Carla Borras
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This document discusses the challenges of adapting virtual reality storytelling and journalism to a frameless first approach, including weaving narrative and context into first person accounts and primary sources. It highlights using a frameless first approach, incorporating narrative through different scenes, and utilizing firsthand perspectives and raw materials. The document concludes by thanking partners for collaborating to learn and advance this new format.
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Assignment 4 – analysis of tv documentary
Catfish and Lifers both use common documentary conventions such as interviews, supporting images, and background music. However, they differ in their filming techniques and subject matter.
Catfish follows young filmmakers as they document their online friendship, using handheld footage to develop a sense of authenticity. Lifers provides insight into life sentences through a mix of interviews with inmates and archival footage, focusing on the realities of long-term incarceration.
While both address real-life subjects, Catfish explores the uncertainties of online relationships through a personal lens, while Lifers takes a broader look at the prison system through profiles of individual lifers.
Assignment 4 – analysis of tv documentary
Catfish and Lifers both use common documentary conventions such as interviews, supporting images, and background music. However, they differ in their filming techniques and subject matter.
Catfish follows young filmmakers as they document their online friendship, using primarily handheld footage. Lifers provides insight into life sentences through a mix of interviews with inmates and archival footage, presenting a more formal perspective.
While Catfish explores deception online, Lifers examines the lives of criminals serving life in prison. Both films effectively utilize conventions like music and images to support their unique stories.
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This document discusses the importance of fast loading times, especially on mobile, where users typically have less patience. It notes that page load times above one second can interrupt the user experience, and that on mobile a site really only has 400 milliseconds to provide something to the user before they may leave the site. It also provides examples of load times for Vox Media's sites, both initial loads and repeat loads, and discusses some of the steps Vox has taken to improve performance, such as establishing a dedicated performance team and making speed a company-wide metric.
J moroney
In the United States, newspapers provide over 50% of reporting on local governments. If newspapers go away, this important oversight of democracy will be lost. Expanding digital subscriptions and advertising is not sufficient to replace declining print revenues and support needed newsroom staffing levels. New approaches are needed to sustain innovative news reporting and diversify revenue sources to continue serving communities.
Collins
In September 2014, Alex MacCallum formed an Audience Development team at The Times to ensure their journalism was reaching readers and bringing readers back repeatedly. In October 2014, the Brown sisters joined the effort. Their strategy focused on commanding attention on social media, connecting with readers, and using compelling examples to show and tell readers about new articles through repetition, while also learning from successes and failures. When implemented altogether, this approach helped make The Times' pages the most visited in 2014 and number one for social referrals.
Owen
This document discusses a project to create a virtual reality (VR) documentary about the spread of Ebola in West Africa. The goals were to investigate the process of making this type of journalism in VR, understand its potential for non-fiction storytelling, and produce a work that provides new understanding. Key moments documented include the tree where Ebola likely jumped to humans, a village where it spread, and a field hospital. Findings showed VR can have a powerful immersive effect but requires shooting and production specifically for the format. Interactivity and menu framing were also found important. Production requires large teams and budgets while post-production is still cumbersome.
Royal blasingame
Data journalism can be defined as a process that uses data analysis and visualization techniques to tell stories and engage the public. It draws on skills from fields like statistics, programming, and investigative reporting. While analyzing data is not entirely new to journalism, data journalism utilizes new digital tools that allow journalists to more easily work with large datasets and present information interactively.
Diakopoulos
The document discusses criteria for selecting comments for the "NYT Picks" section of the New York Times website. It examines literature on positive criteria for inclusion such as thoughtfulness, brevity, relevance, and diversity. It poses research questions on whether NYT Picks comments reflect these criteria and whether algorithms could be developed to assess criteria and augment human moderation. While automation may scale moderation and improve the user experience, it also raises issues regarding over-generalization and need for transparency.
Scacco
This document summarizes a study on organizational gatekeeping practices in online news. It discusses how news organizations develop different socialization philosophies and practices for engaging audiences based on their available resources and structures. The study found that news has fragmented partly due to these organizational divergences. Differences in organizational practices provide variety in how news organizations present and distribute news.
Havlak
The Verge aims to attract a more diverse audience, especially younger readers and more women. Currently, most readers are men aged 25-34. The Verge posts content to 10 social media platforms to reach audiences where they spend time. They produce multiple versions and formats of stories for each platform, such as short videos for Facebook and Snapchat. While social media drives some traffic, the Verge maintains overall traffic through search engine optimization and investing in new platforms before they contribute directly to site traffic. Their goal is building their audience wherever people interact with their content.
Lee
The document discusses projections for increasing diversity in the US population from 1970 to 2030. It notes that non-Hispanic white populations will decline as minorities increase, with Hispanic populations projected to become the largest ethnic group in the country by 2030. Public K-12 schools will also become more diverse, with minorities projected to outnumber non-Hispanic whites nationally by 2020. The document aims to outline these demographic trends to media companies to help them understand changes in their audience demographics over time.
Robins
This document outlines Quartz's approach to native advertising for executives. It discusses the promise of native ads, shares findings from Quartz's Global Executives Study on content consumption behaviors, and establishes 7 guiding principles for creating high-quality, relevant native ads including producing quality content, being mobile and socially optimized, respecting audience habits, iterating based on feedback, and being transparent about sponsored content.
Robert
This document discusses how media trends are changing media businesses. It notes that screens and mobile devices are now the dominant ways people access and share media content. Established media platforms are being replaced by internet-based connections. The ability of media firms to profitably connect audiences with content is diminishing as supply of media content exceeds consumption. Media firms now operate in volatile, uncertain, complex and ambiguous environments where industry boundaries are blurred and competitive advantages change rapidly. Traditional strategic planning methods are less useful, and media companies must focus on continual innovation, learning and adaptation. The value creation of media firms also needs to change from traditional product-based models to more customer-centric service models. Stabilizing consumption and revenues are now the primary strategic
Bodoky
This document shows monthly user numbers for the website atlatszo.hu from March 2015 to January 2016, which increased from 192,122 to 648,011 users over that period. It also lists income received in 2014 from various sources like video/podcasts, social media, and microdonations, totaling HUF 50.3 million. The money was spent on joint projects of atlatszo.hu and the Asimov Foundation.
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The Rise of Christian Persecution In Islamic Countries
Christian persecution in Islamic countries has intensified, with alarming incidents of violence, discrimination, and intolerance. This article highlights recent attacks in Nigeria, Pakistan, Egypt, Iran, and Iraq, exposing the multifaceted challenges faced by Christian communities. Despite the severity of these atrocities, the Western world's response remains muted due to political, economic, and social considerations. The urgent need for international intervention is underscored, emphasizing that without substantial support, the future of Christianity in these regions is at grave risk.
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- 1. Putting the Reality In Virtual Reality Carla Borrás, Series Coordinating Producer
- 5. Storytelling & Journalism Challenges • Adapting to a frameless first approach • Weaving in narrative & context • First person accounts & primary sources
- 6. A Frameless First Approach
- 7. A Frameless First Approach https://youtu.be/4iWvedIhWjM?t=12s
- 9. Narrative & Context SCENE 190° 180° 360°
- 10. First Person & Primary Sources
- 11. First Person & Primary Sources
- 12. The Night of the Storm REUTERS/Andrew Kelly
- 14. “The image as transmitted was faint and often blurred…It has yet to be seen to what extent further developments will carry Mr. Baird’s system towards practical use.”
- 15. A special thanks to our fabulous partners Secret Location, Emblematic Group, NPR & the filmmakers of On The Brink of Famine for all that they’ve taught us and all that we’ve learned together. Check us out at: Frontline/pbs.org Watch our 360 films at: Facebook.com/frontline
Editor's Notes
- Our second project was in collaboration with Columbia’s Brown Institute for Media Innovation and with a trio of talented reporter filmmakers, Marcelle Hopkins, Ben Moran and and Evan. Again here’s a brief look captured in 2d: https://www.facebook.com/frontline/videos/vb.45168721640/10153340492236641/?type=2&theater