole.
This clarifies the massing that is created. By that,
the motel comes to the end of its design phase.
East Elevation (Below Diagram)

9 10
was one of the design projects that makes oneself
think about what is the most comfortable for whom.
We always hear about the difficulties that impaired
people go through in their lifetime. Hence, the
concept of this project was to create a space that
can be easily accessed by the disabled and abled.
This then makes some kind of social integration of
the first group with others, leaving no one behind.
Summarizing the project itself involves three
main tasks that must be fulfilled. These are:
1. To produce an architectural design that makes
the user at maximum ease, whether through the
fluidity of the circulation or the emotional impact.
2. To provide the required functional elements of
a complete “Health Care” and “Audiology” Cen-
ter, and the correct distribution of departments.
3. To take into consideration the latest methods of
Sustainable Architecture, or what is referred to as
“Environmental-FriendlyBuildings”, byavarietyof
methods,suchasnaturalventilationandday-lightuse.
Human care is always considered as a main
responsibility within our lifestyles. Hence
comes the role of architecture in providing
“Places for the People”. Whoever a person is,
he/she plays a major role in society, no mat-
ter ill or disabled. Therefore, introducing an
AUDIOLOGY
C E N T E R
Theimplementedgridwasintendedtoberadial,mak-
ing the surface area in contact with sunlight at a max-
imum level, allowing daylight access. In addition,
being located in As-Salt meant the need of provid-
ing a blick over the horizon from a rather mountain-
ous region. Hence, the concept of creating different
scenaries within a strict function succeeded in add-
ing a more emotional appeal, away from rigidity.
The integration of the landscape on the lines o the
grid itself reflects a stronger impact on it. As can
be seen from the floor plans (middle row), the po-
sitioning of the ramp on the outer side gives a bet-
ter understanding of the concept of scenaries and
shows the critical points of circulation. Transition-
ing from one function to another is thus reflected.
The method of presentation (color pencil) was
used to show the curvature and the relationship
with the site, mainly obvious by the elevations.

11 12
It all started with some simple sketches that turned
laterintotheAudiologyCenter.Theconceptualdraw-
ings (left) represent the first stages at which the idea
begins to get processed. Until, at one point, it reach-
es the final stages represented by the model photos.
Sustainable methods of implementingthe rules for an
eco-friendly design can be of a huge variety. Passive
methods,specially,werethemaintobeappliedonthe
design,suchascross-ventilationandnaturalsunlight.

13 14
20
HOUSING
UNITS IN
ABDOUNwere introduced as a residential complex to host
around 20 families, with the facilities required for
a luxurious lifestyle. Abdoun, being a highly-rated
area within the Capital of Jordan, Amman, forces a
certain type to be studied and followed for the im-
plementation of future projects in the region. The
concept in producing the design was the variety that
could be clustered together, without the exact notice
of it, making a combination of one, two and three-
bedroomapartmentspossiblewithoutdifferentiation.
More as an introverted complex, it allows for a feel-
ing of security and integrity within the surrounding.
Neighborinteractionisthusenhancedandencouraged.
Going through a phase of mass manipulation, the
complex itself has a rigid mass-to-ground rela-
tionship. However, the introduction of several in-
trances and walkways breaks this rigidity and frees
the motion within the created space. The Ground
Floor Plan (below) shows the interpretation of
the 2-bedroom and 3-bedroom apartments on the
site. Formal Architecture, but rather interactive.

15 16
The complete complex is based on three main pro-
totypes, each representing a type of apartment:
1) One-Bedroom Apartment (Below Left)
2) Two-Bedroom Apartment (Middle Center)
3) Three-Bedroom Apartment (Middle Right)
Howevereachrepresentssomethingdifferentthanthe
others, we notice that the base of the three types (i.e.
thegridandstructure)isbasicallythesame.Henceare
the windows and the glass facades arranged in a way
that brings ease to the eye, rather than being tiring.
On the opposite side, we notice the three-dimen-
sional representation of the project. It shows
a clarification of the massing and the corner
windows and glass facades used in relation to
each other. The mullions are based on theGold-
en Ration 1:1.6, making them more unified.
A combination of different materials was used,
adding the solidity of stone, to the purity of con-
crete. This, then , is garnished with the colors of
nature, represented by the variety of vegetation.

17 18
COMPETING
WITH...WILD
J O R D A N
, being a wildlife reserve cafe and lounge, designed
by the famous Jordanian architect «Ammar
Khammash», and positioned on the side of Jabal
Amman, a heritage site where architecture in
Amman is said to be origined there. Overviewing
the downtown and the Citadel of Amman, it is the
place to be in. (Check the photograph on the side)
How to compete with it? Well, it was an open
project. You can choose the function and the
style, and the site was just beside Wild Jordan.
At that point, I thought what would be more
suitable, than a gallery and library to embrace
the Jordanian intellectuals, being also part of the
heritage of Amman. Hence, the project started.
A challenge that was presented to us as students?
How long did it take? “Three weeks .. no more!”
... What is the method of presentation needed? “A
detailed model, with whatever can be provided.”
At that point came the question of what will the
project be? At the end, the project was entitled as
The concept was to start the calculation phase of the
lifetime of different Jordanian intellectuals to invent
a grid, that was never used before. This then gave the
shapeprovidedontopofthepage,andbeingalibrary,
what would be a better influence than innovating a
design based on books, in their structure and folds.
This,however,didnotmeanbeingstrictlysymbolistic,
buttomanipulatetheformtogiveanon-directanalogy

19 20
Here is the model presented with more than one view
to clarify the level of detail present. Choosing the
white color for this model was intended to make it ap-
pear simple, and leave space for details to be noticed.
Ratherthanfocusingonthecolorofthemodel,theim-
portant spaces inside and outside can be highlighted.

21 22
G E R M A N -
JORDANIAN
UNIVERSITY
S P O R T S
C O M P L E X
Located in Madaba-Jordan, the German
- Jordanian University gave us the
chance to participate in designing the
, which would be used by the student as an indoor
basketball/volleyball court, a swimming pool, a
gym and squash courts. The special aspect of this
project was to choose a world-famous architect
and adopt his/her style in design. Therefore,
I chose REM KOOLHAAS for his principles
in design, that reflect the basic principles of
architecture, but with a contemporary interpretation.
Rem Koolhaas is a Dutch architect, born on the
17th November, 1944 in Rotterdam, Netherlands.
Koolhaas was, and is still known for his writ-
ings concerning urban development and work-
ing under the pressure or context. Some of the
major points that Rem Koolhaas works upon are:
1) Expansion into landscape and greenery, which
suggests that the landscape itself is a major source
of influence to architectural development.
2)Working by combining ORDER and DISOR-
DER, or FORMAL and INFORMAL. Hence creat-
ing a sense of duality within the project.
3) Planning new masses to absort what the culture
generates.
These three points influenced the design by mak-
ing it more related to the site, exaggerating its
slight slope (First Point), and the form itself is
based on form structural elements, arranged in a
non-formal way (Second Point). This DYNAM-
IC DESIGN then proves the energy of the youth
and reflects the function within (Third Point).

23 24
The complex is based on two main masses that
carry the functions. One representing the basketball/
volleyball court (Left) and one representing
the indoor gym and swimming pool (Right).
The structure carrying the exterior shell is
left uncovered. This makes the angles of the
exterior structure obvious from the interior.
This is better observed in the section above.
The diagram on the left represents how the form of the building was developed from the earli-
er stages to the final stage of submission. The idea behind creating an entrance that is raised above
the ground and forced from two sides in. This force comes from the original site of the German-Jor-
danian University, and those two passages are a continuation to the originally designed walkways.
As can be seen in the space between the two masses, the steel structure of the
roof is left bare. This is a statement, showing that the entrance created pushed the
two masses away, leaving this structure as the only evidence on this separation.

25 26
O T H M A N
B D E I R
HOUSE OF
A R C H I -
T E C T U R E
A N D
D E S I G N
Working on this as part of my local internship
project, this is the building that is supposed to
be the Faculty of Architecture and Design of the
German-Jordanian University, and thus our part
was to develop the landscape of this old build-
ing on the side skirts of the downtown of Amman.
The area of interest was the renovation of the old
private house on the left corner of the plan pre-
sented on the left. This was now being turned into
a guest house to be used by guest professors visit-
ing the university from different parts of the world.
This now would be divided into two bedrooms,
a living room and a small kitchen. The en-
trance area has an added buffer zone to add to
the privacy of the house. Those are presented in
the 3-D modelling presented on the right side.

27 28
These photographs and 3-D shots represent
the transformations that are intended to take
part surrounding the main building of Oth-
man Bdeir House of Architecture and Design.
For instance, changing a cavey narrow area, holding
the old piping system (Above) to a gallery of art-
work, with adding a water feature that keeps on fil-
tering the water and re-pumps it without the need of
new water sources (based on the shaded positioning
of it) (Below). Also, redesigning the stairs area to
add more life to it and a better usage (Left and Right).
Due to the forced topography, it was a must to
keep the stairs within the site. However, we tried
to manipulate it with indulging greenary with
it, thus creating a grided display of the stairs.
Onesideofitwaslefttocreatea“ScreeningStage”for
viewing movies that students create.Therefore it was
wise to use the space as a screening stage, and a small
community room under it for encouraging reading.

31 32
R E M A L
AL-AKARIA
Al Akaria has a focused strategy to deliver
its vision, achieve best-practice operational
effectiveness and deliver best-in-class financial
performance. It has a strong governance structure
that is based on sound ethical business principles.
To deliver top quality performance, Al Akaria
attracts the best people to deliver to its customers.
Sustainability and responsibility are critical
to the vision, and Al Akaria focuses on
delivering high quality, long-lasting products
that fit naturally into the environment.
Al Akaria believes in fostering happiness and
personal well-being; in uplifting people through
creating spaces that enable a good quality of living
at reasonable prices. From here, the idea of creting
a residential complex came. The site consists of a
number of residential blocks, along with schools
to foster the education of the younger generations
and parks to encourage physical health and
social interaction. Presented in this portfolio is a
sample of the drawings and design configuration
of this residential complex as described.
D08
D01
D05
D02
D17D01
D02
D08
D01
W1
W4D
W3B
W3B
W4D
W1
D06
D10*
D10*
D03
³
DRAWING NUMBER SCALE (ON A1)
www.group-cc.com
REMAL AL AKARIA DEVELOPMENT PROJECT
DRAWING TITLE:
STAGE
DATE OCTOBER 2015
FINAL DESIGN
VILLA (A2)
GROUND FLOOR PLAN
1/50VA2 -A1-100
SCALE:
ELEVATION 1
1/50
S3 (2)
R1
P6
P7
P7
SCALE:
SECTION 1
1/50

33 34
W A D I
M U S A
DOWNTOWN
DEVELOPMENTA comprehensive development in the region
of Wadi Musa is guaranteed by merging both
historical and natural aspects together. This creates
the fusion that benefits the touristic image of the
region, without jeopardizing the local community›s
interaction. The proposed car parking building has
a set of major goals, of which is eliminating the
act of parking cars in front of commercial strips,
which might persist for a whole day. Consequently,
the use of public transport is encouraged by those
who commute to/from work daily by vehicles. In
addition, it is rather important to offer visitors and
customers a proper parking for a certain amount of
time (i.e. shopping), encouraging the act of trade.
As the designing process of the premises
developed further, a transformation to a two-
storey high commercial building showed a
better understanding of the allocated plot. This
made use of the topographic nature of the site.
Therefore, the back elevation was adapted as an
elevated park, with access to the first floor shops,
through either the vertical circulation structure
or the outdoor stairs. In that sequence, stepped
planters are created at the back boundary, acting
as a buffer and increasing the stability of the slope.
KEY PLAN
NOTES :
CAR PARKING AND COMMERCIAL BUILDING
REVIEWED BY
APPROVED BY
DATE:-
STAGE:-
PROJECT NAME:
CLIENT:
DRAWN BY
SCALE:-
DESIGNED BY
FINAL DESIGN
SEPTEMBER 2014
URBAN DEVELOPMENT AND TOURISM
PLANNING FOR WADI MUSA DOWNTOWN
WADI MUSA - PETRA
DRAWING NAME:
ISSUED FOR TENDER
GROUND FLOOR PLAN
T.HAYEK
R.DAHDALEH
A.HOURANI
N.SUBOH
9004 0 00 A1 100 -
1/100
KEY PLAN
NOTES :

35 36
LE GRAY
(CAMPBELL
G R A Y )
H O T E LThe project involves a high end luxury boutique
hotel in a high landmark tower. It is located in
the new district of the Abdali Development area
in Amman, and consist of a twenty two storey-
high tower, nine storey podium (including the
technical floor) and eight basements. The project
includes one hundred and eighty hotel rooms
of a total estimated built-up area of 44,200 m2
.
The operator of the hotel 'Campbell Gray Hotels'
is well-known for not settling for less than a
luxurious quality of hotel rooms, facilities and
finishes. Therefore, being a challenge, this project
was also the first project to involve the usage of
BIM (i.e. Building Information Modelling), hence
maintaining a certain level of fine architecture and
a fully-functioning system of building, including
mechanical, electrical and structural design.
The concept was prepared by internationally-known
Architecture Studio (Paris, France), interior design
by MBDS (Martin Brudnizki Design Studio) and
the facade consultant is T.E.S.S (Paris, France).
(0,0)
DELUXE ROOM BEDROOM SKETCH I LE GRAY, AMMAN I MODEL ROOMS CONCEPT PRESENTATION I MAY 2014
234233232231
245244243242241240239238237236235
255254253252251250249248247246
UP
235234233232
246245244243242241240239238237236
256255254253252251250249248247
UP
235
234
233
232
246
245
244
243
242
241
240
239
238
237
236 256
255
254
253
252
251
250
249
248
247
UP
1
A3-200
2
A3-200
3
A3-200
4
A3-201
A2-100
1
A2-103
1
1'
2'
A
B
C
C
D
E
F
G
H
I
E
A3-103
F
A3-104
A'
B'
C'
D'
A2-101
2
A2-102
1
A
A3-100
B
A3-101
B
A3-101
D
A3-103
13
A6-102
G
A3-104
C
A3-102
A'
A3-100
14.3 m²
L2
STAIR 01
01
2.6 m²
L2
VESTIBULE
02
34.2 m²
L2
GUEST ROOM
213
11.4 m²
L2
GUEST BATH
213B
11.6 m²
L2
GUEST BATH
204B
11.4 m²
L2
GUEST BATH
227B
31.4 m²
L2
GUEST ROOM
204
39.4 m²
L2
GUEST ROOM
227
31.4 m²
L2
GUEST ROOM
226
30.6 m²
L2
GUEST ROOM
224
9.1 m²
L2
GUEST BATH
226B
9.1 m²
L2
GUEST BATH
224B
9.7 m²
L2
GUEST BATH
222B
9.7 m²
L2
GUEST BATH
220B
9.1 m²
L2
GUEST BATH
218B
9.1 m²
L2
GUEST BATH
216B
30.9 m²
L2
GUEST ROOM
220
30.6 m²
L2
GUEST ROOM
216
30.9 m²
L2
GUEST ROOM
222
30.6 m²
L2
GUEST ROOM
218
30.6 m²
L2
GUEST ROOM
214
30.6 m²
L2
GUEST ROOM
212
33.2 m²
L2
GUEST ROOM
210
9.1 m²
L2
GUEST BATH
214B
9.1 m²
L2
GUEST BATH
212B
11.1 m²
L2
GUEST BATH
210B
9.7 m²
L2
GUEST BATH
225B
9.7 m²
L2
GUEST BATH
223B
9.7 m²
L2
GUEST BATH
221B
9.7 m²
L2
GUEST BATH
219B
9.7 m²
L2
GUEST BATH
217B
9.7 m²
L2
GUEST BATH
215B
9.7 m²
L2
GUEST BATH
211B
9.7 m²
L2
GUEST BATH
209B
10.9 m²
L2
GUEST BATH
207B
28.7 m²
L2
GUEST ROOM
225
27.9 m²
L2
GUEST ROOM
223
27.9 m²
L2
GUEST ROOM
221
28.6 m²
L2
GUEST ROOM
219
28.6 m²
L2
GUEST ROOM
217
28.6 m²
L2
GUEST ROOM
215
28.6 m²
L2
GUEST ROOM
211
28.6 m²
L2
GUEST ROOM
209
43.7 m²
L2
GUEST ROOM
207
37 m²
L2
GUEST ROOM
20511.2 m²
L2
GUEST BATH
205B
10.4 m²
L2
GUEST BATH
208B
33.8 m²
L2
GUEST ROOM
208
8.7 m²
L2
GUEST BATH
206B
4.4 m²
L2
VESTIBULE
0515.1 m²
L2
STAIR 04
04
5.8 m²
L2
TELECOM
08
10.4 m²
L2
ELEC. ROOM
07
11.7 m²
L2
CORRIDOR
10
41.2 m²
L2
LIVING ROOM
200L
26.9 m²
L2
GUEST ROOM
201
40.7 m²
L2
GUEST ROOM
202
12.6 m²
L2
GUEST BATH
202B
183.3 m²
L2
CORRIDOR
12
30.9 m²
L2
GUEST ROOM
203
7.5 m²
L2
LOBBY
06
15.3 m²
L2
STAIR 03
03
EXPANSIONJOINT
S2
1275 Kg
2.5 M/S
S1
1275 Kg
2.5 M/S
Fireman's LiftP4
1150 Kg
4.0 M/S
P3
1150 Kg
4.0 M/S
P2
1150 Kg
4.0 M/S
P1
1150 Kg
4.0 M/S
EXHAUST
AIR SHAFT
PRESSURIZATION SHAFT
LINEN CHUTE
+12.30 FFL
+12.30 FFL
200ID8020'
9002350
200ID8020'
9002350
150ID78 -
850 2350
150ID78 -
850 2350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
150ID78 -
850 2350
150ID77-
8002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
150S24 90'
1100 2200
150ID77-
8002350
200ID8020'
9002350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150S16 90'
1600 2200
200ID8020'
9002350
150S24 90'
1100 2200
150S2490'
11002200
150ID78 -
850 2350
150ID78 -
850 2350
200ID80 20'
900 2350
200ID64-
16002200
200ID80 20'
900 2350
150ID78 -
850 2350
150ID78-
8502350
200ID8020'
9002350
150S30 45'
1000 2200
150S24 90'
1100 2200
150ID63-
16002200
14.7 m²
L2
CORRIDOR
09
J
K
150ID78 -
850 2350
150ID78 -
850 2350
ELEC.
32.7 m²
L2
GUEST ROOM
206
9.4 m²
L2
GUEST BATH
201B
AOR
2.6 m²
L2
GUEST WC
200G
29.8 m²
L2
GUEST ROOM
200
9.9 m²
L2
GUEST BATH
200B
4.7 m²
L2
LOBBY
13
1700
C''
D''
F'
G'
G''
G'''
H'
PRESSURIZATION
SHAFT
290036502150850250011002000
5140
6200
5600
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID8020'
9002350
200ID52-
16002350
200ID52-
16002350
200ID52-
16002350
200ID52-
16002350
150S1490'
10002200
150S2490'
11002200
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
150ID78 -
850 2350
4.1 m²
L2
LOBBY
14
4.1 m²
L2
LOBBY
15
4.1 m²
L2
LOBBY
16
4.1 m²
L2
LOBBY
17
AOR
AOR
AOR
1200 2800 1600
1650 1100
700 200 2300 150 2300
200
2500
200
1500
2400
6700
350 4500 350 2100 300 2500 300
1000
1504400
1615
1800
949
5000 2100
300
2500
4650 200 4350 4750 200 4350 400 4350 200 4350 4750 200 4350 5175 900 5236 200 4754 1501600
5500
2950
2700 400 5800 400 2700 400 3600
3415
400 3600 400
3100
2300 1150 400 5800 400 2700 400 5800 400 2700 400 5800 400
200 2200 150 26503140 150 1700
100
3425
454 1500 28003290 1000 946
3000
100
1250
3525
31003100
100
3000
4550
1550
3250
3250
1550
4550
900 125
900
125
3000
100
1250
31003100
100
4550
1550
3250
3250
1550
4550
900
3000
100
1250
31003100
3000
100
1250
31003100
1250
100
4550
900 900
2150 3500
100 3500
100 3500
100 3050 650 1900
365460020065002005800200
80016501200
2600
13503800
18501900
32501000
46005250
750750
100 1500 150 3300
5850
1700
500 900 500
350 1700 1550
650
150 1600
3250
3250
3250
900 225
1350
325015015501004550
3000 200 3000
225 900
1350
4350 4750
335016001004550
200 1700 1100
2700
900 225
1350
325015015504650
3000 200 3000
225 900
1350
4200
700
4200
32505016501004550
200 1700 1100
2700
900 225
1350
325015015504650
3000 200 3000
225 900
1350
32505016501004550
200 1700 1100
2700
325015015501004550
3200 3350
225 900
1350
32505016501004550
550 1700 1100
4450 200 4450 200 4350 7206
3100 400550 1600 550400 5800 400550 1600 550400 5800 400550 1600 550400 5800 400550 1600 550400 6150 400 1150
4450
335016001004550
2700
3000
1925 100 3050
100
4240 1250
510010030502002800
59502001900200
3300675
72533001005400
22001700
1050
45002005350
200
500
200
5400
23115
20246
+12.20 TOS
+12.20 TOS
70043509000260012502950160050005050
4050
23100
200ID35180'
9002350
200ID35180'
900 2350
150ID77 -
800 2350
100ID81-
9002350
200ID82-
9002350
200ID83-
18002200
150ID77-
8002350
200
700
200
2300
150
2300
250
1650
100
350 100
300
5600 150
4200
100
1738
100
2597
3700
200
500
100
300
900 4720
57502005635
20033501800
100
150
3125 100 900
100
4820 100 350
5350
255021001100
200
11004350
100
3200
200 4800 3100 3100 400 3050 150 4230
200ID35180'
9002350
100ID86-
10002350
100ID79 -
800 2350
100ID84-
8002350
100ID85-
9002350
100ID84 -
800 2350
100ID79-
8002350
150ID78 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID87-
15002350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69 -
850 2350
100ID69-
8502350
150ID77 -
800 2350
200ID35180'
900 2350
150S3045'
10002200
0.7 m²
L2
CLEANER'S ROOM
18
21.9 m²
L2
GUEST BATH
203B
13
A6-104
7.9 m²
L2
LINEN
11
100S02120'
800 1950
100S02120'
800 19501950
2250
1100
2250
1100
2250
1000
2250
1000
2250
1000
2250
1000
100S02120'
800 1950
100S02120'
8001950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
8001950
100S02 120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100S02120'
800 1950
100ID69 -
850 2350
100S01120'
800800
100S01120'
800800
100S01120'
800 800
100S01120'
800800
100S01120'
800800
1
A6-907
1
A6-966
5
A6-943
5
A6-943
3
A6-943
1
A6-943
5602
785
3
18382
5312
5602
785
3
18382
55325 7496 20052 5602
55323 7523 20318
650
3000
4250
4500
35001009002002000
1150
150
1350150
2650
1700
1900
3200
3500
2900
4250
14002002250
2175 150 2175
150950300
2175 150 2175
1100
4003200
2750
DRAWING NAME:
REVIEWED BY
APPROVED BY
DATE:-
STAGE:-
PROJECT NAME:
CLIENT:
DRAWN BY
SCALE:-
DESIGNED BY
1 UNIT = 10 mm WHEN PRINTED @ A0 SHEET SIZE
CC PROJECT No ZONE FAC SHEET NUMBER REVISION No
0 1 2 3 4 5
( 0 , 0 )
A 01
Tel + 962 6 4612377 Fax +962 6 4612380
www.group-cc.com , ccpost@group-cc.com
CONSULTANT:
14 APR. 2016
PROJECT/CONSTRUCTION MANAGEMENT:
FINAL DESIGN
As indicated
MADA'EN AL ABDALI
CAMPBELL GRAY HOTEL
S.AMARIN
A.HOURANI
Y.FAWZI
R.DAHDALEH
2541 A1-102
LEVEL 2 FLOOR PLAN (L2)
No. Description Date
DOORS ARE INDICATED ON THE PLANS TO GUIDE
THE CONTRACTOR REGARDING THE LINTEL
HEIGHTS DURING THE CONSTRUCTION OF THE
MASONRY AND CONCRETE WALLS.
FOR WALL TYPES DETAILS REFER TO
(A6-922 TO A6-927)
BOOK OF DETAILS
FOR LOCATION OF FLOATING SLABS, REFER TO
BOOK OF DETAILS
ANY DISCREPANCY BETWEEN SPECIALIZED
CONSULTANTS DRAWINGS AND THESE DRAWINGS
SHOULD BE BROUGHT TO THE ATTRACTION OF
THE SUPERVISING ENGINEER
1 2 3 4 5 6 7 8
9 10 11 12 13
48 CAR PARKING
53 CAR PARKING
53 CAR PARKING
ETS
27 CAR PARKING
SWIMMING POOL MECHANICAL
ROOM
28 CAR PARKING RAMP
LAP POOL 17.8x6 m
GYM
VESTIBULE
PRE-FUNCTION
VESTIBULE
BALLROOM LOBBY MALE WC FEMALE WC
LIBRARY
LOBBY LOUNGE
VESTIBULE
TECHNICAL AREA
MEETING ROOM
MEETING ROOM
MALE WC
ARRIVAL
GUEST ROOM
GUEST BATH
GUEST BATH GUEST BATH GUEST BATH GUEST BATH GUEST BATH
GUEST ROOM
-28.55 FFL
-18.65 FFL
-15.05 FFL
+0.00 FFL
+0.80 FFL
+15.70 FFL
+19.10 FFL
-28.60 TOS
-0.25 TOS
+0.70 TOS
-12.15 TOS
+8.80 TOS
+12.20 TOS
+15.60 TOS
+19.00 TOS
+22.40 TOS
+75.25 TOS
68.32
64.92
61.52
58.12
54.72
51.32
47.92
44.52
41.12
37.97
34.96
31.30
27.52
24.12
20.72
17.32
13.92
10.52
7.09
4.09
1.36
-1.83
-9.30
-13.23
-16.85
-20.30
-23.60
-26.90
GUEST ROOM
GUEST BATH
GUEST ROOM
GUEST ROOM
GUEST ROOM
GUEST BATH
FAN ROOM CORRIDORSTORE
FAN ROOM STORE
CORRIDOR
FAN ROOM CORRIDOR
CORRIDOR
CORRIDOR
PRE-FUNCTION
BALLROOM
PRE-FUNCTION
AHU
AHU
ARRIVAL
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
GUEST BATH
LIVING ROOM GUEST ROOM
GUEST ROOM
CORRIDOR
CORRIDOR
CORRIDOR
GUEST ROOM
LIVING ROOM
GUEST BATH
LOBBY
GUEST ROOM
LOBBY
GUEST BATH GUEST BATH GUEST ROOM
LIVING ROOM
LIVING ROOM
GUEST ROOMGUEST BATHGUEST BATHGUEST WC
GUEST WC
MECHANICAL ROOM
+70.10 FFL
200
40026001250
280
2202800
350
2502800470
370
2560350
370
2680
350
3702680
350
3702680350
350
27003502982418
800
11550
350
1050280035033503503250
250
300030030003003000
10502950400300040030004003000
400
30004003000400300040029305005070600660045034707003280300325032029803202980320298025501500
POOL DECK
9300 9300 9300 9300 9300 4900 900
52300
EXPANSIONJOINT
GUEST BATH
GUEST BATH
P1 P2
P1 P2
+34.30 FFL
+32.77 TOS+32.65 TOS+32.77 TOS
+33.04 TOS
+32.60 TOS
1262
+37.05 TOS
+8.90 FFL
GUEST BATH
+22.50 FFL
+29.30 FFL
GUEST ROOM
4585 2415 2285 615
CORRIDOR
CORRIDOR
LOBBY LOBBY LOBBY
2173
CORRIDOR
CORRIDOR
LOBBY
LOBBY
LOBBY
LOBBY
LOBBY
LOBBY
LOBBY
LOBBY
LOBBY
GUEST ROOM
GUEST ROOM
CORRIDOR
CORRIDOR
RECEPTION & CONCIERGE
STAIR 04
-5.35
2500
2220
3502700
TRENCH
2503000
SUMP PIT
SUMP PIT
CONC. PAD
+1.19 SIDEWALK LEVEL
2750
P1 P2
TRENCH
RESTAURANT & BAR AREA
+77.60 TOS CRADLE
CLEAR DOUBLE
GLAZING
CLEAR DOUBLE
GLAZING
STONE CALDDING
ANODIZED
ALUMINUM CANOPY
CANOPY BY AS
9900
TOP OF GLASS
BOX
STAIR TO BE
DESIGN ON A
LATER STAGE
+5.57 TOS
2900
37.95
1
A3-100-1
1
A3-100-2
MALE STAFF CHANGING FEMALE STAFF CHANGING
METAL HANDRAIL
+0.84 STREET LEVEL
-25.25 FFL
-21.95 FFL
-25.30 TOS
-22.00 TOS
-18.70 TOS
-15.10 TOS
-19.45 TOS
-10.95 FFL
-11.95 TOS
-11.50 TOS -11.40 FFL -11.40 FFL
-11.50 TOS
-7.20 FFL -7.30 TOS
-3.50 FFL
+6.15 TOS
+5.40 TOS +5.57 TOS+5.40 TOS +5.45 FFL
+12.30 FFL
+25.80 TOS+25.90 FFL
+29.20 TOS
+33.85 FFL
37.45
34.96
37.45
+73.50 FFL
1450
350
2050
200
3800430
12472900
18501500
43503507650
2350
2350
27.03
1' 2'
STORE RAMP
STORE RAMP
STORE RAMP
VALET WC
RAMP
STORE HOUSEKEEPING
STORE
RESTAURANT 01
+39.50 FFL
+42.90 FFL
+46.30 FFL
+49.70 FFL
+53.10 FFL
+56.50 FFL
+59.90 FFL
+63.30 FFL
+66.70 FFL
+70.10 FFL
+73.40 TOS
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
BOH KITCHEN
AHU
BEDROOM 2
BEDROOM 2
PRIVATE AUDEH ROOF
TERRACE
-1.15 FFL SIDEWALK LEVEL
679
LIVING ROOM
AHU
OPENING IN WALL
ROLLING SHUTTER
L+20 AUD
GF
ROOF LEV
TECHNICA
L+17
L+16
L+15
L+14
L+13
L+11
L+10
L+9
L+7
L+6
L+5
L+4
L+3
L+2
L+1
B1
B2
B3
B4
B5
B6
B7
B8
L+8
POOL
MECHANICAL DECK
1550265034003400340034003400340034003400340034002833396734003400340034003400340034003400470394731003950420036003600330033003300
-28.55 FFL
-25.25 FFL
-21.95 FFL
-18.65 FFL
-15.05 FFL
-11.40 FFL
-7.20 FFL
-3.30 FFL
+0.00 FFL
+0.80 FFL
+5.45 FFL
+8.90 FFL
+12.30 FFL
+15.70 FFL
+19.10 FFL
+22.50 FFL
+25.90 FFL
+29.30 FFL
+33.30 FFL
+36.62 FFL
+39.50 FFL
+42.90 FFL
-28.60 TOS
-25.30 TOS
-22.00 TOS
-18.70 TOS
-15.10 TOS
-11.50 TOS
-7.30 TOS
-3.35 TOS
-0.25 TOS
+0.70 TOS
+5.40 TOS
+8.80 TOS
+12.20 TOS
+15.60 TOS
+19.00 TOS
+22.40 TOS
+25.80 TOS
+29.20 TOS
+32.60 TOS
+36.57 TOS
+39.40 TOS
+42.80 TOS
+34.30 FFL
+49.60 TOS
+53.00 TOS
+56.40 TOS
+59.80 TOS
+63.20 TOS
+66.60 TOS
+70.00 TOS
+73.40 TOS
+77.60 TOS
+49.70 FFL
+53.10 FFL
+56.50 FFL
+59.90 FFL
+63.30 FFL
+66.70 FFL
+70.10 FFL
+73.50 FFL
+77.65 FFL
+76.05 FFL
L+18
L+19
L+12
+46.30 FFL +46.20 TOS
2552
+79.40
STONE CLADDING
CLEAR DOUBLE GLAZING
CANOPY BY AS
METAL HANDRAIL
ANODIZED ALUMINUM
CANOPY
+33.30 FFL
+25.90 FFL
+8.90 FFL
-3.30 FFL
-11.40 FFL
-28.55 FFL
-25.25 FFL
-22.00 FFL
-18.65 FFL
-15.05 FFL
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
LIVING ROOM
3
A3-200
600
2700
EXECUTIVE LOUNGE
+0.00 FFL
+5.57 TOS
+12.30 FFL
+15.70 FFL
+19.10 FFL
+22.50 FFL
+29.30 FFL
+36.73 TOS
23952932
+74.50 FFL
+79.10 +79.17
( 0 , 0 )
CHANGEINDIRECTION
(0,0)
DRAWINGNAME:
REVIEWEDBY
APPROVEDBY
DATE:-
STAGE:-
PROJECTNAME:
CLIENT:
DRAWNBY
SCALE:-
DESIGNEDBY
NOTES:
ALLRIGHTSARERESERVED.THISDRAWINGANDALLINFORMATION
CONTAINEDHEREINARETHEPROPERTYOFCONSOLIDATED
CONSULTANTS,ANDCANNOTBECOPIED,REPRODUCED,UTILIZEDOR
MODIFIEDINWHOLEORINPARTFORPURPOSESOTHERTHANTHOSE
FORWHICHTHEDRAWINGHASBEENISSUED.FAILURETOCOMPLYWITH
THEABOVEWILLRESULTINTAKINGLEGALACTIONTOPROTECTTHE
RIGHTSOFCONSOLIDATEDCONSULTANTS.
ITISFORBIDDENTOUSETHECADFILESTOCHANGEOR/ANDMODIFY
THEDESIGNWITHOUTWRITTENAPPROVALFROMCONSOLIDATED
CONSULTANTS.
1UNIT=10mmWHENPRINTED@A0SHEETSIZE
CCPROJECTNoZONEFACSHEETNUMBERREVISIONNo
012345
A01
KEYPLAN
Tel+96264612377Fax+96264612380
www.group-cc.com,ccpost@group-cc.com
CONSULTANT:
14APR.2016
PROJECT/CONSTRUCTIONMANAGEMENT:
FINALDESIGN
MADA'ENALABDALI
CAMPBELLGRAYHOTEL
S.AMARIN
A.HOURANI
Y.FAWZI
R.DAHDALEH
2541A0-001
LOCATIONPLAN&STREET
SCHEMATICELEVATION
No.DescriptionDate
ONE BEDROOM SUITE LIVING SKETCH I LE GRAY, AMMAN I MODEL ROOMS CONCEP

37 38
U N I O N
S Q U A R EUnionSquareisthefirstofit'skind,modernintegrated
mixed-use lifestyle concept within Al-Khobar. It
consistsofandofficebusinesspark,a5-starhotel(Hyatt
Regency), and food and beverage supporting retail.
This project has multiple benefits to the city
of Al-Khobar in general, including a grade 'A'
specifiaction office space with a LEED rating in
a mixed use development. In addition, a creation
of a diverse, exciting mixed-use community for
all of Al-Khobar. It will be a hub of entertainment
for the surrounding catchment area to entertain
and enjoy festivities with family and friends.
The investment will create more than 3,800 jobs,
which guarantees its sustainability and serving the
community to the maximum. Concept design is
prepared by Skidmore, Owings and Merrill (SOM).

39 40
MINISTRY OF
PRESIDENTIAL
A F F A I R S
MILITARY
S C H O O LConsolidated Consultants Group (CC) has been
approached by the Ministry of Presidential Affairs
(MOPA) as they intend to build an International
Military Academy in Abu Dhabi (IMA).
MOPA advised that IMA will be based on a similar
model of academic, leadershipo and physical
training as New Mexico Military Institute (NMMI).
The scope of work was preparing a conceptual
master plan on the selected site to confirm suitability.

41 42
D U B A I
M A R I N E
STATION
( R T A )
The design of Dubai Marine Station (RTA) was
a competition presented by RTA, and involved
preparing two concepts of design (i.e. one
traditional approach and one modern approach).
The sope of work involved coming up with two
concepts and two strategies of construction.
The heritage concept resembles and reflects the
traditional design of Dubai old city. The concept
reflects a modern image of Dubai with a traditional
sense that envelopes and covers the structure
through the use of wooden elements and screens.
On the contrary, the contemporary concept is
defined by a fluid structure, integrating with the
Dubai Water Canal through a long, curved shell
that starts to emerge from the natural flow of the
creek and covers the station building. It continues
its path to end back into the same stream, in such a
manner similar to the behavior of a normal wave.
The formation of the two concepts can be seen
in the two diagrams on each side of this brief.

43 44
AL RAJHI
C I T Y
W A L K
BUSINESS
P A R KThis competition project consists of eight plots,
joined together in one master plan to host a business
park surrounded by a village-like retail complex.
In order to provide a safe haven for the office
park, the site lends itself to having the office park
located in the center of the project with control
gates at the four access roads that lead to it, while
the commercial plots surround the office park from
the other three sides and are directly accessible
to the main streets that adjoin the property.
Modern urban planning design trends around the
world are encouraging the design of pedestrian
only public areas. This trend encourages the
interaction of city dwellers and provides a safe
place for pedestrians to walk and enjoy. The main
concept of the design is built around the Oasis,
which is the main pedestrian plaza of the complex.

47 48
RENDERING
A N D
VISUALIZATION

51 52
“I know the price of success: dedication, hard work, and an unremitting devotion to the things you want to
see happen”
Frank Lloyd Wright

Ma'en Bata - Portfolio

Recommended

Recommended

More Related Content

What's hot

What's hot (19)

Similar to Ma'en Bata - Portfolio

Similar to Ma'en Bata - Portfolio (20)

Ma'en Bata - Portfolio