The document provides an overview of the Europeana Fashion project. It discusses (1) the context of digitizing fashion content in European cultural heritage, (2) the objectives of aggregating 700,000 digital fashion items and improving access, and (3) the diverse consortium of 22 partners from 12 countries representing leading fashion institutions. It also previews plans to develop a fashion thesaurus, data model, and collaboration with Wikipedia, as well as tools for topic analysis of fashion trends on social media.
Europeana Fashion project overview. Marco RendinaMarco Rendina
Europeana Fashion is a best practice network of 23 partners, representing the leading public and private museums, archives and collections from 12 European countries. Europeana Fashion will publish online by March 2015 over 700,000 fashion-related digital objects, ranging from historical dresses to accessories, photographs, posters, drawings, sketches, videos, and fashion catalogues.
Fashion is an important part of the European Cultural Heritage, and it is increasingly recognised for its important research value to other academic disciplines, including arts, culture, sociology and communication. Since the beginning of the XX century some of the most important public and private cultural institutions and museums of applied arts in Europe have begun collecting and preserving garments, accessories, catalogues, fashion magazines and other documents and materials related to fashion.
This has resulted in a growing number of impressive and unique collections that Europeana Fashion will bring together online.
Despite the growing importance of fashion heritage, there is a lack of freely accessible fashion content and contextual information on-line.
That’s why the Europeana Fashion project has started a collaboration with the local Wikimedia Chapters around Europe -and not only- with the aim to bring new fashion related knowledge and content to Wikipedia, the World free encyclopaedia.
Since March 2013, the Europeana Fashion partners are organising a series of events in collaboration with Wikimedia, called edit-a-thons, in which volunteers from the Wikipedia support organisation and a crowd of students, bloggers, researchers, curators and fashionistas come together to edit and contribute new fashion related information to Wikipedia, using content made available by Europeana Fashion.
In his presentation, Marco Rendina will tell more about this collaboration and how it has started an online relationship that could expand our understanding of the fashion heritage and the online available knowledge of the fashion domain at large.
For more information on the project, please visit:
http://www.europeanafashion.eu
Europeana Fashion project overview. Marco RendinaMarco Rendina
Europeana Fashion is a best practice network of 23 partners, representing the leading public and private museums, archives and collections from 12 European countries. Europeana Fashion will publish online by March 2015 over 700,000 fashion-related digital objects, ranging from historical dresses to accessories, photographs, posters, drawings, sketches, videos, and fashion catalogues.
Fashion is an important part of the European Cultural Heritage, and it is increasingly recognised for its important research value to other academic disciplines, including arts, culture, sociology and communication. Since the beginning of the XX century some of the most important public and private cultural institutions and museums of applied arts in Europe have begun collecting and preserving garments, accessories, catalogues, fashion magazines and other documents and materials related to fashion.
This has resulted in a growing number of impressive and unique collections that Europeana Fashion will bring together online.
Despite the growing importance of fashion heritage, there is a lack of freely accessible fashion content and contextual information on-line.
That’s why the Europeana Fashion project has started a collaboration with the local Wikimedia Chapters around Europe -and not only- with the aim to bring new fashion related knowledge and content to Wikipedia, the World free encyclopaedia.
Since March 2013, the Europeana Fashion partners are organising a series of events in collaboration with Wikimedia, called edit-a-thons, in which volunteers from the Wikipedia support organisation and a crowd of students, bloggers, researchers, curators and fashionistas come together to edit and contribute new fashion related information to Wikipedia, using content made available by Europeana Fashion.
In his presentation, Marco Rendina will tell more about this collaboration and how it has started an online relationship that could expand our understanding of the fashion heritage and the online available knowledge of the fashion domain at large.
For more information on the project, please visit:
http://www.europeanafashion.eu
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Europeana Fashion overview @EVA Minerva 2012
1. Europeana
Fashion!
EVA/Minerva 2012!
13-14 November 2012!
Project overview
Marco Rendina !
Fondazione Rinascimento Digitale!
Co-funded by the EuroSupport pean
Connected to
Commission within the ICT Policy Programme
2. Europeana Fashion in a nutshell
! The Context
the scenario in which the project operates
! Objectives and expected outcomes
aims and results of the project
! The Consortium
the composition of our project consortium
! …Some interesting stuff we’re going to do
Fashion Thesaurus, EDM-fp, Wikipedia collaboration
and topic & media analysis tool
3. The Context
The scenario in which the project operates
Fashion is an important part of our
European Cultural Heritage.
A growing interest in Fashion content is
developing in a broader audience (not
only professionals and domain
specialists).
Digitisation and on-line access is
fundamental in allowing museums and
archives to exploit their holdings.
But there are still some remaining
challenges…
4. Challenges and open issues
Many Fashion institutions, both public and private, reconsidered the role of
their archives as an important resource. This led to new investments in
conservation and digitisation of their heritage, but still some issues remains:
! Scattered access
! Lack of interoperability
! Rights issues
! Lack of exploitation strategies
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
5. Objectives and expected outcomes
Aims and results of the project
The main objective of the Europeana
Fashion Best Practice Network is to
build a thematic aggregator on Fashion,
putting emphasis on the quality, the
variety and granularity of content that
will be delivered to Europeana, and
producing a significant increase of the
fashion related content in it.
6. Project Objectives and expected outcomes
Europeana Fashion objectives aim to:
! aggregate 700.000+ digital items of fashion content to Europeana
! improve interoperability in the fashion community
! create a specialised access point for fashion content
! develop case studies for the exploitation of fashion material
! build consensus and raise awareness on best practices
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
7. The Consortium
The composition of our project consortium
The Europeana Fashion Best Practice
Network will encompass 22 partners
from 12 European countries, which
represent the leading European
institutions and collections in the
fashion domain.
8. The Europeana Fashion Consortium
Apart from Fondazione Rinascimento Digitale, which is coordinating the
project, the consortium is made of:
! 20 Content Providers
Representing the leading European institutions in the domain, including both private
and public archives and museums:
- ModeMuseum - Victoria & Albert Museum
- KMKG - Netherland Institute for Sound & Vision
- Stiftung Preussischer Kulturbesitz - Catwalk Pictures
- Stockholms University - Belgrade Museum of Applied Arts
- Les Arts Décoratifs - MUDE
- Peloponnesian Folklore Foundation - Archivio Missoni
- Emilio Pucci Archive - Pitti Immagine
- Centraal Museum Utrecht - Nordiska Museet
- Rossimoda Shoe Museum - Museo del Traje
- Wien Museum
! 2 Technical Partners
Representing the state-of-the-art in the domain of semantic interoperability and
on-line access:
- National Technical University of Athens - Internet Architects
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
9. The Europeana Fashion Consortium
In the consortium there are also:
! 3 Associated Partners
Representing the state-of-the-art in the domain of semantic interoperability and
on-line access:
- Berg Publishers - Central Museum of Textiles, Lods
- Museo Salvatore Ferragamo
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
10. Europeana Fashion Thesaurus
Mission statement
The Europeana Fashion project aims to create a multilingual
thesaurus in 10 languages, for fashion and fashion-related concepts.
The thesaurus will be developed:
→ As an aid for data entry
→ As a knowledge base (open to internal and external users)
→ As a search enhancement tool.
The Europeana Fashion Thesaurus will be based on the Art and
Architecture Thesaurus (AAT).
11. Europeana Fashion Thesaurus
Organization
→ Thesaurus in five parts
Materials & Techniques, Costumes, Accessories, Non-Costume Objects and Colors
→ Responsible partners
Materials & Techniques: MoMu
Costumes: CMU
Accessories: Pucci
Non-Costume Objects: Nordiska Museet
Colors: CMU
→ Translations from all partners
English: V&A
Dutch: CMU/KMKG / MoMu
French: Musée d’art decorative / Catwalk pictures / KMKG
Italian: Pucci / Pitti / Rosimoda / Missoni
German: SPK / WIEN
Swedish: Nordiska Museet / Stockholm Univ.
Greek: Peloponnesian Folklore Foundation
Serbian: Museum of Applied Arts
Spanish: Museo del Traje
Portuguese: Mude
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
12. Europeana Fashion data model (EDM-fp)
Inside EDM-fp
• EDM based
• Added fashion-related elements (e.g. color)
• Suitable for non-object entities (e.g. exhibition)
• Extended description of other classes
(e.g. Agents)
• More specific relationships (e.g. between
lookbook and collection)
• Use of authorities (e.g. Fashion thesaurus)
13. Europeana Fashion data model
Characteristics
Relationships between CHO’s
Partial relationships (hasPart, isPartOf), e.g.:
• silhouette that is part of a spring/summer collection;
• a dress that was part of an exhibition;
• an accessory is part of a costume or silhouette.
Content relationships (refersTo), e.g.:
• an exhibition catalogue expressing the content of an exhibition;
• a lookbook expressing the content of a collection;
• a movie expressing a fashion show;
• a movie about a collection
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
14. Europeana Fashion data model
Characteristics
More details
Additional elements, e.g.:
• Color
• Materials & techniques
Harmonised content
Use of controlled vocabularies
• Concepts: fashion thesaurus
• Agent names and identifiers
• Geographical vocabulary
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
16. Setting up the collaboration with Wikipedia
! We will set up a direct collaboration with Wikimedia
Chapters in various European countries
! We will organise a number of so-called GLAM-
WIKI events around Europe
19. Winter picture of Chiajna Monastery. The monastery is situated on the outskirts of Bucharest, Romania. by Mihai Petre
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
23. …and now something completely different!
Topic and Social media analysis
what we would like to do:
• understand how a wide range of media &
data sources relate to each other
• get a synthesis of meaningful geo-located
information
• merge these sources to derive insights &
analytics
in a nutshell, measure the buzz and aggregate
media surrounding interesting topics
(codename: Flux of Meme)
24. The idea
Meme: a postulated unit or element of cultural ideas transmitted from one
mind to another through speech or similar phenomena.
Zeitgeist: German language expression referring to "the spirit of the times"
Semantic Web: an evolving development of the World Wide Web in which
the meaning (semantics) of information on the web is defined, making it
possible for machines to process it
Flux of Meme: analysis of the web Zeitgeist through geo-
localized Memes, updated and shared on social media mainly
via mobile networks
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
25. The Fashion use case
• $1,000 billion industry
• examples of how social media events affect the real world:
• British fashion designers have pound signs in their eyes and ka-chings in their
ears
http://blogs.ft.com/material-world/2010/11/16/the-royal-engagement-ups-the-
fashion-economy/
• Whatever she [Kate Middleton] is wearing sells out instantly — both in store
and online [...] The Kate Effect that her influence has been calculated to be
worth an astonishing £2 billion to the British economy
http://www.dailymail.co.uk/femail/article-2114694/Kate-Middleton-fashion-The-
women-going-extreme-lengths-copy-Duchess-Cambridges-style.html
• lack of effective tools for topic & media analysis
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
26. The Fashion use case
• key technologies: topic extraction and image analysis
• input type: blog posts, RSS or Twitter feeds, image databases, etc.
• user stereotype: fashionistas / trend/fashion researcher / market
• need: analyze online presence and social media buzz related to
brands or chosen topics around specific locations, evaluate style
trends through image analysis
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
28. The implementation
1. fetch big data: tweets, google+, blogs, images & videos. all data is
sanitized and stored
2. enrich data crawling the web to find correlations from additional
sources (e.g. related twitter profiles, instagram, pinterest, public
facebook timelines, news, etc.)
3. create geo-located clusters and time series from the mash-up of
data sources
4. extract topics, entities (i.e. brands, organizations, names, etc.),
locations and image similarities using machine learning models
(Named Entity Detection, Latent Dirichlet Allocation, ...) and Scale
Invariant Feature Transform (SIFT) for feature detection
5. aggregate & synthesize data for final presentation
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
29. 1. content crawled from the internet is
sent to storage & analyze engine 2. unstructured data is extracted from
content and stored for further inference
4. users can access analytics data
through rich media query systems
3. data is semantically
enriched with
additional sources
Europeana Fashion @ EVA/Minerva 2012 Jerusalem, 13-14 November 2012
30. or simply browse clusters’ content to
search for image similarity, brand, analyze trends through their images &
year & season, free text social media buzz
advanced search
shows clever fields,
not only the usual
suspects
31. Thank you for your attention!
www.europeanafashion.eu
@europeanafash
Contact me at
rendina@rinascimento-digitale.it
or follow me @mrendina
Connected to Co-funded by the European Commission
within the ICT Policy Support Programme