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Cultural Policy
   Bridge the gap between Belgian public and
    Japan
    ◦ As accessible as possible
   Original idea:
    ◦ Exhibition
    ◦ Several cultural aspects
   Difficult to implement
    ◦ Which aspects?
    ◦ Not practical
   Not unique
   Kept the concept, changed implementation
   Film:
    ◦ Best medium
    ◦ Appeals to a variety of audiences
   Originally popular filmgenres
    ◦ Rejected
    ◦ Focus on cultural and social aspects, not film itself
   Work around themes
   Week of film  every day a specific theme
    ◦ Romance
      Shall We Dance?
      Norwegian Wood
    ◦ Japanese Cuisine
      Tampopo
    ◦ Animation
      Ponyo
      Origin: Spirits of the Past
    ◦ Slice of Life
      Kikujiro
      Departures
    ◦ Society
      Bashing
      Nobody Knows
   Classics and new productions
   Award winning and unknown
   Workshops and Japanese cuisine
   Educational way to:
    ◦   Confront
    ◦   Appreciate
    ◦   Japanese culture and society
    ◦   Through entertainment and relaxation
   As accessible as possible for all cultural
    layers
   Work out concept
   Decide which language for which film
    ◦ Children: Dutch translation
    ◦ Adults: Japanese with English or Dutch subtitles
   Procure sales quotes  Budget
   Search for venue
    ◦ Cinema ZED
      Too expensive
      Not available
    ◦ Kinepolis
      Affordable
      Enthusiastic & helpful
   Contact film distributor Bevrijdingsfilms
   Small changes to basic concept
    ◦ Less workshops
    ◦ Different workshops
    ◦ Different films
   Decide marketing plan
   All necessary sales quotes received  draw
    up budget
   Decide & approach sponsors
    ◦ With grant proposal
   Communicate that japanorama is:
    ◦ very accessible
    ◦ enjoyable
    ◦ way to learn about the Japanese culture and society.
   New and better understanding
   Target Group
    ◦ Students
    ◦ Non- students
    ◦ All age groups
    ◦ Affiliated with Japan or have an developed interest
      in Japan
    ◦ People with no previous knowledge of the
      aforementioned
   Strategy
    ◦ Posters (500 pc)
         Throughout Leuven
         Send to organisations affiliated with Japan
◦ Flyers
   Paper flyers (5000 pc)
     throughout Leuven
     handing them out at student venues
     spreading them in local businesses.
     outside of Leuven by sending them to
      organization affiliated with Japan.
   Digital flyers
     spread through the websites of organizations
      affiliated with Japan.
◦ Brochures (2000 pc)
  Same spreading as flyers
  Programs
◦ Written press
  De Standaard regional
   Het laatste Nieuws region Hageland
   Veto (student newspaper)
   Eoos Express (Japanology newspaper)
◦ Word of mouth
   go to the classes of Japanology
   Highten awareness in own faculty
◦ Website
◦ Social media
  Facebook
  Twitter
◦ Website Japanology
◦ E-mail campaign
   Planning
    ◦ Flyers, brochures & posters
      from 2nd week of April to 2nd week of May
    ◦ New media
      from 1st week of April to 2nd week of May
    ◦ Newspaper
      from 4th week of April to 1st week of May
    ◦ E-mail campaign
      from 3rd week of April to 2nd week of May
    ◦ Website
      online from March
   Market analysis
    ◦ Events in the same time period
      VAART creatiefestival 10-12 May
      Japan on stage 8-9 May
    ◦ Exam period
   Similar events
    ◦ Japan –Square in Ghent.
    ◦ Netherlands
      Japan Camera
      Dejima film festival
   USP
    ◦ Film variety:
      Each day two films
      Different themes: romance, food, animation, slice of
       life, society
      One classic/older & one recent production
      Award winning & less known
      films for children and young adults.
    ◦ Extra entertainment
      Walking dinner
      Workshop japans toys: Kendama.
      Make-up
◦ Location
  Leuven
  Accessible
    public transport
    by car
  Host to other film festivals
  International connections
◦ Kinepolis
  Most well known cinema in Belgium
  Offers professional viewing experience
   Price
    ◦ Different prices
        Main price: 7€
        Reduction price: 6€
        Combi ticket: 12€
        Reduction combi ticket: 10€
        Maxi ticket: 45€
        Workshops and walking dinner: + 3€
   Reduction price: for students
   Combi ticket: for two films (same day)
   Maxi ticket: for all films
   Turnout
    ◦ minimum of 60 visitors per film
    ◦ with a total of 540 people
    ◦ hope to have 100 visitors per film
      900 people during the entire week
   Marketing strategy
    ◦   Variety offered
    ◦   Films suitable & interesting for all ages
    ◦   Extra entertainment
    ◦   Accessibility of the chosen medium
    ◦   Varied ticket prices
    ◦   Able to reach large audience
           enjoy a night out
           at a reasonable price
           learn about a whole new culture and society
           learn more
   Subsidies
    ◦   City of Leuvendeadline 30/09
    ◦   Flemish Communitydeadline 30/09
    ◦   Japanese Embassy deadline 30/09
    ◦   Culture Committee KULeuven
         Grant proposal
   Private Sponsors
    ◦ Companies with ties to Japan
    ◦ Companies known to sponsor student events
   Refusal
    ◦   No link with event beside affliation with Japan
    ◦   Don’t sponsor events organised by individuals
    ◦   Financial crisis
    ◦   End of legislative year (all funds already locked)
    ◦   No sponsorship given this year
   Strengths                      Weaknesses
    ◦   Accessibility               ◦   Expensive
    ◦   Variety                     ◦   Financial crisis
    ◦   Movies                      ◦   Difficulty funding
    ◦   Additional activities       ◦   Bad timing
    ◦   Educational                 ◦   Copyright
    ◦   Entertainment               ◦   Availability
    ◦   Charity                     ◦   Inexperience
    ◦   Social media                ◦   Problems with subtitles
   Opportunities           Threats
    ◦ Bridging a gap         ◦ Similarity
      West meets East         Other Japanese festivals
    ◦ Experience             ◦ Financial crisis
                               low turnout
                               stays theoretical
   First steps
   Gain experience
   Inexperience with
    ◦ Grant applications
    ◦ Organising event of this scale
   Problems with timing & planning
   Loss of teammate
   Event was possible on smaller scale
    ◦ Do away with entire concept
   Changing concept: unthinkable
   Keep it theoretical
   Current financial climate
    ◦ No sponsorship for events organised by individuals
   High hopes
   A pity
   Basic concept can be used by next year’s
    students
Japanorama (2)

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Japanorama (2)

  • 2. Bridge the gap between Belgian public and Japan ◦ As accessible as possible  Original idea: ◦ Exhibition ◦ Several cultural aspects  Difficult to implement ◦ Which aspects? ◦ Not practical
  • 3. Not unique  Kept the concept, changed implementation  Film: ◦ Best medium ◦ Appeals to a variety of audiences  Originally popular filmgenres ◦ Rejected ◦ Focus on cultural and social aspects, not film itself  Work around themes
  • 4. Week of film  every day a specific theme ◦ Romance  Shall We Dance?  Norwegian Wood ◦ Japanese Cuisine  Tampopo ◦ Animation  Ponyo  Origin: Spirits of the Past ◦ Slice of Life  Kikujiro  Departures ◦ Society  Bashing  Nobody Knows
  • 5. Classics and new productions  Award winning and unknown  Workshops and Japanese cuisine  Educational way to: ◦ Confront ◦ Appreciate ◦ Japanese culture and society ◦ Through entertainment and relaxation  As accessible as possible for all cultural layers
  • 6. Work out concept  Decide which language for which film ◦ Children: Dutch translation ◦ Adults: Japanese with English or Dutch subtitles  Procure sales quotes  Budget  Search for venue ◦ Cinema ZED  Too expensive  Not available ◦ Kinepolis  Affordable  Enthusiastic & helpful
  • 7. Contact film distributor Bevrijdingsfilms  Small changes to basic concept ◦ Less workshops ◦ Different workshops ◦ Different films  Decide marketing plan  All necessary sales quotes received  draw up budget  Decide & approach sponsors ◦ With grant proposal
  • 8. Communicate that japanorama is: ◦ very accessible ◦ enjoyable ◦ way to learn about the Japanese culture and society.  New and better understanding
  • 9. Target Group ◦ Students ◦ Non- students ◦ All age groups ◦ Affiliated with Japan or have an developed interest in Japan ◦ People with no previous knowledge of the aforementioned  Strategy ◦ Posters (500 pc)  Throughout Leuven  Send to organisations affiliated with Japan
  • 10.
  • 11. ◦ Flyers  Paper flyers (5000 pc)  throughout Leuven  handing them out at student venues  spreading them in local businesses.  outside of Leuven by sending them to organization affiliated with Japan.  Digital flyers  spread through the websites of organizations affiliated with Japan. ◦ Brochures (2000 pc)  Same spreading as flyers  Programs
  • 12. ◦ Written press  De Standaard regional  Het laatste Nieuws region Hageland  Veto (student newspaper)  Eoos Express (Japanology newspaper) ◦ Word of mouth  go to the classes of Japanology  Highten awareness in own faculty ◦ Website ◦ Social media  Facebook  Twitter ◦ Website Japanology ◦ E-mail campaign
  • 13.
  • 14.
  • 15. Planning ◦ Flyers, brochures & posters  from 2nd week of April to 2nd week of May ◦ New media  from 1st week of April to 2nd week of May ◦ Newspaper  from 4th week of April to 1st week of May ◦ E-mail campaign  from 3rd week of April to 2nd week of May ◦ Website  online from March
  • 16. Market analysis ◦ Events in the same time period  VAART creatiefestival 10-12 May  Japan on stage 8-9 May ◦ Exam period  Similar events ◦ Japan –Square in Ghent. ◦ Netherlands  Japan Camera  Dejima film festival
  • 17. USP ◦ Film variety:  Each day two films  Different themes: romance, food, animation, slice of life, society  One classic/older & one recent production  Award winning & less known  films for children and young adults. ◦ Extra entertainment  Walking dinner  Workshop japans toys: Kendama.  Make-up
  • 18. ◦ Location  Leuven  Accessible  public transport  by car  Host to other film festivals  International connections ◦ Kinepolis  Most well known cinema in Belgium  Offers professional viewing experience
  • 19. Price ◦ Different prices  Main price: 7€  Reduction price: 6€  Combi ticket: 12€  Reduction combi ticket: 10€  Maxi ticket: 45€  Workshops and walking dinner: + 3€  Reduction price: for students  Combi ticket: for two films (same day)  Maxi ticket: for all films
  • 20. Turnout ◦ minimum of 60 visitors per film ◦ with a total of 540 people ◦ hope to have 100 visitors per film  900 people during the entire week
  • 21. Marketing strategy ◦ Variety offered ◦ Films suitable & interesting for all ages ◦ Extra entertainment ◦ Accessibility of the chosen medium ◦ Varied ticket prices ◦ Able to reach large audience  enjoy a night out  at a reasonable price  learn about a whole new culture and society  learn more
  • 22. Subsidies ◦ City of Leuvendeadline 30/09 ◦ Flemish Communitydeadline 30/09 ◦ Japanese Embassy deadline 30/09 ◦ Culture Committee KULeuven  Grant proposal  Private Sponsors ◦ Companies with ties to Japan ◦ Companies known to sponsor student events
  • 23. Refusal ◦ No link with event beside affliation with Japan ◦ Don’t sponsor events organised by individuals ◦ Financial crisis ◦ End of legislative year (all funds already locked) ◦ No sponsorship given this year
  • 24. Strengths  Weaknesses ◦ Accessibility ◦ Expensive ◦ Variety ◦ Financial crisis ◦ Movies ◦ Difficulty funding ◦ Additional activities ◦ Bad timing ◦ Educational ◦ Copyright ◦ Entertainment ◦ Availability ◦ Charity ◦ Inexperience ◦ Social media ◦ Problems with subtitles
  • 25. Opportunities  Threats ◦ Bridging a gap ◦ Similarity  West meets East  Other Japanese festivals ◦ Experience ◦ Financial crisis  low turnout  stays theoretical
  • 26. First steps  Gain experience  Inexperience with ◦ Grant applications ◦ Organising event of this scale  Problems with timing & planning  Loss of teammate  Event was possible on smaller scale ◦ Do away with entire concept
  • 27. Changing concept: unthinkable  Keep it theoretical  Current financial climate ◦ No sponsorship for events organised by individuals  High hopes  A pity  Basic concept can be used by next year’s students