Through the decades ppt
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This document outlines the history of fantasy films across four eras: 1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong. 2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor. 3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation. 4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
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Through the decades ppt
The document outlines the history of fantasy films across four eras: 1) The Silent Era (1911-1940) saw the transition from silent to sound films and the rise of feature length films. Prominent films included The Wizard of Oz and King Kong. 2) The Golden Era (1941-1954) featured supernatural elements inspired by WWII, including films from Disney like Lady and the Tramp. 3) The Transition Era (1955-1966) saw the rise of television forcing films to attract audiences, and Disney produced many popular fantasy films establishing conventions. 4) The Silver Era (1967-1979) had higher budgets and investments, and directors like Spielberg began their careers, though not necessarily in fantasy.
IGCSE History Peace treaties
The cartoon, drawn by Australian artist Will Dyson and published in the Daily Herald on May 17, 1919, depicts the "Big Four" leaders leaving a building believing their work on the Treaty is finished, while Clemenceau hears a baby crying labeled the "1940 class", suggesting the Treaty will not prevent another war in 20 years' time and the baby will be cannon fodder. The naked baby throws the "Peace Treaty" on the floor, showing the Treaty is useless and will not prevent further war as intended.
IGCSE History: Nazi Soviet Pact
This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
Final Reflections: Visual Communications
This document discusses the power of visual communications like photographs and artwork to convey important historical moments and messages. It provides several examples of iconic visuals that have captured pivotal events in history, from the Wright Brothers' first flight to photos from wars and protests. The document emphasizes that visuals can shape public opinion and activism, but also notes the importance of questioning their context and purpose since photographs don't always depict reality. It encourages continued questioning and communication to promote justice, peace, and protecting the planet.
IGCSE HIstory: Nazi Soviet Pact
This 1939 cartoon by American cartoonist Herb Block depicts Poland as a vulnerable little girl confronted by a wolf (representing Nazi Germany) and a bear (representing Soviet Russia). The wolf has a Hitler hairstyle and the words "Nazi Germany" on its pillow, while the bear resembles Stalin and has "Soviet Russia" on its pillow. They have gotten into bed together, symbolizing the alliance formed between Nazi Germany and Soviet Russia to conquer and divide Poland following the Nazi-Soviet Pact. The cartoon was meant to express American disgust with the pact.
Peace and future cannon fodder
The document is an explanation of an artwork depicting the "Big Three" leaders after World War I - Clemenceau of France, Lloyd George of Britain, and Wilson of the United States - leaving the Palace of Versailles after Germany signed the Treaty of Versailles in 1919. It also shows a crying German child representing the future consequences of the treaty. The artwork predicted that the harsh terms of the treaty would lead to another future war, as symbolized by the weeping child who would be affected by the next conflict.
History of genre thriller
This document examines the history and development of the thriller genre through the work of Alfred Hitchcock from the 1920s to the present. It outlines how Hitchcock's early thrillers like "The Lodger" and "Blackmail" helped establish the genre. It then discusses how his films evolved through the 1950s with color films like "Strangers On A Train" and 1960s classics like "Psycho." The genre continued to develop new iconic films in the 1970s-1980s and remains popular today with big-budget spectacles utilizing new technologies.
Cinema sample 2
1. Early animated films like Fantasmagorie in 1908 and The Adventures of Prince Achmed in 1926 showed the possibilities of animation.
2. In 1928, Mickey Mouse first appeared in Steamboat Willie, establishing Disney's magic of animation with catchy music and anthropomorphic characters.
3. During the Golden Age of Disney from 1937 to 1942, Walt Disney and his animators produced landmark animated films including Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, and Bambi that set the template for animated feature films and pioneered techniques like the use of sound and emotional depth.
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Through the decades ppt
The document outlines the history of fantasy films across four eras: 1) The Silent Era (1911-1940) saw the transition from silent to sound films and the rise of feature length films. Prominent films included The Wizard of Oz and King Kong. 2) The Golden Era (1941-1954) featured supernatural elements inspired by WWII, including films from Disney like Lady and the Tramp. 3) The Transition Era (1955-1966) saw the rise of television forcing films to attract audiences, and Disney produced many popular fantasy films establishing conventions. 4) The Silver Era (1967-1979) had higher budgets and investments, and directors like Spielberg began their careers, though not necessarily in fantasy.
IGCSE History Peace treaties
The cartoon, drawn by Australian artist Will Dyson and published in the Daily Herald on May 17, 1919, depicts the "Big Four" leaders leaving a building believing their work on the Treaty is finished, while Clemenceau hears a baby crying labeled the "1940 class", suggesting the Treaty will not prevent another war in 20 years' time and the baby will be cannon fodder. The naked baby throws the "Peace Treaty" on the floor, showing the Treaty is useless and will not prevent further war as intended.
IGCSE History: Nazi Soviet Pact
This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
Final Reflections: Visual Communications
This document discusses the power of visual communications like photographs and artwork to convey important historical moments and messages. It provides several examples of iconic visuals that have captured pivotal events in history, from the Wright Brothers' first flight to photos from wars and protests. The document emphasizes that visuals can shape public opinion and activism, but also notes the importance of questioning their context and purpose since photographs don't always depict reality. It encourages continued questioning and communication to promote justice, peace, and protecting the planet.
IGCSE HIstory: Nazi Soviet Pact
This 1939 cartoon by American cartoonist Herb Block depicts Poland as a vulnerable little girl confronted by a wolf (representing Nazi Germany) and a bear (representing Soviet Russia). The wolf has a Hitler hairstyle and the words "Nazi Germany" on its pillow, while the bear resembles Stalin and has "Soviet Russia" on its pillow. They have gotten into bed together, symbolizing the alliance formed between Nazi Germany and Soviet Russia to conquer and divide Poland following the Nazi-Soviet Pact. The cartoon was meant to express American disgust with the pact.
Peace and future cannon fodder
The document is an explanation of an artwork depicting the "Big Three" leaders after World War I - Clemenceau of France, Lloyd George of Britain, and Wilson of the United States - leaving the Palace of Versailles after Germany signed the Treaty of Versailles in 1919. It also shows a crying German child representing the future consequences of the treaty. The artwork predicted that the harsh terms of the treaty would lead to another future war, as symbolized by the weeping child who would be affected by the next conflict.
History of genre thriller
This document examines the history and development of the thriller genre through the work of Alfred Hitchcock from the 1920s to the present. It outlines how Hitchcock's early thrillers like "The Lodger" and "Blackmail" helped establish the genre. It then discusses how his films evolved through the 1950s with color films like "Strangers On A Train" and 1960s classics like "Psycho." The genre continued to develop new iconic films in the 1970s-1980s and remains popular today with big-budget spectacles utilizing new technologies.
Cinema sample 2
1. Early animated films like Fantasmagorie in 1908 and The Adventures of Prince Achmed in 1926 showed the possibilities of animation.
2. In 1928, Mickey Mouse first appeared in Steamboat Willie, establishing Disney's magic of animation with catchy music and anthropomorphic characters.
3. During the Golden Age of Disney from 1937 to 1942, Walt Disney and his animators produced landmark animated films including Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, and Bambi that set the template for animated feature films and pioneered techniques like the use of sound and emotional depth.
Roadto wwii4 ppt John D Claire
The cartoon depicts Hitler goose-stepping over the "spineless leaders of democracy" towards his goal of becoming "Boss of the Universe". The first three steps are labeled as "Rearmament", "Rhineland", and "Danzig", representing Hitler's increasing consolidation of power through militarization in violation of treaties. The cartoonist David Low uses this image as a warning that Britain and other countries must confront Hitler to stop his expansion, rather than pursuing appeasement policies.
Penguin Books
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Interpreting a Political cartoon IGCSE History
The cartoon from 1925 depicts two boys fighting that represent Bulgaria and Greece. A large dove, representing the League of Nations, uses its moral authority to stop their quarrel. The poem suggests the League was able to end the war between ridiculous, small nations. As a British political cartoon from the time, it aims to ridicule Greece and Bulgaria and portray the League's success as belittling.
League of nations AIMS
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This document discusses different genres and aesthetics used in comics and graphic novels about war. It provides examples of comics that depict World War 1 in a style of visual realism, as well as an Irish comic about the 1916 uprising that uses stylized cartoons and vivid color. Additionally, it describes the graphic novel "Waltzing with Bashir" about the Lebanon War, noting its cinematic style. The document examines how comics can realistically or stylized portray war and historical events through visuals, color, and style.
League of nations failure cartoon analysis
The cartoon depicts fascist soldiers mocking discussions at the League of Nations about the situation in Spain while they relax after conquering territory. One soldier dismisses the idea that nations could unite for peace, despite the fascists having united for war. The cartoon, published in 1936 during the Spanish Civil War, criticizes the League's failure to take action against fascist aggression in Spain through its inability to unite its members.
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The document provides discussion questions about the fairy tale "Snow White" published by the Brothers Grimm in 1812. It asks questions about how certain elements of the story portray gender constructs and stereotypes, such as the witch's actions, Snow White's appearance and duties, her relationship with the dwarves, and the roles of the prince and conclusion of the story. It also asks how these gender constructs may affect children.
A invasión de Polonia.Hitler e Stalin
The cartoon depicts Hitler and Stalin meeting in the rubble of Poland after invading and dividing the country between them. While greeting each other with smiles, they exchange insults under their breath, revealing their alliance is one of convenience based on mutual hatred and that they are only pretending to like each other. The cartoonist David Low created it to criticize the Nazi-Soviet pact and show the true nature of Hitler and Stalin's relationship.
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The cartoon criticizes the weak response of Britain and France to Mussolini's invasion of Abyssinia in 1935. It depicts Britain and France singing a song threatening only a mild memorandum of disapproval while dressed in ridiculous costumes, implying their actions through the League of Nations have become a farce. The cartoon, published in the British magazine Punch, reflects the growing public despair at the League's inability to effectively counter aggression by its member states.
Manchuria Cartoon interpretation
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Roadto wwii3 ppt
The cartoon depicts Hitler poaching a deer labeled "Austrian Integrity" despite a sign saying it is "Strictly Preserved". Mussolini is depicted lazily encouraging Hitler's actions. The cartoon warns that Hitler intends to violate Austria's independence through violent expansionism, threatening the terms set by the Treaty of Versailles, if other nations do not intervene.
IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
The cartoon depicts two figures sitting despondently on a cracked foundation stone that represents the League of Nations. The cracked stone symbolizes that the League is broken and useless in establishing the new world order of peace it intended. In the background, the looming war on Remembrance Day suggests another war is coming. The cartoon uses the cracked foundation stone as a metaphor to criticize the League of Nations for failing to prevent war and maintain peace as it was designed to do.
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Vlad is 16 years old and from Russia. He enjoys programming and web design. He speaks Russian and likes general exercise, sleeping, and staying active. He dislikes homework and rain. Vlad has a family that includes his parents, who are both engineers.
Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
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This document discusses six principles of compositional slide show photography: simplicity, the rule of thirds, lines, balancing, framing, and mergers. It also includes a bibliography citing six Flickr photos used as examples to illustrate these principles.
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Roadto wwii4 ppt John D Claire
The cartoon depicts Hitler goose-stepping over the "spineless leaders of democracy" towards his goal of becoming "Boss of the Universe". The first three steps are labeled as "Rearmament", "Rhineland", and "Danzig", representing Hitler's increasing consolidation of power through militarization in violation of treaties. The cartoonist David Low uses this image as a warning that Britain and other countries must confront Hitler to stop his expansion, rather than pursuing appeasement policies.
Penguin Books
Penguin Books was founded in 1935 by Allen Lane to publish paperback books that were affordable and accessible to entertain the masses. Early on, Penguin established a color-coding system for its book covers by genre to create a recognizable brand identity, with orange for fiction, red for drama, and purple for essays. In the 1960s, Penguin experimented with cover designs that illustrated only an element of the story to intrigue readers without fully summarizing the book. One such iconic cover was for George Orwell's Nineteen Eighty-Four.
Interpreting a Political cartoon IGCSE History
The cartoon from 1925 depicts two boys fighting that represent Bulgaria and Greece. A large dove, representing the League of Nations, uses its moral authority to stop their quarrel. The poem suggests the League was able to end the war between ridiculous, small nations. As a British political cartoon from the time, it aims to ridicule Greece and Bulgaria and portray the League's success as belittling.
League of nations AIMS
The document is a cartoon by British artist David Low that was published in the Star newspaper on November 11, 1919, exactly one year after the Armistice that ended World War I. The cartoon depicts the League of Nations as both an angel of peace and a beautiful flower growing in a graveyard, representing the hope that the League would help prevent future wars and that the soldiers' deaths in World War I would not be in vain.
Genre of British Social Realism
The document discusses the history and evolution of British social realist cinema from the early 1900s to the 1990s. It covers key movements like documentary-style location shooting in the early 1900s, Michael Balcon's contributions in the 1920s-1950s that helped establish a national cinema focused on stoicism and verisimilitude, the kitchen sink dramas of the 1950s-1960s influenced by Italian neo-realism and French New Wave, and the works of filmmakers like Ken Loach and Mike Leigh that explored social issues through individual stories and examined the impacts of deindustrialization and Thatcherism. By the 1990s, British films combined realist streets and cityscapes with triumph
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20th Century Fox was formed in 1935 through the merger of Fox Film Corporation, founded in 1915, and Twentieth Century Pictures, founded in 1933. It became one of the major Hollywood studios known for distributing successful film franchises like Star Wars and television shows like The Simpsons. Some of the most famous actresses who rose to stardom through 20th Century Fox include Shirley Temple, Betty Grable, Marilyn Monroe, and Jayne Mansfield. The studio was located in Century City in Los Angeles.
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This document discusses different genres and aesthetics used in comics and graphic novels about war. It provides examples of comics that depict World War 1 in a style of visual realism, as well as an Irish comic about the 1916 uprising that uses stylized cartoons and vivid color. Additionally, it describes the graphic novel "Waltzing with Bashir" about the Lebanon War, noting its cinematic style. The document examines how comics can realistically or stylized portray war and historical events through visuals, color, and style.
League of nations failure cartoon analysis
The cartoon depicts fascist soldiers mocking discussions at the League of Nations about the situation in Spain while they relax after conquering territory. One soldier dismisses the idea that nations could unite for peace, despite the fascists having united for war. The cartoon, published in 1936 during the Spanish Civil War, criticizes the League's failure to take action against fascist aggression in Spain through its inability to unite its members.
Gender Constructs - Snow white
The document provides discussion questions about the fairy tale "Snow White" published by the Brothers Grimm in 1812. It asks questions about how certain elements of the story portray gender constructs and stereotypes, such as the witch's actions, Snow White's appearance and duties, her relationship with the dwarves, and the roles of the prince and conclusion of the story. It also asks how these gender constructs may affect children.
A invasión de Polonia.Hitler e Stalin
The cartoon depicts Hitler and Stalin meeting in the rubble of Poland after invading and dividing the country between them. While greeting each other with smiles, they exchange insults under their breath, revealing their alliance is one of convenience based on mutual hatred and that they are only pretending to like each other. The cartoonist David Low created it to criticize the Nazi-Soviet pact and show the true nature of Hitler and Stalin's relationship.
20th Century Fox
The document summarizes the history and operations of 20th Century Fox. It details how the company was formed through the merger of Fox Film Corporation and Twentieth Century Pictures in 1935. It also lists some of 20th Century Fox's subsidiary animation studios like Blue Sky Studios and 20th Century Fox Animation. Finally, it provides details about 20th Century Fox's highest grossing film, Avatar, which surpassed Titanic to become the highest grossing film worldwide.
Abyssinia cartoon interpretation
The cartoon criticizes the weak response of Britain and France to Mussolini's invasion of Abyssinia in 1935. It depicts Britain and France singing a song threatening only a mild memorandum of disapproval while dressed in ridiculous costumes, implying their actions through the League of Nations have become a farce. The cartoon, published in the British magazine Punch, reflects the growing public despair at the League's inability to effectively counter aggression by its member states.
Manchuria Cartoon interpretation
The cartoon from 1933 depicts the League of Nations as a doormat, with a Japanese soldier trampling over the League and its covenant while it bows down and welcomes the soldier. A figure representing the British Foreign Secretary powders the League's face in an attempt to save face and make excuses rather than stand up to Japan. The cartoonist David Low criticized the League's leaders for allowing Japan to triumph over the League in Manchuria without consequences.
Roadto wwii3 ppt
The cartoon depicts Hitler poaching a deer labeled "Austrian Integrity" despite a sign saying it is "Strictly Preserved". Mussolini is depicted lazily encouraging Hitler's actions. The cartoon warns that Hitler intends to violate Austria's independence through violent expansionism, threatening the terms set by the Treaty of Versailles, if other nations do not intervene.
IGCSE EXAM PRACTICE - LEAGUE OF NATIONS SOURCES - 'THE SILENCE' CARTOON
The cartoon depicts two figures sitting despondently on a cracked foundation stone that represents the League of Nations. The cracked stone symbolizes that the League is broken and useless in establishing the new world order of peace it intended. In the background, the looming war on Remembrance Day suggests another war is coming. The cartoon uses the cracked foundation stone as a metaphor to criticize the League of Nations for failing to prevent war and maintain peace as it was designed to do.
Orson Welles & Citizen Kane
Orson Welles was a renowned actor, director, writer and producer best known for his 1941 film Citizen Kane. At age 23, Welles caused a panic with his realistic radio dramatization of The War of the Worlds. He was later offered complete artistic control by RKO to make Citizen Kane, his first film. Citizen Kane was groundbreaking for its technical innovations including lighting, camerawork and storytelling techniques. Though it is now considered one of the greatest films ever made, it was a financial failure upon release due to controversy surrounding its unfavorable portrayal of newspaper magnate William Randolph Hearst, on whom the main character was loosely based.
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20th Century Fox was formed in 1934 through the merger of Fox Film Corporation, founded in 1915 by William Fox, and Twentieth Century Pictures, begun in 1933. Some of its most popular franchises include Star Wars, Ice Age, X-Men, Die Hard, Alien, Night at the Museum, Home Alone, and Predator. The document discusses concerns that 20th Century Fox, as an American company, may not fully understand the filmmaker's vision, but concludes that as the company is only providing funding and not directing, it could still be a good option given their experience funding similar genres.
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Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
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Compositional rules
This document discusses six principles of compositional slide show photography: simplicity, the rule of thirds, lines, balancing, framing, and mergers. It also includes a bibliography citing six Flickr photos used as examples to illustrate these principles.
Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advancements enabled re-releases and bigger-budget films; Tim Burton a notable recent
Through the decades ppt
This document outlines the history of fantasy films across four eras:
1) Early Years (1911-1940): Transition from silent to sound films, with notable films like The Wizard of Oz and King Kong.
2) "The Golden Era" (1941-1954): Supernatural films inspired by WWII fears, including The Jungle Book and Sinbad the Sailor.
3) "The Transition Era" (1955-1966): Impact of television led to emphasis on cinema audiences; Disney films like Mary Poppins drove animation.
4) "The Modern Era" (1980-present): Technological advances enabled re-releases and bigger-budget films; Tim Burton a notable recent director
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The document traces the history of the horror genre from the late 1800s to the 2000s. It notes that some of the earliest depictions of supernatural events were in silent films from the 1890s, and that the first horror film with sound was released in 1928. The genre became more popular in the 1930s with the releases of Dracula and Frankenstein. Horror films evolved through the 1940s-1950s to focus more on characters transforming into animals and introducing more overtly evil faces. The 1960s saw the rise of low-budget slasher films made outside major studios. Several influential horror films were released in the 1970s, and the 1990s-2000s saw fewer developments but some films that aimed to cut
Genre history
Georges Melies was a French director who created some of the first horror films in the late 1890s, drawing from literary works. In the 1930s-1940s, Universal Pictures released films like Dracula and Frankenstein that helped establish the horror genre. Advances in technology in the 1950s-1960s allowed for more advanced special effects in films like Godzilla and helped directors like Alfred Hitchcock cement the genre's place in history. Low-budget horror films' financial successes in the 1970s-1980s led to higher-budget films that changed audience expectations, with films like The Exorcist being among the first major commercial successes. Modern horror films from the 1990s to present continue innovating with sequels
The history of horror
The document provides a history of the horror genre in film from the 1920s to the 2000s. It discusses several eras and key developments:
- German Expressionism in the 1920s-1930s pioneered the use of shadows and stylistic techniques that influenced later films. Notable films included The Cabinet of Dr. Caligari.
- Universal Pictures dominated the 1930s-1940s with classics like Dracula and Frankenstein that established iconic monsters. Psychological horror emerged with films like Cat People.
- The 1950s saw a blend of science fiction and horror genres with movies like Godzilla. Directors used gimmicks to attract audiences.
- Alfred Hitchcock and films like Psycho
History sci fi
Science fiction in the 1930s focused on escapist films and serials as the Great Depression took hold. During World War 2, patriotic superheroes like Superman were used for propaganda, though sci-fi's popularity declined. The 1940s saw science fiction's Golden Age, with horror sci-fi films following WWII. The 1950s saw increased interest in sci-fi due to the atomic bomb and Cold War, along with a rise in alien films influenced by UFO reports. The 1960s brought sci-fi shows for children as well as films like Planet of the Apes that attracted adult audiences. Interest grew in the 1970s as the moon landing sparked questions about space, and new genres like conspiracy thrillers emerged. Star
Horror history
The history of horror films spans from 1890 to the present. Early influential films included Georges Melies' 1896 film "Le Manoir du Diable", considered one of the first horror films. The development of sound technology in the 1930s enhanced the experience of horror films. Iconic films like "Frankenstein" and "Dracula" were released in 1931, exploiting audiences' growing interest in monsters. Subsequent decades of horror films continued to reflect and comment on current events and social issues, with genres like psychological horror, slasher films, and remakes becoming popular at different times. Horror expanded beyond films into successful television shows in the 2000s.
The history of a genre
The horror genre originated in the 18th century with Gothic novels like The Castle of Otranto that included supernatural shocks. In the late 19th century, silent films like Georges Melies' The Haunted Castle helped establish the horror film genre. In the 1930s-1940s, Universal Studios produced iconic horror films such as Dracula and Frankenstein that featured monsters and thrilled audiences. Throughout the 20th century, horror evolved through new subgenres and technological advances, with slasher films emerging in the 1960s-1980s and found footage gaining popularity in the 2000s.
The History of Horror
The document provides a history of horror films from the 1920s to the present. It discusses the evolution of popular horror themes and conventions over the decades in response to changing societal fears. Some key points covered include the rise of vampire and monster movies in the 1920s-1930s; the introduction of sound and famous actors like Boris Karloff in the 1930s; the focus on mutated creatures and nuclear radiation in the 1950s; psychological horrors and the idea of the enemy being human in the 1960s-1970s; the rise of slashers and gore in the 1980s; more intelligent films like Silence of the Lambs in the 1990s; and the increased use of CGI, found footage, and remakes from
THE HISTORY OF HORROR
The document provides a history of horror films from the 1920s to the 2000s. It discusses the evolution of fears and themes portrayed in horror over the decades. Some key points made are:
- Early 1920s films featured mythological creatures exploiting public fears, while 1930s films turned gothic and were inspired by 19th century novels.
- 1940s films focused on "half man half beast" creatures as wartime horrors were banned. 1950s films portrayed mutated monsters resulting from nuclear radiation.
- 1960s films depicted the enemy as human with hidden derangement, reflecting social changes. 1970s films showed the enemy as one's own family.
- Technological advances like visual effects and gore heightened sc
History of horror
The document provides a history of horror films from the early 1900s to the 2000s. Some key points:
- The first horror films emerged from Germany in the early 1900s, including The Golem (1913) and Nosferatu (1922).
- Universal Studios had great success in the 1930s with classic monster films like Dracula, Frankenstein, and The Mummy.
- In the 1950s, alien invasion films became popular as fears grew about threats from outside Earth.
- Groundbreaking films in the 1960s like Peeping Tom and Psycho used human monsters instead of supernatural ones.
- The Exorcist (1973) was a major commercial success and led to
The history of horror
The document outlines the history and evolution of horror films over the decades from the 1920s to the present. It notes that early 1920s films featured dark, gloomy scenes and vampires that tapped into audiences' fears of the time. Sound was introduced in the 1930s along with monsters inspired by 19th century novels. The 1940s saw American films take over as Britain banned horrors during World War 2. Audiences in the 1950s were no longer as scared of death due to the war but now feared nuclear weapons and technology. The 1960s saw the rise of psychological horrors about seemingly normal people like in Psycho. Slashers and fears about children emerged in the 1970s. Technological advances increased special effects in the 1980s
A history of horror
The document traces the evolution of horror films over several decades from the 1920s to the 2000s. In the 1920s-1930s, silent films relied on costumes, settings and folklore to create fear. The 1940s saw the rise of werewolf and animal films. The 1950s incorporated science fiction elements and focused on nuclear mutation. The 1960s featured psychological thrillers about normal killers. Supernatural films grew popular in the 1970s. Slashers dominated the 1980s alongside the rise of special effects. The 1990s combined slashers and psychological horror. Gore and supernatural films continued in the 2000s.
Media horror history
The document traces the history and evolution of horror films from the late 19th century to the present. It notes that the first horror film was created in 1896 by Georges Melies, while the first color film was made in 1902. During the 1930s and 1940s, classics like Dracula and Frankenstein helped establish the horror genre. In the 1950s and 1960s, films like Psycho pushed boundaries and inspired psychological thrillers. The 1970s-1990s saw the rise of slashers and special effects in films like Alien and The Shining. Modern horror focuses on realistic stories and killers that toy with their victims.
AS Media Horror Research
This document provides a history of the horror film genre from its origins in the late 19th century to modern times. It notes that early horror films were inspired by Gothic literature and included monsters like vampires and ghosts. The first true horror film was 1896's Le Manoir Du Diable. Sound was introduced in the 1930s with films like Dracula and Frankenstein. The 1940s saw fewer films due to bans but produced classics like Cat People and The Wolf Man. Color films emerged in the 1950s, starting with The Curse of Frankenstein. Alfred Hitchcock brought psychological horror to the 1960s with films like Psycho. The 1970s addressed societal problems through horror. Special effects advanced in the 1980s,
Culture and Society
Henry Luce launched Life magazine in 1936, which became hugely popular for its photos and captions that dominated American visual culture before television. He also founded Fortune magazine in 1930 to explore business and the economy in depth. This period from 1930-1945 is considered Hollywood's Golden Age, where the major studios produced over 7,500 films that were hugely popular. Iconic films from this era included Snow White in 1937 as the first full-length animated feature film, The Wizard of Oz in 1939, and Gone with the Wind in 1939, which won numerous Academy Awards and was a massive financial success. Famous actors of the time included Cary Grant, Humphrey Bogart, and Judy Garland, among others.
History of horror
The history of horror films began in the late 1890s with the creation of short silent black and white clips by Georges Melies, including his film Le Manoir du Diable, often considered the first horror film. In the early 1930s, Universal Studios produced iconic horror films like Dracula and Frankenstein. The 1950s saw an increase in films exploring themes of alien invasion and mutation. Financial success of low-budget gore films in the 1970s led to many similar films, while the 1990s featured the release of enduring franchises like Nightmare on Elm Street and Friday the 13th. The genre has evolved greatly over time but consistently attracted large audiences.
History of horror
The document provides a history of horror films from the 1900s to the 2000s. It discusses how early German films in the 1900s helped establish the genre. Universal Studios had success in the 1930s with films like Dracula and Frankenstein. Horror films shifted tones in the 1950s towards alien invasion themes. Iconic films like Psycho and Rosemary's Baby influenced the genre in the 1960s-1970s. The 1980s saw the rise of teen-focused slashers. The 1990s brought self-referential films like Scream. Recent horror draws from Japanese films and franchises like Saw while avoiding monsters reminiscent of 9/11.
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Introduction
Robert Downey Jr., synonymous with Hollywood success. has had a career marked by dramatic ups and downs. Downey's journey is remarkable, from his early days as a promising young actor to his well-documented struggles with addiction and his triumphant comeback in Iron Man. Central to this narrative is his financial success. This article delves into Robert Downey Jr. net worth, exploring how he amassed his fortune. the various income streams contributing to his wealth, and his financial management strategies.
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Early Life and Career Beginnings
Childhood and Family Background
Robert Downey Jr. was born on April 4, 1965, in Manhattan, New York City. His father, Robert Downey Sr., was an influential filmmaker and actor. while his mother, Elsie Ann, was an actress. Growing up in a creative environment, Downey was exposed to the entertainment industry at a very young age, appearing in his father's films as early as age five.
Breakthrough in the 1980s
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The Downfall and Recovery
Struggles with Addiction
The 1990s were a tumultuous period for Downey. Despite critical acclaim for roles in films such as "Chaplin" (1992), for which he received an Academy Award nomination, his career was derailed by legal troubles related to his drug addiction. Frequent arrests and stints in rehab created an image of an actor whose potential was being overshadowed by his demons.
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The Marvel Era and Explosive Financial Growth
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So far, no details are known about Darby Galen’s career. She is not old enough to work yet. Currently, Darby focuses on her academic studies rather than making plans for his future career.
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Through the decades ppt
- 1. Early Years 1911-1940: “The Silent Era” and the start of the “talkies” Prominent fantasy films of this era included “The Wizard of Oz” and “King Kong.” It was through this time that film saw the transition between silent films to ones that had sound. The 1920’s saw feature length films becoming more common. Despite the economic depression of the 1930s films still continued to have success, especially the fantasy genre as it mirrored people’s uncertainty of the time.
- 2. “The Golden Era” 1941- 1954 Fantasy films of the era include “The Jungle Book” and “Sinbad the Sailor.” A lot of the films of the time featured supernatural elements inspired by the fear around World War II. John Lounsbury produced most of his most during this time directing Disney films such as “The Lady and the Tramp” and “Peter Pan.”
- 3. “The Transition Era” 1955- 1966 Due to the arrival and popularity of television it was important for films to gain audiences in the cinema even more than before. The development of animation used in fantasy films at this time can be seen through the Disney films produced: the era was significant for Disney as many of their most popular films like “Mary Poppins” were produced, all containing fantasy characteristics.
- 4. “The Silver Era” 1967- 1979 The higher budgets and bigger investments begin to become clear in the fantasy films of the period. A notable director of the fantasy genre is Steven Spielberg whose work begins to come to surface during this time, though not necessarily in the fantasy genre. The 1960’s as a whole were not a popular time for fantasy film, but many were made in the 1970’s.
- 5. “The Modern Era” 1980-Present The technological advancements used in films generally since the 1980s to now have been the most influential and many fantasy films have been re-released after being digitally remastered and made into 3D and new ones with bigger budgets than ever. Tim Burton is most recognisable director for fantasy films in recent times.