Locations 2
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The document discusses potential filming locations in London for interviews and b-roll footage. It notes that an interview with Dr. Aseem Malhotra will take place in a small room in an unspecified London location, preferably with light walls for easy lighting adjustments. Additional shots for a montage will be filmed in Shoreditch, London due to its food establishments and relevance to the target urban audience. Shoreditch also provides easy access to audience members for vox pop interviews to help viewers relate to the documentary.
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The document discusses potential internal filming locations for a short film that aim to convey a disturbed and chaotic feel. It presents photos of a ransacked bathroom, an empty decaying house, a demolished bathroom, and an area destroyed by disaster, and notes how each could provide interesting settings if similar locations could be found safely and adjusted to suit the film's needs. Safety is emphasized as the top priority for any location.
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Este documento fornece informações sobre a empresa RHM Soluções em Segurança, incluindo sua missão, portfólio de serviços, e três planos de ação para treinamento de motoristas, sinalização de veículos, e mapeamento de riscos.
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Locations
The document outlines various filming locations for a documentary project, including in London, Shoreditch, New Change shopping center, Quorn, Leicestershire, Capital FM radio studio in Birmingham, and the media classroom at Ratcliffe College. Interview subjects include Dr. Aseem Malhotra in London, general shots of food places in Shoreditch, vox pops with target audience members at New Change shopping center, and a nutritionist interview in Quorn. The final radio advert will be recorded at the professional Capital FM studio, and the poster image will be filmed at the media classroom at Ratcliffe College.
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თურქ-სელჩუკები და საქართველო
1064-1068 წლებში ალფ-არსლანმა საქართველოში ილაშქრა. ამ დროს საქართველოს მეფე გახლდათ ბაგრატ მეოთხე
CV 2016 Surian Tanoto
This document is a curriculum vitae for Surian Tanoto, an Indonesian civil engineer with over 19 years of experience in structural design and 15 years in project and construction management. He holds a Bachelor's degree in Civil Engineering and has worked on numerous commercial and industrial building projects in Indonesia and Vietnam, managing teams and overseeing construction. His roles have included project manager, technical manager, and construction manager.
Audience profiling
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Conventions of radio adverts
This document discusses conventions for radio advertisements. It notes that radio ads are typically 30 seconds, inform listeners about product qualities and include slogans. The language and address are tailored to the target audience. Too much information causes overload. Successful ads have an upbeat jingle and voiceover that do not overpower each other. The voiceover guides listeners and sets the tone. Details of broadcasts are stated at the end. Sound effects and facts provide context without overwhelming listeners. The document also discusses sticking to these conventions and targeting institutions for their radio advertisement.
Textual analysis of radio advert (we buy any car)
This radio advert uses persuasive language and an entertaining voiceover to target an unsophisticated audience and reassure them that Anycar.com will give them a quick and easy car selling experience. The voiceover impersonates the company as helpful yet comical, and emphasizes that Anycar.com will buy any car, making it the best and obvious choice. Rhythmic music and sound effects build the hype throughout the advert until its climax, aiming to convince listeners to use Anycar.com's services.
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Locations 3
This document outlines various filming locations for a documentary project, including:
- Dr. Aseem Malhotra's residence in London for an interview
- Shoreditch in London for general shots and food places near their target audience
- New Change in London for vox pops with their target audience and quality indoor audio
- Quorn in Leicestershire for an interview with Nutritionist Dympna Pearson locally
- Capital FM studio in Birmingham to record a high quality radio advert
- Ratcliffe College for additional filming of an interview, poster, and exercise shots
- Dr. Malcolm Kendrick's residence in Macclesfield, which will be difficult to access.
Postmodernism
This document analyzes the postmodern elements of a student documentary project on obesity. The documentary is a construction rather than an objective reality, as evidenced by edited footage, manipulated lighting and audio, and interviews that push subjects in a certain direction. While this approach confirms a postmodern reading, it also reduces the legitimacy of the information presented. The film poster represents reality through constructed imagery and subverts newspaper conventions. The radio ad further presents a constructed reality through edited clips and accents that detach from the everyday.
Postmodernism
The documentary is a construction rather than an objective reality. Interviews were edited and lit unnaturally to serve the filmmakers' agenda of challenging accepted dietary advice. The poster and radio ad also present stylized, edited realities rather than true representations to encourage postmodern readings of the work as constructed rather than capturing reality.
Postmodernism
The document discusses how documentaries, while aiming to record reality, inherently construct subjective representations influenced by directors' choices. It notes that excluding the interviewer and questions from shots gives interviews an appearance of naturalness but the questions still guide responses in certain directions, making an objective portrayal of reality impossible.
Postmodernism
The document discusses how documentaries, while aiming to record reality, inherently construct subjective representations influenced by directors' choices. It notes that excluding the interviewer and questions from shots gives interviews an appearance of natural freedom but the questions still push interviewees' answers in certain directions chosen by the filmmakers. Ultimately, the document argues that documentaries cannot objectively capture everyday life due to the subjective influences of those producing the film.
Marxism
While the documentary aims to challenge institutions by questioning government health advice, a closer analysis reveals it confirms Marxist readings. Interviews featured mostly white, middle-class subjects, reinforcing power structures. Renata's story of using commercial weight-loss schemes to feel empowered actually distracts from true needs. The documentary ultimately relies on privileged voices to relay its message, not challenging power dynamics as intended.
Marxism 2
Our documentary appears to initially challenge Marxist readings but upon deeper analysis confirms such readings in several ways: (1) It interviews an educated male doctor who reinforces privileged groups feeding information to maintain power; (2) It depicts a woman choosing a commercial weight-loss scheme, reaffirming capitalist ideologies; (3) Its vox pops primarily feature white, middle-class Londoners, reaffirming traditional power structures.
Locations final
The document outlines various filming locations for a documentary project, including:
1) Dr. Aseem Malhotra's residence in London for an interview, with convenient public transport access.
2) Shoreditch in London for general shots at food establishments near the target audience.
3) New Change in London for vox pops due to its popularity with the target demographic and controlled audio environment.
4) Quorn in Leicestershire for an interview with a nutritionist in a comfortable home setting.
Audience profiling becky
This document profiles the target audience for a documentary about fat and health. The primary audience is 24-35 year olds in income bracket B of any race, gender or sexuality who have liberal opinions. The secondary audience is 16-19 year olds in income bracket E. Both audiences are innovators, strivers, experiencers and thinkers. The documentary aims to target reformers, explorers and succeeders. It will provide information to fulfill the audience's need for self-actualization by contradicting established advice on fat consumption. The target audience watches documentaries online and shares them through reviews, social media and word of mouth. They are highly educated early adopters seeking new ideas and experiences.
Question 1 pp
The document discusses conventions of indie/rock music magazines and artists. It notes that the author's media product adheres to many conventions such as using bright colors, including content on upcoming gigs and reviews, and portraying artists in neutral facial expressions. However, it also challenges some conventions such as having a sporadic front cover font and not including excessive information on the front cover. The author aims to portray authenticity among the artists while acknowledging the mainstreaming of the genre.
Question 1 pp
The document summarizes how the media product adheres to and challenges conventions of real indie/rock music magazines. It discusses conventions related to design elements, typical content, portrayal of artists, and ownership models. The product aims to stick closely to conventions like using bright colors and featuring band information prominently while challenging conventions such as having a more minimal front cover and portraying a diverse band. The evaluation identifies some areas that could be improved like centering a title and perfecting layout details.
Q5 pp
The document discusses how the author addressed their niche and sophisticated audience for a music magazine. They analyzed both active and passive audience theories. For active theories, they discussed how opinion leaders in the target audience of young reformers and music journalists could influence others (Two Step Flow Theory). They also discussed how the magazine provides entertainment, information, a way for readers to relate to artists, and topics to discuss with others (Uses and Gratifications Theory). It also allows readers to fulfill their needs like morality and creativity (Hierarchy of Needs Theory). For passive theories, it discusses how the magazine can repeat its ideology over time to influence readers, though the active audience may question ideas (Culmination Theory).
Question 1 pp
The document discusses conventions of indie/rock music magazines and artists. It notes that the magazine adheres to several conventions, such as using bright colors and featuring reviews and upcoming concert information. However, it also challenges some conventions, such as having a less crowded front cover. Regarding artists, it adheres to conventions like smart/casual clothing and long hair on male artists, but challenges conventions like not featuring tattooed models. Overall, it aims to both follow genre conventions and put its own spin by challenging some expectations.
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Locations
The document outlines various filming locations for a documentary project, including in London, Shoreditch, New Change shopping center, Quorn, Leicestershire, Capital FM radio studio in Birmingham, and the media classroom at Ratcliffe College. Interview subjects include Dr. Aseem Malhotra in London, general shots of food places in Shoreditch, vox pops with target audience members at New Change shopping center, and a nutritionist interview in Quorn. The final radio advert will be recorded at the professional Capital FM studio, and the poster image will be filmed at the media classroom at Ratcliffe College.
N PORTFOLIO
This portfolio document contains information about Nayeem P K's alias digital design projects. It summarizes an alias keyboard concept that has a smooth outer surface and chrome accents for an attractive, official appearance. It also mentions using smooth curves to represent a finished bottle design. Finally, it discusses using good quality curves with evenly distributed control vertices to generate high quality surfaces of various sizes for alias models.
Bands and Brews FMCS2100 Proposal
This document announces and describes a new two-day music festival called Bands and Brews that will take place in April in Newcastle, Australia. It will feature 12 up-and-coming local bands across various genres performing at Foghorn Brewhouse, Newcastle's only in-bar brewery. The festival aims to showcase Newcastle's diversity of musical talent and emerging craft beer culture to promote community engagement and Newcastle as an entertaining place to be year-round.
თურქ-სელჩუკები და საქართველო
1064-1068 წლებში ალფ-არსლანმა საქართველოში ილაშქრა. ამ დროს საქართველოს მეფე გახლდათ ბაგრატ მეოთხე
CV 2016 Surian Tanoto
This document is a curriculum vitae for Surian Tanoto, an Indonesian civil engineer with over 19 years of experience in structural design and 15 years in project and construction management. He holds a Bachelor's degree in Civil Engineering and has worked on numerous commercial and industrial building projects in Indonesia and Vietnam, managing teams and overseeing construction. His roles have included project manager, technical manager, and construction manager.
Audience profiling
This document profiles the target audience for a documentary. The primary audience is people aged 24-35 in income bracket B of any race, gender or sexuality who have liberal opinions. The secondary audience is students aged 16-19 in income bracket E. These audiences are targeted because they are curious, educated individuals interested in new ideas who discover and share documentaries through social media and word of mouth.
Conventions of radio adverts
This document discusses conventions for radio advertisements. It notes that radio ads are typically 30 seconds, inform listeners about product qualities and include slogans. The language and address are tailored to the target audience. Too much information causes overload. Successful ads have an upbeat jingle and voiceover that do not overpower each other. The voiceover guides listeners and sets the tone. Details of broadcasts are stated at the end. Sound effects and facts provide context without overwhelming listeners. The document also discusses sticking to these conventions and targeting institutions for their radio advertisement.
Textual analysis of radio advert (we buy any car)
This radio advert uses persuasive language and an entertaining voiceover to target an unsophisticated audience and reassure them that Anycar.com will give them a quick and easy car selling experience. The voiceover impersonates the company as helpful yet comical, and emphasizes that Anycar.com will buy any car, making it the best and obvious choice. Rhythmic music and sound effects build the hype throughout the advert until its climax, aiming to convince listeners to use Anycar.com's services.
Pilot questionnaire
The document summarizes the results of a questionnaire about formatting and content preferences for a documentary, poster, and radio advertisement. Key findings include that most respondents preferred a voiceover narration for the documentary, a medium close-up shot for interviewees, including B-roll footage, and using bright colors and photography for the poster. For the radio advertisement, respondents felt ambient music and quotes from the documentary should be included and that the advertisement should be 30-40 seconds long. The questionnaire provided useful guidance for finalizing the creative elements.
Locations 3
This document outlines various filming locations for a documentary project, including:
- Dr. Aseem Malhotra's residence in London for an interview
- Shoreditch in London for general shots and food places near their target audience
- New Change in London for vox pops with their target audience and quality indoor audio
- Quorn in Leicestershire for an interview with Nutritionist Dympna Pearson locally
- Capital FM studio in Birmingham to record a high quality radio advert
- Ratcliffe College for additional filming of an interview, poster, and exercise shots
- Dr. Malcolm Kendrick's residence in Macclesfield, which will be difficult to access.
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Postmodernism
This document analyzes the postmodern elements of a student documentary project on obesity. The documentary is a construction rather than an objective reality, as evidenced by edited footage, manipulated lighting and audio, and interviews that push subjects in a certain direction. While this approach confirms a postmodern reading, it also reduces the legitimacy of the information presented. The film poster represents reality through constructed imagery and subverts newspaper conventions. The radio ad further presents a constructed reality through edited clips and accents that detach from the everyday.
Postmodernism
The documentary is a construction rather than an objective reality. Interviews were edited and lit unnaturally to serve the filmmakers' agenda of challenging accepted dietary advice. The poster and radio ad also present stylized, edited realities rather than true representations to encourage postmodern readings of the work as constructed rather than capturing reality.
Postmodernism
The document discusses how documentaries, while aiming to record reality, inherently construct subjective representations influenced by directors' choices. It notes that excluding the interviewer and questions from shots gives interviews an appearance of naturalness but the questions still guide responses in certain directions, making an objective portrayal of reality impossible.
Postmodernism
The document discusses how documentaries, while aiming to record reality, inherently construct subjective representations influenced by directors' choices. It notes that excluding the interviewer and questions from shots gives interviews an appearance of natural freedom but the questions still push interviewees' answers in certain directions chosen by the filmmakers. Ultimately, the document argues that documentaries cannot objectively capture everyday life due to the subjective influences of those producing the film.
Marxism
While the documentary aims to challenge institutions by questioning government health advice, a closer analysis reveals it confirms Marxist readings. Interviews featured mostly white, middle-class subjects, reinforcing power structures. Renata's story of using commercial weight-loss schemes to feel empowered actually distracts from true needs. The documentary ultimately relies on privileged voices to relay its message, not challenging power dynamics as intended.
Marxism 2
Our documentary appears to initially challenge Marxist readings but upon deeper analysis confirms such readings in several ways: (1) It interviews an educated male doctor who reinforces privileged groups feeding information to maintain power; (2) It depicts a woman choosing a commercial weight-loss scheme, reaffirming capitalist ideologies; (3) Its vox pops primarily feature white, middle-class Londoners, reaffirming traditional power structures.
Locations final
The document outlines various filming locations for a documentary project, including:
1) Dr. Aseem Malhotra's residence in London for an interview, with convenient public transport access.
2) Shoreditch in London for general shots at food establishments near the target audience.
3) New Change in London for vox pops due to its popularity with the target demographic and controlled audio environment.
4) Quorn in Leicestershire for an interview with a nutritionist in a comfortable home setting.
Audience profiling becky
This document profiles the target audience for a documentary about fat and health. The primary audience is 24-35 year olds in income bracket B of any race, gender or sexuality who have liberal opinions. The secondary audience is 16-19 year olds in income bracket E. Both audiences are innovators, strivers, experiencers and thinkers. The documentary aims to target reformers, explorers and succeeders. It will provide information to fulfill the audience's need for self-actualization by contradicting established advice on fat consumption. The target audience watches documentaries online and shares them through reviews, social media and word of mouth. They are highly educated early adopters seeking new ideas and experiences.
Question 1 pp
The document discusses conventions of indie/rock music magazines and artists. It notes that the author's media product adheres to many conventions such as using bright colors, including content on upcoming gigs and reviews, and portraying artists in neutral facial expressions. However, it also challenges some conventions such as having a sporadic front cover font and not including excessive information on the front cover. The author aims to portray authenticity among the artists while acknowledging the mainstreaming of the genre.
Question 1 pp
The document summarizes how the media product adheres to and challenges conventions of real indie/rock music magazines. It discusses conventions related to design elements, typical content, portrayal of artists, and ownership models. The product aims to stick closely to conventions like using bright colors and featuring band information prominently while challenging conventions such as having a more minimal front cover and portraying a diverse band. The evaluation identifies some areas that could be improved like centering a title and perfecting layout details.
Q5 pp
The document discusses how the author addressed their niche and sophisticated audience for a music magazine. They analyzed both active and passive audience theories. For active theories, they discussed how opinion leaders in the target audience of young reformers and music journalists could influence others (Two Step Flow Theory). They also discussed how the magazine provides entertainment, information, a way for readers to relate to artists, and topics to discuss with others (Uses and Gratifications Theory). It also allows readers to fulfill their needs like morality and creativity (Hierarchy of Needs Theory). For passive theories, it discusses how the magazine can repeat its ideology over time to influence readers, though the active audience may question ideas (Culmination Theory).
Question 1 pp
The document discusses conventions of indie/rock music magazines and artists. It notes that the magazine adheres to several conventions, such as using bright colors and featuring reviews and upcoming concert information. However, it also challenges some conventions, such as having a less crowded front cover. Regarding artists, it adheres to conventions like smart/casual clothing and long hair on male artists, but challenges conventions like not featuring tattooed models. Overall, it aims to both follow genre conventions and put its own spin by challenging some expectations.
Drafts first production changes
This document summarizes the changes made between drafts and the first production of the front cover, contents page, and double page spread for a magazine. Key changes included adding a tagline to the masthead on the front cover, changing fonts for clarity and consistency, adjusting images and captions for layout, and aligning elements more conventionally for spreads. The goal was to improve readability, balance white space, and create a polished final product from the initial drafts.
First production - final production changes
The document outlines corrections made between the first production draft and final production of a magazine spread about the band The Cloaks. Changes included modifying fonts, sizes, and positioning of elements on the cover, contents page, and double page article spread to improve readability, balance, and visual appeal. Elements were standardized across pages and additional context or stories were included. Photos and captions were altered to better suit the stories and enhance audience engagement. The revisions aimed to achieve a more polished, sophisticated look befitting the intended audience.
First production final production changes
The document provides corrections made between the first production draft and final production of a magazine spread about the band The Cloaks. Changes included modifying fonts, sizes, and positioning of elements on the cover, contents page, and double page article spread to improve readability, focus attention on key information, and make the design more conventional and sophisticated for the intended audience. Elements were reorganized and additional content was included. The changes enhanced cohesion between pages and drew readers to stories of interest through techniques like pull quotes and captions.
First production final production changes
The document provides corrections made between the first production draft and final production of a magazine spread about the band The Cloaks. Changes included modifying fonts, sizes, and alignments of elements on the cover, contents page, and double page article spread for improved readability, visual appeal, and magazine convention. Elements were refined for better focus on the band through enlarged text, additional content was added, and layouts were adjusted to make more efficient use of space.
Conventions
This document discusses conventions for magazine design based on genre research. It provides guidance on elements like the masthead, cover lines, contents page, focal image, and double page spread. Key points covered include using a memorable masthead in red, multiple cover lines to showcase content, and pulling important text to specific areas of spreads. Gender, age, race and institutional representations within the indie music genre are also examined.
Focus group
Lucy, aged 23, preferred the title "Rift" over "Shuffle" or "IM" as it is less associated with mainstream music. She suggested keeping fonts sophisticated with some edge and using variety in font size and style on the cover. For the contents page, Lucy felt a simple list of bands and page numbers would be best as postmodern audiences value style over substance. She thought one page of the double spread should have only images while the other has writing.
Mark, aged 25, said to use a medium shot for a band on the cover or long shot for a single artist. Expressions should be neutral on images. He wanted the double page interview to focus on a band's story in the music industry
Conventions
The document discusses conventions for magazine design based on genre research. It provides guidance on elements like the masthead, cover lines, contents page, focal image, and double page spread. Key points covered include using a memorable masthead in red, multiple cover lines about article contents, a structured contents layout, a focal artist image on the cover, and pull quotes and standouts in double page spreads. Representations of the indie music genre, its artists, audiences, and the challenges of its institutional ownership are also summarized.
Casting (rebecca)
This document provides casting information for 5 people - Katie Winston, Billy Kaul, Harry Chaloner, Tom Ngai, and Josh Macqueen - who will be featured in photos for a school project on the Indie/Rock music genre. Katie will be the only woman featured prominently. Billy, Katie, and Harry will be in group shots as members of the band "The Cloaks". Harry challenges gender stereotypes with his long hair. Tom will be featured holding a guitar to represent his hard work and playing his own music. Josh's photos will be less serious than the others to show the carefree side of the genre.
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Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
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occur natural.
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Locations 2
- 1. LOCATION S
- 2. LONDON (EXACT PLACE TBC) This is where we will be filming our interview with Dr Aseem Malhotra. He has yet to come back to us with an exact location. It will hopefully be a smallish room so that we can get away with only the lapel mic, and preferably with light coloured walls so that the lighting is easy to manipulate with a reflector, as we don’t want to take too much lighting equipment on the trains and tubes.
- 3. LONDON - SHOREDITCH This is where we intend on filming some general shots for our montage shots, as there are some great food places in Shoreditch. Furthermore, it is the kind of place which we would expect our Mosaic Group audience of Urban Cool to live, and so is very appropriate in attracting our target audience. Because of this, it also means that it will be easier to access members of our target audience to be in our Vox Pops, which will allow our audience to better relate to the documentary.