The document discusses how librarians are thinking more about outreach, engagement, collaboration and innovation through programming, collections, instruction and reference. Some libraries are moving from traditional models to active mobile spaces where communities come together. The Rutgers University Art Library uses outreach and engagement to connect with campus and local communities through innovative programming. The talk will discuss outreach vs engagement, turning outward, low-cost high-impact programming examples at Rutgers like pop-up spaces, exhibitions, makerspaces and events like Banned Books Week.
Librarians are increasingly focused on incorporating outreach, engagement, collaboration, and innovation into everyday tasks such as programming, collection development, instruction, and reference support. Many libraries are turning their attention to what is happening outside of their spaces to improve services and resources inside their spaces. Some institutions are moving away from traditional models of reference, instruction, and collection development and toward creating active mobile spaces where communities can come together to collectively produce, curate, and consume information.
The Rutgers University Art Library looks outside its walls to connect with the local campus and New Brunswick communities with the goal of providing innovative programming that engages a wide range of patrons while highlighting the library’s collections and local scholarly research.
This paper will look at outreach and engagement and examine how these activities affect collection development and highlight library collections. Six case studies from the Rutgers University Libraries will be used as examples: The Rutgers Art Library Exhibition Spaces (RALES), the Rutgers University Libraries Coloring initiatives, button-making, LEGO play, an Art+Feminism Wikipedia Edit-a-thon, and Banned Books Week.
Libraries, Archives and Museums are part of the ecosystem at the South by Southwest (SXSW) Interactive conference in Austin, TX! Learn who we are and how you can get involved!
Lego® Play: Implementing a Culture of Creativity & Making in the Academic Lib...Megan Lotts
May 2015 “Lego® Play: Implementing a Culture of Creativity & Making in the Academic Library”. Invited Speaker at Westchester Library Association (WLA) Annual Conference. Tarrytown, New York.
Engagement, Play, and a Global Pandemic: Transition to Learning and Playing i...Megan Lotts
The Rutgers University Art Library looks closely at learning through play by providing dynamic hands-on creative experiences. In the Fall of 2018 and Spring of 2020, the Rutgers University Libraries taught the course “Playing to Learn in Higher Education.” Course activities include participating in a LEGO workshop, playing games, weekly discussions, and interacting with unique games found in newspapers, books, and exhibitions. For their final assignment, students create a game out of a 14-inch pizza box.
This presentation will include a brief discussion on play pedagogy, an overview of the course, and provide tips on how to encourage a culture of creativity and play within one’s organization. But most important this presentation will discuss and focus on how to adapt a hands-on course based on play and engagement into an online environment during a global pandemic.
Presentation from the Gates Foundation's Global Libraries 2013 Peer Learning Meeting. From our brainstorming meeting, the top ten things in tomorrow's library: play, engagement, books, tools, people, access, outreach, mobile, technology, light.
Librarians are increasingly focused on incorporating outreach, engagement, collaboration, and innovation into everyday tasks such as programming, collection development, instruction, and reference support. Many libraries are turning their attention to what is happening outside of their spaces to improve services and resources inside their spaces. Some institutions are moving away from traditional models of reference, instruction, and collection development and toward creating active mobile spaces where communities can come together to collectively produce, curate, and consume information.
The Rutgers University Art Library looks outside its walls to connect with the local campus and New Brunswick communities with the goal of providing innovative programming that engages a wide range of patrons while highlighting the library’s collections and local scholarly research.
This paper will look at outreach and engagement and examine how these activities affect collection development and highlight library collections. Six case studies from the Rutgers University Libraries will be used as examples: The Rutgers Art Library Exhibition Spaces (RALES), the Rutgers University Libraries Coloring initiatives, button-making, LEGO play, an Art+Feminism Wikipedia Edit-a-thon, and Banned Books Week.
Libraries, Archives and Museums are part of the ecosystem at the South by Southwest (SXSW) Interactive conference in Austin, TX! Learn who we are and how you can get involved!
Lego® Play: Implementing a Culture of Creativity & Making in the Academic Lib...Megan Lotts
May 2015 “Lego® Play: Implementing a Culture of Creativity & Making in the Academic Library”. Invited Speaker at Westchester Library Association (WLA) Annual Conference. Tarrytown, New York.
Engagement, Play, and a Global Pandemic: Transition to Learning and Playing i...Megan Lotts
The Rutgers University Art Library looks closely at learning through play by providing dynamic hands-on creative experiences. In the Fall of 2018 and Spring of 2020, the Rutgers University Libraries taught the course “Playing to Learn in Higher Education.” Course activities include participating in a LEGO workshop, playing games, weekly discussions, and interacting with unique games found in newspapers, books, and exhibitions. For their final assignment, students create a game out of a 14-inch pizza box.
This presentation will include a brief discussion on play pedagogy, an overview of the course, and provide tips on how to encourage a culture of creativity and play within one’s organization. But most important this presentation will discuss and focus on how to adapt a hands-on course based on play and engagement into an online environment during a global pandemic.
Presentation from the Gates Foundation's Global Libraries 2013 Peer Learning Meeting. From our brainstorming meeting, the top ten things in tomorrow's library: play, engagement, books, tools, people, access, outreach, mobile, technology, light.
PPT for the AASL 2009 Conference Session, "Growing Learners Together: Successful School & Public Library Partnerships."
One library is never enough. It takes two (and sometimes more) for a successful workable productive alliance. Learn the secrets behind nationally successful school and public library partnerships--from early childhood and teen parenting programs, Every Family
Reads one-author program, community reading projects, and Books 2 U book talking services. Ideas that can be implemented in
individual libraries or through a system –wide approach will be described.
Links to successful partnership programs, which will be shared, are housed on the newly reorganized ALSC Website at
http://www.ala.org/ala/mgrps/divs/alsc/initiatives/partnerships/coopacts/schoolplcoopprogs.cfm. Be inspired by this showcase of programs adaptable for your library.
Service development and delivery for indigenous communities resulted in a form named, 'Library in a Box.' The report shows providing library service to daycares, youth groups, families, schools, and adult learning groups. The report demonstrates the passion, commitment and determination of volunteers to expand the reach of library service for indigenous communities. Most important the need, capacity and high consumption of library service in indigenous communities. Read more at http://libraryinaboxservice.blogspot.ca/
Original SJSU SLIS course project using Google Presentation: http://bit.ly/LBCslides
Inspired a blog of the same title: http://www.tumblr.com/blog/librariesbuildcommunity
Many thanks to Dr. Micheal Stephens for his instruction and inspiration.
Diversity Equality Inclusive Initiatives in UCC and USCElaine Harrington
The goal of the International Librarians Networking Program (ILNP) is to assist librarians from around the world to network and expand their skills in librarianship through a cooperative and collaborative program. The program is designed to be self guided, allowing participants to form a collaborative relationship with one another for four months and the opportunity to continue networking after the program ends. The International Librarians Networking Program is part of the American Library Association International Relations Round Table.
The 2021 cohort comprised 62 people from 27 countries selected for pair networking. There had been 270 original applicants from 39 different countries. I was paired with Dr Win Shih, Director of Integrated Library Systems at the University of Southern California. The ILNP final project was to create an academic poster arising from the conversations during the four month period. We completed one on Diversity Equality Inclusion initiatives in UCC & USC.
Crowdsourcing Metadata Practices at USUAndrea Payant
USU Libraries’ Cataloging and Metadata Unit has successfully investigated several methods to engage the public to involve them in the creation of metadata for USU’s Digital History Collections. Most, if not all the techniques we have tested have yielded positive results and have improved the relevancy and accuracy of our descriptive metadata.
In the 21st century there has been a resurgence of the do-it-yourself movement. Libraries are becoming laboratories in which students learn to think, explore, and meet other like-minded individuals outside the classroom. Although makerspaces in public libraries have received more attention, many academic, museum, and special libraries are seeing the benefits of makerspaces. Makerspaces provide opportunities for self-driven hands-on learning, which encourages creative thinking and problems solving skills. This article will demonstrate the benefits of makerspaces for art libraries, highlight art libraries where “making” is happening, and provide practical examples of ways libraries can create high-impact low-cost makerspaces that engage and educate their communities.
AkLA 2014 Culturally Relevant & Responsive Libraries panel presentation
Organized and moderated by Valarie Kingsland
Panel: Patricia Brown, Stacey Glaser, Linda Lyshol, David Ongley, Sue Sherif, and Sandy Tharp
In 2001, a group of Alaskan library directors developed the Culturally Responsive Guidelines for Alaska Public Libraries (akla.org/publications/culturally-responsive-guidelines-for-alaska- public-libraries/) in a workshop facilitated by Lotsee Patterson and sponsored by the Alaska State Library. Revisit these guidelines as they are put into context with similar efforts across the globe and join a panel discussion about how libraries are striving to make their libraries relevant to their culturally diverse community members. The discussion will include an exploration of goals and objectives for these guidelines in the future. Brought to you by the Alaska Native Issues Roundtable.
http://akla.org/anchorage2014/presentation/culturally-relevant-responsive-libraries/
Student Paintings, Tattoo artists, and Scientists: the Rutgers University Art...Megan Lotts
The Rutgers University Art Library Exhibition Spaces (RALES) were created so that an Art Librarian could more intentionally connect with the departments with whom she is a liaison, and to further engage the local campus communities by elevating the importance of scholarly research happening in the Arts. These spaces also provide an opportunity for student artists, graduate students in librarianships, and organizations putting up their first exhibit, to learn more about what goes into an exhibition, from creation of the work, to the public viewing, marketing, and reception. RALES also provides an opportunity for individuals to view artworks in person, as opposed to studying an image in a book.
In three years this teaching gallery has hosted 38 exhibits by students, faculty, and staff, of Rutgers, as well as a few local and out of state artists. There has been little to no cost in running this gallery space, other than the time. The most impactful aspect of RALES is that is has created a deeper connection to the patrons that the Art Library serves as well as built bridges across the campuses that have introduced the libraries to many new potential partnerships.
This presentation will include a brief review of exhibition spaces in academic libraries as well as a discussion on how gallery spaces can be low cost, easy to coordinate, and create a lasting impact. Audience members will learn more about the physical make up of RALES, examples of exhibits shown in the space, and tips on how one can create their own low cost gallery space. Lastly the author will provide examples for ways to find artist and curators and show a research guide that has been created to archive the spaces.
PPT for the AASL 2009 Conference Session, "Growing Learners Together: Successful School & Public Library Partnerships."
One library is never enough. It takes two (and sometimes more) for a successful workable productive alliance. Learn the secrets behind nationally successful school and public library partnerships--from early childhood and teen parenting programs, Every Family
Reads one-author program, community reading projects, and Books 2 U book talking services. Ideas that can be implemented in
individual libraries or through a system –wide approach will be described.
Links to successful partnership programs, which will be shared, are housed on the newly reorganized ALSC Website at
http://www.ala.org/ala/mgrps/divs/alsc/initiatives/partnerships/coopacts/schoolplcoopprogs.cfm. Be inspired by this showcase of programs adaptable for your library.
Service development and delivery for indigenous communities resulted in a form named, 'Library in a Box.' The report shows providing library service to daycares, youth groups, families, schools, and adult learning groups. The report demonstrates the passion, commitment and determination of volunteers to expand the reach of library service for indigenous communities. Most important the need, capacity and high consumption of library service in indigenous communities. Read more at http://libraryinaboxservice.blogspot.ca/
Original SJSU SLIS course project using Google Presentation: http://bit.ly/LBCslides
Inspired a blog of the same title: http://www.tumblr.com/blog/librariesbuildcommunity
Many thanks to Dr. Micheal Stephens for his instruction and inspiration.
Diversity Equality Inclusive Initiatives in UCC and USCElaine Harrington
The goal of the International Librarians Networking Program (ILNP) is to assist librarians from around the world to network and expand their skills in librarianship through a cooperative and collaborative program. The program is designed to be self guided, allowing participants to form a collaborative relationship with one another for four months and the opportunity to continue networking after the program ends. The International Librarians Networking Program is part of the American Library Association International Relations Round Table.
The 2021 cohort comprised 62 people from 27 countries selected for pair networking. There had been 270 original applicants from 39 different countries. I was paired with Dr Win Shih, Director of Integrated Library Systems at the University of Southern California. The ILNP final project was to create an academic poster arising from the conversations during the four month period. We completed one on Diversity Equality Inclusion initiatives in UCC & USC.
Crowdsourcing Metadata Practices at USUAndrea Payant
USU Libraries’ Cataloging and Metadata Unit has successfully investigated several methods to engage the public to involve them in the creation of metadata for USU’s Digital History Collections. Most, if not all the techniques we have tested have yielded positive results and have improved the relevancy and accuracy of our descriptive metadata.
In the 21st century there has been a resurgence of the do-it-yourself movement. Libraries are becoming laboratories in which students learn to think, explore, and meet other like-minded individuals outside the classroom. Although makerspaces in public libraries have received more attention, many academic, museum, and special libraries are seeing the benefits of makerspaces. Makerspaces provide opportunities for self-driven hands-on learning, which encourages creative thinking and problems solving skills. This article will demonstrate the benefits of makerspaces for art libraries, highlight art libraries where “making” is happening, and provide practical examples of ways libraries can create high-impact low-cost makerspaces that engage and educate their communities.
AkLA 2014 Culturally Relevant & Responsive Libraries panel presentation
Organized and moderated by Valarie Kingsland
Panel: Patricia Brown, Stacey Glaser, Linda Lyshol, David Ongley, Sue Sherif, and Sandy Tharp
In 2001, a group of Alaskan library directors developed the Culturally Responsive Guidelines for Alaska Public Libraries (akla.org/publications/culturally-responsive-guidelines-for-alaska- public-libraries/) in a workshop facilitated by Lotsee Patterson and sponsored by the Alaska State Library. Revisit these guidelines as they are put into context with similar efforts across the globe and join a panel discussion about how libraries are striving to make their libraries relevant to their culturally diverse community members. The discussion will include an exploration of goals and objectives for these guidelines in the future. Brought to you by the Alaska Native Issues Roundtable.
http://akla.org/anchorage2014/presentation/culturally-relevant-responsive-libraries/
Student Paintings, Tattoo artists, and Scientists: the Rutgers University Art...Megan Lotts
The Rutgers University Art Library Exhibition Spaces (RALES) were created so that an Art Librarian could more intentionally connect with the departments with whom she is a liaison, and to further engage the local campus communities by elevating the importance of scholarly research happening in the Arts. These spaces also provide an opportunity for student artists, graduate students in librarianships, and organizations putting up their first exhibit, to learn more about what goes into an exhibition, from creation of the work, to the public viewing, marketing, and reception. RALES also provides an opportunity for individuals to view artworks in person, as opposed to studying an image in a book.
In three years this teaching gallery has hosted 38 exhibits by students, faculty, and staff, of Rutgers, as well as a few local and out of state artists. There has been little to no cost in running this gallery space, other than the time. The most impactful aspect of RALES is that is has created a deeper connection to the patrons that the Art Library serves as well as built bridges across the campuses that have introduced the libraries to many new potential partnerships.
This presentation will include a brief review of exhibition spaces in academic libraries as well as a discussion on how gallery spaces can be low cost, easy to coordinate, and create a lasting impact. Audience members will learn more about the physical make up of RALES, examples of exhibits shown in the space, and tips on how one can create their own low cost gallery space. Lastly the author will provide examples for ways to find artist and curators and show a research guide that has been created to archive the spaces.
Lotts qatar final presentation feb 2020Megan Lotts
In the 21st century there is a constant rise in library patron needs and expectations. As dwindling budgets and less staff prevail, libraries are looking at new models of outreach and engagement to prove their value. Implementing a culture of creativity within one’s organization promotes cross-disciplinary collaboration and inclusion, which can build good will and trust, but does not need to cost a lot of time or money. Engaging partnerships can lead to better visibility for libraries which is important when it comes to acquiring administrative approval and funding. But perhaps most important, playful learning events can be a dynamic way to highlight collections and services which can also be assessed to help capture and share the value and importance of an organization.
This presentation will look at creativity in libraries, both inward and outward, and discuss the skills and tools needed to “be creative”. Looking through a “creative” lens focuses on “what is possible” and encourages individuals and organizations to work in unconventional ways while using tools which are readily and easily accessible for teaching, learning, or solving problems. Creative and playful experiences can be freeing and allow for spontaneity which is crucial when performing scholarly research, solving problems, or honing life-long learning skills. Creative learning experiences also provide casual teaching moments and opportunities for patrons to engage with library staff in non-traditional ways, which leads to a greater understanding of what is possible in a 21st century library.
Teaching Information Literacy Skills Using Creative Play: the Rutgers Art Lib...Megan Lotts
In September of 2014 the Rutgers University Art Library implemented a Lego® playing station to help stimulate creativity and innovation within the library, as well as a new way to connect with Design students. The author will discuss a collaborative project with 100 freshmen from the Department of Landscape Architecture who experienced the Lego Playing Station as a means to stretch their design skills and to learn more about the libraries and Information Literacy.
In the 21st century Academic Art Libraries and scholarly research in the Arts is becoming a fluid idea that is expanding at a rapid pace. Academic art libraries and librarians are looking more at outreach, engagement, digital humanities, fair use and copyright, visual literacy, as well as addressing life-long learning skills. In our current times, librarians must think about what happens within the art Library, but what is also possible outside the art Library.
The Rutgers University Art Librarian strives to connect with the arts communities on the Rutgers campuses by engaging students, faculty, and staff, both inside and outside of the library. This includes embedded reference hours in department lobbies, curating active low-cost exhibition spaces, pop-up makerspaces, and engaging experiences with living artists. These unique experiences in and out of the art Library go “beyond the book” by highlighting unique collections, patrons might not be aware of within the Libraries. As well, these moments of outreach and engagement strengthen cross-disciplinary collaboration and prove that libraries are a crucial component to the educational experience.
This presentation will review and highlight interesting ways in which academic art libraries are engaging with patrons, as well as look at low-cost practical high impact examples of turning outward from the Rutgers University Libraries.
“Implementing a Culture of Creativity: Engaging Events and Making in the Acad...Megan Lotts
October 2014 “Implementing a Culture of Creativity: Engaging Events and Making in the Academic Library”. Paper presentation LRS VI conference October 7-9, 2014. University of Illinois at Champaign-Urbana.
Lotts counterplay 2016- Playing with LEGO®, “Making” Campus Connections, and ...Megan Lotts
During this session participants will learn about the Rutgers University Art Library Lego Playing Station (RUALLPS), its implementation, impact, and assessment. Since installation, RUALLPS has been a catalyst for many events, contests, course assignments, and workshops. These events have included a “Create your ideal Lego Library” contest, a collaborative project with 100 freshmen from the Rutgers Landscape Architecture department, and a case study in which Lotts, visited 20 academic research libraries in the United States, to facilitate workshops that look closely at the hands-on learning experiences that resulted when academic library faculty and staff were introduced to the LEGO® SERIOUS PLAY® methodology by means of a mobile makerspace. This presentation will provide an opportunity for audience members to be creative and play with Legos.
“Implementing a Culture of Creativity: Engaging Events and Making in the Acad...Megan Lotts
April 2015 “Implementing a Culture of Creativity: Engaging Events and Making in the Academic Library.” Presented at Tri-State College Library Cooperative’s Spring Program. Philadelphia, Pennsylvania.
Connecting with Patrons, Highlighting the
Collections, and Learning about the Library: Low
Cost High-Impact Makerspaces in U.S. Art Libraries
This paper will demonstrate the benefits of makerspaces for art
libraries, highlight art libraries where “making” is happening,
and provide practical examples of ways libraries can create high-impact low-cost makerspaces that engage and educate their communities.
M Lotts Strategic Library webinar series Jan 2017Megan Lotts
In the 21st century there has been a resurgence of the DIY movement and many libraries are incorporating makerspaces into their organizations. Making opportunities can provide hands on self-driven learning opportunities that exercise creative thinking and problem solving skills, as well as create new interactive and fun ways to learn. Creative spaces can encourage cross-disciplinary collaboration and provide an opportunity to bring individuals together who might not otherwise connect with the library.
This webinar will include a review of makerspaces found in academic and public libraries, as well as provide practical examples of pop-up making spaces including: Holiday card making, Edible Books, Polynomiography, an Art Library Coloring Book, and a Lego® Playing Station. Pop-up making spaces can be a low cost opportunity to create new partnership, as well as an impactful solution to implementing a culture of creativity within your organization.
Library-Newsroom Collaborations: Some Types and Exampleslaurieputnam
Prepared for the Engaged Journalism Exchange, June 1, 2020. An overview of various types of newsroom-library collaborations, with an example or two of each type. The goal is to provide a framework for understanding the kinds of partnerships being tried, and for thinking about whether a library-newsroom collaboration might work in your community.
Your digital humanities are in my library! No, your library is in my digital ...Rebekah Cummings
A presentation on the intersection of libraries and digital humanities presented at the Utah Digital Humanities Symposium at Utah Valley University on February 26, 2016.
Casting a Wide Net: The Library's Role in Transforming Partnerships Across Ca...JenniferRaye
Sally Neal, Associate Dean of Bulter University Libraries, presents from the Association of College and Research Libraries Conference in Baltimore, MD.
Similar to Turning Outward: Using Outreach and Engagement to Develop Unconventional and Unique Collaborations Within Your Communities (20)
The Art Librarian Wears Many Hats: a survey of skills needed for art libraria...Megan Lotts
In the 21st century Art Librarians wear many hats such as, collectors, curators, hardware specialists, programmers, researchers, social media managers, social workers, teachers, technology support, writers, as well as sometimes providing candy and tissues to students, faculty, and staff in times of need. As collection and staff budgets are dwindling, the skill sets of Art Librarians are widely expanding as the field continues to move away from the traditional ideas of subject background, foreign language proficiencies, and professional studies such as cataloging, indexing, and abstracting.
This paper will briefly look at the history of Art Librarianship, discuss the current skill sets needed by Art Librarians in higher education, and provide insight for future students pursuing a career in Art Librarianship. The methodology includes a national survey of art librarian skills sets in the 21st century, as well as a series of one on one interviews with Art Librarians working in college and university libraries.
In the 21st century there has been a resurgence of the do-it-yourself movement. Libraries are becoming laboratories in which students learn to think, explore, and meet other like-minded individuals outside the classroom. Although makerspaces in public libraries have received more attention, many academic, museum, and special libraries are seeing the benefits of makerspaces. Makerspaces provide opportunities for self-driven hands-on learning, which encourages creative thinking and problems solving skills. This presentation will demonstrate the benefits of makerspaces for academic libraries, highlight academic libraries where “making” is happening, and provide practical examples of ways libraries can create high-impact low-cost makerspaces that engage and educate their communities.
Lotts RUL faculty scholars event march 2017Megan Lotts
talk for the Rutgers University Libraries scholars event regarding the paper "On the Road Playing with LEGO, and Learning About the Library: The Rutgers Art Library LEGO Playing Station, Part two.
Coloring Outside the Information Literacy Lines: The Rutgers Art Library Col...Megan Lotts
In the 21st century a resurgence in coloring has been sweeping the nation. Coloring books are no longer materials for children, and coloring related events can be found in many public and academic libraries. Although coloring books are often seen as a medium used to relax, they can also be used as a medium to educate. The Art Library Coloring Book was created to connect with individuals with whom the Librarian is a liaison, to educate individuals about the possibilities available within an academic library, all while being creative and having fun. The Art Library Coloring Book was designed by an artist/academic librarian and a run of 500 booklets were made. Takers of the art library coloring book were invited to submit their artistic creations to the libraries social media sites.
“Implementing a Culture of Creativity & Making: the Rutgers University Art Li...Megan Lotts
“Implementing a Culture of Creativity & Making: the Rutgers University Art Library Lego Playing Station”. Presented at the ARLIS/NA Mountain West virtual conference: Testing the Waters: Experimentation in the Arts and Art Librarianship.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Turning Outward: Using Outreach and Engagement to Develop Unconventional and Unique Collaborations Within Your Communities
1. Turning Outward: Using Outreach and Engagement to
Develop Unconventional and Unique Collaborations Within
Your Communities
Megan Lotts, Art Librarian
Rutgers, the state university of new jersey
2. ABSTRACT
In the 21st century librarians are thinking more about outreach, engagement, collaboration,
and innovation when it comes to everyday tasks such as programming, building collections,
and providing instruction and reference support. Many libraries are beginning to think
more about what is happening outside of their spaces, to provide better services and
resources inside their spaces.
Some libraries are moving from traditional models of reference and instruction, to active
mobile spaces outside the libraries, where communities come together to collectively
produce, curate, and consume information. The Rutgers University Art Library uses the
ideas of turning outward to connect with the local campus and New Brunswick
communities, to provide innovative programming that engages a wide range of patrons.
Through this webinar you will learn more about outreach, engagement, and what it means
to turn outward. You will also learn about how to create low-cost high-impact innovative
programming within your own organization, as well as hear more about the Rutgers Art
Library Exhibition Spaces, Pop-up Makerspaces, and a recent Banned Books Week
celebration funded by the Freedom to Read Foundation.
@MCLotts
3. OUTLINE OF TALK
• Outreach & Engagement, what's the difference?
• Turning outward
• Low cost, innovative, & high impact programming
• Pop- up reference hours
• Rutgers Art Library Exhibition Spaces
• Rutgers Libraries Pop-up Makerspaces
• Banned Books Week
• Art & Feminism Wikipedia-a- thon
• Conclusion & Questions
@MCLotts
4. OUTREACH & ENGAGEMENT
• WHAT’S THE DIFFERENCE?
• Outreach- Reaching out as opposed to waiting for individuals to come
and ask for help
• Engagement- Collaborating or working together to achieve a common
goal.
@MCLotts
5. TURNING OUTWARD
• GETTING INTO THE USERS SPACE/FLOW OF TRAFFIC: visit community
spaces, don’t expect or assume users will come to you.
• LEARNING ABOUT COMMUNITY NEEDS: find out what a community
needs by getting to know them. Find out what they care about, what
makes them tick.
• COLLABORATING- work together as one. Find common goals. Figure
out how to help and support each other.
• Kranich, Nancy, Megan Lotts, and Gene Springs. “The Promise of
Academic Libraries Turning Outward to Transform Campus
Communities.” College & Research Libraries News 75, no. 4 (April
2014): 182-186.
@MCLotts
7. low-cost high-impact innovative programming
@MCLotts
Baskets of yarn and knitting needle, beading circles, book trucks with snacks
& library swag, box-making, confess your stress selfie photo booth, coloring,
food, games, graffiti walls, hulu hoops, jigsaw puzzles, jump ropes, large
craft paper with markers, LEGOâ, linocut lessons, making cart, mini golf
with discarded books, music clubs, origami, pumpkin decorating, recreation
station including; toothpicks, pipe cleaners, fabric, paper, and googly eyes,
sketch book project book making workshops, snowflake making, stress
reduction workshops, therapy dogs, Wii, yoga, zine nights.
10. What has happened in the spaces
• Over 50 exhibits
• There is no dedicated funding for this space, most materials are donated,
or provided by exhibitors.
• Partnerships with multiple departments on campus including: Brigham Young
University Humanities Center’s Archipelagoes, Center for Women in the Arts & Humanities, Hammarskjold
Middle School in East Brunswick, NJ, Institute for Research on Women, Jersey Collective Mason Gross Visual
Artists, Osher Lifelong Learning Institute, Research Collaboratory for Structural Bioinformatics, Returned Peace
Corps Volunteers of New Jersey, Rutgers Brodsky Center, Rutgers faculty & staff artists, Rutgers Center for
Cultural Analysis, Rutgers Landscape Architecture Dept., Rutgers Poetry club, School of Arts and Sciences
Honors Program, Rutgers Theater Department, and The Centers for the Global Advancement and International
Affairs at Rutgers.
• http://libguides.rutgers.edu/eventsandexhibits
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11. Impact of the art Library exhibition spaces
• Provide an opportunity for Rutgers students, faculty, and staff to
exhibit their work.
• Many exhibitors have learned more about installing an exhibit from
creation to consumption, including installation, marketing, and
reception planning.
• Provides an opportunity for individuals to view artworks in person as
opposed to studying an image in a book.
• Formed a deeper connection to the departments with whom I liaise.
• Formed new connections with departments on campus that might
not visit the Art Library.
@MCLotts
20. POP-UP MAKERSPACES
• LEGO play
• Button-making
• Coloring initiatives
• Lotts, Megan. “Low Cost High-Impact Makerspaces at the Rutgers
University Art Library.” Art Documentation 36, (Fall 2017): 345- 362.
• Lotts, Megan. “Implementing a Culture of Creativity: Pop Up Making
Spaces and Participating Events in Academic Libraries.” College &
Research Libraries News 76, no. 2 (February 2015): 72-75.
@MCLotts
26. Button making
Buttons made for exhibits & Events: Buttons made for clubs & individuals: Collaborative events including buttons & button making events: Buttons made for conferences: Rutgers University Libraries Button making events
RUL Speical Collections and University
Archives: Lautenberg Exhibit The Rutgers Social Experient University Academic Affairs and RUL "busy bag" collaboration
Art Libraries Soceity of North America Mentoring
Subcommittee buttons
Art Librarian Reference Hours in lobby of Landscape
Architecture Department
RUL Speical Collections and University
Archives: New Jersey History Forum Rutgers Seeing Eye Puppy Club
Rutgers University Programming Association (RUPA) and RUL
collaboration for Leadership Week Lecture ft. DeRay Mckesson
Megan Lotts and Tara Marharjan Poster session at
ALA annual conference July 2018
Art Librarian Reference Hours in lobby of Visual Arts
Department
Rutgers Special Collections and
University Archives: Rutgers 250 exhibit
Film promotional buttons for Graduate MFA
candidate Zimmerli Art Museum(ZAM) and RUL "For Freedoms" collaboration
COAPI event at ALA annual conference session July
2018
RUL Stressbusters events twice a semester 2016,
2017, and 2018
Rutgers Special Collections and
University Archives: World War I
exhibit
Buttons made for library employee wedding take-
aways ZAM and RUL collaboration for High School Diversity event
New Brusnwick Music Scene Archives Poster
session at Rare Book and Manuscripts Section pre-
ALA annual conference July 2018. Family Weekend
RUL Speical Collections and University
Archives: Moumouth County Archives
and History Day Rutgers Figure Skating Club
School of Arts & Sciences (SAS) Honors Program and RUL button
making event for SAS Honors Winter dance
Association of College and Research Libraries Arts
Section buttons for 2017 annual conference Geek Week
Rutgers Special Collections and University
Archives: Art+Feminism Wikipedia Edit-a-
thon Rutgers Vietnamese Student Association
Rutgers Art History Students Association (RAHSA) and RUL
collaboration for club button making event Banned Books Week
Rutgers Special Collections and
University Archives: New Jersey Book
Arts Symposium
Magnets made for library employee's retirement
party
Rutgers Visual Arts Printing Making Students and RUL collaboration
for button making event Rutgers Welcome Week
Rutgers Special Collections and
University Archives: @Rutgers_SCUA:
Social Media and Archives
Rutgers Mexican American Student Association
(MASA)
School of Environmental and Biological Sciences and RUL
collaborative buttons making event to publicize library services RUL yearly employee picnic
Rutgers Day Hub City Opera & Dance
School of Arts & Science Students and RUL Students in Transition
Passport program collaboration RUL State of the Libraries
Merlins Kids
Mason Gross Visual Arts Print 1A course and RUL collaboration at
the Art Library Rutgers Day
Rutgers Department of Biochemistry and
Microbiology
Rutgers Mason Gross Advance Printmaking course and RUL
collaboration for Banned Books Week
Rutgers Living Learning Communities
SAS Honors Program and RUL Art Club collaboration at the Art
Library
Rutgers Windows for Understanding Project
33. questions
Megan Lotts, MFA, M.L.I.S
Art Librarian
Rutgers, the State University of New Jersey
(848)932-7189
megan.lotts@rutgers.edu
www.meganlotts.com
link to work in RUcore
http://soar.libraries.rutgers.edu/bib/Megan_Lotts/
@MCLotts
34. References & Additional readings
• Lotts, Megan. “Low Cost High-Impact Makerspaces at the Rutgers
University Art Library.” Art Documentation 36, (Fall 2017): 345- 362.
• Lotts, Megan. “On the Road, Playing with LEGO, and Learning about
the Library: The Rutgers Art Library Lego Playing Station, Part Two.”
Journal of Library Administration 56, Iss. 5 (Summer 2016): 499-525.
• Lotts, Megan. “Playing with LEGO, Learning about the Library and
‘Making’ Campus Connections: The Rutgers Art Library Lego Playing
Station, Part One.” Journal of Library Administration 56, Iss. 4 (May
2016): 359-380.
@MCLotts
35. REFERENCES & Additional readings
• Lotts, Megan. “Building Bridges, Creating Partnerships, and Elevating
the Arts.” College & Research Libraries News 77, no. 5 (May 2016):
226-230.
• Lotts, Megan. “Implementing a Culture of Creativity: Pop Up Making
Spaces and Participating Events in Academic Libraries.” College &
Research Libraries News 76, no. 2 (February 2015): 72-75.
• Kranich, Nancy, Megan Lotts, and Gene Springs. “The Promise of
Academic Libraries Turning Outward to Transform Campus
Communities.” College & Research Libraries News 75, no. 4 (April
2014): 182-186.
@MCLotts
36. REFERENCES & Additional readings
• Lotts, Megan and Tara Maharjan. “Engagement, Learning, Outreach,
and Fun in 60 Seconds: Button Making at the Rutgers University
Libraries.” College & Research Libraries News 79, no.7 (2018): 364-
368.
• Lotts, Megan. “Coloring outside the Information Literacy Lines”.
Association of College & Research Libraries and American Library
Association Instruction Section Newsletter 34, no. 2 (Fall 2017): 5-6.
• Lotts, Megan. “Woodblock Woodstock: The Drive By Press at Morris
Library.” College & Research Libraries News 74, no. 2 (February 2013):
86-89.
@MCLotts