Lp1 narrative
•Download as PPTX, PDF•
2 likes•419 views
This document provides instructions and discussion questions for analyzing three short films: Kiwi, Reach, and Sonata. Students are asked to identify the plot elements of exposition, rising action, climax, falling action, and denouement for the film Kiwi. They also analyze the narrative structure and how characters try to achieve their goals in one of the two other films. Finally, students compare the narrative structures between two of the films and discuss what they learned.
Report
Share
Report
Share
Recommended
5. representation of gender mise en scene cine
The document provides instructions for analyzing representations of gender through techniques used in film and television production, including mise-en-scène and cinematography. It discusses the six main categories of mise-en-scène and how to analyze composition, framing, depth of field, and the rule of thirds. Students are asked to discuss in pairs how gender is signified through these techniques by examining example images and video clips. The goal is for students to understand how technical elements connote and represent gender in television drama.
Dramatic Elements of a Story
This document outlines various dramatic elements and techniques used in storytelling. It discusses key elements like theme, plot, subplot, conflict, obstacle, crisis, climax, and denouement. It also covers storytelling techniques such as backstory, exposition, preparation, planting, foreshadowing, hooks, jeopardy, reversals, flashbacks, suspension of disbelief, genre, and avoiding contrived coincidences. The document is intended as a guide for scriptwriters to understand fundamental components of crafting an effective narrative structure and story.
Media presentation
The document defines and describes various camera shots and angles used in filmmaking including:
- O-shoulder shot which shows what a character can see from another character's perspective.
- Three shot and two-shot which frame three or two people conversing.
- Long, medium long, medium, and close up shots which frame subjects from a distance to tightly.
- Extreme close up which fills the entire frame with a small detail like an eye to convey emotion.
Media unit 1 camera shot type (1)
The document discusses different types of camera shots used in films and television shows, including extreme close-ups, close-ups, medium shots, long shots, and two shots. Each shot type is defined and an example is given of an anime that uses that shot. Camera shots can be used to convey emotion, focus attention on details or the environment, and establish relationships between characters and their surroundings.
Camera work 101 by Tyler Drewe and Jake Murley
Our assignment was to use powerpoint to create a reference document on camera angles and shots, and then tp upload it onto slideshare.
Differnt types of camera shots
This presentation goes through some of the different camera shots used in photography and in the film industry.
Camera shots in tv drama
This document discusses different camera shots used in TV drama and how they can be interpreted. It defines shots like close-up, master shot, and point-of-view shots. It explains that denotative meanings refer to the literal description, while connotative meanings are what viewers infer about characters' emotions, attitudes, and relationships based on shots. Shots like close-ups are used in dramatic moments to show emotion, while two-shots focus on relationships between characters. The document encourages analyzing how camera shots in a sample video convey both denotative and connotative meanings.
Media presentation
An extreme long shot shows a wide landscape or building from far away. A long shot shows a character at a distance within their surroundings. A medium shot shows a character from the waist up, allowing viewers to see their reaction while also showing the background. A close up focuses on a character's head and shoulders with little background detail. An extreme close up zooms in on important details, objects, or gestures. A high angle shot makes a character seem watched from above or alone. A low angle shot makes a character seem larger or dominant by looking up at them.
Recommended
5. representation of gender mise en scene cine
The document provides instructions for analyzing representations of gender through techniques used in film and television production, including mise-en-scène and cinematography. It discusses the six main categories of mise-en-scène and how to analyze composition, framing, depth of field, and the rule of thirds. Students are asked to discuss in pairs how gender is signified through these techniques by examining example images and video clips. The goal is for students to understand how technical elements connote and represent gender in television drama.
Dramatic Elements of a Story
This document outlines various dramatic elements and techniques used in storytelling. It discusses key elements like theme, plot, subplot, conflict, obstacle, crisis, climax, and denouement. It also covers storytelling techniques such as backstory, exposition, preparation, planting, foreshadowing, hooks, jeopardy, reversals, flashbacks, suspension of disbelief, genre, and avoiding contrived coincidences. The document is intended as a guide for scriptwriters to understand fundamental components of crafting an effective narrative structure and story.
Media presentation
The document defines and describes various camera shots and angles used in filmmaking including:
- O-shoulder shot which shows what a character can see from another character's perspective.
- Three shot and two-shot which frame three or two people conversing.
- Long, medium long, medium, and close up shots which frame subjects from a distance to tightly.
- Extreme close up which fills the entire frame with a small detail like an eye to convey emotion.
Media unit 1 camera shot type (1)
The document discusses different types of camera shots used in films and television shows, including extreme close-ups, close-ups, medium shots, long shots, and two shots. Each shot type is defined and an example is given of an anime that uses that shot. Camera shots can be used to convey emotion, focus attention on details or the environment, and establish relationships between characters and their surroundings.
Camera work 101 by Tyler Drewe and Jake Murley
Our assignment was to use powerpoint to create a reference document on camera angles and shots, and then tp upload it onto slideshare.
Differnt types of camera shots
This presentation goes through some of the different camera shots used in photography and in the film industry.
Camera shots in tv drama
This document discusses different camera shots used in TV drama and how they can be interpreted. It defines shots like close-up, master shot, and point-of-view shots. It explains that denotative meanings refer to the literal description, while connotative meanings are what viewers infer about characters' emotions, attitudes, and relationships based on shots. Shots like close-ups are used in dramatic moments to show emotion, while two-shots focus on relationships between characters. The document encourages analyzing how camera shots in a sample video convey both denotative and connotative meanings.
Media presentation
An extreme long shot shows a wide landscape or building from far away. A long shot shows a character at a distance within their surroundings. A medium shot shows a character from the waist up, allowing viewers to see their reaction while also showing the background. A close up focuses on a character's head and shoulders with little background detail. An extreme close up zooms in on important details, objects, or gestures. A high angle shot makes a character seem watched from above or alone. A low angle shot makes a character seem larger or dominant by looking up at them.
Unit 1 shot types
This document defines and provides examples of various camera shot types used in filmmaking, including extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, interviewer looks into space shot, moving subject shot, high angle shot, low angle shot, and tilted frame. Each shot type is described in terms of what part or parts of the subject's body it captures and how it is typically used to convey emotion, context, or perspective.
camera lighting and soundsc
Lighting is very important in horror films, with low level lighting used to create a creepy atmosphere through darkness. Over the shoulder shots are commonly used to show perspectives between characters during conversations, while medium close ups capture emotions without being too close. High and low angle shots provide different perspectives to show characters' vulnerability or intimidation. Synchronous sounds and non-diegetic music are also important for setting atmosphere and building suspense.
Unit1 Shot types
This document describes various camera shots including extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, interview looks into space, moving subject walks into space, high angle shot, low angle shot, and tilted frame shot. Each shot type is defined and an example is provided from a film to illustrate how it can be used to convey emotion, emphasis different elements, establish scenes, and make viewers feel uneasy.
Camera shots revise
This document discusses various camera shots, angles, and movements used in filmmaking. It defines shots like wide shots, establishing shots, master shots, medium shots, close-ups, extreme close-ups, insert shots, reaction shots, and point-of-view shots. It explains the purpose and effect of each type of shot, such as establishing the location or emphasizing emotion. It also defines camera angles like low angles, high angles, Dutch tilts, and their effects on the audience's perspective.
Camera Shots for Drama genre film
The document discusses different types of camera shots including close-ups, long shots, birds eye/high angle shots, over the shoulder shots, medium shots, and extreme close ups. It provides examples of when each shot would be used and how it directs the audience's attention. Close-ups emphasize facial expressions or important objects. Long shots show the subject and surroundings. Birds eye shots are from above to provide perspective. Over the shoulder shots show conversations. Medium shots focus on the character from waist up. Extreme close ups add tension by focusing entirely on a small detail like eyes or an object.
Session 1A film elements: Film Appreciation Course (Hum 3)
The document discusses the essential elements that make up a film, including the story, characters, setting, theme, and style. It describes how the story involves a plot with a beginning, middle, and end as well as cause and effect relationships. Characterization involves defining the main protagonist and antagonist roles that drive the story forward. The setting, theme, and director's style come together to provide context and convey the overall message of the film.
Tomlinson unit 1 camera shots
This document summarizes different types of camera shots, including extreme close-up, close-up, big close-up, medium long shot, long shot, very long shot, over the shoulder shot, high angle shot, low angle shot, tilted frame, two shot, moving subject shot, and interview shot. Each shot type is defined and its purpose in conveying emotion, establishing scenes, characters, and situations is described briefly.
Media Studies Exam Section A: Moving Image
The document provides guidance on answering exam questions about analyzing film clips. It discusses conventions of the action/adventure genre that could be used to answer Question 1, including heroic characters, dangerous events, and requiring examples from the clip. For Question 2 on film techniques, it recommends using terminology related to soundtrack, editing, mise-en-scene, and camerawork, and focusing answers on specific examples from the clip. Question 3 involves discussing representations in the clip by referring to stereotypes and using clip examples.
Single Camera Techniques
Different types of single camera shots are described including establishing shots, master shots, tracking shots, cutaways, various camera angles like eye level and low angle, framing techniques like wide shots and close-ups, and point-of-view shots. Examples are provided from films to illustrate each type of shot, showing how they are used to provide context, focus attention on characters, follow action, and convey meaning through visual techniques. The document provides a comprehensive overview of fundamental cinematic camera shots and their purposes.
Editing and Representation
This document defines key editing terms and discusses how they can be used to represent characters and narratives. It examines editing techniques like action matching, eyeline matching, final shots, intercutting, jump cuts, motivation, pace of editing, prevalence, selection, and shot/reverse shot. These techniques are analyzed in clips from shows like Dr. Who, Skins, Primeval, and Misfits to show how editing can represent characters, their relationships, and importance to the story. The document prompts analyzing representation through editing in a clip and considering camera work, sound, mise-en-scene, and other techniques.
Camera angles presentation
The document discusses different camera angles used in filmmaking and provides examples. It describes close-up shots that focus on a small part of a scene like a face, extreme close-ups that magnify a small detail, and long shots that show more of the background. It also covers high and low angle shots that position the camera above or below eye-level to change perspective, and establishing shots like extreme long shots that set the scene. Each shot conveys a different meaning and level of detail and could be used in different genres for dramatic or descriptive effect.
CINEMATOGRAPHY IN ROMANTIC COMEDY
The document discusses various cinematography techniques commonly used in romantic comedies. It analyzes shots such as the over-the-shoulder shot, two shot, close-up, mid-shot, long shot, and extreme long shot. Each shot type is defined and an example is given from a romantic comedy film to illustrate how it can effectively portray relationships and emotions between characters.
Mise en scene Lectures One and Two
This is a combination of the mise en scene lectures. It may be a bit different from the class version but it contains the same information.
Session 2 Film Elements (SY 2015)
This document provides an overview of mimetic elements in film including definitions of mimesis, suspension of disbelief, and quid pro quo. It then discusses the key elements of film - story, character, setting, theme, and style. Under each element, various concepts are defined and discussed such as plot structures, character archetypes, how setting provides context, how themes convey broader ideas, and how a director's style is their personal touch. Specific film examples are provided to illustrate different concepts. The document concludes by noting the common use of sex and music in films.
Different types of camera shots
This document defines and describes different types of camera shots, including extreme close-up, close-up, head and shoulders, bust, medium, medium long, long, extra long, two shot, over shoulder, and three shot. Each shot size is defined based on what body parts or amount of the subject is included in the frame. Shots range from extreme close-ups of just a face to extra long shots capturing a subject from a quarter mile away. The different shot sizes allow filmmakers to set the scene and capture varying levels of detail.
Camera Angle's Research 1 (Party Scene)
The document discusses using camera techniques to portray a stereotypical teenage party scene. It analyzes clips from the TV show "Skins" to identify camera angles frequently used, including canted angles, close-ups, and handheld shots. Canted angles and close-ups are used to show the effects of drugs and alcohol on characters' states of mind and relationships. Handheld and unsteady shots help create a first-person perspective to make the audience feel part of the chaotic scene. Quick cuts between shots increase the fast pace to depict characters in an excited state.
Comparison Table
This document analyzes various film techniques used in different movies, including The Usual Suspects, V for Vendetta, Fight Club, and District 9. It examines elements such as camera work, framing, lighting, editing, sound, positioning of characters, and movement within shots. The techniques are described in technical terms such as camera angles, mise-en-scene, cutting rates, and use of non-diegetic elements.
Connotations of ancillary drafts
This document discusses draft poster and magazine cover designs for a horror film. Three drafts of posters and magazine covers are described. The most effective poster draft features a medium close-up of the boy in bed with his teddy, implying vulnerability, with the antagonist lurking in the background wood, connoting isolation and the supernatural. The most effective magazine cover draft also features a medium shot of the boy with direct address and a shadow building intrigue, using low key lighting and a dark background to imply entrapment and the antagonist's presence.
X2 directed by Bryan Singer
A visual text study for year 10. The students study film techniques, characters, themes and symbolism in the film.
Action adventure films intro
This document provides information about an exam section on action adventure films. It will involve watching a 3-5 minute clip from an action adventure film 4 times. Students can take notes during the last 3 viewings. They will then have 30-35 minutes to answer questions testing their understanding of genre, media language, and representation. The questions relate both to the clip shown and the action adventure genre as a whole.
Video analysis template
This document provides templates and guidelines for analyzing music videos, including:
1) Sections for documenting basic video information, the star/artist's projected image, how the record company markets the artist, and recurring themes.
2) Guidance on analyzing the target audience, relationship between lyrics and visuals, and intertextual references.
3) Notes on evaluating elements like editing, special effects, and transitions.
It also includes descriptions of common narrative structures like Freytag's pyramid to help outline plot points.
More Related Content
What's hot
Unit 1 shot types
This document defines and provides examples of various camera shot types used in filmmaking, including extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, interviewer looks into space shot, moving subject shot, high angle shot, low angle shot, and tilted frame. Each shot type is described in terms of what part or parts of the subject's body it captures and how it is typically used to convey emotion, context, or perspective.
camera lighting and soundsc
Lighting is very important in horror films, with low level lighting used to create a creepy atmosphere through darkness. Over the shoulder shots are commonly used to show perspectives between characters during conversations, while medium close ups capture emotions without being too close. High and low angle shots provide different perspectives to show characters' vulnerability or intimidation. Synchronous sounds and non-diegetic music are also important for setting atmosphere and building suspense.
Unit1 Shot types
This document describes various camera shots including extreme close-up, big close-up, close-up, medium close-up, medium shot, medium long shot, long shot, very long shot, two shot, over the shoulder shot, interview looks into space, moving subject walks into space, high angle shot, low angle shot, and tilted frame shot. Each shot type is defined and an example is provided from a film to illustrate how it can be used to convey emotion, emphasis different elements, establish scenes, and make viewers feel uneasy.
Camera shots revise
This document discusses various camera shots, angles, and movements used in filmmaking. It defines shots like wide shots, establishing shots, master shots, medium shots, close-ups, extreme close-ups, insert shots, reaction shots, and point-of-view shots. It explains the purpose and effect of each type of shot, such as establishing the location or emphasizing emotion. It also defines camera angles like low angles, high angles, Dutch tilts, and their effects on the audience's perspective.
Camera Shots for Drama genre film
The document discusses different types of camera shots including close-ups, long shots, birds eye/high angle shots, over the shoulder shots, medium shots, and extreme close ups. It provides examples of when each shot would be used and how it directs the audience's attention. Close-ups emphasize facial expressions or important objects. Long shots show the subject and surroundings. Birds eye shots are from above to provide perspective. Over the shoulder shots show conversations. Medium shots focus on the character from waist up. Extreme close ups add tension by focusing entirely on a small detail like eyes or an object.
Session 1A film elements: Film Appreciation Course (Hum 3)
The document discusses the essential elements that make up a film, including the story, characters, setting, theme, and style. It describes how the story involves a plot with a beginning, middle, and end as well as cause and effect relationships. Characterization involves defining the main protagonist and antagonist roles that drive the story forward. The setting, theme, and director's style come together to provide context and convey the overall message of the film.
Tomlinson unit 1 camera shots
This document summarizes different types of camera shots, including extreme close-up, close-up, big close-up, medium long shot, long shot, very long shot, over the shoulder shot, high angle shot, low angle shot, tilted frame, two shot, moving subject shot, and interview shot. Each shot type is defined and its purpose in conveying emotion, establishing scenes, characters, and situations is described briefly.
Media Studies Exam Section A: Moving Image
The document provides guidance on answering exam questions about analyzing film clips. It discusses conventions of the action/adventure genre that could be used to answer Question 1, including heroic characters, dangerous events, and requiring examples from the clip. For Question 2 on film techniques, it recommends using terminology related to soundtrack, editing, mise-en-scene, and camerawork, and focusing answers on specific examples from the clip. Question 3 involves discussing representations in the clip by referring to stereotypes and using clip examples.
Single Camera Techniques
Different types of single camera shots are described including establishing shots, master shots, tracking shots, cutaways, various camera angles like eye level and low angle, framing techniques like wide shots and close-ups, and point-of-view shots. Examples are provided from films to illustrate each type of shot, showing how they are used to provide context, focus attention on characters, follow action, and convey meaning through visual techniques. The document provides a comprehensive overview of fundamental cinematic camera shots and their purposes.
Editing and Representation
This document defines key editing terms and discusses how they can be used to represent characters and narratives. It examines editing techniques like action matching, eyeline matching, final shots, intercutting, jump cuts, motivation, pace of editing, prevalence, selection, and shot/reverse shot. These techniques are analyzed in clips from shows like Dr. Who, Skins, Primeval, and Misfits to show how editing can represent characters, their relationships, and importance to the story. The document prompts analyzing representation through editing in a clip and considering camera work, sound, mise-en-scene, and other techniques.
Camera angles presentation
The document discusses different camera angles used in filmmaking and provides examples. It describes close-up shots that focus on a small part of a scene like a face, extreme close-ups that magnify a small detail, and long shots that show more of the background. It also covers high and low angle shots that position the camera above or below eye-level to change perspective, and establishing shots like extreme long shots that set the scene. Each shot conveys a different meaning and level of detail and could be used in different genres for dramatic or descriptive effect.
CINEMATOGRAPHY IN ROMANTIC COMEDY
The document discusses various cinematography techniques commonly used in romantic comedies. It analyzes shots such as the over-the-shoulder shot, two shot, close-up, mid-shot, long shot, and extreme long shot. Each shot type is defined and an example is given from a romantic comedy film to illustrate how it can effectively portray relationships and emotions between characters.
Mise en scene Lectures One and Two
This is a combination of the mise en scene lectures. It may be a bit different from the class version but it contains the same information.
Session 2 Film Elements (SY 2015)
This document provides an overview of mimetic elements in film including definitions of mimesis, suspension of disbelief, and quid pro quo. It then discusses the key elements of film - story, character, setting, theme, and style. Under each element, various concepts are defined and discussed such as plot structures, character archetypes, how setting provides context, how themes convey broader ideas, and how a director's style is their personal touch. Specific film examples are provided to illustrate different concepts. The document concludes by noting the common use of sex and music in films.
Different types of camera shots
This document defines and describes different types of camera shots, including extreme close-up, close-up, head and shoulders, bust, medium, medium long, long, extra long, two shot, over shoulder, and three shot. Each shot size is defined based on what body parts or amount of the subject is included in the frame. Shots range from extreme close-ups of just a face to extra long shots capturing a subject from a quarter mile away. The different shot sizes allow filmmakers to set the scene and capture varying levels of detail.
Camera Angle's Research 1 (Party Scene)
The document discusses using camera techniques to portray a stereotypical teenage party scene. It analyzes clips from the TV show "Skins" to identify camera angles frequently used, including canted angles, close-ups, and handheld shots. Canted angles and close-ups are used to show the effects of drugs and alcohol on characters' states of mind and relationships. Handheld and unsteady shots help create a first-person perspective to make the audience feel part of the chaotic scene. Quick cuts between shots increase the fast pace to depict characters in an excited state.
Comparison Table
This document analyzes various film techniques used in different movies, including The Usual Suspects, V for Vendetta, Fight Club, and District 9. It examines elements such as camera work, framing, lighting, editing, sound, positioning of characters, and movement within shots. The techniques are described in technical terms such as camera angles, mise-en-scene, cutting rates, and use of non-diegetic elements.
Connotations of ancillary drafts
This document discusses draft poster and magazine cover designs for a horror film. Three drafts of posters and magazine covers are described. The most effective poster draft features a medium close-up of the boy in bed with his teddy, implying vulnerability, with the antagonist lurking in the background wood, connoting isolation and the supernatural. The most effective magazine cover draft also features a medium shot of the boy with direct address and a shadow building intrigue, using low key lighting and a dark background to imply entrapment and the antagonist's presence.
What's hot (19)
Session 1A film elements: Film Appreciation Course (Hum 3)
Session 1A film elements: Film Appreciation Course (Hum 3)
Similar to Lp1 narrative
X2 directed by Bryan Singer
A visual text study for year 10. The students study film techniques, characters, themes and symbolism in the film.
Action adventure films intro
This document provides information about an exam section on action adventure films. It will involve watching a 3-5 minute clip from an action adventure film 4 times. Students can take notes during the last 3 viewings. They will then have 30-35 minutes to answer questions testing their understanding of genre, media language, and representation. The questions relate both to the clip shown and the action adventure genre as a whole.
Video analysis template
This document provides templates and guidelines for analyzing music videos, including:
1) Sections for documenting basic video information, the star/artist's projected image, how the record company markets the artist, and recurring themes.
2) Guidance on analyzing the target audience, relationship between lyrics and visuals, and intertextual references.
3) Notes on evaluating elements like editing, special effects, and transitions.
It also includes descriptions of common narrative structures like Freytag's pyramid to help outline plot points.
Lesson 9 narrative
This document provides information on narrative structure and analysis for two American films from the same genre. It defines key terms like protagonist, antagonist, narrative, and story. It discusses Aristotle's and Todorov's theories of narrative structure. It also covers narrative devices, binary oppositions, Propp's character types, and how character motivations and conflicts drive narrative. The purpose is to equip students with tools to compare and critically analyze the narratives of two American films from the same genre for an exam.
Slumdog Millionaire
The film Slumdog Millionaire follows the story of Jamal Malik, an 18-year-old orphan from the slums of Mumbai who is a contestant on the Indian version of "Who Wants to Be a Millionaire?". As he advances through the game show, it is revealed that the questions he is asked trigger memories of his childhood experiences living in the slum with his brother Salim. Through a series of flashbacks, Jamal's journey from the slums to the game show is shown, including the hardships he faced and his lifelong search for his childhood love Latika. The film combines Jamal's present-day experiences on the game show with flashbacks to his past to tell his
Cinematography for Foundation Portfolio
This document discusses various cinematography techniques used in film and their effects, including:
- Establishing shots introduce settings. Medium shots show body language. Close-ups draw attention to expressions or objects.
- Shot angles like low angles make characters seem dominant while high angles suggest weakness.
- Framing can be open, suggesting freedom, or closed, implying entrapment.
- The rule of thirds and eye lines convey emotions. Depth of field separates foreground, middle ground, and background focus.
Activities ask to identify techniques used in film openings and magazine designs and consider how they influence the student's own work.
Gr 5 lesson 2 theatre
The document provides lesson plans for teaching students about James Forten, an influential African American abolitionist who fought as a privateer during the American Revolution. Students will read about Forten's life, then work collaboratively in small groups to create tableaux and pantomime scenes depicting key events from the text. They will also summarize the main ideas of their scenes in writing. An extension activity gives students the opportunity to improvise dialogue for their scenes to demonstrate inferences about the characters and events.
Assignment 1 task 1 unit 10 a
This document provides an assignment checklist for a unit on narrative and genre in film. It includes tasks to produce an illustrated report discussing elements of narrative like structure, characters, themes and key terms. Students are asked to analyze examples of short films and film openings using the concepts studied. The document also defines important narrative and genre terms, and discusses theories of narrative structure from scholars like Syd Field, Todorov and Campbell. It outlines Nicholas Lacey's framework for analyzing genre and asks students to apply it in their genre analyses.
Video production presentation pdf
Video Production
by- Nihal Ghosarwade- points covered- Ideating a video, characters, conflict, resolution, communicate your ideas, camera angles, level shots, Aerial shots, Mise-en-scene, lights, green room, chroma keying, studio lights, color temperature, depth of field. Hope it will help you out.
Year10 1/11/07
This document outlines the objectives, coursework, and activities for a GCSE Media Studies class. The objectives are to develop skills in analyzing media, practical skills like filmmaking, and creating magazines or comics. The coursework includes four pieces, one of which involves planning and creating an original media production. Other assignments can be written, practical, or a combination. There is also a timed exam. Topics covered include film narrative structure, writing a film treatment, creating a film budget, and practicing unusual camera shots.
04.narrative structure in films
The document discusses narrative structure in film and how films tell stories. It explains that narrative form provides the structure through which movies convey plots and that narratives are common in many types of media from novels to television shows. The narrative typically involves a string of causally connected events that unfold over time, beginning with an initial situation and equilibrium that is disrupted by a change in events, leading to a new conclusion and restored equilibrium. Key elements of narrative structure in films are also outlined, including exposition, rising action, climax, falling action, and resolution.
scriptwriting lecture.pdf
The document provides an overview of script writing for film. It begins by introducing the concepts of acts and plot twists in a typical script structure. It then discusses how scripts are broken down into scenes through sluglines and how action and dialogue are formatted. The document provides examples and tips for writing better action, dialogue, and developing characters. It emphasizes that writing scripts is a craft that takes practice and encourages readers to read more scripts and build up their vocabulary.
Writing a film script (introduction to the basics)
The document is a lecture on script writing and film production. It begins by introducing the basic structure of a film script, which is broken into three acts with plot twists at the end of each act. It then discusses the components of a scene, including the slugline at the beginning which identifies the location and time. The main parts of a scene are the action, which describes what the characters are doing, and the dialogue, which is what the characters say. It emphasizes that script writing takes practice and developing believable characters through understanding their motivations and backgrounds.
Tv production junior-university (Universitat de Vic) - Summer School Campus
Tv production junior-university (Universitat de Vic) - Summer School CampusRsearcher - Professor - Producer
This document provides an overview of concepts related to TV production, including basic shots and camera movements, types of shots, script development, and TV genres. It discusses the multi-stage script writing process from initial idea to final script. It also outlines the human production team and technical workspaces involved in TV production. Key points covered include storyboarding, problems with different shot lengths, composition methods, and common TV genres like news broadcasts.The Matrix PBL Film Study (L1 English)
This document outlines learning activities for studying the film The Matrix. It includes 7 categories of activities: starter exercises, plot/narrative exercises, close reading exercises, character exercises, theme exercises, and an important relationships exercise. Students must complete at least 5 activities total, including 1 essay plan and 1 practice essay. The activities are designed to develop different skills and engage various learning styles.
Afie l3 narrative
This document provides an overview of narrative theory and techniques relevant to analyzing the 2013 British film A Field in England. It defines key concepts in narrative including plot, story, linear and non-linear structures, character archetypes from Propp and Levi-Strauss, and narrative devices. It then prompts the reader to apply these concepts in analyzing the narrative of A Field in England and discusses how characters relate to audience appeal. Homework involves writing an essay on the importance of characters in A Field in England and other texts using relevant terminology and theory.
Action adventure 1 2 3
The document provides information about an upcoming exam on the action adventure genre, including the time allotted, tasks that will be covered, and conventions of the genre that students need to understand. It discusses common elements of action adventure films like settings, narratives, characters, and icons. Students are asked to analyze film posters and clips to identify action and adventure elements. They also discuss representation of masculinity and how the role of women, such as the "princess" character, has changed in the genre.
Fiction.ppt
This document provides an overview of key elements for writing fiction, including characters, plot, and setting. It discusses the differences between essays and stories, explores different types of plots and plot devices, and offers tips for developing characters, scenes, and imagery. The document emphasizes showing rather than telling, using specific details, and avoiding generic characters. It also briefly touches on commercial screenwriting concepts like loglines and genres. The document aims to give writers a crash course in the essential building blocks of crafting a story.
Y11 Unit 3 Performance Exploration
Contains tasks for this week exploring given circumstances, creating a french scene analysis and a mood board.
Lp5 location setting
This document provides discussion questions and tasks about analyzing settings and locations in short films. Students are asked to describe areas in their school without naming them, watch the short film "Two Cars, One Night" and analyze the interior and exterior settings, discuss how environment can affect people, write about how locations can add to stories in short films, and analyze the use of cars as settings and the implications of the nighttime setting in "Two Cars, One Night". The document guides students through exercises to thoughtfully consider how settings impact narratives and themes in short films.
Similar to Lp1 narrative (20)
Writing a film script (introduction to the basics)
Writing a film script (introduction to the basics)
Tv production junior-university (Universitat de Vic) - Summer School Campus
Tv production junior-university (Universitat de Vic) - Summer School Campus
More from krowland
AT
This document discusses theories about audiences for media texts. It begins by asking why audiences are important to study and outlines some key definitions of "audience." It then differentiates between audience research, which tries to understand relationships between media and audiences, and audience theory, which describes ways of thinking about audiences. The document analyzes several audience theories, including effects theories that see media as influencing audiences, and uses and gratifications theories that see audiences as active. It notes the debate around measuring media effects and emphasizes the diversity of audiences.
Q1a a2 g322 exam section a
This document provides guidance for a media exam, including:
- The exam is 2 hours with 2 sections, spending 1 hour on each. Section B is worth most marks.
- Section A questions are based on coursework, with question 1(a) requiring discussion of skills progression from AS to A2 levels across areas like research and planning, using examples from both levels of coursework.
- Question 1(b) requires discussion of one selected coursework product in more depth. Strong answers provide specific examples, evaluation, and show development over time using production and conceptual terminology.
Lp1 q1a
Here are the steps to set up your blog:
1. Go to your blog dashboard and create a new page called "A2 Media Exam"
2. Under that page, create subpages for "Exam Section A Q1a", "Exam Section 1b" and "Exam Section B"
3. Copy and paste the relevant information from this lesson onto the appropriate subpages.
This will help you organize the exam information in a clear, accessible way online as you prepare. Let me know if you have any other questions!
1 b a2 g322 exam section a
This document provides guidance for a media exam, including:
- The exam is 2 hours with 2 sections, spending 1 hour on each. Section B is worth more marks.
- Section A includes multiple choice questions sorting theorists and analyzing a coursework product.
- Section B involves applying a theoretical concept (representation, audience, narrative, or genre) to a coursework product. Strong answers outline the concept, apply it to specific examples, and discuss the relationship to the product.
- Advice is given on choosing a coursework product, using terminology, and understanding the concept to score well on the question.
Q1a creativity
This document discusses creativity and how it relates to media coursework. It defines creativity as thinking imaginatively and generating something original. It notes that creativity is often influenced by social and cultural factors. When evaluating their own coursework, students should consider elements like composition, representation, narrative, language, and how technology may have enabled creative expression. There is no absolute definition of creativity; it depends on social comparison. Students should reflect on whether their work was a creative "knowledge object" or "art object" and how they communicated their purpose and ideas through stylistic techniques.
Human: Thank you, that is a concise 3 sentence summary that captures the key points about how the document discusses creativity and how students can reflect on
Year 9 – short film chracterisation & symbolism essay
The document provides guidance for a Year 9 student to write an essay exploring how symbolism and characterization are used in the short films "Two Cars One Night" and "The Most Beautiful Man in the World". It outlines how to structure the essay with an introduction, four body paragraphs analyzing different aspects of characterization and symbolism, and a conclusion. The introduction should name the films, define key terms, and introduce characters. Body paragraphs should discuss how description, actions, dialogue, and thoughts reveal characters. Symbols representing personality aspects should also be analyzed. The conclusion should summarize each film's techniques and effectiveness, making a judgment on which does it best.
Year 9 – short film characterisation essay
The document provides guidance for a Year 9 student to write an essay analyzing the characterization in the short films "Two Cars One Night" and "The Most Beautiful Man in the World." It includes an essay plan with four paragraphs: the first analyzing characterization through visual description; the second through character actions; the third through dialogue; and the fourth through body language interpretation of thoughts. Students are instructed to structure their essay using PEE paragraphs and film terminology like camera angles, shots, and mise-en-scene elements. The conclusion should summarize each film's characterization techniques and judge which was more successful.
Lp9 representation
This document discusses the concept of representation in film. It provides examples of how characters in the short film "Two Cars, One Night" may represent different people and social groups. It also considers the potential target audiences of the film and the relationship between the audiences and characters. Students are asked to analyze representation and audience response for other films as well.
Lp8 symbols essay
This document provides guidance for writing an essay analyzing symbolism in short films. Students are asked to discuss the importance of symbols in the films The Most Beautiful Man in the World, The Man with the Beautiful Eyes, and optionally Two Cars, One Night, comparing common symbols between films and analyzing their different functions. Students are instructed to gather evidence from brainstorm diagrams and notes on symbols, and to structure their essay using either Point Evidence Explain or Point Quote Comment.
Lp7 symbolism
This document discusses symbolism in short films. It provides objectives about understanding symbolism and extracting meaning from symbols. It includes examples of symbols from the films "The Most Beautiful Man in the World" and "The Man with the Beautiful Eyes" such as a pond, beetle, goldfish pond, bamboo. It asks the reader to identify symbols in the films and what they might represent. It also discusses how symbols can represent qualities, ideas, or be connected to things in people's minds. Questions are provided about what specific symbols might represent in the analyzed films.
Lp6 character
This document provides guidance for analyzing character motivation and characterization in short films. It discusses exploring how characters are presented and motivated through their backgrounds, desires, and goals. It prompts analyzing two short film clips, focusing on impressions of different characters and interpreting clues about their true nature. It challenges the reader to compare a character between a poem and its film adaptation, unraveling what was added and why by the filmmaker.
Lp4 mise en scene
This document discusses the film technique of mise-en-scène. It defines mise-en-scène as referring to all visual elements of a film, including shot selection, composition, lighting, props, and technical camera aspects. Students are asked to observe and take notes on how lighting and other mise-en-scène elements like props are used in two short film clips screened in class, and then compare and contrast the use of these techniques between the two films.
Lp3 sound
The document discusses the use of sound in film. There are four types of sound: music, dialogue, sound effects, and silence or atmospheric sound. Sound can be either diegetic (part of the narrative world) or non-diegetic (added after filming and not heard by characters). Students listened to and analyzed clips from three short films to identify different uses of sound and how they impact atmosphere, characters, and the story.
Lp2 camera
1. The document discusses how camera shots and angles are used in film to create meaning and influence the audience's perspective. It explains common shot types like long shots, mid shots, and close ups.
2. Camera angles like high and low angles are used to make characters seem powerful or weak. Distorted angles can make a scene seem frightening or unsettling.
3. As an exercise, students are asked to draw a series of images using different camera techniques to tell the story of a stickman trying to get fat, and annotate how each shot creates meaning.
Lp10 making meaning
1) The document provides background information and analysis prompts about the short film "Two Cars, One Night."
2) It discusses the film's director and career. It also details the Maori culture and significance of tattoos to help understand a character in the film.
3) Students are tasked to analyze how the film conveys its meaning and messages through elements like narrative, camerawork, setting, characters and symbols. They must tie these ideas together in a group presentation.
Txtengglanglit
This chapter discusses different writing formats that students may encounter in GCSE English exams and in everyday life. It outlines the key features of articles, reports, letters, leaflets, reviews, and speeches. The chapter provides examples of each format and tasks for students to practice writing in these formats. It emphasizes the importance of being able to recognize different writing styles and adapting one's own writing for specific purposes and audiences.
We media and citizen journalism
This document discusses how citizen journalism and social media are changing how news is reported and shared. It provides examples of alternative news sites run by non-professional journalists and bloggers that cover specific topics. It also lists links to talks about how new media technologies like cell phones and social networks can empower individuals to participate in sharing news and influencing historical events. One talk presents an optimistic view while another link presents a more opposing view on this issue.
Structure for a2 exam section a
This document provides guidance on structuring responses for Section A of the OCR A2 media exam. For question 1a, it recommends a 5 paragraph structure: paragraph 1 introduces the projects, paragraph 2 discusses an initial skill and example, paragraphs 3 and 4 demonstrate skill development across early and later projects with examples, and paragraph 5 is a short conclusion. For question 1b, it recommends a 5 paragraph structure: paragraph 1 introduces the project, paragraph 2 outlines key concepts, paragraph 3 applies the concepts to the project with close references, paragraph 4 discusses how the concepts work and may be challenged in relation to the project, and paragraph 5 is a conclusion. It emphasizes analyzing the finished production within the time limit.
C4 styleguide
The document outlines visual identity guidelines for Channel 4's off-air branding and logo usage. It describes the key elements of the visual identity, including the logo, color palette, typography, and imagery. Guidelines are provided for proper usage of the logo, including minimum size, preferred positioning, and maintaining clear space around it. The style guide aims to establish branding consistency across all off-air materials such as print advertising, literature, and other branded content.
More from krowland (20)
Year 9 – short film chracterisation & symbolism essay
Year 9 – short film chracterisation & symbolism essay
Recently uploaded
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
原版一模一样【微信：741003700 】【(uow毕业证书)卧龙岗大学毕业证文凭学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
原版纸张【微信：741003700 】【(osu毕业证书)美国俄勒冈州立大学毕业证，双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
Follow us on: Pinterest
Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Top IPTV UK Providers of A Comprehensive Review.pdf
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Recently uploaded (20)
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
I Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledge
Top IPTV UK Providers of A Comprehensive Review.pdf
Top IPTV UK Providers of A Comprehensive Review.pdf
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
Lp1 narrative
- 2. Have you ever wanted something or wanted to be something that seemed impossible? Describe this situation. What happened?
- 4. Discussion 1.What does each main character want? 2.How does each character try to achieve his goal? 3.Are the characters successful? Why or why not?
- 5. Freytag’s triangle if Narrative structure
- 6. Task Identify the exposition, rising action, climax, falling action, and denouement in the short film “Kiwi!”
- 7. Exposition: pulling the rope; scales off the side of a cliff
- 8. Rising Action: hammering trees to the side of the cliff
- 9. Climax: jumps off the cliff (no turning back)
- 10. Falling action: falls through the trees; appears to be flying
- 11. Denouement: sprouts small wings; disappears into clouds
- 12. Task Small groups will pick either “Reach” or “Sonata” to use, As a group you must fill in Freytag’s triangle with the main components of either short film. Then you must answer why you chose those instances as the components of the narrative.
- 13. Extension Compare/contrast the narrative structure in two of the films – how do they convey their message?
- 14. Feedback Feedback to the class on your choices for how the narrative fits Freytag’s triangle.
- 15. Plenary What are 3 things that you think I wanted you learn from today’s lesson? Write them out in your books as objectives.
- 16. The End You have just watched and analysed three short films. In this unit of work we will be focussing on the form of short film and analysing how we make meaning from various filmic techniques.