Introduction To The Cabinet Of Edward Scissorhands

Introduction To The Cabinet Of Edward Scissorhands
Inspirations One of the most notable similarities can be seen between "The Cabinet of Dr. Caligari" and "Edward–Scissorhands". Both films use a
frame story in which most actions are presented in flashback. In "The Cabinet of Dr. Caligari", the main character, Francis, sits on the bench and tells
a story about his past, which is presented as a flashback. In "Edward–Scissorhands", Kim sits on the rocking chair and tells a story about her youth and
Edward, which is also presented as a flashback. The nightmarish and dark mood of the film "Edward–Scissorhands" intersects with "The Cabinet of Dr.
Caligari", which creates a feeling of some similarity of these films. Another most significant visual inspirations come from "Metropolis". In
"Metropolis", Rotwang is a great scientist, and his laboratory is full of different technology. His greatest achievement is inventing the
Maschinenmensch (Machine–Person) – Maria. In "Edward–Scissorhands", the scientist also has a lot of machinery. They produce cookies in the shape
of the heart. Although the purpose of inventing Edward is different from inventing Maria, the scientist also creates Machine–Person with the heart –
Edward. Another Tim Burton's inspiration from "Metropolis" can be seen as Edward first appears. In Fritz Lang's film, the robot Maria appears on
the screen as she slowly walks in the direction of the viewers. In "Edward–Scissorhands", as Mrs. Boggs calls for the owner of the castle, Edward
unsurely and slowly
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The Characteristics Of German Expressionism
When emphasizing on Expressionism, it is difficult to describe the German Expressionism in a suitable manner, one that will paint the picture for
passing verbal inquires. Its ominous tones, gloomy faces, eerie image, they are by design dependent on self–experience to understand. Suiting the
artistic styles of Expressionism, popularized the likes of Vincent van Gogh and Edward Munch,German Expressionism stands out to produce images
that will express more subjective feelings to the viewer than the realistic portrayals of ordinary images (Darsa par. 1–2). After world war 2, the Weimar
Republic took control of the UFA, a film community that began in World war 1 producing German propaganda, with a new direction of showing
Germany's greatness by cultivating their own talent and stylings (Gazetas p41).
Normally, defining German Expressionism without observing it in a way that you normally should would tarnish its achievements. The German
Expressionist cinema pay a critical attention to detail towards films mise en scene. It is a landmark that is common in most of the great films such as
Fritz Lang's Metropolis, F.W. Murnau'sNosferatu, and Robert Wiene's The Cabinet of Dr. Caligari.As stated by Aristides Gazetas that the "[German
Expressionism] was developed upon the ways cinema images could evoke psychological states of being" (p41).
The Cabinet of Dr. Caligiri has a lively yet hideous two–dimensional backdrop that still manages to hold the attention of its audience at bay

Bram Stoker's Profound Insights
Profound Insights contained in 1920's Expressionist German Horror Films
Within the vast realm of the cinematic arts, there consists two of the most notable classic German Expressionist horror films that emerged from the
early 1920's– F.W. Murnau's "Nosferatu" and Robert Wiene's "The Cabinet of Dr. Caligari". "
Nosferatu" was shot in 1921 and released in 1922. It was
an unwarranted reworking of Bram Stoker's "Dracula". The name, among other details pertaining to the film were altered since the studio was not able
to retrieve any rights to the novel. Instead of "vampire", "Nosferatu" was the substitute name, and "Count Orlok" was substituted for "Count Dracula".
Only a single print of "Nosferatu" managed to endure, and the film had come to be ... Show more content on Helpwriting.net ...
W. Murnau's 1922 excellent film Nosferatu is a brilliant accomplishment of the Weimar Republic. Despite the fact that apparently a retelling of the
Dracula story, both the vampire Count Orlok and the film in general have a unique personality from their Gothic English persuasions. There is
something irrefutably "German" about both (Catania, 229). It is regular information that Murnau got to be entangled in a legitimate question with
Bram Stoker's wife over the rights to the story, and this is the explanation behind the name change of Dracula to Orlok/Nosferatu. Furthermore, Murnau
moved the majority of the account's activity from England to his local Germany. And after that maybe the most noteworthy change of all is obviously
the renaming of the vampire. Stoker's Count Dracula turned into Murnau's Count Orlok. Noted film pundit Roger Ebert called attention to how the
retitling did something huger than (unsuccessfully) keeping away from legitimate activity: it made an extraordinary vampire, separate from Dracula.
"Say "Dracula" and you grin. Say "Nosferatu" and you've consumed a lemon." (Ebert) Indeed, long after Count Dracula has turned into a figure of fun,
Count Orlok remains an unnerving character lanes wind slanted past houses that are similarly

German Expressionism Research Paper
In the 19th century vampires of the genre situation was becoming very popular in the gothic literature. There were many gothic authors started to
emerge and used many techniques new to the vampire English literature from the traditional lore of the vampire. Lord Byron was the first author
published the complete piece fictional vampire literature of the early 19th century. But in the late 19th century Bram Stoker an Irish author published his
famous novel Dracula in May 26, 1897. His novel became the famous prototype, and he added some of his touches of his view of vampire into his
work. Stoker had an amazing ability of having a complete research of vampire from myth, folklore, and early literature of vampire to help created the
vampire image that we see in modern times. Modern vampire is still very popular as of today. Some countries still want to preserve the vampire
original myth and legends. Some counties want to change the influences of traditional vampire with some new ideas to give it a new insight into the
literatures, films, video games and much more. ... Show more content on Helpwriting.net ...
This development included the fine arts, dance, painting, architecture, and as cinema as well. The German become the most advanced in the silent
cinema than Hollywood in that era. The horror genre was going through an interesting turning point. The German Expressionism uses the famous
artworks of Van Gogh, Edward Munch, and Cezanne art techniques of derange of the imbalance of the pictographic preparation of the complete
distortion. The art techniques uses of the space with the colors and the lines and this helps create off the wall violent divergence. This became the
important of the subjective vision of the outside world. According to Cliffsnotes.com the German Expressionism uses newly artistic ideas during early

German Expressionism
Introduction
Film, as an art form, demonstrates gradual change and the development of new techniques that propel it forward in society. Within film, multiple
different movements include technical and plot elements that are unique to that specific time period. Two of the most iconic film movements, the
german expressionist and the film noir movement, demonstrate highly stylistic elements that are only used or seen in that volume during the time
periods of the 1930s and 1940s. Mise en scene, diegesis, and musical score are important aspects of each of these film movements and were
implemented to create a unique style of film. Films within a movement are distinguishable due to the physical elements seen on screen that reflect the
public feelings ... Show more content on Helpwriting.net ...
The most important overarching theme with the Dark Knight trilogy is the corrupt city. This idea stretches all the way back into the beginnings of
german expressionism. The influence of industrialization created negative effects on the citizens of Germany and that is reflected in the disoriented
perception of the cities. Similarly the Dark Knight Trilogy employs the same motif and narrative focus of the dark city along with the corrupt elements.
Gotham city is one of the most dangerous cities in the DC universe. It is filled with everyday criminals along with other main antagonists that oppose
justice and continue corruption. Within the city we also see the insignificance of any lawful or government authority. They are portrayed as clueless to
the problems that occur within the area they are supposed to protect. This results in an outside force coming into the narrative of the film and saving
the distressed city. Within the Dark Knight Trilogy the protagonist who works to stop this corruption is the Batman. The base narrative around Nolan's
trilogy connects to Film Noir the

German Expressionism : A Trending Art Movement From 1910-1940
German Expressionism was a trending art movement from 1910–1940. The movement started in Germany, and after World War 1 spread outside of the
country. The movement was focused on a few different themes: early on during Expressionism, painters rejected the old, conservative traditions and
styles of art academies and instead used strong nonrealistic colors and distorted, simplified forms. This type of art was meant to surprise the viewer
and evoke an emotional response. Another important theme was a strong interest in the enticing yet dehumanizing nature of the urban lifestyle. Nudity
and sexually charged portraiture was prolific during this period. A huge theme was the emotional peace and comfort that nature provided for the soul.
While this theme was present before the Great War, the psychological damage from the war led artists to seek the peace that the natural world offered.
Other common themes include landscapes, portraits, and postwar politics. A number of current events affected the works of Expressionist artists. The
industrialization of Germany in the early years of the twentieth century led to urbanization and an increase in population density. The closeness of
people led to a certain amount of disregard to the feelings of others. At the same time, the attractions and liveliness of the city gave artists a positive
feature to latch on to. The overall effect of this led artists to feel two separate types of emotions, ultimately leading to ambivalence towards city

Horror Movies Are All the same
Horror movies generally are all the same. They all have been based off of something that has already happened or a previous movie. Society has paid
to be entertained by these gruesome stories that we all truly fear. Before movies, people would purchase books of similar traumatic events to read in
their spare time for amusement. It has been said by the Filmmakers IQ's horror film lesson (2012), that writers such as Bram Stoker created graphic
novels that would grab the audience's attention for years to come. But the horror movie, The House Of The Devil (1896), was noted as being the first
ever horror movie. And as the years pasted, the industry grew and became stronger. But Ryan Koo (2013) stated that it was not truly until after WWI...
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Stoker's heir still ended up suing, and the courts ordered all copies of Nosferatu be destroyed. But a single copy of the film had been missed and later
was revealed. The story of Dracula is continually told and being remade even today. It is something that has always frightened people, so the
industry continues to build off it. The older generation of writers such as Bram Stoker and Mary Shelly are known for German Expressionism.
German Expressionism is responsible for creating The Cabinet Of Dr. Caligari, which is still considered one of the greatest silence films created
in the era. Ryan Koo (2013) claims the film also took credit for being one of the first to example story board and having a twist ending. Once the
film had been created it lead people to explore the possibilities of the art of horror. Following the creation of The Cabinet Of Dr. Caligari was the
making of The Golem. This film continued to be remade over the years. Writters from New york State Writers Institute (2011) say it started with a
man by the name of Paul Wegener. He was fascinated by the legend of the Golem. The story spoke of a giant clay monster that saved Pragues
Jewish citizens for an emperor that believed they were ritually killing children. Gothic Horror has to be one of the best forms of art. Which is
probably why film markers continue to go back to it. It played on both the thrill and the fear of

The Cabinet Of Dr Caligari
The Cabinet of Dr. Caligari is a German film from 1920, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer, both of whom
emerged from World War I strongly embittered against the wartime government. The two writers used the powerful new medium of film to create an
expressionist masterpiece, which became highly successful and is generally regarded as one of the first horror films.
The film set design is one giant graphic art piece.
The Cabinet of Doctor Caligari is unanimously agreed to be both a prime example of German Expressionist cinema. The film is also something of an
enigma, combining as it does, a mixture of gothic, psychologically motivated narrative, and Expressionist set design. The film's influence on the horror

M And German Expressionism
In the movie M (1931) which is about a serial killer who kidnapped young girls. This movie released after the WWI in German. The killer name is
Beckert who killed eight young girls without any evidence and clues because he lures the children into his confidence by candy and other such child
friendly items. Then only evidence the police had was written hand–note. Then he was trying to kidnap one girl name Elsie where he bought a balloon
from a blind bagger to make a friendly relations so that no one can understand his motive but he was whistling in–front of that bagger then that girls
also killed by him; after that the nervousness and tension was increasing through all over the place where police and also the criminal groups were
trying to find the murderer at cross purposes. The criminals were trying to find the murderer because in that time police were doing raid to all the
private and unofficial lodges, hotels, and also arrested the suspicious people. The situation of the movie tells us the mirror of war. What people... Show
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I think it tells the story of a Berlin society caught up in hysteria over a series of child murders, and of the massive mobilization by police and
criminals alike to catch the killer. It shows the dark side effects of mass murders and also makes everyone scared. At the end the movie shows that
the baggers and criminal's works together to find the murderer and when the murderer was in court the mother of a lost child speak herself that "now
there is nothing to do and she won't get her child back". It shows the deepest scream of a helpless mother where she can't get her daughter back. In my
opinion the murderer should be killed because if he is sick but still he is committing crime by killing innocent

Edward Scissorhands Analysis
Name: Monique Roux
Subject: Film and Television
Teacher: Ms. Ludlow
Tim Burton Critique
Most modern directors' are heavily influenced by other film styles, films, or even other directors. German expressionism is a film style that
contemporary directors have borrowed heavily from in order to create a new approach to the old film style. Therefore expressionism the style is
something that modern directors often emulate in their films. Tim Burton is a director that has been clearly been influenced by German Expressionism
and its use of stylized elements. This can be clearly seen through the movie Edward Scissorhands. German expressionism is a style of art which
developed early into an influential movement of German painting, sculpture, literature, ... Show more content on Helpwriting.net ...
His films always carries the assumption of a unified experience. Most of Burton's films goes into depth of ordinariness and makes the audience
question as to what they believe is acceptable in society. Burton is clearly artistically influenced by German Expressionism films, this can be seen
through the setting of Edward Scissorhands. The film includes several slanted lines and curves, seen in the attic of the castle, the staircase leading
towards the attic which is evident that it is not straight and upholds an uneven staircase surface, and the pathways in the neighborhood is also curvy
(see appendix 2). By looking into all the lines and curves it is clearly seen that Burton has been strongly artistically influenced by the characteristics of
German Expressionism films, as it was also seen in The Cabinet of Dr

German Expressionism In World War 1
World War I, the isolation Germans experienced and the demand for films after the cutoff of foreign film imports was an opening for a new movement
of cinema, the German expressionist cinema. It is the movement of cinema that started during Weimar Germany. The German expressionist cinema is
where the horror genre grew and where it influenced Film Noir as German Expressionism cinema is a collection of silent horror films. Just like any
other cinema, it incorporates the use of mise–en–scГЁne to convey meaning, which is a French word for all what is in a scene; the set, lighting
costumes and actors and all the little details in it. Mise–en–scГЁne was evident in expressing the post–war German reality and psychological trauma.
This paper will focus on how ... Show more content on Helpwriting.net ...
Lighting techniques such as the Chiaroscuro lighting is used, it uses contrasts between extreme dark and light. This is accomplished through low–key
lighting and increasing contrast highly. However, as mentioned before, such techniques could not be used in The Cabinet of Dr. Caligari where,
instead, they painted shadows on the walls to build the harsh contrast. The Chiaroscuro, low–key lighting, high contrasts and the hand–made creation
of shadows all build an abstract form of image that is broad, non– realistic and bold and create more distortion to the image. The exaggeration of
shadows and contrasts aids to convey strong emotion stress and fear in this case reflecting the traumatic stress encountered by many people at that era
like Janowitz and Mayer. The distortion the extreme shadows create reflect on the destruction and corruption inGermany after the World War. German
Expressionism use simple lighting from the front and sides, illuminating the scene flatly and evenly to stress the links between the figures and the
dГ©cor. In some notable cases, shadows are used to create additional distortion that build suspense and to disturb the audience as

German Expressionism In Film
Throughout the early days of cinema there were many different innovations from the Russian examinations on montage, the rise of the studio system in
America and perhaps most interestingly the movement out of Germany know as German Expressionism. German Expressionism is an interesting
concept that was applied to many films at the time and later on in US cinema, when German directors and technicians moved over. German
Expressionism itself is best described as a abstract form of filmmaking that depicts a unspecified nightmarish time and place that explores the dark side
of human nature and society as a whole. Perhaps the best example of a German Expressionist film comes in the form of The Cabinet of Dr. Caligari
(1920), but why is this film considered a prime example of German Expressionism. While there are many reasons perhaps these are the three best
examples, with the first being the oddly angular set design of the film, the expressionist lighting and finally the story involving madness which is the
crux of why the film ... Show more content on Helpwriting.net ...
The film is centered around a man named Francis who recounts a story of a traveling magician of sorts known as Dr. Caligari. Dr. Caligari has the
power to control a man named Cesare to kill and do the rest of his bidding. By the time the story comes to an end we realize that Francis is actually
an inmate in an insane asylum, which completely explains why the films looks the way it does. German Expressionism normally explores madness
and other themes of the sort, but this film goes beyond by exploring the mind of a madman and projecting his vision of a story he could have
possibly made up himself. By having the story be a literal delve into the mind of a madman we can easily come to the conclusion that this German
Expressionist theme of madness leads to the entire film being an excellent example of this art

Theme Of Power In Dracula
First of all, before analysing the theme, it is necessary to clarify the notion of "dynamic of power". In fact, this denotes the dialectic interaction
between the subject possessing the power and the object which is influenced by this power. In literature, this liaison is expressed by the relations
between a master and a slave. For instance, the Russian writers Dostoevsky and Tolstoy explored the theme of the relations between a master and a
slave, an oppressor and an oppressed in their works. Since this theme has stirred the imagination of many writers, it is not surprising that the possibility
to expose this type of relations has attracted the filmmakers for the decades.
It is important to point out that such creative movement as German Expressionism ... Show more content on Helpwriting.net ...
Dracula in this film refers more to the Sympathetic Cycle (1987 – present) by the classification of Tim Kane. The films of this cycle show thevampire
with more sympathetic qualities, with thoughts, feelings, fears, and dreams. The sympathetic vampires of the recent films have developed into
misunderstood, tortured romantic figures or even ultimate romantic alpha–hero. Coppola's Dracula seems to be on the border of the Erotic and
Sympathetic cycles. Seduction and allure are still inherent to him, as well as his victims are ready to sacrifice, expecting gratification from the
master. The scenes of bite do not have sexual hints, they speak directly of sex. For example, this is the scene when Jonathan is attacked by the
Dracula's brides, who lick and kiss him before biting, and the victim endures pain, fear and sensual pleasure. When Dracula, transformed into a wolf,
attacks Lucy, he physically copulates with her. And again, we see that these relations develop with the consent of the victim as the attack arouses Lucy,
and she anticipates the vampire's visits. So, overall, each participant of the vampire–victim's relationship is not equal. One is superior (stronger, with a
hypnotic stare and other super–abilities, moreover, he is immortal) and another is subordinate (just a human–being, fragile and helpless). Nevertheless,
this inequality, the power, that a vampire, a master possesses and victim's eagerness to obey make these relations tempting for

The Cabinet Of Dr Caligari Essay
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari is the first film by Germany to be an Expressionist film. Authorities of an avant–garde movement believed that by using
Expressionism in films (as they did in paintings, theater, literature, and architecture) this might be a selling point in the international market. The film
proved that to be true and because of its success other films in the Expressionist style soon followed.
Siegfried Kracauer discusses The Cabinet of Dr. Caligari in his thesis. I will discuss what Kracauer states in his thesis. I will also discuss the changes
made to the original story. Finally, I will state what the expressionist elements are in the film. The film, The Cabinet of Dr. Caligari, is... Show more
content on Helpwriting.net ...
He continued in Lang's footsteps and changed Janowitz and Mayer's original version. The original story, by Janowitz and Mayer, tell the story of
certain murders that happen in a fictitious town called Holstenwall. It ends with Caligari being strapped into a strait jacket. "Janowitz and Carl Mayer
half intentionally stigmatized the omnipotence of a state authority. Manifesting itself in universal conscription and declarations of war" (Kracauer,
349). Kracauer states that Janowitz and Mayer feel that the German war government fit the prototype of that authority. Their character, Caligari,
worships power and wants to satisfy his desire for domination. So Caligari stands for an unlimited authority. Cesare functions as a tool for
Caligari's murders. "Janowitz, they had created Cesare with the dim design of portraying the common man who, under the pressure of compulsory
military service, is drilled to kill and to be killed" (Kracauer, 349). The original version of the story is about real horrors. The version by Weine
changes the story into a created illusion by a mentally insane Francis. The body of the original story is put into a framing story. Francis is introduced
in the beginning of the film talking to a man. Francis tells his story to that man, the story of his experience with Dr. Caligari. The film goes into the
telling of the tale as Francis sees it. At the end of the film, instead of just seeing Caligari put

German Expressionism And German Expressionism
The movements of German Expressionism and Japanese pre–war cinema produced trends greatly influenced by its historical context. These contexts
contributed to shaping their own stylistic styles captured throughout the theme, mise–en–scene, and cultural ideologies. Although these two movements
occurred in fairly similar time periods, they both occurred in different parts of the world which had a fundamental role in generating key contrasts
between these movements. Both occurring in pre–war periods, a striking similarity existed between the two; they both displayed the economic
instabilities. Both subtly exhibited the internal anxieties that the individuals faced in the differing societies. German Expressionism had the stylistic
forms that in turn captured distorted images or grotesque style to convey an abstract sense of reality throughout 1920's. On the other hand, the Japanese
pre–war cinema expressed the humanistic family by displaying their everyday struggles of the lower middle class known as the "common people"
during the 1930's. Although these movements were individually unique throughout their distinct stylistic devices and ideologies, they essentially came
together during this time period to help transform the art of national cinema. By analyzing the historical contexts of these specific movements, we take
a deeper look at society's social, religious, economic, and political conditions that existed during a certain time and place. These relevant factors
profuse mass influence into a filmmakers decisions while in the production process of a film. Additionally, these components have the role of
establishing distinct trends in the film industry. Each movement has its own purpose for creating each film in regards to a stylistic standpoint. As we
look deeper into the historical contexts that came about in Germany during the 1920's, Germany was confined due to the isolation the country was
experiencing during World War I. During this solitude, the German government banned foreign films. German Expressionism was formed in result of
the conclusion of World War I which compelled Germany to establish its own style of cinema. German Expressionist films produced in the Weimar
Republic

Count Orlok
In class we talked about German Expressionism, and how it deals with many different characteristics from body movements, plot/storyline, character
appearance, acting, and camera angles. German Expressionism stands out in Nosferatu through the use of the characters, in particular that of Count
Orlok. The one thing that stands out about him is the fact that he takes on such a mysterious identity. According toGerman Expressionism, this
represents terrors of that time period. Count Orlok's exaggerated, dead, and unrealistic appearance helps create or define German films at the time. The
fact that he has this pointy nose, large eyes, and sharp, nails/fingers gives off an abnormal interpretation of the main character. Mainly everyone in the
film

Examples Of 20th Century German Expressionism
Expressionism emerged in Germany as a response to the growing anxiety about humanity's place in the world and its spiritual detachment. The term is
occasionally suggestive of angst, a mixed feeling of fear and anxiety. What happened during the early 20th century that caused people to become so
distressed? Expressionism shifted the artist's focus from the natural, external world, to the world inside the artist, concerned more with feelings and
emotional state. Through this medium, artists expressed social realities, a prominent example of this is the 20th Century German Expressionism and
its opposition to Nazi political ideology. As a result, a Degenerate Art show emerged, which was a Nazi
–sponsored Degenerate Art Exhibit. This
display of art ... Show more content on Helpwriting.net ...
There are two photographs on walls, one showing the line outside of the Entartete Kunst and the other displaying a train full of Jews arriving at
Auschwitz. This shows that the Nazis used this art as a justification for their plan to "purify" the German society of Jews. Throughout the exhibit, there
are many images of Jews destroying German culture through modern art. Then the message becomes clear, the former photograph which shows the
massive line of people waiting to enter the exhibition contributed to the second event. This further supports the idea that the goal of this art gallery was
to inspire hatred in people of different cultures and

German Expressionism Movement
'The German Expressionist movement had a large influence on many of the greatest film directors of all time, one in particular being Alfred Hitchcock.'
The German expressionist movement began in around the time of the First World War and referred to a stylistic approach to not only cinema but in
all aspects of art. The idea behind the movement was a sort of rebellion against the realism that had previously been popular. Those who specialised in
the area used extreme distortion in their sets and an abstract style of expression through acting and other means to represent the emotional reality felt
at the time rather than any sort of external or superficial reality. A heavy emphasis of shadows and the use of light and dark was also a major focus
throughout the movement as well. However due to the isolation the country suffered during and after World War... Show more content on
Helpwriting.net ...
Only when German filmmakers fled to countries with more creative freedom during the Nazi regime did it start to gain notable traction as the rest of
the world took notice. The movement was also kept alive by directors like Sir Alfred Hitchcock who worked in Germany during the 1920s and used
its influence in many of his more iconic works.
Starting first in art with the likes of Edvard Munch who became famous for his use of distortion and abstraction to portray and evoke emotion, the
movement then found prominence in the German film industry. Before German Expressionism came about art relied heavily on reality, most art being
an attempt to recreate what was exactly as it was seen, and expressionist movement was a response to this classical ideal; a rebellion or a rebuttal to
the norm. It goes beyond what the eye sees and focuses instead on inner feelings and emotions that can be relevant to an audience both as a whole and
on an individual level, taking a particular focus towards emotions people may not want to express to others but are still keenly felt such as fear.
Techniques of unrealistic sets,

The, The Inner World Of The Outcast
Essay 1: Fantastical Realities in the works of Tim Burton "I get so tired of people saying, 'Oh, you only make fantasy films and this and that', I'm
like 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work," spoke animator, writer, producer, and director Tim Burton in regards to
the themes of depression, isolation, and fear within his collection of work. Influenced by Gothic fiction and the art and film movements of
Expressionism, Surrealism, and Noir, Burton crafts the inner world of the outcast and explores the ideas of Jungian and Freudian psychoanalysis in his
films, particularly in Vincent (1982), Beetlejuice (1988), and Edward Scissorhands (1990). This paper will explore Burton's aesthetics of chiaroscuro
lighting, color symbolism, and composition to recreate the realism of human emotions through the eyes of a misunderstood character's solitude in a
highly fantastical world. Burton breaks conventions of narrative Hollywood cinema and focuses less on the script, but largely on the psyche of the
character and the visual outer world that portrays their inner anxieties. Although, Burton's films are directly influenced by the work of Fritz Lang, F.W.
Murnau, Robert Wiene, and Salvador Dali, he creates his own auteur style by mapping out the psychological journey of his characters through symbolic
hand–drawn concept and costume designs that mirrors his own struggles of displacement throughout his life. In Tim Burton's 1982 debut children's
horror

German Expressionism In Tim Burton's Corpse Bride
The history of cinematography has increased enormously since the birth of the first motion picture. Numerous of styles, techniques and technology
have been introduced to make films like they have never been seen before. From the invention of the camera obscura, to the introduction of CGI
technology, the film industry has tremendously grown and has allowed for the generating of ideas to become easier than ever. The creation of film has
allowed talented directors, screenwriters and producers to express their ideas and creativity onto the form of movies, allowing different films to serve
as influences to many different pictures. In Tim Burton's Corpse Bride, numerous genres and themes have been incorporated that are similar to many
films that ... Show more content on Helpwriting.net ...
The art of animation was first introduced as early as the 1900's. Since technology did not allow for advanced types of animation to be produced, it
was extremely limited in its early days. One of the first people to gain popularity over their animation films was Walt Disney, who was an important
influence on Burton's film making. Moreover, in Corpse Bride, Burton and his crew provide a scene very similar to Disney's 1929's short film The
Skeleton Dance. Special choreography was taken particularly from the short and was incorporated into Corpse Bride giving it an old–fashioned, but
enjoyable touch. Even though Disney's family friendly cartoons served as an enormous influence on Burton's decision to start producing children's
animation films, Claymation is the true type of animation Burton uses in Corpse Bride. Claymation is a form of animation using special techniques to
snap different frames at once to allow it to produce an "animated effect" called slow motion animation. Many contemporary animators adhere to
Claymation due to its unique and realistic characteristics. Films that use Claymation animation include modern movies such as Coraline (2009) or
even older films such as Gumbasia (1955). Due to the extensive amount of work and time each Claymation film requires, there were very few created
in the earlier years of the movie industry; However, that is drastically changing in modern

The Cabinet Of Dr Caligari
The German film, The Cabinet of Dr Caligari, is an expressionistic film directed by Robert Weine and written by Hans Janowitz and Carl Mayer. The
film is seen as a masterpiece of German Expressionism in the 1920's. The film industry during this period was emerging and becoming an accepted
form of art in Germany after the First World War. Thefilm exploded on the art world not only in Germany but made its way to France. France lifted
the ban on German cinemas due to its popularity. It eventually spread to the United States. This film is seen as one the great horror stories of all times.
Expressionism is part of the larger art movement known as modernism. German Expressionism incorporated art, literature, drama, and film. Stage
producers accepted ... Show more content on Helpwriting.net ...
Caligari tells the story of Francis, who, through flashbacks, recounts his terrifying experiences at a carnival in a small German village, where he first
encountered Dr. Caligari, a man with the power to control people in their sleep. When Francis's friend is mysteriously murdered and his fiancГ©e is
kidnapped, he pursues Dr. Caligari to an insane asylum, determined to unravel the mystery surrounding these terrible events. Dr Caligari symbolizes
the German government. "The revolutionary meaning of the story reveals itself unmistakably at the end, with the disclosure of the psychiatrist, as
Caligari: reason overpowers unreasonable power, insane authority is symbolically abolished" (Kracauer 65). The authors created Cesare "with the dim
design of portraying the common man who, under the pressure of compulsory military service, is drilled to kill and to be killed" (Kracauer

German Expressionism And The German Expressionism
It has been argued that the German expressionist movement has had an influence on many later filmmakers and genres. I agree with this argument and
in this essay I will be explaining why I believe this to be the case by discussing the common traits of expressionism and applying them to later films
and genres.
Unlike other European countries, the film industry in Germany in post World War I was booming, in fact it was second only to Hollywood. This was
mainly due to the German government's ban on foreign films and the rising demand by German theatres. Between 1914 and 1918 the amount of film
production companies rose from 25 to 130 and continued to grow, by 1921 there were over 300 companies. The government supported filmmaking
throughout the post war period; the ban was lifted in 1920 which gave German filmmakers little competition for over five years.
Expressionism began in the form of paintings in 1908 and soon transferred to a wide range of media including cinema. In 1920 a film was premiered
in Berlin and critics declared expressionism had reached cinema. The Cabinet of Dr. Caligari (directed by Robert Wiene) was the first of its kind.
Although audiences were used to this style in art and other media, it had never been seen on film before and was a success with the public. From that
point onwards other films with the same distinct style were released. In the short period between 1920 and 1927 over twenty films were made that fit
into the category of expressionism

Essay about German Expressionism
German Expressionism German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as "The
Scream" by Edvard Munch (1863–1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German
artists used the term "expressionism" to desribe the way they produced art. The title later turned into "German Expressionism". This art movement was
prominent during 1905–1925. In German it is known as "Die Brucke" and "Der Blaue Reiter". Unlike Impressionism, its goals were not to reproduce
the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word
"expression" which... Show more content on Helpwriting.net ...
Expressionism sought to give shape to emotions through stylized visuals, particularly using high contrast lighting and exaggerated colors, lines and
shadows, most of the examples given before. The style combines moral values and emotional expreience. It is a unique and very different style of art.
Expressionism appeared in poetry and drama in Germany and Austria just before World War I, and was influenced by Freudian Theories of the
subconscious and Nietzsche's anti–rationalism ideas. Expressionism was mostly popular during times of social change or spiritual crisis. This kind of
art was a way for people to express their emotions and feelings during a time in the world when they didn't know any other way to express themselves.
Some of the prominent artists of this movement were/are: Max Beckmann, Otto Dix, Lyonel Feininger, George Grosz, Ernst Ludwig Kirchner, August
Macke, Emil Nolde, Max Pechstein, Oskar Kokoschaka, Alfred Kubin, Vincent Van Gogh, Kathe Kollwitz, Wassily Kandinsky andEdvard Munch.
Some of the famous paintings one would relate to expression ism are: "The Man with the Pipe" by Vincent Van Gogh, "The Scream" by Edvard
Munch, "Never Again War" by Kathe Kollwitz, "Street Scene" by Ernst Ludwig Kirchner, "Self

German Expressionism : Dance Around The Golden Calf
The 20th century is when German Expressionism started. Some of the artist decided to show their feelings while using bright colors to create their
ideas. Some of the artist accomplished aim through distortion, exaggeration and sometimes fantasy as well as expressing anxiety and frustration in
there paintings. I also previously read that some of the expressionist who were artist had died fighting in two of the World Wars and some of the
them had successfully made it through. Roots of the German Expressionist School lay in works of some of the artist like Vincent Van Gogh and
Edvard Munch each who evolved a personal painting style. Expressionist were influenced by predecessors in 1890s and also interested in some of the
African wood carvings as well as some Northern European medieval. This term "expressionism" meant "modern art".
Dance Around the Golden Calf Oil painting Emil Nolde, 1910
Cubism
They style of Cubism began in the 20th century and it was created by artist like Pablo Picasso as well as Georges Braque in Paris during 1907 and
1914. While this style emphasized flat two dimensional surface of the picture plane while they reject some of the traditional techniques of perspective
and so on. The artist for cubism not bound to copy texture, color and or space. They presented new reality in the paintings that radically fragmented
objects. During this time of Cubism some of the work of Picasso became similar that some of their painting were almost

The Cabinet Of Dr. Caligari: German Expressionism
The Cabinet of Dr.Caligari was the first film in the German Expressionist movement. The German silent, horror film was released in by Robert Wiene
in 1920. The film was believed to be the first Grade A work in that genre. Despite how great this film is as a whole, I'll be focusing my attention on the
lighting techniques that was used to inspire the film's genre and elaborating on the German Expressionist movement.
The Cabinet of Dr.Caligari consisted of plain high–contrast lighting. That type of lighting is the most distinguished optical aspect in film noir. The
ghostlike, mysterious noir technique came from the German Expressionist cinema of the era when silent movies were created. Robert Wiene's The
Cabinet of Dr. Caligari is an example of ... Show more content on Helpwriting.net ...
During the time when the German art movement was happening, in the 1920s in Germany after their armed forces had been overpowered and
conquered by the American government in the World War I. The nation of German was being ordered by the American government as well. In those
days of age, Germans were extensively devastated to come to the realization of the truth since their country was in national financial depression, with
the national establishment from America, and the national politics that were invaded. The Germans could not bear the new reality they were forced
to live in because their nation used to be known as the major country in the world. Therefore, they focused their attention on arts, specifically arts
with narrating like plays and motion pictures to relish on the illusory world as a place that is an imagined diversion where they are used for
abandoning the distressed reality they live in. Thus, the German Expressionist movement began. The first Expressionist films were made to express
through style the personal psychological phase of the central character. Dr.Caligari thinks of the whole film as if it is his own psychotic universe. The
buildings are all distorted, as so are the streets, and the characters are dressed as visual cyphers while being inattentive through their makeup. A
specific formal style of Expressionist that was used by several major directors from Germany originated from The Cabinet of

Similarities Between Tim Burton And Edward Scissorhands
Tim Burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable
signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and juxtaposition
to express the gothic identity with a sense of german expressionism, which he learnt while studying in film school, associated with Tim burton therefore
revealing him as an auteur. This is done in order to communicate burton's societal concerns of identity and non–conformity. The Statement, "When you
direct a film, that's more of your signature than writing", is closely related to both films as revealed with Burton's distinguishable gothic style.
The theme of Unconventional love reveals the one's personality as they communicate and interact with others socially. Both ... Show more content on
Helpwriting.net ...
Edward had remained in the attic of a mansion for a period after the death of his creator, Vincent Price, who programmed him to cut food which is
revealed through the use of flashbacks. This particular scene has a profound effect that establishes one of Burton's societal concerns, Identity. In this
example, the theme of unconventional love can clearly be seen through Edward's loyalty as he believes that his creator has fallen asleep but instead
has passed away. Furthermore, Edward's loyalty can be interpreted to a greater extent. It is where his loyalty could be perceived as innocence to do
with the fact that he is a creation of his master. As a result, the perceived innocence related to distinctly noticeable inEdward scissorhands can be
associated with the Gothic tradition as it generally delves into the darker life and human nature. Therefore Burton's Gothic styling is clearly identified
and incorporated into films through one of many

The Cabinet Of Dr Caligari Essay
When looking at Norma Desmond the last thing that comes to mind is the monstrous figure of Dr. Caligari, but their movies have more in common
than what we think. In this essay, I will compare and contrast two scenes: one from Sunset Boulevard and another from The Cabinet of Dr. Caligari, to
show how German Expressionism helped to shape the aesthetic of Film Noir. While both of them rely on making a distorted reality that keeps us
restless, Sunset Boulevard lacks the twisted visual style that characterizes The Cabinet of Dr. Caligari.
German expressionism was born around the first decades of the twentieth century. Following the World War I, it focused on giving "objective
expression to subjective human feelings and emotions" (Barsam & Monahan 194). To do so they manipulated design elements. Their aim was to
immerse the audience in the story by creating a mise–en–scГЁne that would intensify it.
Film noir derives from the pulp fiction stories written around ... Show more content on Helpwriting.net ...
In Sunset Boulevard, Norma Desmond is the one who always does grandiose movements. She doesn't walk, she glides. She goes over to Joe Gillis,
who is standing without moving, and it feels like she can jump at him any second. Her hands never stop moving and her eyes go with her words and
give them emphasis. Nonetheless, the makeup she wears is realistic and not heavy. Joe Gillis, on the other hand, is self–contained and doesn't make
any unnecessary moves.
Whereas in The Cabinet of Dr. Caligari, both Cesare and Jane move in exaggerated ways. As LoBrutto says: "The acting style is as emotionally
over–the–top as the narrative and visual style of The Cabinet of Dr. Caligari. [...] Staging and movement of the actors respond to the hysteria of
Caligari's machinations and to the fun–house labyrinth that appears to be the reflection of a crazy mirror, not an orderly village." (64). This adds up
to the overall sense of a distorted reality German expressionism aimed

Literary Techniques Used In Tim Burton's Films
Tim Burton has created many films that have a certain type of theme to them that all relatively relate to each other. His style tends to always appear
in any movie he directs. It is twisted and always in a dark world usually familiar with evil superficial imagery. One of the most common themes we
see in most of Time Burton's films is gothic visuals. He loves to make his characters, the props, and the setting in a cartoonish way to show these
gothic features. Another idea he likes to use is flashbacks, which he uses to explain the character's pain. Flashbacks make the audience feel sympathy
for the character. A few of his movies are The Nightmare Before Christmas, Miss Peregrine's Home for Peculiar Children, and Charlie and The
Chocolate Factory. Burton's passion for dark and bizarre things has lent to this horror visual style in leading the look of his movies. Gothic visuals are
a theme Tim Burton has used in most of his films. The style comes from the German Expressionist films of the twenties. He creates characters, props,
and settings that give out a sense of darkness. His characters give you an uncomfortable and ... Show more content on Helpwriting.net ...
The whole movie is set in a town that is horror and Halloween themed. Halloween Town very gloomy, dark, and twisted. Holidays involved are
Christmas and Halloween, create strong feelings. Jack Skellington the main character, who has enormous eyes, in the film is shown as the leader but is
actually a loner because he is curious about what there is beside Halloween Town. Sally is the punky rebellious young lady who is misunderstood
by her father in the movie. Sally's father, Dr. Finkelstein, has Sally trapped in her own home which causes her to rebel. She often uses her oddly
stitched body to keep her from getting in trouble. Oogie Boogie would be considered as the monster in the movie. His goal in the tale is to kidnap
"Sandy Claus" and

German expressionism is a art movement that originated in Europe in the 1920's. It is broadly defined as 'rejection of Western conventions'. German
expressionism is the depiction of reality that is distorted and twisted for emotional effect (Darsa, 2013). Expressionist films are massively influenced
by artists such as Vincent Van Gogh, Wassily Kandinsky and Edvard Munch, who were less interested in producing aesthetically pleasing paintings as
they were to provoking emotional reactions to their work through the use of bright colours, jagged lines and abstract shapes. The movement was
interested in the relationship between art and society. Expressionist films initially originated from Germany's isolation in the 1910's, and was soon in
high demand due to the government's ban on foreign films. Similar to the paintings, expressionist films sought to convey the inner, subjective
experience of its subjects (Kolar, 2014). German expressionism was a reflection of the grim reality of post–war Germany, but it was not shown on the
screen in a literal sense, more through the use of metaphor and hidden meanings.
Max Reinhardt was a huge influence upon German Expressionist films. He was known as the 'Kaiser' of the Berlin Theatre and he had become very
important to the people of Germany. The German cinema took advantage of Reinhardt's discoveries of the chiaroscuro, which was an essential attribute
of expressionism (Eisner, 1965).
Nosferatu (F.W. Murnua, 1922) is one of

Dr Caligari German Expressionism
German Expressionism in The Cabinet of Dr. Caligari
David Hudson from GreenCine.com argues that, "[Horror]...the social milieu is sketched and the political and psychological undercurrents of German
Expressionism are drawn out." Robert Weine's classic horror film, "The Cabinet of Dr. Caligari," is no exception as it is based on the main character
Francis (Friedrich FehГ©r) and his recollections of the murderous Dr. Caligari, and his somnambulist partner in crime, Cesare. This film being noted as
the first of the German expressionist movement, incorporates mise en scГЁne visual elements composition and setting to generate an awareness
between the audience and the unconventional expressions of the film. The setting of this film emulates German ... Show more content on
Helpwriting.net ...
The Cabinet of Dr. Caligari on the other hand is specifically designed during a time period that was looking at film as an art piece that with every
detail on the screen being dripped with symbolism and meaning much like a painting. It is only appropriate that film experts and observers understand
the full implications German Expressionism has endued in some part onto its successors of film styles. Siegfried Kracauer states that the directors at a
particular point in the course of this expressionist movement realized the benefit of articulating film concepts to manifest emotion, and declare any
given opinion through, " the whole visual sphere: their outspoken feeling for impressive settings, their virtuosity in developing action through
appropriate lighting" (Caligari to Hitler 3). The mise en scГЁne factors setting and composition, are only parts that play a small role in what make this
film credible for the success of the expressionist movement. These components when assimilated reveal the psychological advances and reactions that
define characters, are conveyed throughout the bleak settings of the film, and exhibits the dramatic dimensions of the world created. It is best to leave
the reader with this quote from Kracauer's edition of Caligari to Hitler (pg. 68) made by

German Expressionism and Dadaism
German Expressionism and Dadaism Introduction Revolutionary forms of art have dominated much of Germany, apparently as a reaction to the First
World War. The era in which the First World War took place
– throughout the 1910s, featured artists coming together against what they think the
pointless aggression said major conflict brought. German artists, in particular, protested against the social structures prevalent during the 1910s, within
which the social structures of the Second Reich were prevalent. German society initially saw film, in particular, as quite an inelegant alternative to the
bourgeoisie–associated theater. Such is due to the inability of the domestic film industry in Germany to develop films due to two reasons – the mass...
Show more content on Helpwriting.net ...
Wiene, Janowitz and Mayer portrayed through The Cabinet of Doctor Caligari their notion that the German war effort that time was a highly grotesque
one complete with mind–controlling propaganda and objections against dying in the name of German imperial dominance, with the intent to shock
audiences with the highly macabre features of the film. In contrast to the propaganda–promotion agenda of Germany during the 1910s, which stood as
the reason for banning foreign film importation in the nation, The Cabinet of Doctor Caligari serves as a groundbreaking example of Expressionism
that time – a complete opposite of German government propaganda due to its shockingly subjective anti–government message (Kellner 3–39; Kracauer
61–76; Wiene). Ironically, however, Siegfried Kracauer noted that the narrative frame in The Cabinet of Doctor Caligari was an undermining factor to
the expressionist nature of the film. Such is perhaps due to the ascendancy of the fear and anxiety factor imbued within The Cabinet of Doctor
Caligari, which is supposed to provoke the emotions of audiences. After all, it is the main point of expressionist art to subject audiences to emotionally
provoking scenes, which in turn reflect the subjective views of artists. Therefore, one could note that the narrative frame in The Cabinet of Doctor

German Expressionism Of Metropolis
During the 1920's the demand for films was at their highest peak in time. Metropolis was made in the late 20's leaving a historical mark in the film
industry. Unfortunately, the original version of the film can no longer be watched because it has been lost. Metropolis was made right before talkies
were introduced making it one of the last silent films produced at those times (The History of Film The 1920s.) Metropolis falls under the German
Expressionist Movement that took place between both world wars. The German expressionist movement was an art movement that incorporated
literature, architect, and theater film in its aspects. Fritz Lang was one of the most known German Expressionist directors in that era. Many different
aspects was put into the film that were meant to relate to the real world. Metropolis is about a young man named Freder. He... Show more content on
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Many celebrities base their clothing or music videos like the film. Queen of nights by Whitney Houston music video has clips of metropolis
incorporated into it. Madonna even reenacts a scene in her music video of material girls. Many articles indicated that the film actually gave an
indicator for the degrading morals in the pop culture world (The Occult Symbolism of Movie "Metropolis" and its Importance in Pop Culture.)
Many artists actually become famous the same way Robot Maria, in the film, who overpowered the workers. Usually, the pop star starts off in a
small town and is unknown. In order for a pop star to be recognized they often need to change their own personalities to become someone they are not.
To get the audience's attention they usually degrade their own morals to make things sexy and fun. In modern day society, the pop culture heavily
influences the teenage society. This was visualized in the movie when Robot Maria tried to sexualize the men which made them riot over her. You can
clearly identify this movie to today's pop cultural

German Expressionism In Frankenstein
German Expressionism was a film movement that emphasized character emotions and thoughts through the extravagant use of cinematic devices,
particularly mise–en–scene and the narrative. These films are most notable for their dark themes relating to death, fatality, insanity and horror. The
films aim to elicit an emotional response from the viewer, on the whole to shock, disgust and repel. Robert Wiene directed The Cabinet of Dr.
Caligari in 1920 and it is considered one of the most influential films of the German Expressionist movement. The movement had great influence on
Hollywood films in the 1930's and 1940's. This paper will explore the 1935 Hollywood film The Bride of Frankenstein. It will demonstrate the degree to
which the film is connected ... Show more content on Helpwriting.net ...
The narrative follows a concise accumulation of occurrences that lead to its climatic ending. From Mary as a framing device, to the survival of the
monster and Dr. Frankenstein, to Dr. Pretorius mad plan to create a bride for the monsters, to the monster's plight in escaping the torch–carrying
villagers, to Dr. Pretorius befriending the monster, and finally to the creation of the bride. The Bride of Frankenstein has a profound structure, from its
complex narrative to its sometimes–unexpected mix of horror, drama and comedy. The film plays with suspense through its use of dramatic shadows to
give off a shady and ominous feel. The shadows often mirror the actions of the characters. This in turn hints to the sinister intent of the antagonists and
furthers the eerie mood. Old, dark, winding staircases that could crumble at any moment, with massive beams that blend into the shadows making the
darkness seem endless. His decaying castle and warped iron bars on its windows visually represent Dr. Frankenstein's tenuous hold on

Dr. Calligari
Artists' intentions are sometimes difficult to pinpoint. Other times, they are clearly and expansively expressed. However, intentions and the extent to
which they are conveyed aside, many artists have the awful of experience of having their work used in a way that warps both their intentions and the
entire meaning of the art itself. The writers of the German film Das Cabinet Des Dr. Caligari, translated asThe Cabinet of Dr. Caligari, had their original
intentions totally inverted when a frame story was added to their work, making it more akin to later Nazi propaganda than the subversive satire they
had meant it to be.
Hans Janowitz and Carl Mayer, the writers of The Cabinet of Dr. Caligari, were Czech and Austrian, respectively, and both... Show more content on
Helpwriting.net ...
Caligari transform. The film opens, showing Francis sitting on a bench in the insane asylum's courtyard with another madman, who is babbling about
spirits. A young woman and fellow resident, Jane, slowly ambles by, looking ethereal, prompting Francis into recounting his story to his companion.
The second, final frame story scene follows the end of the original plot, upon which the viewer is returned to the bench within the asylum where
Francis concludes his story. Francis and his companion return to the asylum proper, where other lunatics are observed in their antics, with Cesare and
Jane among them. As the kind–looking asylum director, Caligari, approaches, Francis raves and violently lashes out at the director. Asylum staff
wrench Francis off of Caligari, wrap him in a straight jacket, and lock him inside his cell while the director comforts the terrified lunatic and
discusses a potential cure for Francis with the staff. The horrors of Dr. Caligari and his homicidal hypnotized somnambulist are now portrayed as the
hallucinatory dreams of a psychotic who must be tended to by the doting, protective insane asylum director. Thus, The Cabinet of Dr. Caligari, like
many Nazi war films, became a conformist piece of "pure propaganda product" (Kracauer 6). Although The Cabinet of Dr. Caligari was not designed as
a propaganda feature film, it could still fit underneath the genre's overarching themes, particularly

When Karl FreundвЂ™S The Mummy (1932) Was Released, The Horror
When Karl Freund's The Mummy (1932) was released, the horror genre was already ingrained by Universal Studios and other American studios. The
1930s are considered the beginning of the horror genre's classic phase. Horror films "primarily engages us affectively and viscerally–its aim seems to
be to scare and disgust us, to raise the hair on the back of our necks or make us cover our eyes". The horror film of the studios years gives physical
shape and specific presence to metaphysical, notions of spirit or moral evil. The Mummy embodies our personal fears and social fears on a larger
scale. Death and damnation are central to The Mummy. The star of The Mummy is Imhotep/Ardath Bey played byBoris Karloff. Imhotep (a high
Egyptian priest) ... Show more content on Helpwriting.net ...
In the 1930s it was Universal who pioneered the horror film as a low–cost studio genre.
Universal Studios and Rise of Horror Films
Universal's origin can be traced back to 1906 when Carl Laemmle gave up his post as a bookkeeper and used his savings to buy and operate a
nickelodeon in Chicago. Universal was one of the eight large companies who dominated the industry, though they were not one of the "majors." To be a
"major", a company had to be vertically integrated, owning a theater chain and having an international distribution operation. The five majors
Paramount, MGM, 20th Century Fox, Warner Brothers, and RKO dominated the industry. Universal had constant money problems, however, was still
successful during the Great Depression of the 1930s. In 1931 Universal released Dracula starring Bela Lugosi and directed by Tod Browning, which a
huge success and initiated the horror cycle. Universal also released another successful film Frankenstein (1931) starting Boris Karloff. The follow up
to Dracula and Frankenstein was an even greater success, and Universal now looked for another success that would use its new star, Boris Karloff.
This new success would be The Mummy (1932).
The Filming History of The Mummy The Mummy was filmed during the Great Depression. The financial collapse came against the background of an
already

The Cabinet Of Dr. Caligari
1. What aspects of German Expressionism do you notice in Caligari?
The Cabinet of Dr. Caligari is a master piece and the most influental triumph of German Expressionism in type of genre – silent horror, made in 1920.
The two clips present a combination of dark sides (tragedy) and bright sides (romance). It also demonstrates how people mind could be twisted –
nonrealistic disharmony or uncertainty, adapts world of fiction (Cesare knows all your secrets). All the settings are visual thru the painting arts and
audience sees traumatized faces, insanity and turning into evil (Cesare).
Thru the eyes of German Expressionism, light is reflecting on people's mind, contrast between light and shadow, building are asymmetrical, unusual,
slope shape. Watching circus clip and so much focus on Cesare's case, Expressionist presents feelings, express emotions, and having a perception of
people's mind. ... Show more content on Helpwriting.net ...
Compare the imagery used in Caligari and German Expressionism in general with the style used in the video for the Red Hot Chili Pepper's Otherside.
"Caligari" and "Otherside" clip are very similar, almost the same sharp angels of the building, walls, windows. Both clips having dark shadow, and
combination of light with a little bit of colors. The imagery portrayed in two clips are primarily city setting, (deformation houses, walls, grass and tress
look like knives), in both audience scenery includes scary people's faces, fighting and anger to murder (Push the trigger and pull the thread in
"Otherside").
The main difference is that Caligari is created in 1920, a silent black and white while Otherside is made a colorful musical video released in

German Expressionism is an artistic genre of art, literature and film that originated in Europe in the 1920s, and is broadly defined as the rejection of
Western conventions, and the depiction of reality that is widely distorted for emotional effect. "The expressionist tradition of Melies, German
Expressionism, and Soviet montage which affirmed that "reality" was best represented in such hidden areas as poetic imagination, the unconscious
mind, or the dialectics of history. Stylistically, this polarity was defined and distinguished by a fondness for principles of continuity and "seamless"
verisimilitude on the one hand (realist mise–en–scene), and on the other an expressive and obtrusive manipulation of the spatial and temporal content
of what was photographed (decor, lighting, montage)" (Nelson, pp. 2–17). In The Sixth Sense, Dr. Malcolm Crowe is a successful child psychiatrist and
happily married to Anna. Returning home from an awards ceremony, Malcolm's confronted by Vincent Grey, a distraught former patient who shoots
Malcolm and commits suicide.The next Fall, a recovered Malcolm meets with Cole Sear, a shy and troubled 9 year–old boy. Cole has been
experiencing disturbing situations he can't fully understand. His mother, Lynn, is concerned about his withdrawn and fearful behavior and attributes it
to her recent divorce and Cole being bullied by school classmates. Initially, Cole is uncomfortable talking to Malcolm but comes to trust him and
confides, "I see dead

Contributions Of German Expressionism
Kayla Grkinich
October 27, 2017
Topics in Modern Art
Module 16: Final Paper
Die BrГјcke and Der Blaue Reiter
German Expressionism is an art movement that began and thrived during the beginning of the twentieth century. Expressionism, as it suggests,
expresses an emphasis on emotional subject matter. These emotions are conveyed in Expressionist art through thematic context, and also by the use of
technique and medium. German Expressionist artists strayed far from the academic influences that were being taught in art schools during this time.
They thought of new techniques to create expressive art. Two of the famous art associations that were fundamental toExpressionism were Die BrГјcke
and Der Blaue Reiter. One group focused on the idea of placement and form, while the other focused on the idea of psychological emotions.
The first German Expressionist art association was Die BrГјcke or "The Bridge." This group was formed in 1905 in Dresden, Germany (Die BrГјcke
Movement 1). Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt–Rottluff, and Fritz Bleyl were the founders of this art association. They became the
pioneers of Expressionism in Germany. These artists played an important role in the development of modern art during this time. This group eventually
pushed German Expressionism and Modern art into the international avant–garde scene (Die BrГјcke Movement 1). Ernst Kirchner and his colleagues
formed this association because they disliked the contemporary art that was

Women In German Expressionism
When it came to women throughout the art movements of German Expressionism, Dadaism, and Surrealism, there was a rapid change in the artistic
community, partly because of World War I. Using women as subjects became less about exploiting them and showing their faults through the eyes of
the men painting them, like Henri Matisse did with his wife. When women were subjects in the art of these periods, it was much more about the
celebration of them and their sexuality. In addition to women only being subjects, they were transformed into artists who were respected in their
groups during these times. All of these seemingly progressive ideas went down the drain after WWI ended. In Expressionism, artists like Ernst
Kirchner conveyed the new freedom of women, like in his Berlin Street Scene. After this freedom was more widely accepted, women joined in on and
were actually welcomed into the movements. One such woman was Elsa von Freytag–Loringhoven. Her collaboration with Morton Schamberg to
create the piece God proved that she deserved to be respected in the Dada scene. After Dada, Surrealism came into the limelight. Salvador DalГ the
most famous Surrealist and he had a lot to say about women in his art. In his painting The Great Masturbator, done in 1929, he made a statement
about the disease he believed female sexuality was. This was a much more oppressive attitude when compared to the previous art movement, Dada.
When World War One started in 1914, women had to take the place of

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