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Visual communication of
Museum websites:
Analysis and comparison
of European and Croatian
art museums
Students: Milan Balać, Mia Kuzmić and Iva Magušić – Dumančić
Mentor: Josipa Selthofer
Introduction
What isVisual Communication?
„The most powerful,
meaningful and culturally
important messages are
those that combine words
and pictures equally and
respectfully.”
Paul Martin Lester
What isVisual Communication?
• A way of conveying information using visual elements like
typography, symbols, images, color etc.
A picture is worth a
thousand words
• Humans perceive somewhere between 70% and 80% of
information visually
• Visual elements provide context
• When used right, they make the messages more clear
and believable
• When missused, they dilute the messages
Visual Communication
Design
Informing and evoking interest
VCD
• Process of „interpretation, organization, and visual
representation of messages”
• It relies on the use of different principles and visual
elements to create a visual language
• Visual communication needs to be appealing,
appropirate, easily understood and memorable – it exists
not only to inform, but to evoke interest.
VCD on the Internet
• Follows the same rules
• Home page is the anchor of the site – it communicates the big
picture
• Home page should answer questions like:
• Where am I?
• What can be found on this website?
• How do I search through it?
• What are the current events?
Methodology
Museums
Europe (Art Museums): Croatia (Art Museums):
- The National Gallery, London
- Museo Nacional del Prado
- Museo Nacional Centro de Arte Reina
Sofía
- Musee d’Orsay
- Louvre Museum
- Rijksmuseum
- Van Gogh's Museum
- Natinal Gallery of Ireland
- Belvedere
- Kunsthistorisches Museum
- Mimara Museum
- Museum of Arts and Crafts
- Museum of Contemporary Art
- Gallery of Fine Arts Osijek
- Croatian Museum of Naive Arts
Visual Content Method
• Museum trademark
• Composition of the website
• Online collections
• Multimedia
• User communication
• Social network links
• Languages available
• Merchandise
Hypothesis
• Croatian museums have not yet recognised the
importance of a well developed system of visual identity
and communication with the users, making their websites
less effective in conveying messages than their European
counterparts.
Results...
Museum trademark
• Seven out of ten European museums have their logos
displayed on the homepage
• All of the Croatian museums have some kind of a
trademark
Online collections
• Significant differences in the quality and number of
options available between European and Croatian
museums
• Seven out of ten European museums - enlargement
enabling the user see the finer details
• Croatian museums - limited options allowing users to
only slightly enlarge the images
Online collections
• Download options:
- four of the ten European museums do not allow
any kind of saving, while the rest do, but only two
of them have a visible download button
- four Croatian museums allow saving by right
clicking
Multimedia
• Virtual tours:
- two out of ten
European websites
provide virtual tours
- none of the Croatian
museums have virtual
tours
Multimedia
• Audiovisual content and
multimedia guides:
- common in both European
and Croatian websites
- Apps - none of the
Croatian, and five of the
European museums have a
mobile app
- responsive site - none of
the Croatian and only two
European sites are
responsive
Communication with the user
• Basic contact information:
a telephone number
an e-mail address
contact forms
- all of the evaluated websites
Communication with the user
• Newsletters:
- six out of ten European, and one out of five Croatian
museums offer a subscription to the museums newsletter
Social network links
• Most commonly used network is Facebook
• Other frequently used networks are Google+,Twitter and
YouTube
• Trip Advisor use two of the Croatian museums
Languange
• European museums - usually English, Italian and German
• Croatian museums – English and Croatian
Merchandise
• Online giftshop:
- seven out of ten European museums offer souvenirs and
promotional materials in online giftshops, while only one
Croatian offers the same service.
Conclusion...
Thank you!

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Iva Magušić-Dumančić, Mia Kuzmić, Milan Balać: Visual communication of Museum websites #bcs2015

  • 1. Visual communication of Museum websites: Analysis and comparison of European and Croatian art museums Students: Milan Balać, Mia Kuzmić and Iva Magušić – Dumančić Mentor: Josipa Selthofer
  • 3. „The most powerful, meaningful and culturally important messages are those that combine words and pictures equally and respectfully.” Paul Martin Lester
  • 4. What isVisual Communication? • A way of conveying information using visual elements like typography, symbols, images, color etc.
  • 5. A picture is worth a thousand words
  • 6.
  • 7. • Humans perceive somewhere between 70% and 80% of information visually
  • 8. • Visual elements provide context • When used right, they make the messages more clear and believable • When missused, they dilute the messages
  • 9.
  • 10.
  • 12. VCD • Process of „interpretation, organization, and visual representation of messages” • It relies on the use of different principles and visual elements to create a visual language
  • 13. • Visual communication needs to be appealing, appropirate, easily understood and memorable – it exists not only to inform, but to evoke interest.
  • 14. VCD on the Internet • Follows the same rules • Home page is the anchor of the site – it communicates the big picture • Home page should answer questions like: • Where am I? • What can be found on this website? • How do I search through it? • What are the current events?
  • 16. Museums Europe (Art Museums): Croatia (Art Museums): - The National Gallery, London - Museo Nacional del Prado - Museo Nacional Centro de Arte Reina Sofía - Musee d’Orsay - Louvre Museum - Rijksmuseum - Van Gogh's Museum - Natinal Gallery of Ireland - Belvedere - Kunsthistorisches Museum - Mimara Museum - Museum of Arts and Crafts - Museum of Contemporary Art - Gallery of Fine Arts Osijek - Croatian Museum of Naive Arts
  • 17. Visual Content Method • Museum trademark • Composition of the website • Online collections • Multimedia • User communication • Social network links • Languages available • Merchandise
  • 18. Hypothesis • Croatian museums have not yet recognised the importance of a well developed system of visual identity and communication with the users, making their websites less effective in conveying messages than their European counterparts.
  • 20. Museum trademark • Seven out of ten European museums have their logos displayed on the homepage • All of the Croatian museums have some kind of a trademark
  • 21. Online collections • Significant differences in the quality and number of options available between European and Croatian museums • Seven out of ten European museums - enlargement enabling the user see the finer details • Croatian museums - limited options allowing users to only slightly enlarge the images
  • 22. Online collections • Download options: - four of the ten European museums do not allow any kind of saving, while the rest do, but only two of them have a visible download button - four Croatian museums allow saving by right clicking
  • 23. Multimedia • Virtual tours: - two out of ten European websites provide virtual tours - none of the Croatian museums have virtual tours
  • 24. Multimedia • Audiovisual content and multimedia guides: - common in both European and Croatian websites - Apps - none of the Croatian, and five of the European museums have a mobile app - responsive site - none of the Croatian and only two European sites are responsive
  • 25. Communication with the user • Basic contact information: a telephone number an e-mail address contact forms - all of the evaluated websites
  • 26. Communication with the user • Newsletters: - six out of ten European, and one out of five Croatian museums offer a subscription to the museums newsletter
  • 27. Social network links • Most commonly used network is Facebook • Other frequently used networks are Google+,Twitter and YouTube • Trip Advisor use two of the Croatian museums
  • 28. Languange • European museums - usually English, Italian and German • Croatian museums – English and Croatian
  • 29. Merchandise • Online giftshop: - seven out of ten European museums offer souvenirs and promotional materials in online giftshops, while only one Croatian offers the same service.

Editor's Notes

  1. Source: https://iconicphotos.wordpress.com/2009/04/22/the-tank-man/
  2. Image source: http://www.ibm.com/design/language/