Keyynote Forrr Social Stuudies
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The document discusses three popular Civil War-era songs: "That's What's the Matter" written by Stephen Foster in 1862 to appeal to Union soldiers, "Battle Cry of Freedom" which inspired the Union after being published in Chicago in 1862, and "Marching Through Georgia" composed by Henry Clay Work in 1865 about General Sherman's march through Georgia that devastated the region. It provides lyrics for each song that reference the Union cause and defeating the Confederacy.
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Women Singers Who Made their Mark during the Big Band Era
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This document summarizes the history and development of patriotic and protest songs in America as well as the origins and evolution of rock music. It discusses how patriotic songs were written due to wars to promote national unity from the American Revolution through the Spanish-American War. It then profiles some of the most famous patriotic songs like the Star Spangled Banner, Battle Hymn of the Republic, and America the Beautiful. The document also outlines the origins of rock music in the 1940s-50s and its progression through genres like surf rock, garage rock, and heavy metal with key artists and songs mentioned for each era.
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The document discusses several songs written during the American Civil War and their origins. It notes that Julia Ward Howe wrote "The Battle Hymn of the Republic" after visiting an army camp and being inspired by "John Brown's Body." George F. Root wrote "The Battle Cry of Freedom" to support the Union cause. Daniel Decatur Emmett wrote "Dixie," which was popular in both the North and South before the war. Henry McCarthy wrote "The Bonnie Blue Flag" as an anthem for the Confederacy. The document also provides background on military bands during the war and popular performers like the Hutchinson Family Singers.
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The document provides background information on the Harlem Renaissance, which was a cultural movement centered in the Harlem neighborhood of New York City in the 1920s. It discusses how the Great Migration of African Americans from the rural South to northern cities contributed to the emergence of the movement. Key figures associated with the Harlem Renaissance included painter Jacob Lawrence, poet Langston Hughes, and musicians Duke Ellington, Louis Armstrong, and Bessie Smith. The movement helped redefine understandings of African American culture and marked the beginning of black urban society in the United States.
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The document provides background information on the Harlem Renaissance, which was a cultural movement centered in the Harlem neighborhood of New York City in the 1920s. It discusses how the Great Migration of African Americans from the rural South to northern cities contributed to the emergence of the movement. Key figures associated with the Harlem Renaissance included painter Jacob Lawrence, poet Langston Hughes, and musicians Duke Ellington, Louis Armstrong, and Bessie Smith. The movement helped redefine understandings of African American culture and marked the beginning of black urban society in the United States.
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The document summarizes several American memorials dedicated to those who fought and died in wars and conflicts throughout U.S. history, from the Civil War to more recent wars in the Middle East. It provides background information on memorials such as the Lincoln Memorial, Vietnam Veterans Memorial, Korean War Memorial, and Arlington National Cemetery. It also includes quotes honoring the sacrifices of soldiers and recognizing the cost of war.
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The document outlines plans for a 1940s-themed radio show, including a song list and facts about the songs. Songs include "In the Mood" by Glenn Miller, "Wish Me Luck as You Wave Me Goodbye" by Gracie Fields, "Boogie Woogie Bugle Boy" by the Andrew Sisters, and others. Details are provided on the artists, years recorded, and historical context for each song featured in the program.
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The document summarizes how music from the Vietnam War era encouraged peaceful protests against the war and influenced fashion trends. Songs from artists like The Beatles and John Lennon conveyed anti-war messages and named protest leaders. While some advocated violent action, most protests remained peaceful. Tragically, four students were shot and killed by National Guardsmen at a 1970 protest at Kent State University. The hippie fashion embraced by young people, like bell bottoms and flowers in long hair, showed a desire for peace and rebellion against conservative norms of the 1950s. In the end, the musicians' promotion of peaceful protest through music and fashion is said to have impacted public opinion and the end of the war in 1975.
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Negro spirituals were songs created by enslaved Africans in the 16th-19th centuries to express their deep spirituality and hope for freedom despite hardship. The songs had characteristics like simple melodies that repeated, slow tempos, and emotional lyrics. They became popular in the 1860s when the Fisk Jubilee Singers performed them. Important figures who helped spread the genre included composer Harry T. Burleigh and singer Roland Hayes in the late 19th/early 20th century. The spirituals provided hope and strength to endure difficult conditions of slavery.
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- 2. Songs of the North