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La Meri (1899-1988) was an American dancer who studied and performed dances from around the world. She made her debut in New York City in 1928 and began performing regularly at Jacob's Pillow Dance Festival in Massachusetts starting in 1940. There, she was a major faculty member for decades and served on the board of directors. La Meri specialized in Spanish and Indian dance forms and gave memorable performances interpreting Swan Lake using Hindu gestures. She continued actively performing and choreographing new works until her late career in the 1960s and 70s.
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La Meri (1899-1988) was an American dancer and choreographer who studied and performed dances from around the world. She made her debut in New York City in 1928 and first performed at Jacob's Pillow in 1940. La Meri went on to be a major part of the faculty at Jacob's Pillow for decades and served on their Board of Directors. She specialized in Spanish and Indian forms of dance but also interpreted works like Swan Lake using Hindu gesture techniques. The document provides a chronology of La Meri's appearances from 1931-1946 and includes photographs of her in various dance performances and costumes from her career.
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This document discusses the history and development of opera and musical plays in the Philippines. It begins by defining opera as a drama that is mainly sung and accompanied by instruments. It then outlines the various roles involved in an opera production such as librettists, composers, conductors, dancers, and designers. The document proceeds to discuss notable Filipino operas from the 19th and 20th centuries based on works by Rizal and the genre of musical plays which became more popular than opera in the Philippines. In the latter part, several famous Philippine musicals are outlined such as Katy, Atang, Daragang Magayon, and Florante at Laura.
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I do not claim the content of this presentation. I give credit to the references and resources I have searched.
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La Meri (1899-1988) was an American dancer and choreographer who studied and performed dances from around the world. She made her debut in New York City in 1928 and first performed at Jacob's Pillow in 1940. La Meri went on to be a major part of the faculty at Jacob's Pillow for decades and served on their Board of Directors. She specialized in Spanish and Indian forms of dance but also interpreted works like Swan Lake using Hindu gesture techniques. The document provides a chronology of La Meri's appearances from 1931-1946 and includes photographs of her in various dance performances and costumes from her career.
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Opera originated in Italy in the late 16th century and later spread throughout Europe. It combines dramatic text, singing, music, acting, costumes and scenery. In the 19th century, opera became popular in the Philippines and was performed in local theaters like Teatro Zorilla. The first Filipino opera was Sandugong Panaginip by Pedro Paterno. Media like radio and television later helped spread Philippine opera genres. Live performances allow ideas and stories to be presented through singing, music and acting, unlike music videos.
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During the Renaissance period, music and dance flourished. Sacred music like motets were composed with multiple melodic lines, while secular music like madrigals set poems to music. Dances ranged from slow stately dances performed by couples to faster country dances. Dance masters wrote treatises describing complex dances performed in theaters and simpler folk dances.
Contemporary philippine arts from the regions
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This document provides information on five National Artists from the Philippines and their contributions in different areas including music, dance, theater, literature, and visual arts. It discusses Antonio Buenaventura and Jose Maceda as National Artists for Music who researched and popularized Philippine folk songs and traditional music. For dance, it highlights Francisca Reyes Aquino and Ramon Obusan who studied various Philippine folk dances and ethnic dances. Daisy Avellana and Rolando Tinio are recognized for their significant works and performances in theater. Literature National Artists discussed are Francisco Arcellana and Edith Tiempo, known for their poems, short stories, and founding of a writer's workshop. The document also profiles painters
Artistic events (1968 - 1989)
The document provides summaries of several events from 1970 to 1988 related to art, architecture, music, film, and literature. Some of the events summarized include the breakup of the Beatles in 1970, Mikhail Baryshnikov's defection from the Soviet Union to the US in 1974, the opening of the Centre Georges Pompidou in Paris in 1977, and Pedro Almodóvar's film "Women on the Verge of a Nervous Breakdown" in 1988. The document consists of short summaries of various cultural and artistic milestones from this period.
2 contemporary arts in the philippines
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La Meri Images
- 1. The “La Meri” Collection San Antonio Theatre Archives Held at The San Antonio Public Library Texana/Genealogy Desk
- 2. “ La Meri” in San Antonio Lilian and “La Meri” at San Pedro Park Birthday party for “Dickie” at house on Laurel St. Mulhollands High School for Girls Graduation, May 1913
- 3. La Meri’s First Automobile, 202 King Williams Street, 1913
- 4. La Meri: Chronology of Appearances 1931-1946
- 7. “ Song of Songs” L to R: Peter di Falco, La Meri, Ted Shawn- Photographer: Jack Mitchel at Jacob’s Pillow, 1946
- 8. La Meri
- 9. La Meri, Javanese costume Photo: Marcus Blechman
- 10. “ The White Peacock” (Griffes) Paris, 1930
- 11. Debut in Bharata Natyam (Choreog. Vadivelu Pillai) Madras, 1937
- 12. “ Nasu to Kabocha” (Choreog. Kodera) Photo: Marcus Blechman, 1945
- 13. “ Huayno” (Peru) Photo: Marcus Blechman, N.Y., 1949
- 14. La Meri and Peter di Falco “Sevellanos”- Dec 1946
- 15. “ Escape” Photographer: Jack Mitchell, Jacob’s Pillow 1960
- 16. “ Carabali” (Cuba), Photographer Rosel, New York, 1944
- 17. “ Zandunga” (Mexico), Photographer: Rosel, New York, 1944
- 18. “ Farruca” (Flamenco) Photographer: Marcus Blechman, New York, 1944
- 19. “ Marwari Kathak” Photographer: Rosel, 1944
- 20. In a Prologue in San Antonio, 1922
- 21. La Meri in “El Gato” Photographer: Rosel, 1944
- 22. ‘ Krishna-Gopala” (Choreog. La Meri) E. D. C. Theater N.Y.C., 1940
- 23. La Meri- Ruth St Denis at “School of Natya” Studio,1940
- 24. “ Parvati” in “Pradakchina of Ganesh” Her Last Performance, Photographer: Craig, Cape Cod 1969
- 25. La Meri at her home in Cape Cod with her champion Belgian Sheepdogs
- 26. Program: A Summer Festival of Ethnic Dance- MA,1971
- 27. Lillian Hughes Newcomer: “La Meri’s” Sister