Chary Goris
“Christelle”
Wednesday, December 08,
2010
 Social Latin
dancing
 Ballroom Latin
dancing
“Conversation with the Gods”
 African and European parentage; it
is a modification of danzon with
lighter version of combos called
charangas
 Appeared in the late 1930s as an
individual genre
 Antonio Arcaño, Orestes Lopez, &
Arsenio Rodriguez contributed
towards the creation of mambo
 Mambo mania aroused in the mid-
1950s
 Perez Prado on 1943 popularized
the mambo dance characterized by
its expressive use of arms, head, &
hands
<http://www.dancegumbo.com/bestbets>
 Represents a triple step
style of dancing the
mambo
 A.K.A Mambo-rumba &
Triple mambo
 In 1951, Enrique Jorrin a
Cuban mambo musician
created Cha Cha Cha. He
was a member of the
Orquestra America
Charanga
 This new style of mambo
spread to Europe in the
early 1960s
<http://media.photobucket.com/image/cuban+flag+/hv519/cuban-flag-
thumb2314071.jpg>
“Sauce”
 Another type of mambo that
developed in the 1960s by
Cuban & Puerto Rican
immigrants in NYC
 The “clave”
 Salsa lyrics were often about
barrio life
 1980s Salsa Romantica
 The dance is very similar to
mambo because it is fast, but
without slowing down or
pausing
<http://www.ejournal.fi/virtual-
slot2/index.php?action%5B%5D=IArticleShow::showArticle('36689')>
“Pray”
 First introduced in Brazil during slave
trading between 1600-1888
 Originated from the Angolan mesemba a
type of ritual music; also, influenced by
Candomble a religion from Africa
 The salves used samba to camouflage their
religious ceremonies as parties from their
owners
 Mauro Almeida & Donga first to record
samba “Pelo Telefone” in 1917
 In 1922 Samba was brought to Paris and
there it blended with Jazz resulting in
Samba-Carioca
 In 1928 Samba schools gave back the original
African heavy drums to Samba
 Capoeira: Brazilian martial arts/dance
 Stan Getz helped popularize Samba & Bossa
nova in the U.S
 Samba returned in the 1980s with Pangode
<http://www.smh.com.au/ftimages/2007/02/18/1171733602351.html>
 Developed in the Dominican Republic
derived from a Cuban music called UPA
 The UPA first became popular in Puerto
Rico and then reached Dominican
republic
 Merengue became very popular in 1850
replacing a dance called Tumba
 Instruments include the accordion,
guiro, drums
 Types of Merengue:
Merengue Tipico (Perico Ripiao)
Merengue Clasico
Merengue Urbano “Mambo”
 The dance is characterized by moving
hips sideways and feet like if you were
walking
<http://www.grupofantasia.com/percussion_instruments_pop_up.htm>
<http://www.conmishijos.com/ocioencasa.colorear/296/acordeon>
“Meeting”
 Emerges in the 1960’s in the
Dominican Republic
 Jose Manuel Calderon was the first
artist to record Bachata in 1962
 Bolero
 Romantic, melodramatic music
about love, heartbreaks, despair, &
serenades for women
 Has a signature guitar based sound
 The dance has 5 steps can be
danced side ways or forward and
backward
 Use to be considered
unsophisticated
“Touch”
 Originated from Argentina in the
1870s
 The Milonga & the Habanera are like
the parents of Tango
 The dance was developed by the
compadritos & prostitutes of Buenos
Aires, Argentina
 Cortes & quebradas the more
dramatic the better; partners dance
together
 Tango mania reached Paris, France in
1913
 The Golden Age began in the 1920s
 The 1st instruments to accompany the
dance were the flute, violin, & harp,
with guitars & clarinets. Then the
bandoneon in the late 19th century.
“Is one supposed to dance it standing up?” –Contesse Melanie de Pourtales
<http://www.stayinbuenosaires.com/es/blog/category/eventos-de-tango/>
“Flame”
 Developed in Spain by the gypsies
 This style was first known as gitano
 Was recognized in the 19th century
 Began as a way to seek relief and
escape in self expression through
the songs or music of suffering,
lamentation, and protest
 The songs were sung accompanied
by a guitar or guitar like
instrument
 The Golden Age 1869-1910
 The dance has Indian and Hindu
influences because they involve
footwork and hand movements
<http://www.flamencoenbarcelona.com/>
<http://www.eyeonspain.com/spain-magazine/flamenco-music.aspx>
http://www.youtube.com/watch?v=LUWv
HBCUFuQ
 Nonperiodicals
 Collier, Simon, et al. Tango. Illus. Ken Haas. New York: Thames and Hudson, 1995. Print.
 Edwards, Gwynne. Flamenco. Illus. Ken Haas. New York: Thames & Hudson, 2000. Print.
 Web sites, e-sources
 “Bachata - Bachata, campesinos, Bachata Rosa, Bachata: A Social History of a Dominican Popular Music.”
Bachata. N.p., n.d. Web. 10 Nov. 2010.
<http://www.jrank.org/cultures/pages/3623/Bachata.html#ixzz17M9UzMZF>.
 “Cha Cha Cha.” Cha-Cha-Cha. N.p., n.d. Web. 7 Nov. 2010.
<http://www.umich.edu/~umbdc/DanceSyllabus/haagr/PDF’s/ChaCha.pdf>.
 “Flamenco History.” Origen y Evolucion del Merengue. N.p., n.d. Web. 5 Nov. 2010.
<http://www.sabordominicano.com/merengue.htm>.
 “History and origins of Flamenco.” History of Flamenco. N.p., n.d. Web. 14 Nov. 2010.
<http://www.xs4all.nl/~davidbos/flamenco/history.htm>.
 Leymarie, Isabelle. “Mambo Mania.” The Perez Prado Pages. N.p., n.d. Web. 5 Nov. 2010.
<http://www.laventure.net/tourist/mambo.htm>.
 Mambo. N.p., n.d. Web. 5 Nov. 2010. <http://www.100x100salsa.com/art-mambo.html>.
 New World Encyclopedia contributors. “Samba.” New World Encyclopedia. Vers. 866275. New World
Encyclopedia., 26 Nov. 2008. Web. 6 Nov. 2010.
<http://www.newworldencyclopedia.org/entry/Samba?oldid=866275>.
 Origenes de la Bachata. N.p., n.d. Web. 10 Nov. 2010. <http://www.republica-
dominicana.it/gadgetbachata/historiabachata6.htm>.
 Samba history enters Rio de Janeiro, Brazil. N.p., n.d. Web. 7 Nov. 2010.
<http://www.sambacity.info/samba-history.html>.
 Stewart, James. A Short History of Tango. N.p., n.d. Web. 11 Nov. 2010.
<http://www.edinburghtango.org.uk/tango/Historyoftango.php>.
 Images
<http://tineybopper.blogspot.com/2006_02_01_archive.html>

TheArtofLatinDancing.ppt

  • 1.
  • 2.
     Social Latin dancing Ballroom Latin dancing
  • 4.
    “Conversation with theGods”  African and European parentage; it is a modification of danzon with lighter version of combos called charangas  Appeared in the late 1930s as an individual genre  Antonio Arcaño, Orestes Lopez, & Arsenio Rodriguez contributed towards the creation of mambo  Mambo mania aroused in the mid- 1950s  Perez Prado on 1943 popularized the mambo dance characterized by its expressive use of arms, head, & hands <http://www.dancegumbo.com/bestbets>
  • 5.
     Represents atriple step style of dancing the mambo  A.K.A Mambo-rumba & Triple mambo  In 1951, Enrique Jorrin a Cuban mambo musician created Cha Cha Cha. He was a member of the Orquestra America Charanga  This new style of mambo spread to Europe in the early 1960s <http://media.photobucket.com/image/cuban+flag+/hv519/cuban-flag- thumb2314071.jpg>
  • 6.
    “Sauce”  Another typeof mambo that developed in the 1960s by Cuban & Puerto Rican immigrants in NYC  The “clave”  Salsa lyrics were often about barrio life  1980s Salsa Romantica  The dance is very similar to mambo because it is fast, but without slowing down or pausing <http://www.ejournal.fi/virtual- slot2/index.php?action%5B%5D=IArticleShow::showArticle('36689')>
  • 7.
    “Pray”  First introducedin Brazil during slave trading between 1600-1888  Originated from the Angolan mesemba a type of ritual music; also, influenced by Candomble a religion from Africa  The salves used samba to camouflage their religious ceremonies as parties from their owners  Mauro Almeida & Donga first to record samba “Pelo Telefone” in 1917  In 1922 Samba was brought to Paris and there it blended with Jazz resulting in Samba-Carioca  In 1928 Samba schools gave back the original African heavy drums to Samba  Capoeira: Brazilian martial arts/dance  Stan Getz helped popularize Samba & Bossa nova in the U.S  Samba returned in the 1980s with Pangode <http://www.smh.com.au/ftimages/2007/02/18/1171733602351.html>
  • 8.
     Developed inthe Dominican Republic derived from a Cuban music called UPA  The UPA first became popular in Puerto Rico and then reached Dominican republic  Merengue became very popular in 1850 replacing a dance called Tumba  Instruments include the accordion, guiro, drums  Types of Merengue: Merengue Tipico (Perico Ripiao) Merengue Clasico Merengue Urbano “Mambo”  The dance is characterized by moving hips sideways and feet like if you were walking <http://www.grupofantasia.com/percussion_instruments_pop_up.htm> <http://www.conmishijos.com/ocioencasa.colorear/296/acordeon>
  • 9.
    “Meeting”  Emerges inthe 1960’s in the Dominican Republic  Jose Manuel Calderon was the first artist to record Bachata in 1962  Bolero  Romantic, melodramatic music about love, heartbreaks, despair, & serenades for women  Has a signature guitar based sound  The dance has 5 steps can be danced side ways or forward and backward  Use to be considered unsophisticated
  • 10.
    “Touch”  Originated fromArgentina in the 1870s  The Milonga & the Habanera are like the parents of Tango  The dance was developed by the compadritos & prostitutes of Buenos Aires, Argentina  Cortes & quebradas the more dramatic the better; partners dance together  Tango mania reached Paris, France in 1913  The Golden Age began in the 1920s  The 1st instruments to accompany the dance were the flute, violin, & harp, with guitars & clarinets. Then the bandoneon in the late 19th century. “Is one supposed to dance it standing up?” –Contesse Melanie de Pourtales <http://www.stayinbuenosaires.com/es/blog/category/eventos-de-tango/>
  • 11.
    “Flame”  Developed inSpain by the gypsies  This style was first known as gitano  Was recognized in the 19th century  Began as a way to seek relief and escape in self expression through the songs or music of suffering, lamentation, and protest  The songs were sung accompanied by a guitar or guitar like instrument  The Golden Age 1869-1910  The dance has Indian and Hindu influences because they involve footwork and hand movements <http://www.flamencoenbarcelona.com/> <http://www.eyeonspain.com/spain-magazine/flamenco-music.aspx>
  • 12.
  • 13.
     Nonperiodicals  Collier,Simon, et al. Tango. Illus. Ken Haas. New York: Thames and Hudson, 1995. Print.  Edwards, Gwynne. Flamenco. Illus. Ken Haas. New York: Thames & Hudson, 2000. Print.  Web sites, e-sources  “Bachata - Bachata, campesinos, Bachata Rosa, Bachata: A Social History of a Dominican Popular Music.” Bachata. N.p., n.d. Web. 10 Nov. 2010. <http://www.jrank.org/cultures/pages/3623/Bachata.html#ixzz17M9UzMZF>.  “Cha Cha Cha.” Cha-Cha-Cha. N.p., n.d. Web. 7 Nov. 2010. <http://www.umich.edu/~umbdc/DanceSyllabus/haagr/PDF’s/ChaCha.pdf>.  “Flamenco History.” Origen y Evolucion del Merengue. N.p., n.d. Web. 5 Nov. 2010. <http://www.sabordominicano.com/merengue.htm>.  “History and origins of Flamenco.” History of Flamenco. N.p., n.d. Web. 14 Nov. 2010. <http://www.xs4all.nl/~davidbos/flamenco/history.htm>.  Leymarie, Isabelle. “Mambo Mania.” The Perez Prado Pages. N.p., n.d. Web. 5 Nov. 2010. <http://www.laventure.net/tourist/mambo.htm>.  Mambo. N.p., n.d. Web. 5 Nov. 2010. <http://www.100x100salsa.com/art-mambo.html>.  New World Encyclopedia contributors. “Samba.” New World Encyclopedia. Vers. 866275. New World Encyclopedia., 26 Nov. 2008. Web. 6 Nov. 2010. <http://www.newworldencyclopedia.org/entry/Samba?oldid=866275>.  Origenes de la Bachata. N.p., n.d. Web. 10 Nov. 2010. <http://www.republica- dominicana.it/gadgetbachata/historiabachata6.htm>.  Samba history enters Rio de Janeiro, Brazil. N.p., n.d. Web. 7 Nov. 2010. <http://www.sambacity.info/samba-history.html>.  Stewart, James. A Short History of Tango. N.p., n.d. Web. 11 Nov. 2010. <http://www.edinburghtango.org.uk/tango/Historyoftango.php>.  Images <http://tineybopper.blogspot.com/2006_02_01_archive.html>