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HORROR 
• noun 1) an intense feeling of fear, shock, 
or disgust. 2) a thing causing such a 
feeling. 3) intense dismay. 4) informal a bad 
or mischievous person, especially a child. 
— ORIGIN Latin, from horrere ‘shudder, (of 
hair) stand on end’.
German Expressionism 
● The first horror films were seen as 
very unnatural and disturbing 
pieces, which are said to have 
took some inspiration from 
expressionist painters and in part 
to spirit photography of the 
1860s. The narrative style was 
also inspired by the stories 
played out by the Grand Guignol 
Theatre Company coming from Gothic 
literature. They draw upon the 
folklore and legends of Europe, 
monsters etc.
● They had to overcome the limits set 
by technology and tell a story 
powerful enough to make the Movie 
effective and scary. They were mad 
on the basis of darkness and 
shadows, are such important 
features of modern horror, were 
impossible to accomplish with the 
budgets and technology of films at 
the time. So some scenes, for 
example in Nosferatu, where you see 
a vampire leaping amongst 
gravestones in what appears to be 
broad daylight, not what you would 
expect today.
● Nosferatu is the most 
recognised and famous 
film from this era, it 
was so successful 
because it was the very 
first vampire movie, 
that allowed the 
audience to escape in 
this different belief 
and total world outside 
of their own. It 
brutally showed the 
conventions of the 
legend, making the film 
only recently allowed 
to be viewed by the 
public.
Gothic Horror 
● The term 'horror' was first 
introduced in a play on Horace 
Walpole's 1764 novel, The Castle 
of Otranto, it was said to be full 
of supernatural shocks and 
mysterious melodrama. It was a 
rather odd tale but it started a 
craze, starting a wave of many 
imitators in what we today call 
the gothic mode of writing.
● The first great gothic horror 
classic was Frankenstein 1818, and 
many more films even today pay 
tribute too the Gothic era. 
Charles Dickens, used some 
conventions of the gothic era in 
'A Christmas Carol'.
● The gothic era was based on very 
simple fears but exploited them 
very well, it kick started horror. 
It was simple yet creepy, creating 
some absolute classics, a lot of 
where the modern day horror 
conventions come from.
Monsters and Mad Scientists 
● Horror movies were reborn in the 
1930s. The introduction of sound, as 
well as changing the whole of cinema 
had a massive effect on the horror 
genre. The imagery from the 1920s, 
was fantastic and give an amazing 
representation of visual horror but 
they missed the other aspects of 
horror. Instead of just visuals 
there were monsters that grunted and 
growled and sounds that built 
suspense, making horror even more 
believable.
● The horror films of the 
1930s were exotic fairy 
tales, set in some far-off 
land and characters in 
period costume speaking in 
strange accents. Horror 
was still looking in the 
past, as they were looking 
upon the literary classics 
of the 19th century for 
their inspiration. 
However, this did result 
in one of the most famous 
horror even to this day, 
Dracula.
● There are many other great films 
that came from this era, some of 
which are extremely famous today. 
The like of 'The Mummy' (1932) and 
King Kong (1933) are just a couple 
of the Blockbuster big names that 
came from this era.
The Primal Animal Within 
● Wolves posed the main global threat at 
the outset of the 1940s. Hitler himself 
strongly identified with the 
iconography and legends of the wolf. 
The name 'Adolf' means "noble wolf" in 
Old German. Propagandists of the period 
habitually depicted him as the Big Bad 
Wolf of fairy tales. It's therefore no 
surprise that Universal, home of the 
iconic monsters of the 1930s, picked 
the Wolf as the figure of menace for 
the late 1930s and early 1940s.
● "The werewolf is neither man nor 
wolf but a satanic creature with 
the worst qualities of both." A 
quote from the film 'Werewolf of 
London' (1935). This was the film 
that kick started the Werewolf 
character, leading on to movies 
such as 'The Wolf Man' (1941), and 
when imaginations started to 
wonder, spin-off films were made, 
ones that showed the same style 
such as 'Cat People' (1942).
Mutant creatures and alien 
invaders 
● Between the 1940's and 1950's there 
were some drastic changes in the 
horror genre, horror was beginning 
to expand on the though of life 
such as creatures that had human 
faces, aliens and extremely large 
insects etc. It was all about 
mutations, alterations and 
differentiation on the norm. 
Creating monsters, mutant creatures 
and alien invaders.
● Here are just some of the 
examples of the horror 
movies that came out the 
era. This era began when 
soldiers had come home from 
the WWII and their 
imagination had run wild 
with stories due to the 
real life horror they saw 
everyday at war. As 
technology grew this 
allowed these ideas of 
mutated creatures to become 
possible and fund this 
trend.
● Great example of this era is 'The 
Beast From 20,000 Fathoms' (1953), 
it was said to be the 'King Kong' 
(1933) with fins. It is based on a 
beast that heads for New York, a 
dinosaur a Rhedosaurus. A massive 
dinosaur created by atomic 
testing, a story line that very 
much simulates King Kong just with 
more advanced technology.
Ghosts, zombies, Satanism 
and your family/Hammer 
● The sexual revolution with Psycho in 
1960 and the Manson Family murders 
in 1969, the 1960s were a great 
change in what the public perceived 
as horror. The social stability 
post-war years was gone by the end 
of the decade due to huge change in 
the way the audience perceived 
sexuality. This was a counter 
culture opportunity to explore new 
ways of seeing sex and violence.
● This era was well and truly spawned 
from Psycho (1960). Psycho presented 
us with Norman Bates, the monster so 
close to normal it was only in the 
final section of the film that he 
revealed how monstrous a man could 
be. Based on the real- life story of 
Ed Gein, which has since proved 
fruitful for movies as diverse as 
Silence of The Lambs and The Texas 
Chainsaw Massacre, Psycho has become 
iconic in a way few other movies 
have ever become.
● This sexual and violent turn has 
created a whole new set if 
conventions for modern day horror, 
lots of which are heavily involved 
in horror today. For instance the 
Male Gaze Theory which makes the 
camera a male, resulting in sexual 
objectification making the men 
empowered. Another theory is the 
Final Girl Theory which is if a 
girl is into drugs, drink, sex 
etc, they die. If they are a 
middle class girl, who works hard 
and studies etc, they survive. 
They often have a unisex name.
● The films were all about the family, 
most of the films contained 
members of a family, or a single 
member of the family that is the 
main character It's your Mum 
(Shivers). Your Dad (The Shining). 
Your brother (Halloween). Your 
sister (Alice Sweet Alice). Your 
husband (The Stepford Wives). Your 
little boy (The Omen). Your 
daughter (The Exorcist). It's the 
people you see so often you don't 
really see them any more (Carrie).
Slasher movies and body 
horror/gore 
● Horror movies of the 1980s (which 
probably began the era in 1979 with 
Alien) exist at the glorious 
watershed when special visual 
effects finally caught up with the 
gory imaginings of horror fans and 
movie makers. This was more a fan 
base inspired part of horror, due 
to the many years and generations 
of horror causing a wider and more 
developed imagination of horror.
● 'The Thing' is a 
very good example 
of the types of 
films that came 
out of this time 
period. The tag 
line is "Man is 
the warmest place 
to hide", 
optimising the 
body horror, being 
all about the 
human body and the 
horror of that can 
come from it.
● The horror films of the early 1980s show 
a new energy and delight in the genre, 
as special effects creators fell over 
each other to create sequences that 
had never been attempted on film 
before. However, the effect of gory 
images could easily be made over the 
top and sadly towards the end of the 
decade that is how it went. Special 
Effects Creators started to pile too 
many on top of each other so they lost 
their meaning, and their power to 
shock. The best films controlled this 
gore rather than being over the top 
with it.
Format fears and moral 
panics 
● By the end of the 1980s horror had 
become so reliant on gross-out gore and 
buckets of liquid latex that it seemed 
to lose its power to scare people so by 
the 1990's horror began to take a 
slightly different approach. They begin 
to make as what they called "horror for 
grown-ups", the 1990s presented 
monsters that were far more mundane. 
They involved more serial killers and 
more paranoia and mind games.
● These are some of the films that came 
pout of this era, showing the change 
in styles from previous generations 
of horror films.
● This was the generation where horror 
started to become smarter, the 
directors became better at getting 
into the audiences mind with a 
combination of different 
conventions through all of the 
years of different styles of 
horror. All of the different styles 
of horror allowed the horrors to 
become more effective to the 
audience because after all of the 
years of horror people almost 
started to become immune to the 
fear of them.
Gore returns with a 
vengeance 
● By 2005, the horror genre was as popular 
as ever. Horror films often topped the 
box office, with an above-average gross 
on below-average costs. Audiences 
wanted a good, group scare as a form of 
escapism, just as their great-grandparents 
chose Universal horror 
offerings to escape the miseries of the 
Depression and encroaching world war in 
the 1930s.
● The monsters have had to 
change, however. Gone were 
the lone psychopaths of the 
1990s, far too similar of 
media portrayals of bin 
Laden. As the shock of 
twenty first century warfare 
spread across TV screens, 
cinematic horror had to 
offer an alternative, whilst 
still tapping into the 
current cultural mood. 
Inspiring films such as the 
Final Destinations'.
● This era is all about the difference 
in culture compared to all of the 
other generations of horror. The 
horror that is presented to us now 
has the best of all of the 
conventions of horror over the 
years, allowing there to be a lot 
more diverse amount of horrors 
films that range in styles and 
genres. Generally, they are more 
about building suspense and 
getting in to the mind of the 
viewer rather than to just show 
them something that looks scary.
The End.

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History of the Horror Genre

  • 1. HORROR • noun 1) an intense feeling of fear, shock, or disgust. 2) a thing causing such a feeling. 3) intense dismay. 4) informal a bad or mischievous person, especially a child. — ORIGIN Latin, from horrere ‘shudder, (of hair) stand on end’.
  • 2. German Expressionism ● The first horror films were seen as very unnatural and disturbing pieces, which are said to have took some inspiration from expressionist painters and in part to spirit photography of the 1860s. The narrative style was also inspired by the stories played out by the Grand Guignol Theatre Company coming from Gothic literature. They draw upon the folklore and legends of Europe, monsters etc.
  • 3. ● They had to overcome the limits set by technology and tell a story powerful enough to make the Movie effective and scary. They were mad on the basis of darkness and shadows, are such important features of modern horror, were impossible to accomplish with the budgets and technology of films at the time. So some scenes, for example in Nosferatu, where you see a vampire leaping amongst gravestones in what appears to be broad daylight, not what you would expect today.
  • 4. ● Nosferatu is the most recognised and famous film from this era, it was so successful because it was the very first vampire movie, that allowed the audience to escape in this different belief and total world outside of their own. It brutally showed the conventions of the legend, making the film only recently allowed to be viewed by the public.
  • 5. Gothic Horror ● The term 'horror' was first introduced in a play on Horace Walpole's 1764 novel, The Castle of Otranto, it was said to be full of supernatural shocks and mysterious melodrama. It was a rather odd tale but it started a craze, starting a wave of many imitators in what we today call the gothic mode of writing.
  • 6. ● The first great gothic horror classic was Frankenstein 1818, and many more films even today pay tribute too the Gothic era. Charles Dickens, used some conventions of the gothic era in 'A Christmas Carol'.
  • 7. ● The gothic era was based on very simple fears but exploited them very well, it kick started horror. It was simple yet creepy, creating some absolute classics, a lot of where the modern day horror conventions come from.
  • 8. Monsters and Mad Scientists ● Horror movies were reborn in the 1930s. The introduction of sound, as well as changing the whole of cinema had a massive effect on the horror genre. The imagery from the 1920s, was fantastic and give an amazing representation of visual horror but they missed the other aspects of horror. Instead of just visuals there were monsters that grunted and growled and sounds that built suspense, making horror even more believable.
  • 9. ● The horror films of the 1930s were exotic fairy tales, set in some far-off land and characters in period costume speaking in strange accents. Horror was still looking in the past, as they were looking upon the literary classics of the 19th century for their inspiration. However, this did result in one of the most famous horror even to this day, Dracula.
  • 10. ● There are many other great films that came from this era, some of which are extremely famous today. The like of 'The Mummy' (1932) and King Kong (1933) are just a couple of the Blockbuster big names that came from this era.
  • 11. The Primal Animal Within ● Wolves posed the main global threat at the outset of the 1940s. Hitler himself strongly identified with the iconography and legends of the wolf. The name 'Adolf' means "noble wolf" in Old German. Propagandists of the period habitually depicted him as the Big Bad Wolf of fairy tales. It's therefore no surprise that Universal, home of the iconic monsters of the 1930s, picked the Wolf as the figure of menace for the late 1930s and early 1940s.
  • 12. ● "The werewolf is neither man nor wolf but a satanic creature with the worst qualities of both." A quote from the film 'Werewolf of London' (1935). This was the film that kick started the Werewolf character, leading on to movies such as 'The Wolf Man' (1941), and when imaginations started to wonder, spin-off films were made, ones that showed the same style such as 'Cat People' (1942).
  • 13. Mutant creatures and alien invaders ● Between the 1940's and 1950's there were some drastic changes in the horror genre, horror was beginning to expand on the though of life such as creatures that had human faces, aliens and extremely large insects etc. It was all about mutations, alterations and differentiation on the norm. Creating monsters, mutant creatures and alien invaders.
  • 14. ● Here are just some of the examples of the horror movies that came out the era. This era began when soldiers had come home from the WWII and their imagination had run wild with stories due to the real life horror they saw everyday at war. As technology grew this allowed these ideas of mutated creatures to become possible and fund this trend.
  • 15. ● Great example of this era is 'The Beast From 20,000 Fathoms' (1953), it was said to be the 'King Kong' (1933) with fins. It is based on a beast that heads for New York, a dinosaur a Rhedosaurus. A massive dinosaur created by atomic testing, a story line that very much simulates King Kong just with more advanced technology.
  • 16. Ghosts, zombies, Satanism and your family/Hammer ● The sexual revolution with Psycho in 1960 and the Manson Family murders in 1969, the 1960s were a great change in what the public perceived as horror. The social stability post-war years was gone by the end of the decade due to huge change in the way the audience perceived sexuality. This was a counter culture opportunity to explore new ways of seeing sex and violence.
  • 17. ● This era was well and truly spawned from Psycho (1960). Psycho presented us with Norman Bates, the monster so close to normal it was only in the final section of the film that he revealed how monstrous a man could be. Based on the real- life story of Ed Gein, which has since proved fruitful for movies as diverse as Silence of The Lambs and The Texas Chainsaw Massacre, Psycho has become iconic in a way few other movies have ever become.
  • 18. ● This sexual and violent turn has created a whole new set if conventions for modern day horror, lots of which are heavily involved in horror today. For instance the Male Gaze Theory which makes the camera a male, resulting in sexual objectification making the men empowered. Another theory is the Final Girl Theory which is if a girl is into drugs, drink, sex etc, they die. If they are a middle class girl, who works hard and studies etc, they survive. They often have a unisex name.
  • 19. ● The films were all about the family, most of the films contained members of a family, or a single member of the family that is the main character It's your Mum (Shivers). Your Dad (The Shining). Your brother (Halloween). Your sister (Alice Sweet Alice). Your husband (The Stepford Wives). Your little boy (The Omen). Your daughter (The Exorcist). It's the people you see so often you don't really see them any more (Carrie).
  • 20. Slasher movies and body horror/gore ● Horror movies of the 1980s (which probably began the era in 1979 with Alien) exist at the glorious watershed when special visual effects finally caught up with the gory imaginings of horror fans and movie makers. This was more a fan base inspired part of horror, due to the many years and generations of horror causing a wider and more developed imagination of horror.
  • 21. ● 'The Thing' is a very good example of the types of films that came out of this time period. The tag line is "Man is the warmest place to hide", optimising the body horror, being all about the human body and the horror of that can come from it.
  • 22. ● The horror films of the early 1980s show a new energy and delight in the genre, as special effects creators fell over each other to create sequences that had never been attempted on film before. However, the effect of gory images could easily be made over the top and sadly towards the end of the decade that is how it went. Special Effects Creators started to pile too many on top of each other so they lost their meaning, and their power to shock. The best films controlled this gore rather than being over the top with it.
  • 23. Format fears and moral panics ● By the end of the 1980s horror had become so reliant on gross-out gore and buckets of liquid latex that it seemed to lose its power to scare people so by the 1990's horror began to take a slightly different approach. They begin to make as what they called "horror for grown-ups", the 1990s presented monsters that were far more mundane. They involved more serial killers and more paranoia and mind games.
  • 24. ● These are some of the films that came pout of this era, showing the change in styles from previous generations of horror films.
  • 25. ● This was the generation where horror started to become smarter, the directors became better at getting into the audiences mind with a combination of different conventions through all of the years of different styles of horror. All of the different styles of horror allowed the horrors to become more effective to the audience because after all of the years of horror people almost started to become immune to the fear of them.
  • 26. Gore returns with a vengeance ● By 2005, the horror genre was as popular as ever. Horror films often topped the box office, with an above-average gross on below-average costs. Audiences wanted a good, group scare as a form of escapism, just as their great-grandparents chose Universal horror offerings to escape the miseries of the Depression and encroaching world war in the 1930s.
  • 27. ● The monsters have had to change, however. Gone were the lone psychopaths of the 1990s, far too similar of media portrayals of bin Laden. As the shock of twenty first century warfare spread across TV screens, cinematic horror had to offer an alternative, whilst still tapping into the current cultural mood. Inspiring films such as the Final Destinations'.
  • 28. ● This era is all about the difference in culture compared to all of the other generations of horror. The horror that is presented to us now has the best of all of the conventions of horror over the years, allowing there to be a lot more diverse amount of horrors films that range in styles and genres. Generally, they are more about building suspense and getting in to the mind of the viewer rather than to just show them something that looks scary.