Locations
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The document discusses and justifies several location choices for filming a music video: 1) The Piece Hall in Halifax will be the first location because it is well-lit and shows the environment of the artist. Scenes will show the artist walking and performing alone at night to match the song's mood. 2) The top floor of the Broad Street car park will provide views of the lit-up town at night, creating the right atmosphere. Scenes will show the artist driving up and looking over the town. 3) A street in Halifax will be used to show the artist's background growing up there and link to the song's lyrics about gangs and violence. 4) A dual carriage
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Joe Hardy intends to film additional scenes for a music video in order to make the narrative clearer and more conventional to the genre. More scenes will be filmed in run-down, urban areas with graffiti to further convey the link between wealth and crime, which is typical of hip hop and R&B genres. Filming more planned shots will allow irrelevant clips to be cut and a more consistent, stereotypical music video to be produced.
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Question 1
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Mv assignment 01 2020 pro forma(1)
The document provides guidance for a music video assignment, including templates and suggestions for tasks such as idea generation, research, pre-production assessment, visual planning, and storyboarding. It instructs students to develop ideas for interpreting a selected song through different visual styles and techniques, then plan the logistics, locations, equipment, and shots needed to realize their chosen idea. The goal is for students to thoroughly plan their proposed music video before beginning production.
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4. pre production (1)
The document outlines a production outline for a documentary film about creative individuals in York. The film will cover three topics: music, modeling/fashion, and graffiti/urban art. For each topic, the filmmaker will interview subjects about their work and experiences in York. The small town aspect that will be highlighted is the lack of resources and opportunities compared to larger cities. Sample shots, a location list, and contingency planning are also provided to prepare for filming.
Kano and nas music analyses
Both the Kano and Nas music videos depict scenes of broken societies and corruption through long shots of housing estates and police. The relationships between the lyrics and visuals are illustrated through moments that directly relate to the words being rapped, such as Kano rapping about stealing cars while a youth is shown swerving in a stolen vehicle. In the "One Mic" video, Nas is first shown sitting with a mic to establish him as the artist and focus of the video as the music starts.
Locations
The document discusses various locations being considered for filming music video flashbacks and shots for a couple. These locations include a skate park, park, house, high street, bowling alley, sea life center, and London. For each location, the document describes the planned shots and potential problems, such as needing permission, limited space, people interfering with shots, poor lighting, and busy backgrounds.
Magazine proposal
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Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
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1. initial plans mv 2018 1
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Media
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The document discusses location choices for photographs in a rap music magazine. For the front cover, the author chooses a white background to be consistent with other magazine covers and to allow cropping flexibility. For the contents page, a brick wall backdrop is selected to fit the urban genre. A car may be used in a double page spread to symbolize the rap artist's success and wealth, following conventions of rappers boasting about money and cars.
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Street art Cope2
The artist Cope2 was born in the South Bronx, the birthplace of hip hop culture. He was introduced to graffiti in the late 1970s by his cousin Chris, who tagged under the name "Chico." Cope2 would practice tagging his nickname "Nano" in isolated areas. In 1979-1980, his cousin took him on subway trains to tag the interiors, exposing him to the tags of other prolific writers from that era. Seeing these large, elaborate tags on the outsides of subway cars inspired Cope2 to get more seriously involved in graffiti.
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This document proposes three music video ideas for assignments:
1. A performance video of Lil Uzi Vert rapping with dancers that switches between indoor and outdoor settings.
2. A narrative/performance video of Lauv singing on his bucket list travels and in the hospital before dying.
3. A narrative/performance video by James Arthur featuring a red rose that symbolizes love and changes color as the relationship deteriorates, ending with him finding an empty hospital bed.
Ian wolfson
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Assignment 28: Summary of ideas in group
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For "Born to Run", the idea is a performance-based narrative of a singer traveling through different areas to eventually join the band.
For "Tenerife Sea", the idea is a mainly narrative video using memories of a couple to cut between and include scattered performance clips.
For "Sober", the idea is 60% narrative and 40% performance, showing a man rushing to make a date after a night of drinking, as he acquires items along the way and is also seen singing in a dimly lit room.
Assignment 35
This document proposes a music video pitch for three songs. It includes details about the songs, a suggested single performer, narrative overview, locations, inspirational videos, and styling details. The narrative follows a man struggling with school, fitness, and medication, but eventually finding success. Performance would involve slowly walking and filming in dimly lit rooms. The flat cap/scarf would be the unique visual element to develop a brand. Locations include riverside, fields, and suburban areas.
Assignment 36
The document outlines a timeline and description for a music video performance. It involves establishing shots of various locations with people and the music building up. The main performer will then step out of a car with a focus on their feet moving upward. As the beat drops, the performer will do an eye-catching dance move. The following scenes cut between the performer and others at different locations like car parks, cars, and alleys, focusing on dance performances. The main performer's costume includes a beanie, glasses, shirt, jeans, and trainers to create a recognizable image. Additional costumes for other dancers involve hip-hop styles. Planned locations have an urban feel and include a car park, alley, and built up
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Original music video review
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The document provides guidance for a music video assignment, including templates and suggestions for tasks such as idea generation, research, pre-production assessment, visual planning, and storyboarding. It instructs students to develop ideas for interpreting a selected song through different visual styles and techniques, then plan the logistics, locations, equipment, and shots needed to realize their chosen idea. The goal is for students to thoroughly plan their proposed music video before beginning production.
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Green light pitch
The document discusses plans for a music video for the song "Maneater" by Nelly Furtado. Key points:
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4) Various locations like an office, skate park, and urban backdrop will be featured across day and night scenes using lighting and special effects.
Music video research
This document summarizes and analyzes the codes and conventions of music videos in different genres, including pop, indie rock, and hip hop. For the pop song "Counting Stars" by One Republic, the summary notes its dual narrative structure showing the band practicing in a basement while a church meeting occurs above, representing heaven and hell. For the indie rock song "Paradise" by Coldplay, the summary discusses its narrative of Chris Martin as an elephant searching for his family and its use of live performance footage. For the hip hop song "Azonto" by Fuse ODG, the summary highlights its various location shots and use of close-ups of the artist to promote him.
Music video 1
This music video for Charli XCX's song "Boom Clap" was filmed in Amsterdam. It uses establishing shots to set the scene and features Charli walking through the city. Throughout the video, different lighting is used to represent different times of day. Graphics and colors are overlaid on shots for visual effect. The video ties into promoting the film "The Fault in Our Stars" by flashing scenes from the movie. It represents Charli as independent and unique through her style and solitary scenes. Analyzing this video provided ideas for setting a scene, appealing to target audiences, and linking a narrative to the music.
Proposal
The proposal is for a music video for the song "Latch" by Disclosure. The video will focus on a main character, Tom, performing BMX stunts at a skatepark to match the upbeat, fast-paced nature of the song. Scenes of the artist lip syncing the song will also be filmed in locations like busy London at night and a dark room with spotlights. The target audience is fans of dance music, like Disclosure, in their teens or people who love or have been in love. A similar Disclosure video, "White Noise" featuring AlunaGeorge, also features a performer and mixes bright and dark scenes.
Rahan snapshot
The document discusses the use of mise-en-scene in several rap music videos. Common elements across many rap videos include displaying expensive props like cars, clothing, and jewelry to portray wealth and status. Videos also often use dark lighting and feature women to reinforce stereotypes of the rap genre. Specific videos summarized include Drake's "Started From the Bottom" and "Versace", Rick Ross' "Boss", French Montana's "Worry Bout Nothing", and Krept and Konan's rap song.
Music video analysis 2 version 2
This document provides an analysis of the music video for the song "Earthquake" by Labrinth featuring Tinie Tempah. The summary is as follows:
The music video follows many conventions of the hip hop/dubstep genre, such as focusing on a single lead singer and using bright, high contrast colors. However, it is unconventional in its large empty room setting. Visual effects are prominently featured to match the lyrics. Iconic elements like large speakers and a Mini Cooper car establish connections to the genres and artists. While lacking a narrative, the video technically supports the audio through camera techniques and cuts that match the music. Overall, the video closely follows expectations for the genre through its visual emphasis,
Locations
The document discusses 5 potential locations for filming a music video: 1) Trinity Academy hallways for opening/closing shots and crowd scenes, 2) Beechwood Park for cinematic shots of a person walking alone, 3) Cleethorpes beach for calming scenes, 4) Halifax town centre for crowd shots, and 5) a school studio for main singing scenes against a plain backdrop. The document provides details on what will be filmed, preferred filming times, advantages and potential problems at each location.
Original music video 2 pod
The document analyzes the locations featured in the music video for "Youth of the Nation" by P.O.D. It discusses several settings shown including New York, a sound studio, Venice Beach, Los Angeles, Western Pennsylvania, and various petrol stations. Each location is described and its relevance to the song's lyrics and narrative about teenagers is explained. The locations help depict the band performing and a road trip taken by the characters from New York to California, engaging the target audience of teenagers.
Analysis the verve
The video for "Bittersweet Symphony" by The Verve depicts the lead singer walking down a run-down urban road, representing his inability to change and disinterest in the future. Scenes show rubbish and pavement works along the road to illustrate the dreary location. The singer's ragged clothes and long hair align with typical indie fashion of the time. Toward the end, a tracking shot shows the full band joining the singer, allowing the audience to identify with the band's image.
Location Shots - UPDATED
Within the document, the author discusses the various locations that have been chosen for filming scenes in an upcoming music video on a limited budget. These locations include the author's own car, a rural train station and bridge, a park, streets in two towns, and several indoor locations like hallways, living rooms, kitchens, and bedrooms belonging to the author and actors. While some of the locations may not be conventional for a pop music video due to their appearance, rural nature, or lack of expensive vehicles, the author believes they can still work if shots are framed correctly and details are hidden from view. Accessibility, budget and narrative needs were prioritized in the selection of these locations over conforming to pop music video genres.
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Pitch
Jenny. She will help with equipment and
safety precautions.
- Camera: Canon EOS 600D DSLR
- Lens: Canon EF-S 18-55mm f/3.5-5.6 IS II
- Tripod: Manfrotto Compact Action Tripod
- Steadicam: Glidecam HD-2000
- Toplight/Spotlight: LED Video Light Panel
- Microphone: Rode VideoMic Pro
- Batteries & Memory Cards
- Rain Covers
We chose this equipment because it is lightweight
and portable for location filming. The camera and
lens provide good quality HD video. The tripod,
steadicam and to
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Props
The document summarizes three props that will be used in a music video: an iPhone 6s that the main actor Asaaf will use to show he is on a phone call; a car that Asaaf will drive through the city, relating to lyrics about driving and appealing to a younger audience; and a baseball bat that a gang member played by Daniyal will swing around, relating to lyrics about gangs and violence.
Costumes
Harris and Asaaf will wear clothing in the music video that is relatable to their target audience. Asaaf will wear a Nike tracksuit and Adidas sneakers, which are popular brands among male teenagers and young adults. Harris will wear a balaclava to portray his role in a gang, making the video seem realistic given the association between balaclavas and gang violence referenced in the song lyrics. He will also wear black Nike sneakers, a popular shoe among the target audience.
Actors
The document discusses the casting choices for characters in a music video. Asaaf Iqbal was chosen to play the main character because he is confident and dominant, which suits the serious role. Daniyal Ditta and Adam Asif will both play gang members because they have serious personalities and appearances that fit the stereotypical depiction of gang members, such as their dress sense in tracksuits. Harris Iqbal was also selected as a gang member due to his serious personality and wearing tracksuits and hoodies typically associated with gang members.
Q6
The document discusses the various technologies the author learned during the process of constructing a product. Some of the key technologies mentioned include:
- Adobe Premier Pro video editing software which allowed the author to assemble and alter video clips, add audio, and insert text titles.
- Cameras and how camera angles, quality, and audio capture have improved with newer digital cameras.
- Weebly website creation software which provided an easy way to display the author's work online in different formats.
- Adobe Fireworks for designing graphics like logos and presentation layouts.
- YouTube and Slideshare for uploading and embedding the finished product and presentation materials on the author's Weebly website.
Q2
The document summarizes how the title and opening sequence of a film represents young male adults aged 20-25 and teenagers aged 15-20 through use of mise-en-scene, costumes, props, and camera angles. Costumes like the victim's Adidas joggers and assassin's smart jacket aim to appear relatable to these age groups. Props like the victim's Adidas cap, assassin's gun, and the assassin's popular car modified with LED lights further target these audiences. Camera angles like high shots of the assassin and low shots of the vulnerable victim also distinguish the social groups.
Props
The document describes three props that will be used in a film opening sequence: 1) A fake gun will be used by the assassin to build climax and suspense throughout the sequence. 2) A mobile phone will be used by the victim to receive mysterious phone calls and build suspense. 3) Fake blood will be used at the end of the sequence, without showing its source, to further build suspense appropriate for the thriller genre.
Location
The document describes three potential locations for filming scenes in an assassin movie. The first location is a street where the assassin will drive up to and walk towards the victim's house. Filming here in the evening would create tension but weather could be an issue. The second location is inside the victim's house, where the assassin will sneak up and shoot the victim. This indoor location does not depend on time of day. The third location is a kitchen in the house, showing it is a family home, and the assassin must pass through it to reach the victim without being noticed.
Costumes
The documents describe the costumes for the assassin (Harris Iqbal) and victim (Asaf Iqbal) in a film. The assassin will wear a full black suit with a white shirt, black trousers, black tie, and black leather gloves to blend in but also look professional. The victim will wear casual clothes like jeans, a white t-shirt, jacket, and black cap to emphasize that he is unexpecting to be killed and possibly hiding something. Both costumes are meant to be relatable to the audience.
Actors
This document discusses the casting choices for two main characters in an opening film sequence: the assassin and the victim. Harris Iqbal will play the assassin role because he has a strong physical appearance and serious personality that suit the character. Asaaf will play the victim role because he has a less physically imposing appearance than Harris, which will emphasize the assassin's physical strength and make Asaaf's character appear more vulnerable, in line with the victim role. Both actors are said to have the right attributes and experience to portray their respective characters convincingly.
Angles and movements
The document provides descriptions of various camera angles and movements used in filmmaking. It defines close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds. Each term is accompanied by a brief explanation of how it is used within the film industry.
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【业务选择办理准则】
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Locations
- 1. LOCATIONS
- 2. The first location will be the Piece hall this is because it is firstly a well lit up area and also to show the audience what type of environment the artist is in. Also in this location the artist will be shown performing on his own while he is walking through the piece hall. Furthermore we will also be using this location at night as firstly it wont be as busy but also it sets the mood at night as it would relate more to the lyrics of the song. However the advantages of using this location is that it is easily accessible as it is open till late. I also used this location because this location is very popular in Halifax as it is firstly in the centre of Halifax but also my audience will be able to relate to the location. This location also links to the lyrics of the song as the lyrics talk about the city life therefore I decided to use this location as this location consists of a lot of shops and the city life consist of a lot of shopping. However it links to my song as this location well light up at night therefore the shots will come out clear. PIECE HALL HALIFAX
- 3. The next chosen location is the top floor of the car park. This location will be used because it will show a better view of the town. At this location Asaaf will be performing alongside the gang. Furthermore I will record at night because the town will be lit up as well as the car park which would then create an appropriate mood for the music video. The advantages of this locations that is it easily accessible as it is open 24 hours however the issues that could arise is the weather. I also decided to use this location because this location gives a clear shot of the whole town. This location also will be used because in the music video the artist will be shown driving to the top of the car park, this will show how far he has come. Therefore the music video will end with him reaching to the top of the car park and looking down at the town. HALIFAX BROAD STREET CAR PARK
- 4. I have chosen this location to be in my music video, as this location is mostly used in music videos with the same genre (Hip-hop). Furthermore this location will be used because it shows the background of the artist as he was brought up on the streets. It also has a link to the lyrical content of the song. I will also record this location at night as it will set the mood for the music video as the lyrics are slow and have reference to night life. This location also links to the lyrics because the lyrics talk about gangs and violence and a lot of violence happened in the streets therefore i used this location. In particular I have used this street because it shows a view of the whole of Halifax in the background, this would then look more appealing to my audience rather than a street with a wall as a background. THE STREET
- 5. My next location will be the dual carriageway as at this location I will film shots of the main character driving. I will also film at night as the majority of the video will be filmed at night. It will also be filmed at night as Furthermore the issues which could arise are that the dual carriageway could be closed. This would be an issue as we wouldn’t be able to film and would have to find another dual carriageway. Furthermore driving will link to the song as the main character will be shown driving through the town while witnessing a lot of crime. Also a dual carriageway will also be used because it is a lot more open therefore more shots of the car can be taken so that the audience can relate to the type of car. These shots will be filmed both inside and outside of the car to give the audience a better understanding of what type of car is as the type of car used is specifically used so that the audience can relate. Furthermore driving links to the song because the lyrics talk about him seeing a lot of crime in the streets and how his life has changed a lot from when he was younger, therefore he is shown driving past all the crime and violence. DUAL CARRIAGEWAY
- 6. The next location for my music video will be in a car. In this location the main character will be shown driving through the town. This is because the lyrics talk about the city and what it looks like at night therefore it will also be filmed at night. In this location the artist will also be shown observing the town as the lyrics talk about a lot of gang violence in the city. The advantages of this location is that it will be filmed inside the car therefore weather would not be a issue. CAR