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Roland M-300: 32-Channel Live Digital Mixing Console
The M-300 V-Mixer provides powerful mixing capabilities with 32 mixing channels, 8 aux buses, and 4 matrices in a compact size. It integrates seamlessly with other Roland devices using REAC technology over Ethernet. The mixer has 4-band parametric EQ and dynamics processing on each channel as well as effects processors. It allows flexible system configurations and remote control capabilities. The M-300 is well-equipped for sound reinforcement and live production applications where space is limited.
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Roland M-300: 32-Channel Live Digital Mixing Console
- 2. Compact, uncompromising soundand features with impressive mixing capacity The M-300 V-Mixer is the ultimate solution for a variety of venues and applications. It provides a substantial mixing capacity of 32 mixing channels, 8 aux buses, and 4 matrices. The M-300 V-Mixer seamlessly integrates with other REAC devices. The user can directly operate the Digital Snake preamp, control an M-48 Personal Mixer, and set up the I/O for the S-4000M REAC Merge Unit. All of these features are contained in a very compact size and at a weight of 9.8kg (21 lbs 10 oz). The M-300 is the perfect choice for any venue with a limited set-up area, as well as for mobile sound reinforcement. Optional rack rails are also available.
- 3. Powerful Built-in ChannelEffects Equalization of channels and dynamics are the foundation of any great mix. The enhanced sound shaping abilities of the M-300 input channels include 4-band fully parametric EQ as well as gate and compression. A Key-In filter can be used for the Gate/Compressor to enable more expressive mixing. The 4 multi-effects processors can be set to use any of 11 different effects types. In addition to Reverb and Delay, modulation effects such as Chorus and Phaser are also available. The M-300’s busses are also equipped with 8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and Main output. The M-300 is fully equipped with all of the sound adjustment tools built-in and ready to go.
- 4. Built-in 2 REACPorts Allows Flexible System Configuration A 40ch 40ch 40ch 40ch 4xXLR 4xTRS 4xRCA 4xXLR 4xTRS 2xDigital Phones B 32 Mixing Ch L/C/R Outputs, 8 AUX, 4 Matrix
- 5. USB memory recorder/player Recordthe output of the M-300 Main, assigned AUX bus or MATRIX bus directly to a USB memory drive connected to the built-in USB port. A mix produced with the M-300 can be saved as an uncompressed WAV file, without the need for an external recorder. WAV files on the USB memory drive can also be played back on the M-300 and used for background music/tracks. User settings and mixer data can also be saved to a USB memory drive.
- 6. Advanced control surfacedesign The M-380 and M-400 V-Mixers are highly regarded for their ease of use and the M-300 continues this tradition starting with 17 - 100mm motorized faders. Central to the M-300’s operation is a high-resolution 800x480 pixel color display. Channel Parameters such as Gain, Pan, EQ and Dynamics can be comfortably operated from the Channel Edit section located on the left side of the display. All parameters can be instantly saved and recalled from Scene Memory. The layers of faders can be easily switched with the LAYER button. Faders can be accessed and arranged freely, and saved as a User Layer.
- 7. Control remotely usinga wireless LAN By enabling Remote Desktop Connection on a local PC directly connected to the M-300 via the USB, the M-300 can be controlled remotely from another PC using a wireless LAN. An iPad or tablet PC can be used to control the M-300 from a remote location. For example, you can be seated in the audience to adjust the house mix during the rehearsal, or stand onstage to adjust the monitor mix while consulting the stage performer. The M-300 enables new mixing possibilities that you could never achieve with an analog console.
- 8. Control remotely froma PC The M-300 can be controlled remotely in real-time from a PC (Windows) connected via the USB port. Mixing functions on the M-300 can be operated directly from a PC by using the M-300RCS dedicated control software which has the same GUI as the M-300 color display. The M-300RCS can also be operated in offline mode, allowing data for various settings to be created in advance and saved to a USB memory drive. When you get to the venue, load the settings and jump right into sound check and rehearsal.
- 9. Multi-channel recording toa DAW Forty channels of 24-bit audio can be recorded directly to a PC (Windows) by connecting a REAC port to the gigabit Ethernet port on the PC via a single Cat5e cable. Audio is recorded as individual WAV files using Cakewalk SONAR and can be mixed after recording using the powerful digital audio tools and effects in SONAR.
- 10. V-LINK - Audioand Visual Solution By connecting the MIDI input/output to the video switcher such as the V-1600HD, V-LINK automatically synchronizes the audio of the M-300 with the visual images allowing“audio follows video”.
- 11. Support and managementof multiple M-48 Live Personal MixersSupport and management of multiple M-48 Live Personal Mixers For the performing musician wanting the best possible sound quality and flexibility in their individual stage mix, the M-48 Live Personal Mixer offers control over 40 audio sources that can be easily managed in 16 assignable stereo groups. Configurations are straightforward with the ability to control, save and recall all connected M-48s from an M-5000, M-480, or M-200i Live Mixing Console allowing the FOH engineer to assist in setup and mixing.
- 12. Configuration Example: BasicM-300 System 28 Inputs : 16 Snake + 12 Console 18 Outputs : 8 Snake + 10 Console M-300 S-1608 REAC A Stage Front of House
- 13. Configuration Example: StandardM-300 System 44 Inputs : 32 Snake + 12 Console 26 Outputs : 16 Snake + 10 Console M-300 S-1608 S-1608 REAC A REAC B Stage Front of House
- 14. Configuration Example: StandardM-300 System with Analog Breakout 44 Inputs : 32 Snake + 12 Console 26 Outputs : 16 Snake + 10 Console Analog Split : 16 or 40 Outputs M-300 S-4000D S-0816 S-1608 S-1608 REAC A REAC B Stage Front of House Analog Breakout OR S-4000S-0040
- 15. Configuration Example: M-300System with M-300 Monitor/Broadcast Position 44 Inputs : 32 Snake + 12 Console 26 Outputs : 16 Snake + 10 Console Split : Monitor/Broadcast Position with 10 Console & 16 or 40 Snake Outputs S-4000D M-300 M-300 S-1608 S-1608 S-0816 S-4000S-0040 REAC A REAC B Stage Front of House Monitor/Broadcast REAC A REAC B OR
- 16. Configuration Example: StandardM-300 System with Personal Mixing 44 Inputs : 32 Snake + 12 Console 26 Outputs : 16 Snake + 10 Console Personal Mixers : Up to 8 per S-4000D (Connect multiple S-4000Ds inline to enable more M-48s) 1 8 M-300 S-1608 S-1608 M-48 M-48 M-48 M-48 M-48 M-48 M-48 M-48 S-4000D REAC BREAC A Stage Front of House
- 17. Configuration Example: M-300System with SONAR V-Studio 700 REAC Recording 28 Inputs : 16 Snake + 12 Console 18 Outputs : 8 Snake + 10 Console Record Split : Up to 40 Channels M-300 S-1608 VS-700C PC With SONAR Producer VS-700R I/O Cable USB Optional Word Clock REAC A REAC B Stage Front of House Recording & Post-Production
- 18. Part of TheV-Mixing System Total Integrated Solution REAC (Roland Ethernet Audio Communication) technology is the cornerstone of the V-Mixing System. REAC is Roland’s original technology for low latency, high quality digital audio transfer. REAC is an Ethernet based technology that enables multiple components to be easily integrated using lightweight Cat5e/6 cable. With just a single inexpensive cable, 40 input x 40 output channels of 24-bit uncompressed audio data (including level and control information) are transferred. Digital Snakes Enjoy superior clear sound, great intelligibility with minimal latency and the freedom to split or extend your audio sources anywhere. Bridging The S-MADI REAC Bridge enables connectivity b e t w e e n M A D I - e q u i p p e d d i g i t a l a u d i o mixers/systems to any REAC-based devices. Personal Mixers The M-48 is the “next generation” live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. REAC Driver The REAC driver enables users to capture up to 40 audio channels from a Digital Snake or V-Mixing System directly into most ASIO-based DAWs via Cat5e/6 cable. Recording Multi-channel recording and playback, including virtual rehearsal is accomplished with reliability and stability using the dedicated R-1000 48-Track Recorder/Player. R-1000 48-TRACK RECORDER/PLAYER S-RDK Roland REAC Driver S-MADI REAC MADI BRIDGE M-48 LIVE PERSONAL MIXER Digital Consoles Boasting powerful mixing engines to support multiple channels, buses, EQ, effects, dynamics processing and unprecedented digital patching, the V-Mixer lineup represents a premium console choice. More than a digital mixing console; it is the heart of a V-Mixing System ideal for any live event applications in corporate, church, education or rental/staging environments. your audio sources anywhere.your audio sources anywhere.
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Block Diagram MAIN RLRL SOLOAUX C1 2 3 4 5 6 7 8 RLCRL 1 2 3 4 5 6 7 8 MAIN SOLOAUX MTX 1 2 3 4 1 2 3 4 MTX D/A D/A ATT POST ATT PRE EQ PRE FADER POST FADER POST LIMITER POST DELAY POST DELAY POST DELAY FX INSERT MUTE FADER BAL EXT FX INSERT MAIN OUT L MAIN OUT R MAIN OUT C MONO OUT REAC A INPUT REAC B INPUT AUX 1–8 OUT MTX 1–4 OUT REC OUT L,R MONITOR OUT L CONSOLE OUTPUT 1–4 CONSOLE OUTPUT 5–8 DIGITAL OUT PHONES LEVEL PHONES OUT OPTICAL MONITOR OUT R OUTPUT PATCHBAY TO SOLO LIMITER DELAY ATT POST ATT PRE EQ PRE EQ PRE FADER PRE FADER POST FADER POST FADER POST LIMITER POST LIMITER FX INSERT MUTE FADER FADER BAL EXT FX INSERT ATT POST ATT FX INSERT EXT FX INSERT BAL MUTE TO SOLO SOLO SOLO TO MONITOR SEL TO REC SEL TO FX SOURCE SEL TO MONITOR SEL TO REC SEL LIMITER TO SOLO SOLO MONITOR SOLO LEVEL MONITOR LEVEL SOLO LOGICAUX 1 OUT AUX 8 OUT MTX 1 OUT MTX 4 OUT MAIN OUT LR MAIN OUT C MAIN OUT LCR MONO OUT REC OUT LR USB MEMORY RECORDER REC LEVEL PLAY LEVEL REC LEVEL REC SELECT AUX 1 OUT AUX 8 OUT 1 40 1 MAIN OUT L MAIN OUT R MAIN OUT C MAIN OUT L+C MAIN OUT R+C MONO OUT USB MEMORY RECORDER USB MEMORY TO INPUT PATCHBAY TO MONITOR SEL MAIN L, R, C MTX 1–4 AUX 1–8 MONITOR PRE EQ PRE FADER POST FADER PRE EQ PRE FADER POST FADER REAC A OUT 1 40 REAC B OUT DIRECT OUT 1-32 TALKBACK / OSC USB PLAYER L/R CONSOLE INPUT 1–12 D/A 40 To Monitor/Broadcast Console (M-300, M-380 or M-400) S-4000M MONITOR SELECT MTX 1 OUT MTX 4 OUT TO MONITOR SEL TO REC SEL TO MONO MIX MTX SEND 1–4 TO MTX 1, 3 TO MTX 2, 4 ONSEND MTX LINK PAN ONSEND MTX SEND 1–4 TO MTX 1, 3 TO MTX 2, 4 ONSEND MTX LINK PAN ONSEND TO MAIN L TO MAIN R TO MAIN C MAIN SEND PAN PAN (LCR) LR ON MAIN ON CENTER C ON LCR 8-BAND PEQ 8-BAND PEQ 8-BAND PEQ DELAY LIMITER DELAY DELAY DELAY D/A S-1608 OUTPUT 1–8 D/A S-0816 OUTPUT 1–16 8 OUTPUTS 16 OUTPUTS D/A SO-DA4 S-4000S MAX 40 OUTPUTS MAX 40 OUTPUTS SRC SO-AES4 AES/EBU D/A S-0808 OUTPUT 1–8 8 OUTPUTS MONO MIX 1 40 EXTERNAL FX OUT AFL ONPFL AFL PFL AFL PFL AFL AFL ON AFL ON To Monitor/Broadcast Console (M-300, M-380 or M-400) S-4000M D/A S-1608 OUTPUT 1–8 D/A S-0816 OUTPUT 1–16 8 OUTPUTS 16 OUTPUTS D/A SO-DA4 S-4000S MAX 40 OUTPUTS MAX 40 OUTPUTS To M-48 40 INPUTS SRC SO-AES4 AES/EBU D/A S-0808 OUTPUT 1–8 8 OUTPUTS L R C GR GR GR PHASE HPF COMPATT PREAMP KEY-IN GRGR KEY-IN POST HPFPOST ATT POST GATE POST COMP PRE EQ PRE FADER PRE EQ POST FADER PRE FADER POST FADER FX INSERT MUTE FADER PAN PAN (LCR) LR ON MAIN ONCENTER C ON EXT FX INSERT ON TO 1, 3...7 TO 2, 4...8 SEND AUX/MTX LINK LCR AUX SEND 1–8, MTX SEND 1–4 PAN SOLO KEY-IN SOLO TO SOLO TO SOLO KEY-IN SOLO PRE EQ PRE FADER POST FADER AFL(R) PFL(R) AFL(L) PFL(L) ONSEND DIRECT OUT POINT AFL ON TALKBACK / OSC LEVEL OSC ON OSC ON TALKBACK ON KEY-IN SOLO CH 1–32 TALKBACK / OSCILLATOR GATE/ EXP KEY-IN FILTER EFFECTS INPUT OUTPUT EFFECT FX 1 FX OUTPUT SELECT To CH 1 FX INSERT IN To CH 32 FX INSERT IN To AUX 1 FX INSERT IN To AUX 8 FX INSERT IN To MTX 1 FX INSERT IN To MTX 4 FX INSERT IN To MAIN L FX INSERT IN To MAIN R FX INSERT IN To MAIN C FX INSERT IN To INPUT PATCHBAY FX INPUT SELECT CH 1 FX INSERT OUT CH 32 FX INSERT OUT AUX 1 FX INSERT OUT AUX 8 FX INSERT OUT MTX 1 FX INSERT OUT MTX 4 FX INSERT OUT AUX 1 OUT AUX 8 OUT MAIN L FX INSERT OUT MAIN R FX INSERT OUT MAIN C FX INSERT OUT Same as the above FX 2 Same as the above FX 3 Same as the above FX 4 MUTE MUTE PRE EQ PRE PHASE PRE FADER POST FADER - SELF POST HPF - CH 1-32 DIRECT OUT - REAC A IN1–40 - REAC B IN1–40 - CONSOLE IN1–12 - SELF POST GATE - CH 1-32 DIRECT OUT - REAC A IN1–40 - REAC B IN1–40 - CONSOLE IN1–12 TO OUTPUT PATCHBAY TO OUTPUT PATCHBAY 4-BAND PEQ SEND LEVEL RETURN LEVEL EXT FX 1-4 EXT INSERT IN EXT INSERT OUT To CH 1 EXT FX INSERT IN To CH 32 EXT FX INSERT IN CH 1 EXT FX INSERT OUT CH 32 EXT FX INSERT OUT CONSOLE INPUT 5-8 TO CONSOLE OUTPUT 5-8 To AUX 1 EXT FX INSERT IN To AUX 8 EXT FX INSERT IN AUX 1 EXT FX INSERT OUT AUX 8 EXT FX INSERT OUT To MTX 1 EXT FX INSERT IN To MTX 4 EXT FX INSERT IN MTX 1 EXT FX INSERT OUT MTX 4 EXT FX INSERT OUT To MAIN L EXT FX INSERT IN To MAIN R EXT FX INSERT IN MAIN L EXT FX INSERT OUT MAIN R EXT FX INSERT OUT To MAIN C EXT FX INSERT INMAIN C EXT FX INSERT OUT SEND LEVEL RETURN LEVEL EXTERNAL FX KEY-IN FILTER GAINPHANTOM +48V A/D A/D MAIN SEND (FROM AUX 1-8) MTX SEND (FROM MAIN L, C, R) MTX SEND (FROM AUX 1-8) AUX 1-8 SOLO MAIN C SOLO MTX 1-4 SOLO MAIN L SOLO MAIN R SOLO INPUT PATCHBAY REAC A INPUT 1 TO OUTPUT PATCHBAY 40 CONSOLE INPUT 1–4 CONSOLE INPUT 5–8 REAC B INPUT 1 40 From FOH (M-300, M-380 or M-400) S-4000M FX 1 OUT L / R FX 2 OUT L / R FX 3 OUT L / R FX 4 OUT L / R USB PLAYER L / R TO EXTERNAL FX TO OUTPUT PATCHBAY A/DCONSOLE INPUT 9–12 GAINPHANTOM +48V A/D S-1608 INPUT1–16 PEAK SIG S-0816 INPUT1–8 16 INPUTS 8 INPUTS S-4000S SI-AD4 MAX 40 INPUTS MAX 40 INPUTS SRC SI-AES4 AES/EBU GAINPHANTOM +48V A/D PEAK SIG GAINPHANTOM +48V A/D PEAK SIG S-0808 INPUT 1–4 8 INPUTS INPUT 5–8 GAINPHANTOM +48V A/D GAIN PHANTOM +48V A/DHI-Z ON/OFF (7/8 ONLY) S-4000M GAINPHANTOM +48V A/D S-1608 INPUT1–16 PEAK SIG S-0816 INPUT1–8 16 INPUTS 8 INPUTS S-4000S SI-AD4 MAX 40 INPUTS MAX 40 INPUTS SRC SI-AES4 AES/EBU GAINPHANTOM +48V A/D PEAK SIG GAINPHANTOM +48V A/D PEAK SIG S-0808 INPUT 1–4 8 INPUTS INPUT 5–8 GAINPHANTOM +48V A/D GAIN PHANTOM +48V A/DHI-Z ON/OFF (7/8 ONLY) LEVELFREQ OSC MIC SELECT CONSOLE INPUT 1 CONSOLE INPUT 2 CONSOLE INPUT 3 CONSOLE INPUT 4 TALKBACK / OSC OUT
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