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ASSIGNMENT 11: REDRAFT #4.
GETTING INTO GROUPS.


     Key Code:


                 Abigail:


                 Gledis:


             Joanne:


                 Vera:
                            Group Work:
TEACHER ASSESSMENT OF OUR
FIRST OPENING SEQUENCE:
SELF ASSESSMENT OF OUR FIRST
OPENING SEQUENCE:
FEEDBACK OF OUR FIRST
     OPENING SEQUENCE:
                              Our opening
                              sequence was too
                              long + more like
                              a film.


 We didn’t use
 enough transitions,
 or any special
 effects.
                              The pace of our
                              opening sequence
                              wasn’t fast
                              enough.




We were missing out
on marks, because we         We need to be more wary
had no titles.               of head space when re-
                             filming, as we had a lot
                             of empty space.
DECISIONS AND REVISIONS.

   Whilst filming our opening sequence, we had to
    make a few decisions about the script and the
    layout, which differed from our original ideas.

   Some parts of the script were cut out, as it was
    unrealistic that a character to say some of the
    written lines.

   There was also some confusion with the intended
    opening sequence. We had different ideas about
    what we were filming for it, so had to change it
    on the day.
D

CONVENTIONS OF THRILLERS...

        •    We are using conventions of
              thrillers, such as crime,
                mystery and ghosts.

        •     We identified other thriller
                 films that used these
            conventions effectively, such as
            House On A Haunted Hill, Stir
              Of Echoes and The Others.

    •       We collectively decided on how
             we would use, develop and
            challenge these conventions.
D
 Convention        Explanation          Use/Develop/
                                         Challenge
               Our character is       Using – We’re
               haunted by a           using this as we
Ghosts/Spirits ghost in her           are doing
               home.                  possession which
                                      can be quite a
                                      typical feature.
                Mysterious things     Using– We’re are
                keep on               using this
                happening to the      convention by
   Mystery      character, and as     included mystery
                she becomes           all the way
                aware of this,        through the plot.
                these happenings
                At the end of film,   Developing –
                get worse.
                our character is      We’re developing
                fully possessed.      this because our
  Possession    But during the        character is
                opening sequence,     possessed slowly
                the character has     and is aware of
                a close encounter     this possession.
                with the ghost.
Same as
                                                                                   assignment 11
    Theme/Concept                                                                  draft 3



             An idea we had for the theme was Revenge and the
              concept was Possession.


                            Injustice                     Ghosts
                                                                         Grievance
               Twists & Turns
Victims                                                                             Enigma
                                        Revenge &
   Hidden identities                    Possession!
                                                                         Vicious


          Ghouls                                                   Suspicious
                                                                   circumstances
                            Unsuspecting              Mysterious
  Shocking
                                Someone who has
  revelations
                                been wronged
Same as
                                                                  assignment 11

Theme/Concept                                                     draft 3




    Another idea we had for the theme was Justice and concept was Death

                     Murder & Manslaughter
                                                          Righteousness
    Revenge

                                                                  Moral
                                                                  Rightness.
Vendetta
                            Justice & Death!
                                                           A Cause
   Mystery


                                                         Decay
             Supernatural
                                      Life After Death
NARRATIVE STRUCTURE.
   The narrative structure of our opening sequence
    follows the theory of Todorov.

   It is structured this way as it begins with relative
    harmony which is then disrupted by the
    disequilibrium and it is unknown whether or not
    this is resolved which is the new equilibrium.

   Our opening sequence introduces our character,
    and the audience to the idea of supernatural
    events.
THE NEW IDEA.
   Footage from a night vision camera is shown, in which the character
    has her covers pulled off whilst sleeping by the ghost and the lamp
    switches off.

   Zoom out to imply the character is watching the video from her laptop
    and is horrified at what she sees . The door slowly opens and a gush
    of wind pushes the papers on her desk.

   She gets up, closes the door and sits at her desk. The laptop then
    suddenly turns off and a mysterious figure walks past behind her
    (seen by audience only). The door opens violently.

   She stands up in fright and the curtains behind her open by
    themselves. She backs away from her desk. Suddenly loud banging
    can be heard from inside her cupboard scaring her.

   She reluctantly walks to the cupboard doors terrified and opens them.
    It is not seen what is in their only her reaction. The camera zooms
    fast into her face and then a blackout.
NEW STORYBOARD.
                                     Close up shot, Ariel         Close up of website research
    Long Shot, Slow motions zoom




                               2                     Keyboard     3
1




                                                                      Camera swished around
                                                                          The room fast
4     Whispers are heard           5 Mid-shot view of character   6
Ariel shot of room                                       Extreme close up of
                                                                 Camera screen




7                         8 Close up of camera in hand   9

                                Close up of TV




10       Long shot        11                             12       Mid shot
Long shot            Close up shot    Close up shot of side of the
                                                         face




13                      14                     15

                                               Close up of photo




     Close up shot of
16   camera in hand     17       Ariel shot    18
Close up of face to capture
              emotions                  Over the shoulder shot             Mid shot




19                                 20                            21

                      Long shot of hall way                             Ariel shot drop to
                                                                      Over the shoulder shot




22                                 23                            24
Close up shot
25                   26      Wide shot Then fast zoom
                          In to Extreme close up to hand
CHANGES IN CHARACTER AND
MISE EN SCENE.
   For draft two, we are changing the actress,
    location and costume.

   Our actress is now Joanne Aroda.

   We will change her costume to make her look a
    bit less confident and more vulnerable.

   We have also changed the location slightly as the
    character will remain in her room and not go
    downstairs.
CHANGES IN CHARACTER AND
MISE EN SCENE.
   We have decided that we want out character ‘Drew’ to
    represent your average normal person.

   The reason we have done this is because we feel that this
    will help her character relate to a much wider audience.

   We want our audience to think that what happens to our
    character in our film can happen to anyone no matter how
    ordinary.

   The purpose of this is so frighten our audience, as this is
    our main goal with a Thriller film.
Same as
                                                   assignment 11
Location                                           draft 3




 We have one locations with this idea.
 The first, is a bedroom in which all of these
  supernatural things happen to the character in.
  There are no health and safety risks in this
  location.




                                   (Supernatural things)
Same as
                                                            assignment 11
Location                                                    draft 3


     This location is nearly always accessible as its my room,
      however, the only problem we may face with this location is
      when we can film as my mother works from home and noise
      from filming could be an issue.


     We can get there from school by getting the 266 or 260 bus to
      Church Road and then a short walking distance, where we’d
      have to cross four non-major roads.
DISTRIBUTION COMPANY.
 We looked at various distribution companies in
  order to find one that would be suitable for our
  second draft.
 We finally decided on Ghost House Pictures

 It is a distribution company that have been
  behind films such as The Grudge (1-3), The
  Children and The Messengers.
DISTRIBUTION COMPANY.

   They are suitable for our film idea, as they
    distribute to both American and European
    audiences and they make well known films.

   Their budgets range from £4,500,000 -
    £10,000,000. We would aim to be at the lower end
    of their budget for our film.
TITLES.
   In our first opening sequence, we lacked any
    titles, however, for the second draft, we want to
    put titles on a black screen between the events in
    the opening sequence.

   This will stall the suspense and put the audience
    on edge, which is one of our main aims.

   We will stagger our titles as this will make the
    audience pay more attention to each individual
    title on screen.
SCRIPT FOR DRAFT 2
TITLES OF ‘ROSEMARY’S BABY’
   The font style and colour are somewhat unusual as it does not link
    with anything in the movie. This could be down to the time the film
    was made. During the 60s technology was not as developed.
   However the fact that its so uncommon for a Horror/Thriller, makes
    it unique and unpredictable.

                           • Baby pink colour,
                         however symbolises the
                         innocence of Rosemary’s
                               character.
                          •Similarly, our main
                         character also possesses
                           a sense of innocence.


   This has inspired us to use a font not normally associated with
    Thrillers to make it as unpredictable as possible.
TITLES OF STEPHEN KING’S ‘IT’ ‘IT’
 Titles And Credits of Stephen King’s
                                     The bright red symbolises
The title of the film is the
                                     blood and gore therefore
only text in this colour
                                     attracting the target
(bright red) and font style.
                                     audience as it is common
                                     in Horror/Thrillers.




                                The small cuts and slits
This makes the title stand      within the letters emphasis
out from the rest of the text   the violence in the movie as
highlighting the significance   they represent stabs and
of the ‘IT’ character to        scratches.
intrigue the audience.
TITLES OF OUR OPENING
SEQUENCE

 We want the titles and credits of our opening
  sequence to fade in and out.
 This is because it creates an eerie effect and
  symbolises the way the ghost in the movie appears
  and disappears.
 Our titles will only come one screen during a time
  when nothing significant is happening as to not
  distract the audience from any important parts of
  the sequence.

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Assignment 11 draft 4

  • 1. ASSIGNMENT 11: REDRAFT #4. GETTING INTO GROUPS. Key Code: Abigail: Gledis: Joanne: Vera: Group Work:
  • 2. TEACHER ASSESSMENT OF OUR FIRST OPENING SEQUENCE:
  • 3. SELF ASSESSMENT OF OUR FIRST OPENING SEQUENCE:
  • 4. FEEDBACK OF OUR FIRST OPENING SEQUENCE: Our opening sequence was too long + more like a film. We didn’t use enough transitions, or any special effects. The pace of our opening sequence wasn’t fast enough. We were missing out on marks, because we We need to be more wary had no titles. of head space when re- filming, as we had a lot of empty space.
  • 5. DECISIONS AND REVISIONS.  Whilst filming our opening sequence, we had to make a few decisions about the script and the layout, which differed from our original ideas.  Some parts of the script were cut out, as it was unrealistic that a character to say some of the written lines.  There was also some confusion with the intended opening sequence. We had different ideas about what we were filming for it, so had to change it on the day.
  • 6. D CONVENTIONS OF THRILLERS... • We are using conventions of thrillers, such as crime, mystery and ghosts. • We identified other thriller films that used these conventions effectively, such as House On A Haunted Hill, Stir Of Echoes and The Others. • We collectively decided on how we would use, develop and challenge these conventions.
  • 7. D Convention Explanation Use/Develop/ Challenge Our character is Using – We’re haunted by a using this as we Ghosts/Spirits ghost in her are doing home. possession which can be quite a typical feature. Mysterious things Using– We’re are keep on using this happening to the convention by Mystery character, and as included mystery she becomes all the way aware of this, through the plot. these happenings At the end of film, Developing – get worse. our character is We’re developing fully possessed. this because our Possession But during the character is opening sequence, possessed slowly the character has and is aware of a close encounter this possession. with the ghost.
  • 8. Same as assignment 11 Theme/Concept draft 3  An idea we had for the theme was Revenge and the concept was Possession. Injustice Ghosts Grievance Twists & Turns Victims Enigma Revenge & Hidden identities Possession! Vicious Ghouls Suspicious circumstances Unsuspecting Mysterious Shocking Someone who has revelations been wronged
  • 9. Same as assignment 11 Theme/Concept draft 3 Another idea we had for the theme was Justice and concept was Death Murder & Manslaughter Righteousness Revenge Moral Rightness. Vendetta Justice & Death! A Cause Mystery Decay Supernatural Life After Death
  • 10. NARRATIVE STRUCTURE.  The narrative structure of our opening sequence follows the theory of Todorov.  It is structured this way as it begins with relative harmony which is then disrupted by the disequilibrium and it is unknown whether or not this is resolved which is the new equilibrium.  Our opening sequence introduces our character, and the audience to the idea of supernatural events.
  • 11. THE NEW IDEA.  Footage from a night vision camera is shown, in which the character has her covers pulled off whilst sleeping by the ghost and the lamp switches off.  Zoom out to imply the character is watching the video from her laptop and is horrified at what she sees . The door slowly opens and a gush of wind pushes the papers on her desk.  She gets up, closes the door and sits at her desk. The laptop then suddenly turns off and a mysterious figure walks past behind her (seen by audience only). The door opens violently.  She stands up in fright and the curtains behind her open by themselves. She backs away from her desk. Suddenly loud banging can be heard from inside her cupboard scaring her.  She reluctantly walks to the cupboard doors terrified and opens them. It is not seen what is in their only her reaction. The camera zooms fast into her face and then a blackout.
  • 12. NEW STORYBOARD. Close up shot, Ariel Close up of website research Long Shot, Slow motions zoom 2 Keyboard 3 1 Camera swished around The room fast 4 Whispers are heard 5 Mid-shot view of character 6
  • 13. Ariel shot of room Extreme close up of Camera screen 7 8 Close up of camera in hand 9 Close up of TV 10 Long shot 11 12 Mid shot
  • 14. Long shot Close up shot Close up shot of side of the face 13 14 15 Close up of photo Close up shot of 16 camera in hand 17 Ariel shot 18
  • 15. Close up of face to capture emotions Over the shoulder shot Mid shot 19 20 21 Long shot of hall way Ariel shot drop to Over the shoulder shot 22 23 24
  • 16. Close up shot 25 26 Wide shot Then fast zoom In to Extreme close up to hand
  • 17. CHANGES IN CHARACTER AND MISE EN SCENE.  For draft two, we are changing the actress, location and costume.  Our actress is now Joanne Aroda.  We will change her costume to make her look a bit less confident and more vulnerable.  We have also changed the location slightly as the character will remain in her room and not go downstairs.
  • 18. CHANGES IN CHARACTER AND MISE EN SCENE.  We have decided that we want out character ‘Drew’ to represent your average normal person.  The reason we have done this is because we feel that this will help her character relate to a much wider audience.  We want our audience to think that what happens to our character in our film can happen to anyone no matter how ordinary.  The purpose of this is so frighten our audience, as this is our main goal with a Thriller film.
  • 19. Same as assignment 11 Location draft 3  We have one locations with this idea.  The first, is a bedroom in which all of these supernatural things happen to the character in. There are no health and safety risks in this location. (Supernatural things)
  • 20. Same as assignment 11 Location draft 3  This location is nearly always accessible as its my room, however, the only problem we may face with this location is when we can film as my mother works from home and noise from filming could be an issue.  We can get there from school by getting the 266 or 260 bus to Church Road and then a short walking distance, where we’d have to cross four non-major roads.
  • 21. DISTRIBUTION COMPANY.  We looked at various distribution companies in order to find one that would be suitable for our second draft.  We finally decided on Ghost House Pictures  It is a distribution company that have been behind films such as The Grudge (1-3), The Children and The Messengers.
  • 22. DISTRIBUTION COMPANY.  They are suitable for our film idea, as they distribute to both American and European audiences and they make well known films.  Their budgets range from £4,500,000 - £10,000,000. We would aim to be at the lower end of their budget for our film.
  • 23. TITLES.  In our first opening sequence, we lacked any titles, however, for the second draft, we want to put titles on a black screen between the events in the opening sequence.  This will stall the suspense and put the audience on edge, which is one of our main aims.  We will stagger our titles as this will make the audience pay more attention to each individual title on screen.
  • 25.
  • 26. TITLES OF ‘ROSEMARY’S BABY’  The font style and colour are somewhat unusual as it does not link with anything in the movie. This could be down to the time the film was made. During the 60s technology was not as developed.  However the fact that its so uncommon for a Horror/Thriller, makes it unique and unpredictable. • Baby pink colour, however symbolises the innocence of Rosemary’s character. •Similarly, our main character also possesses a sense of innocence.  This has inspired us to use a font not normally associated with Thrillers to make it as unpredictable as possible.
  • 27. TITLES OF STEPHEN KING’S ‘IT’ ‘IT’ Titles And Credits of Stephen King’s The bright red symbolises The title of the film is the blood and gore therefore only text in this colour attracting the target (bright red) and font style. audience as it is common in Horror/Thrillers. The small cuts and slits This makes the title stand within the letters emphasis out from the rest of the text the violence in the movie as highlighting the significance they represent stabs and of the ‘IT’ character to scratches. intrigue the audience.
  • 28. TITLES OF OUR OPENING SEQUENCE  We want the titles and credits of our opening sequence to fade in and out.  This is because it creates an eerie effect and symbolises the way the ghost in the movie appears and disappears.  Our titles will only come one screen during a time when nothing significant is happening as to not distract the audience from any important parts of the sequence.