Jamie Pallot
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This document discusses immersive journalism using virtual reality. It covers key concepts like presence and empathy in VR storytelling. Early projects from 2012 showed the emotional impact of presence in VR. Examples of impactful news stories and documentaries using 360 video and volumetric VR are provided from 2014 to 2016. Critical issues like the differences between 360 video and volumetric capture, evolving hardware, and ethics are discussed. Ideal uses for volumetric VR mentioned are locations that can't be filmed, spatial stories, and interactive or recreated historical scenarios.
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This 3 sentence summary provides the high level information from the document:
A mini-documentary discusses a project about a crime scene at a jewelry store from February 1999. The project website is virtualworld.jjie.org, which allows users to explore the JJIE virtual world and create an avatar. A story from Christopher is featured, as Gwenette Writer Sinclair takes users into the virtual world.
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This 3 sentence summary provides the high level information from the document:
A mini-documentary discusses a project about a crime scene at a jewelry store from February 1999. The project website is virtualworld.jjie.org, which allows users to explore the JJIE virtual world and create an avatar. A story from Christopher is featured, as Gwenette Writer Sinclair takes users into the virtual world.
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- 1. Immersive Journalism and Volumetric VR
- 2. + Immersive Journalism: Key Concepts Presence Empathy Spatial Narrative
- 3. + Volumetric VR: Prehistoric Era
- 4. +
- 5. +
- 6. +
- 7. + Lessons from Sundance 2012 It can be done! Emotional impact of presence Importance of embodied experience
- 8. + Emblematic Group: Projects and Progress Project Syria WEF Davos ‘14 Kiya NYT/Sundance 2016 Use of Force Tribeca ‘14 One Dark Night Samsung MilkVR 2015
- 9. + Critical Issues 360 video vs. volumetric Evolution of hardware Ethics of recreations/simulations Emotional impact of ”unreal” characters
- 10. +
- 14. + Ideal uses for volumetric VR Simulating locations off-limits to film crews (e.g. Guantanamo Bay) “Spatial narratives” where dimensions are key to understanding story (e.g. Best Buy parking lot in “Serial” podcast) Scenarios where interaction increases impact of story (e.g. smartphone in “Use of Force”) Recreating past events where no extant footage
- 15. Thank You
Editor's Notes
- But that reaction happened over and over.
- Now take another look at those goggles signed Palmer Luckey