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American Period to Post War Republic (CPAR 11/12)
The document outlines the evolution of Philippine art and culture from the American colonial period through the postwar republic, highlighting key historical events, influential artists, and artistic movements. It details various forms of expression, including theater, painting, and sculpture, amid political changes and the impact of the Japanese occupation. The text emphasizes the transformation in artistic styles and themes, reflecting national identity and cultural resilience throughout these tumultuous periods.
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American Period to Post War Republic (CPAR 11/12)
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- 3. 1896 Philippine Revolution 1898 Treaty ofParis 1899-1913 Philippine-American War
- 4. SEDITION LAW This issuancebanned the writing, printing, and publication of materials advocating Philippine independence, and engaging in activities which championed this cause.
- 5. Juan Abad’s Tanikalang Guinto (GoldenChain, 1902) Juan Matapang Cruz’s Hindi Ako Patay (I am not dead,1903) Aurelio Tolentino’s Kahapon, Ngayon, at Bukas (Yesterday, Today and Tomorrow,1903)
- 6. DRAMA SIMBOLICO One-act plays cameto represent a deep and profound yearning for freedom.
- 7. Lino Castillejo andJesus Araullo’s A Modern Filipina (1915)
- 8. BODABIL From vaudeville ofFrance, this is a motley collection of slapstick, songs, dances, acrobatics, comedy skits, chorus girls, magic acts, and stand-up comic acts.
- 9. In the beginningof the 20th century, Daniel Burnham Architect and urban planner William Parsons Architect Burnham Plan
- 10. CITY BEAUTIFUL MOVEMENT •Introduced in 1893 at the Chicago World Fair • Employed Neoclassic Architecture Post Office Legislative Building (now the National Art Gallery)
- 11. Tomas Mapua Juan Arellano AndresLuna de San Pedro Antonio Toledo
- 12. UNIVERSITY OF THEPHILIPPINES • Established in 1908 • 1909, opened the School of Fine Arts • Rafael Enriquez a peninsulares (Spanish-born residents of the Philippines)
- 13. FABIAN DE LAROSA Succeeded Enriquez as director. Known for his naturalist paintings characterized by restraint and formality in brushwork, choice of somber colors and subject matters.
- 14. His works: Planting Rice(1921) El Kundiman (1930)
- 15. National Artist (1972) FERNANDOAMORSOLO Known for his romantic paintings that captured the warm glow of the Philippine sunlight. Had produced numerous portraits of prominent individuals, genre scenes highlighting the beauty of dalagang Filipina, idyllic landscapes; historical paintings
- 16. The Philippine Readers The IndependentLogo design for Ginebra San Miguel
- 17. AMORSOLO SCHOOL Irineo MirandaCesar Buenaventura Toribio Herrera Dominador Castaneda
- 18. National Artist (1973) GUILLERMOTOLENTINO Studied Fine Arts in Rome. Influenced by classical traditions Oblation (1935) 1958 – bronze cast at UP Oblation Plaza Bonifacio Monument 1933 in Caloocan
- 19. ACADEMIC ART The kindof art that was influenced by European academies; tradition of painting and sculpture of Amorsolo’s and Tolentino’s
- 20. National Artist (1976) VICTORIOEDADES • Modern Art Movement • Homecoming Exhibition in 1928 at the Philippine Columbian Club
- 21. National Artist forSculpture (1976) NAPOLEON ABUEVA A sculptor who has worked with a wide variety of mediums, from hardwood to precious alabaster
- 22. MODERN ART National Artist CARLOS“BOTONG” V. FRANCISCO GALO OCAMPO Brown Madonna (1938)
- 23. NATURE’S BOUNTY (c.a. 1935) Acollaborative work by the Trumvirate of Modern Art: Edades, Francsico and Ocampo.
- 24. ART NOUVEAU andART DECO Juan Arellano’s Metropolitan Theater (Manila, 1935)
- 25. THIRTEEN MODERNS 1. VictorioEdades 2. Arsenio Capili 3. Bonifacio Cristobal 4. Demetrio Diego 5. Carlos Francisco 6. N.A. Cesar Legaspi 7. Diosdado Lorenzo 8. Anita Magsaysay-Ho 9. Galo Ocampo 10.NA Hernando R. Ocampo 11.Jose Pardo 12.Ricarte Purugganan
- 26. JAPANESE OCCUPATION (1941-1945) KALIBAPI (Kapisanansa Paglilingkos ng Bagong Pilipinas) 1943 winner – Purugganan 1944 winner - Francisco
- 27. GREATER EAST ASIA CO-PROSPERITYSPHERE A propaganda movement that sought to create a Pan- Asian identity that rejected Western traditions.
- 28. JAPANESE INFORMATION BUREAU (HODOBU) Regulatesthe information campaign for the production of images, texts, and music to undergo scrutiny
- 29. AWIT SA PAGLIKHANG BAGONG PILIPINAS Composed by N.A. FELIPE P. de LEON at “the point of the gun” An anthem for the period that conveyed allegiance to the nation reared in East Asia, where Japan was actively asserting its political power.
- 30. AMORSOLO’S PAINTINGS in1942 Harvest Scene Planting Scene
- 31. During the JapaneseOccupation… • Sa Kabukiran sang by Sylvia La Torre and written in Tagalog by acclaimed composer Levi Celerio (N.A. for Music and Literature) • Commisioned portraits of high officials such as His Excellency, Jorge B. Vargas, Chairman of the Philippine Executive Commisiion (1943) “Independence this year”, said His Excellency, Premier Tojo (1943)
- 32. Themes of somepaintings Crispin Lopez’s Study of an Aeta (1943) Amorsolo’s Bombing of the intendencia (1942) and Ruins of the Manila Cathedral (1945)
- 33. Works which depictedthe horrors of war DIOSDADO LORENZO’s Atrocities in Paco DOMINADOR CASTANEDA’s Doomed Family (1945)
- 34. NEO-REALISM, ABSTRACTION AND OTHER MODERNART STYLES • Alice Guillermo recounts how artists and writers reflected about national identity as Filipinos were rising from the ashes of war. • Artist-writer E. Aguilar Cruz named the movement Neo- Realism • Other artist identified with Neo-Realism are Ramon Estella, Victor Oteyza, and Romeo Tabuena
- 35. Manansala’s The Beggars (1952) HROcampo’s The Contrast (1940)Legaspi’s Gadgets II (1949) Bar Girls (1947) Tuba Drinkers (1954)
- 36. Basis of thestunning tapestry hanging at the MAIN THEATER or BULWAGANG NICANOR ABELARDO OF THE CCP HR Ocampo’s Genesis (1968)
- 37. Support Institutions ART ASSOCIATIONOF THE PHILIPPINES (AAP) 1948 – Purita Kalaw-Ledesma PHILIPPINE ART GALLERY (PAG) 1951 – Lydia Arguilla
- 38. Manuel Rodriguez Sr. His printmakingworkshop was opened even when there was little support for graphic arts at the time. “Father of Printmaking in the Philippines”
- 39. Awardees of theAAP’s 1953 art contest Cebu-based MARTINO ABELLANA’s ‘Job Was Also Man’ FERNANDO ZOBEL’s ‘Carroza’
- 40. MABINI PAINTERS Artists who stillpracticed the conservative tradition walked out from the AAP art competition as a form of protest and exhibited their works, making their own studious lining the street of Mabini, Manila.
- 41. 1950s Modern Architectural structures UPDiliman’s Church of Holy Sacrifice (1955) Church of the Risen Lord Czech-American architect Antonin Raymond’s Chapel of St. Joseph the Worker (Victorias, Negros)
- 42. ANGRY CHRIST A strikingmural of Christ by Filipino-American artist Alfonso Ossorio. It utilizes the expressive use of color, jagged angularity of the rendering and the use of flame-like motifs to bring the visual entacle of Bacolod’s Masskara Festival.
- 43. ABSTRACTION A strand ofModern Art that consists of simplified forms which avoided mimetic representation. Also referred to as non-representational or non- objective art. It emphasized the relationship of line, color and space or the flatness of the canvas.
- 44. Constancio Bernardo Lee Aguinaldo N.A.Jose Joya Fernando Zobel
- 45. More modern artists ARTUROLUZ’s Street Musicians (1952) NENA SAGUIL’s Cargadores (1951)