Juan Diego Comics
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Comics originated in Greece and developed worldwide in the 20th century. In the US, comics gained popularity in the 1930s with characters like The Yellow Kid. Japanese manga originated in 1810 and became globally influential. Major comics genres emerged from the 1930s-1970s in the US and Europe, including Superman, Batman, Tintin, Asterix, and Dragon Ball. The industry continues to evolve with new artists and stories.
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Roadto wwii3 ppt
The cartoon depicts Hitler poaching a deer labeled "Austrian Integrity" despite a sign saying it is "Strictly Preserved". Mussolini is depicted lazily encouraging Hitler's actions. The cartoon warns that Hitler intends to violate Austria's independence through violent expansionism, threatening the terms set by the Treaty of Versailles, if other nations do not intervene.
Abyssinia cartoon interpretation
The cartoon criticizes the weak response of Britain and France to Mussolini's invasion of Abyssinia in 1935. It depicts Britain and France singing a song threatening only a mild memorandum of disapproval while dressed in ridiculous costumes, implying their actions through the League of Nations have become a farce. The cartoon, published in the British magazine Punch, reflects the growing public despair at the League's inability to effectively counter aggression by its member states.
IGCSE History: Nazi Soviet Pact
This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
IGCSE History Peace treaties
The cartoon, drawn by Australian artist Will Dyson and published in the Daily Herald on May 17, 1919, depicts the "Big Four" leaders leaving a building believing their work on the Treaty is finished, while Clemenceau hears a baby crying labeled the "1940 class", suggesting the Treaty will not prevent another war in 20 years' time and the baby will be cannon fodder. The naked baby throws the "Peace Treaty" on the floor, showing the Treaty is useless and will not prevent further war as intended.
Anime pres
Anime is commonly defined as animation originating from Japan. It typically features large eyes and exaggerated features inspired by early American cartoons. Anime characters are usually 7-8 heads tall and employ predetermined facial expressions to denote mood. Anime began in the early 1900s as Japanese animators experimented with techniques from other countries. By the 1930s, animation became an alternative to live-action films in Japan. Following some success abroad in the 1980s, anime gained wider acceptance in international markets in the 1990s with popular titles like Dragon Ball Z and Pokémon.
From page to screen....or from screen to page
The document discusses the long history of comics characters appearing in films from the early silent film era through today, with examples of comic strips being adapted into live-action films in the 1930s and comics regularly adapting movies into comic book form; it also outlines Disney's pioneering work combining animation and film in the 1920s and their successful animated Mickey Mouse, Donald Duck, and Pluto cartoons beginning in the late 1920s.
League of nations failure cartoon analysis
The cartoon depicts fascist soldiers mocking discussions at the League of Nations about the situation in Spain while they relax after conquering territory. One soldier dismisses the idea that nations could unite for peace, despite the fascists having united for war. The cartoon, published in 1936 during the Spanish Civil War, criticizes the League's failure to take action against fascist aggression in Spain through its inability to unite its members.
2 Sand Animation Techniques
This document contains 35 multiple choice questions about the history of animation. It asks about early animated films from the 1920s, inventors of technologies like television and film, pioneers and eras of animation in different countries and mediums. Key details identified include the first animated feature film being the 1917 Argentine film "El Apostol" and clay animation being a type of stop motion animation that uses flexible clay figures. The informal term for the changing shape of clay in animation is "plasticine".
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Roadto wwii3 ppt
The cartoon depicts Hitler poaching a deer labeled "Austrian Integrity" despite a sign saying it is "Strictly Preserved". Mussolini is depicted lazily encouraging Hitler's actions. The cartoon warns that Hitler intends to violate Austria's independence through violent expansionism, threatening the terms set by the Treaty of Versailles, if other nations do not intervene.
Abyssinia cartoon interpretation
The cartoon criticizes the weak response of Britain and France to Mussolini's invasion of Abyssinia in 1935. It depicts Britain and France singing a song threatening only a mild memorandum of disapproval while dressed in ridiculous costumes, implying their actions through the League of Nations have become a farce. The cartoon, published in the British magazine Punch, reflects the growing public despair at the League's inability to effectively counter aggression by its member states.
IGCSE History: Nazi Soviet Pact
This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
IGCSE History Peace treaties
The cartoon, drawn by Australian artist Will Dyson and published in the Daily Herald on May 17, 1919, depicts the "Big Four" leaders leaving a building believing their work on the Treaty is finished, while Clemenceau hears a baby crying labeled the "1940 class", suggesting the Treaty will not prevent another war in 20 years' time and the baby will be cannon fodder. The naked baby throws the "Peace Treaty" on the floor, showing the Treaty is useless and will not prevent further war as intended.
Anime pres
Anime is commonly defined as animation originating from Japan. It typically features large eyes and exaggerated features inspired by early American cartoons. Anime characters are usually 7-8 heads tall and employ predetermined facial expressions to denote mood. Anime began in the early 1900s as Japanese animators experimented with techniques from other countries. By the 1930s, animation became an alternative to live-action films in Japan. Following some success abroad in the 1980s, anime gained wider acceptance in international markets in the 1990s with popular titles like Dragon Ball Z and Pokémon.
From page to screen....or from screen to page
The document discusses the long history of comics characters appearing in films from the early silent film era through today, with examples of comic strips being adapted into live-action films in the 1930s and comics regularly adapting movies into comic book form; it also outlines Disney's pioneering work combining animation and film in the 1920s and their successful animated Mickey Mouse, Donald Duck, and Pluto cartoons beginning in the late 1920s.
League of nations failure cartoon analysis
The cartoon depicts fascist soldiers mocking discussions at the League of Nations about the situation in Spain while they relax after conquering territory. One soldier dismisses the idea that nations could unite for peace, despite the fascists having united for war. The cartoon, published in 1936 during the Spanish Civil War, criticizes the League's failure to take action against fascist aggression in Spain through its inability to unite its members.
2 Sand Animation Techniques
This document contains 35 multiple choice questions about the history of animation. It asks about early animated films from the 1920s, inventors of technologies like television and film, pioneers and eras of animation in different countries and mediums. Key details identified include the first animated feature film being the 1917 Argentine film "El Apostol" and clay animation being a type of stop motion animation that uses flexible clay figures. The informal term for the changing shape of clay in animation is "plasticine".
IGCSE HIstory: Nazi Soviet Pact
This 1939 cartoon by American cartoonist Herb Block depicts Poland as a vulnerable little girl confronted by a wolf (representing Nazi Germany) and a bear (representing Soviet Russia). The wolf has a Hitler hairstyle and the words "Nazi Germany" on its pillow, while the bear resembles Stalin and has "Soviet Russia" on its pillow. They have gotten into bed together, symbolizing the alliance formed between Nazi Germany and Soviet Russia to conquer and divide Poland following the Nazi-Soviet Pact. The cartoon was meant to express American disgust with the pact.
Manchuria Cartoon interpretation
The cartoon from 1933 depicts the League of Nations as a doormat, with a Japanese soldier trampling over the League and its covenant while it bows down and welcomes the soldier. A figure representing the British Foreign Secretary powders the League's face in an attempt to save face and make excuses rather than stand up to Japan. The cartoonist David Low criticized the League's leaders for allowing Japan to triumph over the League in Manchuria without consequences.
From page to screen....or from screen to page
Comics characters have been adapted to film since the early silent film era, with live-action versions of newspaper strips and animated shorts in the 1910s-1920s. In the 1930s, popular comic strips were brought to cinema screens with sound, and films began being regularly adapted into comic books and strips. Throughout the 20th century, movies and comics had a long history of cross-promotion and adaptation, bringing beloved characters from pages to screens and back again.
Peace and future cannon fodder
The document is an explanation of an artwork depicting the "Big Three" leaders after World War I - Clemenceau of France, Lloyd George of Britain, and Wilson of the United States - leaving the Palace of Versailles after Germany signed the Treaty of Versailles in 1919. It also shows a crying German child representing the future consequences of the treaty. The artwork predicted that the harsh terms of the treaty would lead to another future war, as symbolized by the weeping child who would be affected by the next conflict.
Comic strip
Comic strips are a sequence of drawings arranged in panels that display brief humor or form a narrative. They are traditionally published in newspapers, using a horizontal format with dialogue in speech bubbles. Comic strips became popular in newspapers in the 20th century, with over 200 different strips published each day. Strips can be humorous or tell adventure stories, and some serials continued storylines over multiple days. Comic strips also appear in magazines and have expanded to online formats.
Roadto wwii4 ppt John D Claire
The cartoon depicts Hitler goose-stepping over the "spineless leaders of democracy" towards his goal of becoming "Boss of the Universe". The first three steps are labeled as "Rearmament", "Rhineland", and "Danzig", representing Hitler's increasing consolidation of power through militarization in violation of treaties. The cartoonist David Low uses this image as a warning that Britain and other countries must confront Hitler to stop his expansion, rather than pursuing appeasement policies.
Interpreting a Political cartoon IGCSE History
The cartoon from 1925 depicts two boys fighting that represent Bulgaria and Greece. A large dove, representing the League of Nations, uses its moral authority to stop their quarrel. The poem suggests the League was able to end the war between ridiculous, small nations. As a British political cartoon from the time, it aims to ridicule Greece and Bulgaria and portray the League's success as belittling.
A invasión de Polonia.Hitler e Stalin
The cartoon depicts Hitler and Stalin meeting in the rubble of Poland after invading and dividing the country between them. While greeting each other with smiles, they exchange insults under their breath, revealing their alliance is one of convenience based on mutual hatred and that they are only pretending to like each other. The cartoonist David Low created it to criticize the Nazi-Soviet pact and show the true nature of Hitler and Stalin's relationship.
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League of nations manchuria_ppt
The cartoon from 1933 depicts the League of Nations as a doormat being trampled on by a Japanese soldier. It shows the League allowing Japan to invade Manchuria without resistance, and Britain trying to save face through excuses rather than standing up for the League. The British cartoonist David Low created it to criticize League leaders for letting Japan undermine the League through its actions in Manchuria.
Through the decades ppt
The document outlines the history of fantasy films across four eras: 1) The Silent Era (1911-1940) saw the transition from silent to sound films and the rise of feature length films. Prominent films included The Wizard of Oz and King Kong. 2) The Golden Era (1941-1954) featured supernatural elements inspired by WWII, including films from Disney like Lady and the Tramp. 3) The Transition Era (1955-1966) saw the rise of television forcing films to attract audiences, and Disney produced many popular fantasy films establishing conventions. 4) The Silver Era (1967-1979) had higher budgets and investments, and directors like Spielberg began their careers, though not necessarily in fantasy.
Intro Characters
The document lists and provides images of many famous comic characters throughout history, from the earliest cave paintings in Lascaux Caves, to modern characters like Spiderman, The Incredible Hulk, and The Simpsons. Some of the characters mentioned include Max und Moritz from the 19th century, The Yellow Kid and Felix the Cat from the late 19th to early 20th century, Mickey Mouse in 1928, Tintin and Betty Boop in the late 1920s to early 1930s, Superman in 1938, and Asterix and Obelix in 1959.
IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
The cartoon depicts two figures sitting despondently on a cracked foundation stone that represents the League of Nations. The cracked stone symbolizes that the League is broken and useless in establishing the new world order of peace it intended. In the background, the looming war on Remembrance Day suggests another war is coming. The cartoon uses the cracked foundation stone as a metaphor to criticize the League of Nations for failing to prevent war and maintain peace as it was designed to do.
League of nations AIMS
The document is a cartoon by British artist David Low that was published in the Star newspaper on November 11, 1919, exactly one year after the Armistice that ended World War I. The cartoon depicts the League of Nations as both an angel of peace and a beautiful flower growing in a graveyard, representing the hope that the League would help prevent future wars and that the soldiers' deaths in World War I would not be in vain.
League of nations failure starter activity
Two figures sit despondently on a cracked stone bearing the inscription of the failed League of Nations as the foundation for peace. The cracked stone represents the broken foundation and failure of the League to maintain order and prevent another war. Published on November 11, 1938, the cartoon reflects the despair and foreboding of another war following the Munich Agreement earlier that year.
Possible Paper I Sources Updated 2009
The document contains several sources and questions about cartoons depicting perceptions of and reactions to the Treaty of Versailles in Germany. Source A cartoons from 1919 and 1921 portray Germany as being unfairly punished by the treaty through guillotine or high reparations payments. The questions ask about what the cartoonists suggest about the treaty and reasons for German resentment of its terms, such as reparations, loss of territory, and restrictions placed on the country.
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT. It contains: Nazi-Soviet pact, three cartoons, Britain and Russia, Hitler and Russia, Stalin and Hitler, the shock to the system, homework and essay.
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This document provides a summary of representations of social issues in British TV drama over time, including:
1) Social class was traditionally depicted through drawing room comedies but plays by the Angry Young Men in the 1950s brought working class experiences to the forefront.
2) Regional identity became prominent in the 1960s with shows like Coronation Street depicting working class life in the North. Regional dialects and cultures have since shaped many TV shows.
3) Representations of race historically involved offensive stereotypes but shows from the 1980s like Desmond's were produced by Black British people and depicted Black British identity without focusing on otherness.
Lecture 2: Europe to New York
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The second slide lecture discusses the effects and aftermath of WWI on the art of Europe. It covers the reaction to the wars in Berlin and Paris, through the Dadaists and the Surrealists. Also covered is the political and social situation in art in 1930s America. We can see how the art center of the world begins to shift from Paris to New York as WWII looms.
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This 1939 cartoon by American cartoonist Herb Block depicts Poland as a vulnerable little girl confronted by a wolf (representing Nazi Germany) and a bear (representing Soviet Russia). The wolf has a Hitler hairstyle and the words "Nazi Germany" on its pillow, while the bear resembles Stalin and has "Soviet Russia" on its pillow. They have gotten into bed together, symbolizing the alliance formed between Nazi Germany and Soviet Russia to conquer and divide Poland following the Nazi-Soviet Pact. The cartoon was meant to express American disgust with the pact.
Manchuria Cartoon interpretation
The cartoon from 1933 depicts the League of Nations as a doormat, with a Japanese soldier trampling over the League and its covenant while it bows down and welcomes the soldier. A figure representing the British Foreign Secretary powders the League's face in an attempt to save face and make excuses rather than stand up to Japan. The cartoonist David Low criticized the League's leaders for allowing Japan to triumph over the League in Manchuria without consequences.
From page to screen....or from screen to page
Comics characters have been adapted to film since the early silent film era, with live-action versions of newspaper strips and animated shorts in the 1910s-1920s. In the 1930s, popular comic strips were brought to cinema screens with sound, and films began being regularly adapted into comic books and strips. Throughout the 20th century, movies and comics had a long history of cross-promotion and adaptation, bringing beloved characters from pages to screens and back again.
Peace and future cannon fodder
The document is an explanation of an artwork depicting the "Big Three" leaders after World War I - Clemenceau of France, Lloyd George of Britain, and Wilson of the United States - leaving the Palace of Versailles after Germany signed the Treaty of Versailles in 1919. It also shows a crying German child representing the future consequences of the treaty. The artwork predicted that the harsh terms of the treaty would lead to another future war, as symbolized by the weeping child who would be affected by the next conflict.
Comic strip
Comic strips are a sequence of drawings arranged in panels that display brief humor or form a narrative. They are traditionally published in newspapers, using a horizontal format with dialogue in speech bubbles. Comic strips became popular in newspapers in the 20th century, with over 200 different strips published each day. Strips can be humorous or tell adventure stories, and some serials continued storylines over multiple days. Comic strips also appear in magazines and have expanded to online formats.
Roadto wwii4 ppt John D Claire
The cartoon depicts Hitler goose-stepping over the "spineless leaders of democracy" towards his goal of becoming "Boss of the Universe". The first three steps are labeled as "Rearmament", "Rhineland", and "Danzig", representing Hitler's increasing consolidation of power through militarization in violation of treaties. The cartoonist David Low uses this image as a warning that Britain and other countries must confront Hitler to stop his expansion, rather than pursuing appeasement policies.
Interpreting a Political cartoon IGCSE History
The cartoon from 1925 depicts two boys fighting that represent Bulgaria and Greece. A large dove, representing the League of Nations, uses its moral authority to stop their quarrel. The poem suggests the League was able to end the war between ridiculous, small nations. As a British political cartoon from the time, it aims to ridicule Greece and Bulgaria and portray the League's success as belittling.
A invasión de Polonia.Hitler e Stalin
The cartoon depicts Hitler and Stalin meeting in the rubble of Poland after invading and dividing the country between them. While greeting each other with smiles, they exchange insults under their breath, revealing their alliance is one of convenience based on mutual hatred and that they are only pretending to like each other. The cartoonist David Low created it to criticize the Nazi-Soviet pact and show the true nature of Hitler and Stalin's relationship.
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The document discusses a painting from 1873 depicting a scene in Egypt. While the ethnographic and architectural details appear accurate, the room depicted would have been exclusively for men. This suggests the artist either tested his audience or made a statement about women's treatment in the Ottoman Empire. It then provides historical context about European powers' interests in Egypt in the late 18th and 19th centuries, including its strategic location for trade routes to India and its cotton industry.
League of nations manchuria_ppt
The cartoon from 1933 depicts the League of Nations as a doormat being trampled on by a Japanese soldier. It shows the League allowing Japan to invade Manchuria without resistance, and Britain trying to save face through excuses rather than standing up for the League. The British cartoonist David Low created it to criticize League leaders for letting Japan undermine the League through its actions in Manchuria.
Through the decades ppt
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Intro Characters
The document lists and provides images of many famous comic characters throughout history, from the earliest cave paintings in Lascaux Caves, to modern characters like Spiderman, The Incredible Hulk, and The Simpsons. Some of the characters mentioned include Max und Moritz from the 19th century, The Yellow Kid and Felix the Cat from the late 19th to early 20th century, Mickey Mouse in 1928, Tintin and Betty Boop in the late 1920s to early 1930s, Superman in 1938, and Asterix and Obelix in 1959.
IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
The cartoon depicts two figures sitting despondently on a cracked foundation stone that represents the League of Nations. The cracked stone symbolizes that the League is broken and useless in establishing the new world order of peace it intended. In the background, the looming war on Remembrance Day suggests another war is coming. The cartoon uses the cracked foundation stone as a metaphor to criticize the League of Nations for failing to prevent war and maintain peace as it was designed to do.
League of nations AIMS
The document is a cartoon by British artist David Low that was published in the Star newspaper on November 11, 1919, exactly one year after the Armistice that ended World War I. The cartoon depicts the League of Nations as both an angel of peace and a beautiful flower growing in a graveyard, representing the hope that the League would help prevent future wars and that the soldiers' deaths in World War I would not be in vain.
League of nations failure starter activity
Two figures sit despondently on a cracked stone bearing the inscription of the failed League of Nations as the foundation for peace. The cracked stone represents the broken foundation and failure of the League to maintain order and prevent another war. Published on November 11, 1938, the cartoon reflects the despair and foreboding of another war following the Munich Agreement earlier that year.
Possible Paper I Sources Updated 2009
The document contains several sources and questions about cartoons depicting perceptions of and reactions to the Treaty of Versailles in Germany. Source A cartoons from 1919 and 1921 portray Germany as being unfairly punished by the treaty through guillotine or high reparations payments. The questions ask about what the cartoonists suggest about the treaty and reasons for German resentment of its terms, such as reparations, loss of territory, and restrictions placed on the country.
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT. It contains: Nazi-Soviet pact, three cartoons, Britain and Russia, Hitler and Russia, Stalin and Hitler, the shock to the system, homework and essay.
Representations in tv drama
This document provides a summary of representations of social issues in British TV drama over time, including:
1) Social class was traditionally depicted through drawing room comedies but plays by the Angry Young Men in the 1950s brought working class experiences to the forefront.
2) Regional identity became prominent in the 1960s with shows like Coronation Street depicting working class life in the North. Regional dialects and cultures have since shaped many TV shows.
3) Representations of race historically involved offensive stereotypes but shows from the 1980s like Desmond's were produced by Black British people and depicted Black British identity without focusing on otherness.
Lecture 2: Europe to New York
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Europe to New York: 1913-1939
The second slide lecture discusses the effects and aftermath of WWI on the art of Europe. It covers the reaction to the wars in Berlin and Paris, through the Dadaists and the Surrealists. Also covered is the political and social situation in art in 1930s America. We can see how the art center of the world begins to shift from Paris to New York as WWII looms.
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IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT
CAMBRIDGE AS HISTORY: POLAND 1939 AND THE NAZI-SOVIET PACT
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The document discusses social networks, noting their good points like being an ideal platform for free time and allowing small businesses and movements to promote more easily. However, it also notes objections like privacy invasion and potential addiction. Specifically, social networks retain users' deleted data and photos indefinitely and can profit from uploaded content or share a user's information with authorities if required by law. Overall, the document recommends enjoying social networks but minding how much time is spent on them.
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american comic books presentation
American Comic Books
The development of the modern American comic book occurred in stages throughout the late 19th and early 20th centuries. Key early developments included the publication of collections of newspaper comic strips in book form in the late 1800s. The first true American comic book, Famous Funnies, was published in 1933, containing new material. The popularity of comic books greatly increased after the 1938 debut of Superman in Action Comics. Comic books went through various periods of popularity and decline influenced by events like World War II and the rise of television. Famous writers and artists who helped develop popular comic characters included Joe Simon and Jack Kirby, who co-created Captain America.
Culture and Society
Henry Luce launched Life magazine in 1936, which became hugely popular for its photos and captions that dominated American visual culture before television. He also founded Fortune magazine in 1930 to explore business and the economy in depth. This period from 1930-1945 is considered Hollywood's Golden Age, where the major studios produced over 7,500 films that were hugely popular. Iconic films from this era included Snow White in 1937 as the first full-length animated feature film, The Wizard of Oz in 1939, and Gone with the Wind in 1939, which won numerous Academy Awards and was a massive financial success. Famous actors of the time included Cary Grant, Humphrey Bogart, and Judy Garland, among others.
History & context 1950s, 60s and 70s (1)
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Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advances enabled re-releases and bigger-budget films; Tim Burton a notable recent director
Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
Through the decades ppt
This document outlines the history of fantasy films across four eras:
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2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
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Comic books 2007
This document provides a history of comic books, beginning with their origins in newspaper comic strips in the early 20th century in the U.S. and spreading to magazines. It discusses key developments like the establishment of recurring characters, speech bubbles, and early pioneers such as Rodolphe Topffer. By the 1920s-1930s, comic books emerged as a distinct medium, with Superman's debut in 1938 cementing the superhero genre's popularity in America. The history outlines how comics evolved into a global mass media phenomenon across countries.
Cts
This document discusses the history and evolution of comics, including their origins in newspaper comic strips in the early 1900s. It provides examples of some famous early comic strips and covers that also served propaganda purposes. The text explores how comics combine both images and words to tell stories, with some debate around whether or not comics still work without text. It notes that more detailed art can sometimes replace text by using symbols and imagery to convey meaning.
Early History of Comics Part 2
1. The early history of US comics grew out of newspaper strips in the 1920s-30s, with characters like Popeye, Tarzan, and Buck Rogers appearing.
2. The first comic books reprinted newspaper strips, and by the mid-1930s original comic book content began to emerge, including the first superhero New Fun #1 published by National Comics, a precursor to DC.
3. By the late 1930s, most comic book companies were publishing lines of superhero titles, ushering in the Golden Age of comics characterized by popularity and large print runs during World War 2.
The History of Anime.pdf
The History of Anime
Anime, or Japanese animation, has become a major part of global pop culture today.
However, its origins date back to the early 20th century.
In the pre-World War II era, Japan began experimenting with animation techniques as early as
1907. The first known Japanese animation was three short films by Oten Shimokawa. In 1917,
the first professional animated film called Namakura Gatana was released. During the 1920s
and 30s, animation was promoted by the government as propaganda. Artists were
commissioned to create animations that supported Japanese nationalism and militarism
leading up to WWII.
One major propaganda film was Momotaro's Divine Sea Warriors directed by Mitsuyo Seo in
1945. It featured Momotaro, a popular Japanese folk hero, on a mission to defeat British
forces. Such films aimed to inspire Japanese citizens to support the war effort.
After Japan's defeat in 1945, the occupying American forces introduced Disney cartoons and
Hollywood films to the country. This influenced Japanese animators to develop their own postwar style of animation.
A pioneer was Osamu Tezuka, known as the "Godfather" of anime. In 1963, he created Astro
Boy, about a powerful robot with superhuman powers. It was the first popular animated
Japanese TV series that embodied typical anime elements like large eyes and stylized art.
This marked the beginning of anime's rise to an international phenomenon.
The 1970s saw the exploration of more mature themes like environmental issues and
sexuality in anime films. One example is Nausicaa of the Valley of the Wind (1984) by Hayao
Miyazaki, co-founder of the famous Studio Ghibli. The film featured a brave young princess set
in a post-apocalyptic world.
Over the following decades, anime continued to grow in popularity globally thanks to
international distribution and fan subbing. Today, it has become mainstream in the West with
iconic series like Pokémon and Yu-Gi-Oh! Anime has come a long way from its wartime
propaganda origins to be celebrated worldwide as a vibrant Unique Art form reflecting
Japanese cultural trends.
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Juan Diego Comics
- 2. What's a comic? Comic (from the Greek κωμικός, kōmikos "of or pertaining to comedy") denotes a hybrid medium having words tightly tied to its visual aspect in order to convey narrative or information
- 3. Comics in the 20th century Throughout the 20th century the comic was considered as one of the main social and cultural ways of reivindication. the evening standard, 27th september 1930
- 4. The comic quickly became a symbol of rebellion and nonconformism. Later, many artists started creatig different stories all over the world, as we know today. Alfred Newman The Yellow Kid (1886)
- 5. This became a great success in America. That's the reason why many artists worldwide copied Alfred Newman and made their own comics. But in Japan they had started drawing ages before. In 1810 Katshushika Hokusai had created the Manga genre, man (involuntary) and ga (picture)
- 6. Nowadays this genre is considered as one of the most important ones. Since its creation in 1810, it has sold billions of comics all over the world, and it has been translated into 200 languages. Ogon bat Kimba, the white lion Astro boy 1921 1945 1939
- 7. Since 1970's Centella Mazinger Z Dragon Ball 1969 1980 1983
- 8. Meanwhile, in the USA the comic industry was developing rapidly 1930's
- 9. Meanwhile, in the USA the comic industry was developing rapidly 1930's 1921
- 10. Meanwhile, in the USA the comic industry was developing rapidly 1930's 1923 1921
- 11. Meanwhile, in the USA the comic industry was developing rapidly 1930's 1923 1925 1921
- 12. Meanwhile, in the USA the comic industry was developing rapidly 1930's 1923 1925 1933 1921
- 13. 1940's The 1940’s was the best period for the comic history in the US, because many of the best comics ever drawn were released in those years.
- 14. 1940's The 1940’s was the best period for the comic history in the US, because many of the best comics ever drawn were released in those years. 1938 1939 1940 1941
- 15. 1950's-1970's 1961 1962 1963 1950 1966
- 16. And what about Europe? Tin Tin Lucky Luke 1929 1947
- 17. Titeuf Asterix and Obelix 1955 1959
- 18. Mortadelo y Filemon Mort & Phill Capitan Trueno 1958 1959
- 19. My experience as a cartoonist
- 20. published on 23rd july 2011
- 21. published on 28th july 2011
- 22. published on 16th august 2011
- 23. published on 17th august 2011
- 26. Juan Diego Ruiz 2ºBachillerato, 2011-2012 I.E. V. Cañada Blanch de Londres the end