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SEMESTER LONG
GROUP PROJECTS IN
AN ONLINE
LITERATURE-BASED
COMPOSITION
CLASS

Presenter: Laurie Lykken, Century College
Context
• Instructor Expectation of Students:
   – Will not previously have written multi-
     source papers over four pages.
   – Will not be familiar with analyzing
     literature and little experience reading
     literature for personal enjoyment.
• Additional challenges include:
   – Getting students to understand the
     assigned readings thoroughly enough
     to write about them competently
   – Getting students to discover an area of
     interest to research for the longer
     paper the writing of which is
     centerpiece of the course.
Rationale for Having a Group Project
• To supplement each week's reading
  assignments with student generated
  material.

• To increase all students’ engagement in the
  course material and with each other.

• To prepare students for the research they will
  do later for their own longer researched
  paper.

• To make the online environment less
  isolating...perhaps even less isolating even
  than the classroom experience.

• To build on the audience awareness students
  all ready have.
Assignment Overview
• Students choose a group to join
  based on the topic to be covered
  in one of 6 weeks of the 16 week
  course.
• Groups are chosen Week 3;
  presentations start Week 5.
• Group size is limited to ensure all
  weeks are covered.
• Group 7 is reserved for individual
  projects to accommodate
  students who insist on working
  alone or who do not respond in a
  timely manner to the call
  for expressing group preference.
Group Number                                Basic Project Theme                               Week to Sharing
Group One             Short Stories: Focus on Kate Chopin or Tim O’Brien: lives, issues    Week 5 (2/6-2/12)
                      during their lifetime, issues presented in work, etc.



Group Two             Poetry: Focus on helping class understand how poetry works—          Week 6 (2/13-2/19)
                      words, rhythm, rhyme = more than the sum of its parts.



Group Three           Poetry: Focus on Langston Hughes—who he was, when he lived, why      Week 7 (2/20-2/26)
                      he is important…the music in his poetry.



Group Four            Poetry: Focus on poetry and visual images/art/video etc. Enhancing   Week 8 (2/27-3/4)
                      poetry with images and poetry based on images.



Group Five            Drama: Focus on origins of drama and/or the contribution of          Week 9 (3/5-3/18)
                      Sophocles and his Oedipus trilogy.



Group Six             Drama: Focus on August Wilson and the larger vision of which his     Week 10 (3/19-3/25)
                      play Fences is part.



Seven: Individual Drama/ Poetry/ Short Story: work individually (or with one other         Weeks 11 and 12 (3/26-
                  person), surprise and entertain the rest of the class. Being last, we    4//1)
Projects
                      expect something brilliant and fun from everyone choosing this
                      option.
Assessment
• Assessment is not completed until after all
  projects have been posted and viewed.
• Assessment involves has 4 components:
   1. Instructor assessment based on the published
      rubric (this document available on the wiki)
   2. Student responses to a Survey where they answer
      specific questions about each project and then
      assign each project, including their own, a grade
   3. Individual student feedback—required--in which
      students explain their own contribution to the
      project and what triumphs or trials they felt their
      group experienced.
   4. Comments left on the discussion board when the
      project was posted.

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Lauriez redo

  • 1. SEMESTER LONG GROUP PROJECTS IN AN ONLINE LITERATURE-BASED COMPOSITION CLASS Presenter: Laurie Lykken, Century College
  • 2. Context • Instructor Expectation of Students: – Will not previously have written multi- source papers over four pages. – Will not be familiar with analyzing literature and little experience reading literature for personal enjoyment. • Additional challenges include: – Getting students to understand the assigned readings thoroughly enough to write about them competently – Getting students to discover an area of interest to research for the longer paper the writing of which is centerpiece of the course.
  • 3. Rationale for Having a Group Project • To supplement each week's reading assignments with student generated material. • To increase all students’ engagement in the course material and with each other. • To prepare students for the research they will do later for their own longer researched paper. • To make the online environment less isolating...perhaps even less isolating even than the classroom experience. • To build on the audience awareness students all ready have.
  • 4. Assignment Overview • Students choose a group to join based on the topic to be covered in one of 6 weeks of the 16 week course. • Groups are chosen Week 3; presentations start Week 5. • Group size is limited to ensure all weeks are covered. • Group 7 is reserved for individual projects to accommodate students who insist on working alone or who do not respond in a timely manner to the call for expressing group preference.
  • 5. Group Number Basic Project Theme Week to Sharing Group One Short Stories: Focus on Kate Chopin or Tim O’Brien: lives, issues Week 5 (2/6-2/12) during their lifetime, issues presented in work, etc. Group Two Poetry: Focus on helping class understand how poetry works— Week 6 (2/13-2/19) words, rhythm, rhyme = more than the sum of its parts. Group Three Poetry: Focus on Langston Hughes—who he was, when he lived, why Week 7 (2/20-2/26) he is important…the music in his poetry. Group Four Poetry: Focus on poetry and visual images/art/video etc. Enhancing Week 8 (2/27-3/4) poetry with images and poetry based on images. Group Five Drama: Focus on origins of drama and/or the contribution of Week 9 (3/5-3/18) Sophocles and his Oedipus trilogy. Group Six Drama: Focus on August Wilson and the larger vision of which his Week 10 (3/19-3/25) play Fences is part. Seven: Individual Drama/ Poetry/ Short Story: work individually (or with one other Weeks 11 and 12 (3/26- person), surprise and entertain the rest of the class. Being last, we 4//1) Projects expect something brilliant and fun from everyone choosing this option.
  • 6. Assessment • Assessment is not completed until after all projects have been posted and viewed. • Assessment involves has 4 components: 1. Instructor assessment based on the published rubric (this document available on the wiki) 2. Student responses to a Survey where they answer specific questions about each project and then assign each project, including their own, a grade 3. Individual student feedback—required--in which students explain their own contribution to the project and what triumphs or trials they felt their group experienced. 4. Comments left on the discussion board when the project was posted.