Influences for my fmp
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The document discusses four major influences on the creator's filmmaking project: James Wan, known for tense horror films like The Conjuring; Roger Deakins, a renowned cinematographer known for his creative filming styles; Edgar Wright, known for syncing music and details to scenes; and Martin Scorsese, known for gripping plots and twists. The creator aims to apply techniques from each influence, like Wan's suspense, Deakins' filming methods, Wright's small details, and Scorsese's engaging narratives, to their own horror film trailer project.
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4. pre production sf 2017
The document provides planning details for a short horror film. It outlines 10 scenes that describe what happens and notes for visuals and audio. There are notes on important visual elements like lighting, location, costumes and props. The cast of 3 actors is identified along with their roles. A production schedule is noted to film all scenes in one day. Post-production editing will follow filming. Sound planning includes capturing natural sounds on location and using royalty-free sounds from YouTube.
Initial ideas
This document contains the initial ideas from Kyle Edward Porritt for a music video. It includes several storyline ideas that reflect the lyrics of the song, including: 1) showing a self-hate storyline of a character with two sides through costume and makeup; 2) portraying a break-up storyline by speeding up scenes to match the fast pace of the music; 3) possibly including a small mosh pit or wall of death to reflect live shows, though safety would need to be considered. Various music videos provided inspiration for these ideas.
U13 cinema and film lop 10 Tra My
The document discusses the history of cinema. It begins by stating that the history of cinema started in the early 19th century. At this time, scientists discovered that a sequence of still pictures set in motion could give the feeling of movement. Early films did not have sound. It was not until the early 1920s that audiences could see longer films. Sound was introduced at the end of the 1920s. As silent films were replaced by films with sound, musical films emerged.
Planning process
The document outlines the props, locations, and casting plans for a music video. Key props include an iPhone 6S, glass bottles, and a Mercedes Benz E200. Interior locations will be a music studio, hall, and green screen area. Exterior locations are the town centre and abandoned train tracks near Ampthill Road. Tamuka Madzete will portray the artist, and 1-4 male and female extras will be in the background shots.
photo album
Freddie Collins created photos for an album cover using Photoshop editing. He took photos of an actor from different angles to use for the front, back, and inside covers. For photos where the actor's face was visible, he increased contrast and brightness to hide the face. The back cover photo did not require editing since the actor's face was not visible. He chose a location with a black background that fit his "grime genre" and used an existing tripod. In recces of the location, he identified hazards like loose wires, uneven surfaces, shelves with expensive cameras, and a leaning ladder.
Locked up
The document provides reviews and critiques of several music videos. It notes both good points and areas for improvement. Some key highlights include:
- Shots in one video effectively showed different angles like close-ups [of the singer].
- In another, the singer was properly tracked by the camera as he moved along a fence.
- Areas for improvement included actors laughing in the background of one, lips not syncing in another, and not knowing the song's lyrics in a third.
- Proper camerawork and the singer knowing his lines were praised, but unnecessary lighting effects throughout were criticized.
Recce report
This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
Recce and Risk assessment
Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins edited the photos in Photoshop to hide the actor's face by increasing brightness, contrast, and darkness. This allowed the actor to blend into the black background while remaining unrecognizable. Collins selected photos that fit the "grime genre" style and positioned the actor symmetrically. He scouted a photography studio location that provided a black background and tripod, though noticed hazards like loose wires, uneven surfaces, and potential for expensive equipment to be knocked over.
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4. pre production sf 2017
The document provides planning details for a short horror film. It outlines 10 scenes that describe what happens and notes for visuals and audio. There are notes on important visual elements like lighting, location, costumes and props. The cast of 3 actors is identified along with their roles. A production schedule is noted to film all scenes in one day. Post-production editing will follow filming. Sound planning includes capturing natural sounds on location and using royalty-free sounds from YouTube.
Initial ideas
This document contains the initial ideas from Kyle Edward Porritt for a music video. It includes several storyline ideas that reflect the lyrics of the song, including: 1) showing a self-hate storyline of a character with two sides through costume and makeup; 2) portraying a break-up storyline by speeding up scenes to match the fast pace of the music; 3) possibly including a small mosh pit or wall of death to reflect live shows, though safety would need to be considered. Various music videos provided inspiration for these ideas.
U13 cinema and film lop 10 Tra My
The document discusses the history of cinema. It begins by stating that the history of cinema started in the early 19th century. At this time, scientists discovered that a sequence of still pictures set in motion could give the feeling of movement. Early films did not have sound. It was not until the early 1920s that audiences could see longer films. Sound was introduced at the end of the 1920s. As silent films were replaced by films with sound, musical films emerged.
Planning process
The document outlines the props, locations, and casting plans for a music video. Key props include an iPhone 6S, glass bottles, and a Mercedes Benz E200. Interior locations will be a music studio, hall, and green screen area. Exterior locations are the town centre and abandoned train tracks near Ampthill Road. Tamuka Madzete will portray the artist, and 1-4 male and female extras will be in the background shots.
photo album
Freddie Collins created photos for an album cover using Photoshop editing. He took photos of an actor from different angles to use for the front, back, and inside covers. For photos where the actor's face was visible, he increased contrast and brightness to hide the face. The back cover photo did not require editing since the actor's face was not visible. He chose a location with a black background that fit his "grime genre" and used an existing tripod. In recces of the location, he identified hazards like loose wires, uneven surfaces, shelves with expensive cameras, and a leaning ladder.
Locked up
The document provides reviews and critiques of several music videos. It notes both good points and areas for improvement. Some key highlights include:
- Shots in one video effectively showed different angles like close-ups [of the singer].
- In another, the singer was properly tracked by the camera as he moved along a fence.
- Areas for improvement included actors laughing in the background of one, lips not syncing in another, and not knowing the song's lyrics in a third.
- Proper camerawork and the singer knowing his lines were praised, but unnecessary lighting effects throughout were criticized.
Recce report
This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
Recce and Risk assessment
Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins edited the photos in Photoshop to hide the actor's face by increasing brightness, contrast, and darkness. This allowed the actor to blend into the black background while remaining unrecognizable. Collins selected photos that fit the "grime genre" style and positioned the actor symmetrically. He scouted a photography studio location that provided a black background and tripod, though noticed hazards like loose wires, uneven surfaces, and potential for expensive equipment to be knocked over.
Bad idea synergy plan
The document proposes three photograph ideas for the front cover of a digipak that would create synergy with an upcoming music video. The first idea is to take a photo of Romy leaning against or near a bright red wall that features prominently in the music video. The second idea is to take a photo of Romy posing in front of colorful graffiti that appears as a backdrop in one scene. The third idea is to photograph Romy sitting on a skateboard at a skate park to match another scene in the video.
Welcome To The Masquerade
The document provides details about the planned teaser trailer for a film called "Welcome To The Masquerade". The film follows a character named Chris Bell who meets a girl named Jessica at a masquerade ball but they get separated when fights break out. Chris then tries to find Jessica again which causes conflicts with his friends. The target audience for the film is ages 16-25. Both male and female genres are considered. Research has been done on similar trailers and posters. The teaser plan involves shots of characters getting ready and wearing masks followed by scenes from the film with the question "What would you do if one dance could change your life?". Locations and costumes/props are also discussed.
Location analysis
The document discusses and analyzes various location options for scenes in a music video. It proposes using a multi-story car park for the opening shot to link the visuals to the lyrics. It also suggests a street corner where the main characters could bump into each other, as well as a warehouse for a fight scene during the chorus. Additional locations mentioned include a typical stage for performance shots and a flat or house for an arguing scene. The locations aim to relate visually to the song lyrics and fit common scenarios seen in movies and television.
Pitch
The group chose the song "Mardy Bum" by Arctic Monkeys for their music video because it fits the indie genre they wanted. They considered songs by other indie bands before choosing this song. They will film performance scenes in the drama studio for its good lighting and space, and film narrative scenes at Newcastle Central Station and a restaurant to further the story about a developing relationship between two characters and the motif of time. They will use props like clocks and costumes to advance these story elements and depict the band's performance.
Recce and Risk assessment
Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins used Photoshop to edit the photos by increasing brightness, contrast, and darkness to anonymize the actor's face and create a "grime like" aesthetic blending the actor into the background. When selecting photos, Collins ensured key details like symmetrical positioning were captured. He chose a photography studio for practical reasons like a secure tripod and large space to experiment with shots while remaining on school grounds for convenience.
Photo research
The document summarizes locations scouted for a music video. It discusses five potential locations: 1) Red Arches in Hampstead Heath, featuring shots of a couple on a bridge; 2) Carnaby Street, featuring the singer walking among vintage shops; 3) a hut in Hampstead Heath where the singer stands with his interest; 4) Kenwood House, where the singer walks and sits with his interest; and 5) a small bank and bridge at Kenwood House. The document also mentions using a music room and brick wall for additional shots.
Film evaluation
This document discusses two films, 127 Hours and Buried, and their key elements that made them compelling and entertaining despite being confined to a single location. 127 Hours tells the true story of a man trapped between rocks for 127 hours and uses techniques like a video diary, tense music soundtrack, and graphic camera angles of his amputation. Buried features only one actor trapped in a coffin and uses phone conversations to develop the plot without showing other characters. Both films relied on strong scripts and performances as well as innovative cinematography to keep audiences engaged throughout their confined settings.
Photo research
The document summarizes locations scouted for a music video. It describes three primary locations in Hampstead Heath: the Red Arches bridge for romantic scenes between the singer and love interest, a hut for an interior scene of them leaning over rails, and Kenwood House where the singer could walk with and sit with his love interest. It also mentions using Carnaby Street for walking scenes and the school music room and a brick wall for additional scenes.
Location Scouting in Durham
The document discusses location scouting for a music video. It describes several potential filming locations, including a field near the author's house, a bedroom overlooking a field, a bridge in Durham at 3pm, stairs by a river in Durham or the author's bedroom for performance clips, a bumpy road or path by a river, a fish and chip shop in Durham at night, a skate park with graffiti-covered ramps, and outside an old public toilet block.
Hossam Evaluation p1
The document discusses the author's movie trailer for a film about "Protocol 10," an action/parkour film set in London. The author chose copyright-free music similar to action films like TMNT and GOTG to hype up the audience. Scenes were filmed in various London locations to make the narrative seem like it took place across the city. L-cuts and minimal text were used to mimic popular action trailers. While some shots resembled those in other parkour films, the author argues this is understandable given the genre.
Location report
The document discusses location choices for various scenes in a music video. Singing scenes will take place in multiple outdoor locations like stairs, a stage, and outside areas for more visual interest. A school corridor will be used for a bullying scene to include lockers. An outdoor area will portray an inequality scene at a gay pride march for realism, though weather is a concern. A school media room with a projector and tables was selected for a war scene showing devastation in Syria.
Shot list
This document outlines the scenes, shots, performers, and equipment for a music video production. Scene 1 involves various shots of a performer dressed as a Chinese lady outside using a handheld camera. Scene 2 consists of shots of two performers, Josh and Dan, walking around the city from various angles using a handheld camera. Scene 3 takes place in a TV studio and involves close-up shots of four performers, Connie, Emily, Matt, and Abbie. Scene 4 may involve extreme close-up shots of the performers' mouths lip syncing in the studio. Scene 5 features the performers dancing in front of fountains outside using handheld and tripod cameras. Scene 6 uses various city establishing shots as fillers between
evaluation EF
The student created a horror movie trailer targeting both male and female audiences aged 15+. They researched horror conventions like locations and jump scares to make the trailer feel realistic without graphic gore. Various filming challenges occurred, like scenes being too dark, but the team worked well together to overcome issues. Testing with peers found the unsettling jump scare at the end was effective at eliciting a scare.
Scene analysis.Blackmail
Blackmail, directed by Alfred Hitchcock in 1929, was one of the first hybrid silent/sound films and an early example of film noir and murder mystery movies. It was originally intended to be silent but was converted during production to include some sound elements like dialogue and music. Hitchcock skillfully incorporated sound into the film without letting it hamper the visual storytelling. Though the sound technology was still limited, Hitchcock used it creatively to add literal meaning and impact. Blackmail helped establish conventions for using sound in movies going forward.
A2 Media Filming diary
The document summarizes 7 days of filming for a student film project. Over the course of filming:
- Various scenes were shot on location in parks, houses, a pub, and around town to capture establishing shots.
- Challenges included uncontrolled elements like people walking into shots, unfavorable lighting conditions, and busy locations.
- Scenes were re-shot to improve focus and lighting when initial takes did not meet expectations.
- By the final day of filming, all planned scenes had been captured along with pickup shots, completing principal photography.
Weekly film
The document provides a review of the 2016 film Suicide Squad, summarizing various aspects of the film. It gives a 6/10 for the performances, praising most actors but criticizing Jared Leto's portrayal of the Joker. It gives the cinematography a 5/10 for lacking creative shots. It gives the mise-en-scene an 8/10 for how costumes and sets effectively established characters and scenes. Sound receives a 7/10 for its realistic battles but sometimes distracting music. Lighting gets a 6/10 for being too dark in places but using light symbolically in other scenes.
What With The Past2 Ppt
The document is a collection of questions about historical figures and their accomplishments. It asks the reader to identify scientists like Archimedes, Galileo, and Pasteur and what they discovered. It also asks about artists like Michelangelo, composers like Beethoven, explorers like Robert Scott, and leaders like Rameses II. The document then provides jumbled or incorrect statements about these figures that need to be corrected. It also contains exercises to classify and pronounce verbs.
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The document outlines an idea for a video to accompany the song "My Way" by Frank Sinatra. It will show a man on stage performing while fading between shots of his journey to get there. The journey will be shown in slow motion segments that correspond to parts of the song. Potential filming locations mentioned are a school stage or local cinema.
Contractions
This document provides information about the short film "Contractions" including:
1) The film explores the concept of rebirth and follows how life being pushed back into a person affects their surroundings.
2) It was directed by Christopher Hewitt for the F5 film and animation conference and aims to be abstract to make viewers question what happened before.
3) Details are given about the director and examples of camera angles, sounds, editing, and mise-en-scene used in the film.
A2 music video information
The document provides details on the themes, concepts, locations, and shots planned for a music video. It will feature a main performer rapping in various urban locations around Ringwood and Poulner, including streets, a pool house, a pub, and a school. Shots will typically be 5-10 seconds and include the performer alone and with friends, changing outfits to match locations. Diagrams provide floor plans for specific scenes like rapping outside a car or being wrapped in cling film. Additional locations like flats in Southampton are suggested if needed.
Contextual Research
Roger Deakins is a renowned cinematographer known for his use of lighting, camera movement, and depth of field to create three-dimensional shots. The document discusses Deakins' interview about filming No Country for Old Men, noting he often shoots with fewer shots than planned by reusing angles. The writer intends to apply this technique in their short film. Research was also conducted on directors Quentin Tarantino, Edgar Wright, Christopher Nolan, and action director Chad Stahelski to inform filming and genre choices. Contextual influences from the researched filmmakers will be experimentation with lighting, music, and action scenes.
Martinscorsese 120523040249-phpapp02
Martin Scorsese is an influential American film director, screenwriter, producer and actor. He has directed seminal films such as Mean Streets, Taxi Driver, Raging Bull, and Goodfellas, and is considered one of the most important American filmmakers. Scorsese co-founded the Film Foundation to preserve film heritage. Goodfellas and Taxi Driver are two of his most famous films, known for their intricate camerawork, editing techniques like freeze frames, and exploration of human psychology.
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Bad idea synergy plan
The document proposes three photograph ideas for the front cover of a digipak that would create synergy with an upcoming music video. The first idea is to take a photo of Romy leaning against or near a bright red wall that features prominently in the music video. The second idea is to take a photo of Romy posing in front of colorful graffiti that appears as a backdrop in one scene. The third idea is to photograph Romy sitting on a skateboard at a skate park to match another scene in the video.
Welcome To The Masquerade
The document provides details about the planned teaser trailer for a film called "Welcome To The Masquerade". The film follows a character named Chris Bell who meets a girl named Jessica at a masquerade ball but they get separated when fights break out. Chris then tries to find Jessica again which causes conflicts with his friends. The target audience for the film is ages 16-25. Both male and female genres are considered. Research has been done on similar trailers and posters. The teaser plan involves shots of characters getting ready and wearing masks followed by scenes from the film with the question "What would you do if one dance could change your life?". Locations and costumes/props are also discussed.
Location analysis
The document discusses and analyzes various location options for scenes in a music video. It proposes using a multi-story car park for the opening shot to link the visuals to the lyrics. It also suggests a street corner where the main characters could bump into each other, as well as a warehouse for a fight scene during the chorus. Additional locations mentioned include a typical stage for performance shots and a flat or house for an arguing scene. The locations aim to relate visually to the song lyrics and fit common scenarios seen in movies and television.
Pitch
The group chose the song "Mardy Bum" by Arctic Monkeys for their music video because it fits the indie genre they wanted. They considered songs by other indie bands before choosing this song. They will film performance scenes in the drama studio for its good lighting and space, and film narrative scenes at Newcastle Central Station and a restaurant to further the story about a developing relationship between two characters and the motif of time. They will use props like clocks and costumes to advance these story elements and depict the band's performance.
Recce and Risk assessment
Freddie Collins created photo artwork for an album cover. He took multiple photos of an actor from different angles to use on the front, back, and inside covers. Collins used Photoshop to edit the photos by increasing brightness, contrast, and darkness to anonymize the actor's face and create a "grime like" aesthetic blending the actor into the background. When selecting photos, Collins ensured key details like symmetrical positioning were captured. He chose a photography studio for practical reasons like a secure tripod and large space to experiment with shots while remaining on school grounds for convenience.
Photo research
The document summarizes locations scouted for a music video. It discusses five potential locations: 1) Red Arches in Hampstead Heath, featuring shots of a couple on a bridge; 2) Carnaby Street, featuring the singer walking among vintage shops; 3) a hut in Hampstead Heath where the singer stands with his interest; 4) Kenwood House, where the singer walks and sits with his interest; and 5) a small bank and bridge at Kenwood House. The document also mentions using a music room and brick wall for additional shots.
Film evaluation
This document discusses two films, 127 Hours and Buried, and their key elements that made them compelling and entertaining despite being confined to a single location. 127 Hours tells the true story of a man trapped between rocks for 127 hours and uses techniques like a video diary, tense music soundtrack, and graphic camera angles of his amputation. Buried features only one actor trapped in a coffin and uses phone conversations to develop the plot without showing other characters. Both films relied on strong scripts and performances as well as innovative cinematography to keep audiences engaged throughout their confined settings.
Photo research
The document summarizes locations scouted for a music video. It describes three primary locations in Hampstead Heath: the Red Arches bridge for romantic scenes between the singer and love interest, a hut for an interior scene of them leaning over rails, and Kenwood House where the singer could walk with and sit with his love interest. It also mentions using Carnaby Street for walking scenes and the school music room and a brick wall for additional scenes.
Location Scouting in Durham
The document discusses location scouting for a music video. It describes several potential filming locations, including a field near the author's house, a bedroom overlooking a field, a bridge in Durham at 3pm, stairs by a river in Durham or the author's bedroom for performance clips, a bumpy road or path by a river, a fish and chip shop in Durham at night, a skate park with graffiti-covered ramps, and outside an old public toilet block.
Hossam Evaluation p1
The document discusses the author's movie trailer for a film about "Protocol 10," an action/parkour film set in London. The author chose copyright-free music similar to action films like TMNT and GOTG to hype up the audience. Scenes were filmed in various London locations to make the narrative seem like it took place across the city. L-cuts and minimal text were used to mimic popular action trailers. While some shots resembled those in other parkour films, the author argues this is understandable given the genre.
Location report
The document discusses location choices for various scenes in a music video. Singing scenes will take place in multiple outdoor locations like stairs, a stage, and outside areas for more visual interest. A school corridor will be used for a bullying scene to include lockers. An outdoor area will portray an inequality scene at a gay pride march for realism, though weather is a concern. A school media room with a projector and tables was selected for a war scene showing devastation in Syria.
Shot list
This document outlines the scenes, shots, performers, and equipment for a music video production. Scene 1 involves various shots of a performer dressed as a Chinese lady outside using a handheld camera. Scene 2 consists of shots of two performers, Josh and Dan, walking around the city from various angles using a handheld camera. Scene 3 takes place in a TV studio and involves close-up shots of four performers, Connie, Emily, Matt, and Abbie. Scene 4 may involve extreme close-up shots of the performers' mouths lip syncing in the studio. Scene 5 features the performers dancing in front of fountains outside using handheld and tripod cameras. Scene 6 uses various city establishing shots as fillers between
evaluation EF
The student created a horror movie trailer targeting both male and female audiences aged 15+. They researched horror conventions like locations and jump scares to make the trailer feel realistic without graphic gore. Various filming challenges occurred, like scenes being too dark, but the team worked well together to overcome issues. Testing with peers found the unsettling jump scare at the end was effective at eliciting a scare.
Scene analysis.Blackmail
Blackmail, directed by Alfred Hitchcock in 1929, was one of the first hybrid silent/sound films and an early example of film noir and murder mystery movies. It was originally intended to be silent but was converted during production to include some sound elements like dialogue and music. Hitchcock skillfully incorporated sound into the film without letting it hamper the visual storytelling. Though the sound technology was still limited, Hitchcock used it creatively to add literal meaning and impact. Blackmail helped establish conventions for using sound in movies going forward.
A2 Media Filming diary
The document summarizes 7 days of filming for a student film project. Over the course of filming:
- Various scenes were shot on location in parks, houses, a pub, and around town to capture establishing shots.
- Challenges included uncontrolled elements like people walking into shots, unfavorable lighting conditions, and busy locations.
- Scenes were re-shot to improve focus and lighting when initial takes did not meet expectations.
- By the final day of filming, all planned scenes had been captured along with pickup shots, completing principal photography.
Weekly film
The document provides a review of the 2016 film Suicide Squad, summarizing various aspects of the film. It gives a 6/10 for the performances, praising most actors but criticizing Jared Leto's portrayal of the Joker. It gives the cinematography a 5/10 for lacking creative shots. It gives the mise-en-scene an 8/10 for how costumes and sets effectively established characters and scenes. Sound receives a 7/10 for its realistic battles but sometimes distracting music. Lighting gets a 6/10 for being too dark in places but using light symbolically in other scenes.
What With The Past2 Ppt
The document is a collection of questions about historical figures and their accomplishments. It asks the reader to identify scientists like Archimedes, Galileo, and Pasteur and what they discovered. It also asks about artists like Michelangelo, composers like Beethoven, explorers like Robert Scott, and leaders like Rameses II. The document then provides jumbled or incorrect statements about these figures that need to be corrected. It also contains exercises to classify and pronounce verbs.
My Way - Frank Sinatra
The document outlines an idea for a video to accompany the song "My Way" by Frank Sinatra. It will show a man on stage performing while fading between shots of his journey to get there. The journey will be shown in slow motion segments that correspond to parts of the song. Potential filming locations mentioned are a school stage or local cinema.
Contractions
This document provides information about the short film "Contractions" including:
1) The film explores the concept of rebirth and follows how life being pushed back into a person affects their surroundings.
2) It was directed by Christopher Hewitt for the F5 film and animation conference and aims to be abstract to make viewers question what happened before.
3) Details are given about the director and examples of camera angles, sounds, editing, and mise-en-scene used in the film.
A2 music video information
The document provides details on the themes, concepts, locations, and shots planned for a music video. It will feature a main performer rapping in various urban locations around Ringwood and Poulner, including streets, a pool house, a pub, and a school. Shots will typically be 5-10 seconds and include the performer alone and with friends, changing outfits to match locations. Diagrams provide floor plans for specific scenes like rapping outside a car or being wrapped in cling film. Additional locations like flats in Southampton are suggested if needed.
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Similar to Influences for my fmp
Contextual Research
Roger Deakins is a renowned cinematographer known for his use of lighting, camera movement, and depth of field to create three-dimensional shots. The document discusses Deakins' interview about filming No Country for Old Men, noting he often shoots with fewer shots than planned by reusing angles. The writer intends to apply this technique in their short film. Research was also conducted on directors Quentin Tarantino, Edgar Wright, Christopher Nolan, and action director Chad Stahelski to inform filming and genre choices. Contextual influences from the researched filmmakers will be experimentation with lighting, music, and action scenes.
Martinscorsese 120523040249-phpapp02
Martin Scorsese is an influential American film director, screenwriter, producer and actor. He has directed seminal films such as Mean Streets, Taxi Driver, Raging Bull, and Goodfellas, and is considered one of the most important American filmmakers. Scorsese co-founded the Film Foundation to preserve film heritage. Goodfellas and Taxi Driver are two of his most famous films, known for their intricate camerawork, editing techniques like freeze frames, and exploration of human psychology.
Contextual & inspiration
This document provides an overview and inspiration for a short film focused on production design and cinematography. The filmmaker draws inspiration from Wes Anderson's symmetrical shots and camera movements, Sam Esmail's unique framing techniques to convey character emotions, Mathieu Leduc's vibrant color palette and graphics, and Anastasia White's immersive production design. For sound design, the filmmaker looks to Peter McKinnon's unique sound effects. Areas of focus for the filmmaker's own work include lighting setups, pacing in drama editing, and ensuring visual effects are polished. The goal is to combine these inspirations into a short film that effectively tells a story through visuals.
Review if the fence
The film The Fence is set in 1980s Britain and follows a teenage boy. It was directed by William Stone for his university portfolio. The director aimed to entertain both older audiences nostalgic for the 1980s as well as younger audiences who could relate to the teenage protagonist. High-quality equipment like drones were used to immerse viewers in the 1980s setting. The realistic acting and dull, working-class sets help establish the film's gritty tone. Its soundtrack also enhances the period setting. The boy's stolen motorcycle is central to the plot and drives him to search the rough neighborhood in an attempt to find it.
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The document discusses techniques used by five horror-comedy/zombie film directors: Joe Dante, Keenan Wayans, Roger Corman, Jake West, and John Casey Walker. It provides details about each director's background and describes conventions they commonly use, such as incorporating comedy to balance tension, using music, close-ups, prosthetics, and filming techniques to create realistic and engaging scenes. The document suggests applying some of these directors' techniques, like complex plots, gunshots, believable sets and makeup, to make a student-made zombie film more appealing and true to the genre.
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The document discusses how the film Goodfellas uses various techniques of mise-en-scène, including lighting, staging, setting, and costumes to convey meaning and themes. Specifically, it provides examples of how the film uses red lighting in opening scenes to set a mood of danger and anxiety, and strategically positions characters through staging to express their roles. It also notes how the film incorporates real-world settings and locations from the events to achieve an authentic documentary style.
Evaluation Q1 Film Trailer
1) The document analyzes how the film trailer uses conventions of real film trailers and whether it challenges any conventions.
2) Key conventions used include showing the title at a dramatic point with music, using realistic settings, appropriate costumes and props to portray characters, and varying camera angles to keep viewers interested.
3) The trailer also follows conventions through its three-part musical structure, steady editing pace matched to the voiceover, and mostly straight cuts between clips.
4) One way the trailer challenges conventions is through its use of both black and white and color imaging to represent two different eras, a less common technique than typically using one or the other.
031318For today’s daily Vitamin, we watched a example of Video.docx
03/13/18
For today’s daily Vitamin, we watched a example of Video portrait of other student. What’s in the film which is cutting of cloth is similar to what am I doing which is to tear off cloth. This video gives me a better idea of the project. The moving mouth explains the background voice. And the make up of the actor is well considered. In today Daily Vitamin, I begins to think about the make up of my actress and how will the whole scene look like when my project is presented. The details in the video is well consider, instead of real leg hair, the director uses marker to draw the leg hair.
03/27/19
Today we watched kim sooja's art work and how does she come up with the art work. She didn't impressed me much by her art work but I love the concept behind her art. The work “to wrap” is connected with her background of living in the area of armed conflict. This is their suitcase during their period. I think her work is very powerful because she use such soft material which give me the feeling of gentle and contrast to the violent war. All of her work isn't expressed very directly.When we are watching her work, we have different interoperation because she gives us a opening ending. But overall, I think her is beautiful but not aggressive enough.
03/29/19
My favorite piece is Skepticitis. The beginning scene draws my attention immediately, I was guessing which part of her body is appearing on the screen, is it shoulder? The lighting of her room portrait is also well controlled, one the right side of the screen is covered by shadow. And rotate the screen 90 degrees makes the video more interesting and the position of hers looks like the Rome stature “Thinker.” The continue movement of scratching her leg is easy to memorize. At the end, the music stopped but the scratching movement still continues which emphasize this movement again.
If I could make changes in this project, I would lose some weight to look good on the screen. I would also play around with the lighting more. I would begin the screen with dark and a bit of light on my mouth. I would try to create a signature movement in the video for people to easily memorize the portrait.
04/03/19
Sleeping in fever, I am unfair
to know just who you are:
hung up like a pig on exhibit,
the delicate wrists,
the beard drooling blood and vinegar;
hooked to your own weight,
jolting toward death under your nameplate.
The poet talk about the image of how Jesus been hung on the Criss crosse in the feverish dream of unbeliever. The language she use is very aggressive which I felt the same when I was watching the video. In the beginning of the film, there are people coming to the beach which I thought was a group of friend hanging out together. And the scene become aggressive. I like how the director shot from bottom when the people left one of the person up in the sky. It make me to get a better feeling of the pressure and the heaviness of a person. The background music and the changing of the sc.
Individual Film pitch
The film pitch proposes an opening scene for a drama film called "Dangerous Ground". The opening would show a man walking in a mysterious place after a murder, with flashbacks to the crime. The goal is to hook viewers within the first 3 minutes with a tense, dramatic sequence inspired by films like "Layer Cake" and "Seven" that establish mystery and anxiety. The target audience for this 15-rated drama film would be those aged 15 and older, appealing to fans of the drama genre broadly.
Film Trailer Evaluation Q1
The document provides an evaluation of how the film trailer uses conventions of real film trailers and whether it challenges any conventions. It summarizes key elements of the trailer including the title introduction, settings, costumes, props, camerawork, editing, special effects, narrative, voiceover, and intertitles. The evaluation finds that most elements follow conventions but some aspects like the dual timeline with black and white and color footage challenge conventions.
Evalution
The document provides an evaluation of a media product's opening title sequence. It analyzes how the sequence uses conventions of the football hooligan film genre through its mise-en-scene, sound, editing, cinematography, and iconography. Specifically, it discusses using long shots and handheld camerawork to depict the characters' bond and documentary-style realism. Mise-en-scene shows the characters drinking and taking drugs. The sequence also includes iconic clothing brands and football badges. Fast pacing and rhythmic editing synchronize with the music.
Film Trailer Evaluation Q1
1) The document analyzes how the film trailer uses conventions of real film trailers and whether it challenges any conventions.
2) Key conventions used include showing the title at a dramatic moment with music, using realistic settings, appropriate costumes and props to portray characters, and varying camera angles.
3) The trailer also follows conventions of using different music to break up sections, steady pacing of edits to match the narrative, and mainly straight cuts for transitions.
4) One way the trailer challenges conventions is by using both black and white and color imaging to represent two different eras in the narrative.
Evaluation
The document provides an evaluation of a student media project titled "Forever In My Heart". It discusses several elements of the project including the title, setting, costumes, camerawork, editing, fonts, story, characters, target audience, and technologies used. The students learned about camera techniques, editing styles, and the filmmaking process through constructing the project.
film trailer question 1
The document analyzes how the film trailer follows conventions of real film trailers. It discusses how the trailer includes fast flashes of shots, production company logos, film ratings, quotes, and other typical elements of trailers. It also summarizes how the trailer uses techniques like shot reverse shot, subtitles, flashing shots set to music, and establishes characters to engage the audience, build tension, and set up the storyline. Overall, the document demonstrates how the student's trailer challenges some conventions while developing and adhering to most conventions of real film trailers.
Film genres
The document discusses the forms and conventions of three major film genres: horror films, comedy films, and action films. For horror films, it notes that they commonly feature harmful props, dark and abandoned locations, mysterious villains seen briefly in the dark, fast editing that builds tension, eerie music and loud sudden sound effects. For comedy films, it discusses props like alcohol, average locations like cities and schools, "stupid funny" characters, upbeat music, and sound effects for falls/hits. For action films, it mentions weapons, explosions, cities as locations, tough main characters and enemies, average editing pace that speeds up for fights, loud rock music, and impactful gunfire and explosion sound effects.
Evaluation qu 1
This document analyzes how the film opening uses and develops conventions of motorsport films in its forms and techniques. It summarizes that the title "First to Fifth" references the races and gears. Font and timing of the title card follow conventions. Credits are ordered by importance and use slanted font for speed. Settings include race tracks and pits to match genres. Costuming includes a racing suit. Camera work uses close-ups and match cuts. Editing uses filters to show past events and a fast pace to build tension as in Fast and Furious. Locations were limited but conventions were still attempted.
Film making
The document outlines the key stages in film production from development through release. It discusses pre-production steps like developing an idea, writing a script, securing funding, casting, location scouting, and scheduling. Production involves principal photography and post-production consists of dubbing, visual effects, editing, promotion, certification, distribution to theaters, and public release.
essay.docx
This document discusses how cinematographer Robert Yeoman has had a significant influence on the style of director Wes Anderson's films. It analyzes specific scenes from Anderson films like The Royal Tenenbaums to show how Yeoman's camerawork and lighting choices enhance the mood and storytelling. The document argues that Yeoman plays a key collaborative role in creating Anderson's distinctive aesthetic, demonstrating that the auteur theory of attributing all credit to the director is flawed and films are truly a collaborative art form.
Art of the title
The document discusses title sequences in films and TV. It explains that title sequences set expectations and introduce key crew while drawing the audience in. Examples are given of effective horror, crime, and drama title sequences from Dawn of the Dead, Catch Me If You Can, and Forrest Gump. Specific title sequences from Dawn of the Dead and Catch Me If You Can are then analyzed in more detail. The document also discusses interviews with Richard Morrison about designing title sequences for Sweeney Todd and Batman.
Similar to Influences for my fmp (20)
031318For today’s daily Vitamin, we watched a example of Video.docx
031318For today’s daily Vitamin, we watched a example of Video.docx
More from ChloeRoss10
Daily reflections
Chloe Ross has been researching film directors and genres for her filmmaking project. She analyzed directors like James Wan, Christopher Nolan, and Martin Scorsese to learn about their techniques. For her theory research, Chloe examined mystery, thriller, and slasher genres. She then wrote a proposal outlining her project concept and schedule. Currently, Chloe is analyzing trailers like Saw and Shutter Island to inform her own project through examining elements like cinematography, sound, and audience appeal.
Presentation
The student created a website, social media page, and presentation video to present their project. The website provided detailed information about the project and hosted all of the student's work. The social media page was used to promote the project, but had limitations. The presentation video explained the production process and influences. Overall, the website was the strongest presentation method as it was informative and hosted all elements in one place, while the social media page was the weakest due to limitations. However, the different methods were all linked together to provide a cohesive presentation strategy.
Evaluation and reflection
The document provides an evaluation and reflection by Chloe Ross on the effectiveness of her research for her project. She conducted research on trailers, posters, target audiences, directors and film theory. She found the research helped her understand how to structure and present her project. It informed elements like style, content and how to appeal to her audience. While most of the research was useful, she reflects that doing more research on promos specifically could have helped her create a better promo to accompany her trailer. Overall, the research process supported the development and success of her project.
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
Daily reflections
Chloe Ross has been conducting research for her filmmaking project (FMP). She analyzed film trailers and posters from directors like James Wan, Christopher Nolan, and Martin Scorsese. Chloe created surveys and interviewed people to understand audience preferences. From the surveys, Chloe found common themes in responses that could influence her project. Chloe also researched camera techniques and film terminology to help with production. Overall, Chloe feels her research has provided useful information and insights that will assist her with creating her FMP.
Fmp shot list
The document outlines the shots planned for a crime thriller film titled "The Last Piece". It includes 12 scenes with various shots that will move the detective's investigation forward. Key shots include the detective finding a dead body with a puzzle box and tape recorder, interrogating a suspect, discovering clues at his desk covered in blood, and having an ominous encounter with a mysterious masked figure at the end. The document provides a high level overview of the visual story being told through camera shots and angles across the unfolding mystery.
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
Recce location york minster
The document provides location details for filming outside York Minster in York. The filmmaker plans to shoot a dramatic reveal scene for a movie trailer showing a standoff between the protagonist and antagonist. Filming will take place in a public area outside the Minster to avoid needing permissions. Amenities like electricity, food, parking, and toilets are accessible nearby. Potential safety issues from equipment or weather are noted.
Recce location soveriegn park
The document provides location details for filming at Sovereignpark, a grass area within a public park located two minutes from the document author's house in York, England. The purpose of the shoot is to take pictures of victims for a crime scene in the author's trailer. The park is available anytime as it is open 24 hours a day and requires no permissions. Safety issues that could arise include rain, crew slipping on grass, and children playing with balls interfering. Lighting may need to be brought in as there are few streetlights near the park.
Recce location river ouse
Chloe Ross plans to film the opening scene for her thriller trailer near a lamppost by the River Ouse in York at night. The location will provide the right atmosphere for the genre. She will bring her own lighting equipment since she is filming in the dark. Potential issues include weather, pedestrians, and lack of nearby toilets, but the area has free public access. Shots planned for the scene include a face tracking shot of the main character finding a body, and medium shots of detectives discussing the crime.
Recce location museum gardens
The document provides location details, permissions, and logistical planning for a photoshoot at the Museumgardens in York. The photoshoot will take place between 10:30am-6pm to capture pictures of a crime scene that will be used as props in a trailer. Safety issues that could arise include birds in the garden and slippery conditions if it is raining.
The last piece script
A serial killer has been leaving bodies around the city with clues for the detective. The killer taunts the detective by phone, saying fear drives everyone. Several more victims are discovered in different locations, each with a puzzle piece. The detective is driven to the brink, overcome with the fear and darkness the killer described. In a final showdown in the rain, the detective confronts a cloaked figure wearing a noose and stitched mask, believed to be the killer. The killer claims this was their prophecy and they are the prophet of fear.
Post production & planning
Chloe Ross plans to film the majority of scenes for her detective thriller trailer at her house. She will use her living room as the detective's investigation scene and back garden as a crime scene. Her opening scene will be filmed near the River Ouse depicting a body propped against a streetlight. Another key scene taking place at York Minster will show a standoff between the detective and killer. Additional crime scene photos will be taken at local parks to include as props. Filming will take place over Easter break with editing following to complete the trailer by mid-April.
Post production & planning
Chloe Ross plans to film the majority of scenes for her detective thriller trailer at her house. She will use her living room as the detective's investigation scene and back garden as a crime scene. Her opening scene will be filmed near the River Ouse depicting a body propped against a streetlight. Another key scene taking place at York Minster will show a standoff between the detective and killer. Additional crime scene photos will be taken at local parks to include as props. Filming will take place over Easter break with editing following to complete the trailer by mid-April.
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
Fmp proposal 2021
Chloe Ross proposes to create a mystery/thriller film trailer for her final major project. She will research existing trailers, posters, and DVD covers from influences like James Wan, Christopher Nolan, and Martin Scorsese. Her concept is a serial killer mystery where victims are left with puzzle boxes and clues for a detective. She will film scenes, edit a trailer, and create additional promotional materials like posters and DVD covers. Chloe will evaluate her work throughout production and incorporate peer feedback to improve her final project.
Contextual and theory research
James Wan is an Australian film director known for creating successful horror franchises like Saw and Insidious. Some of his directorial techniques include using low-key lighting to build suspense, focusing stories within confined settings like houses, and tapping into primal human fears. He also films numerous close-ups of characters' faces to convey emotions and uses point-of-view shots from the antagonist's perspective. Wan finds success by subverting horror tropes and envisioning memorable set pieces that audiences discuss.
Fmp proposal 2021
Chloe Ross proposes to create a mystery/thriller film trailer for her final major project. She will research existing trailers, posters, and interviews to inform her project design. The trailer will feature a serial killer leaving puzzle boxes and recordings for a detective to solve murders. Ross plans to create additional promotional materials like posters and DVD covers. She will evaluate her work by reflecting on strengths, weaknesses, and receiving peer feedback to improve future projects.
Fmp proposal 2020
Chloe Ross proposes a mystery/thriller film trailer as her final major project. She will create a trailer, poster, DVD covers, and possibly merchandise for a serial killer film. Ross has experience making videos, podcasts, and a horror trailer that prepared her for the technical and creative challenges. She will research film techniques from influences like James Wan, Christopher Nolan, and Martin Scorsese. Ross will film scenes, edit the trailer, add sound effects, and create additional materials over 19 weeks. She will evaluate her work and skills throughout the process and present the final project.
What makes a spielberg film essay
This document analyzes what makes a Spielberg film by examining Steven Spielberg's background and notable works. It discusses how Spielberg's childhood in a dysfunctional family influenced his films' themes of fractured families. Specific films like E.T. and Schindler's List are analyzed in depth for their personal narratives and cinematography. Overall, the document concludes that what truly defines a Spielberg film is Spielberg himself, as his background and experiences are deeply reflected in all aspects of his films from story to visuals.
More from ChloeRoss10 (20)
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一比一原版(BC毕业证)波士顿学院毕业证如何办理
BC毕业证学历书【微信95270640】办理波士顿学院毕业证成绩单（Q微信95270640）毕业证学历认证OFFER专卖国外文凭学历学位证书办理澳洲文凭|澳洲毕业证,澳洲学历认证,澳洲成绩单 澳洲offer,教育部学历认证及使馆认证永久可查 ,国外毕业证|国外学历认证,国外学历文凭证书 BC毕业证，BC毕业证，BC毕业证，BC毕业证，BC毕业证，BC毕业证，BC毕业证，专业为留学生办理毕业证、成绩单、使馆留学回国人员证明、教育部学历学位认证、录取通知书、Offer、
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如果你回国在学历认证方面有以下难题请联系我们我们将竭诚为你解决认证瓶颈
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2获得真实的国外最终学历学位但国外本科学历就读经历存在问题或缺陷。【如：国外本科是教育部不承认的或者是联合办学项目教育部没有备案的或者外本科没有正常毕业的。】
3学分转移联合办学等情况复杂不知道怎么整理材料的。时间紧迫自己不清楚递交流程的。
如果你是以上情况之一请联系我们我们将在第一时间内给你免费咨询相关信息。我们将帮助你整理认证所需的各种材料.帮你解决国外学历认证难题。
国外波士顿学院波士顿学院本科学位证成绩单办理方法：
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。疯一把山娃算了算这一次足足花了老爸元够他挣上半个月的山娃很不解一向节俭的父亲啥时变得如此阔绰大方大把大把掏钱时居然连眉头也不皱一下车票早买好了直达卧铺车得经过山娃老家门口山娃拒绝父亲送说往车上一躺就等着下车决无丢失的道理有手机在身联系也方便再说他都岁了还有大半车的小伙伴相伴他不怕在父亲千叮咛万嘱咐中山娃依依不舍地爬上车朝窗外不住地挥手别了父亲别了父亲的城别了我的暑假生活我的城市生活望着窗外挥舞的房
一比一原版美国亚利桑那大学毕业证（ua毕业证书）如何办理
一模一样【微信：A575476】【美国亚利桑那大学毕业证（ua毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
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6:个人职称评审加20分
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→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Ealing London Independent Photography meeting - June 2024
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Cherries 32 collection of colorful paintings
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
In Focus_ The Evolution of Boudoir Photography in NYC.pdf
In Focus_ The Evolution of Boudoir Photography in NYC.pdfBoudoir Photography by Your Hollywood Portrait
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
一模一样【微信：A575476】【加拿大多伦多大学毕业证（uoft毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
All the images mentioned in 'See What You're Missing'
We've gathered together all of the images mentioned in Will Gompertz's 'See What You're Missing'
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKADino Ranch Storyboard / Kids TV Advertising
Storyboard produced for the TV commercial of a toy from the children's show “Dino Ranch”
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
Domino Express Storyboard - TV Adv Toys 30"
Storyboard for a tv commercial about a toy "Domino Express"
Heart Touching Romantic Love Shayari In English with Images
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! Final Matka ! Matka Result ! Dpboss Matka ! Matka Guessing ! Satta Matta Matka 143 ! Kalyan Matka ! Satta Matka Fast Result ! Kalyan Matka Guessing ! Dpboss Matka Guessing ! Satta 143 ! Kalyan Chart ! Kalyan final ! Satta guessing ! Matka tips ! Matka 143 ! India Matka ! Matka 420 ! matka Mumbai ! Satta chart ! Indian Satta ! Satta King ! Satta 143 ! Satta batta ! Satta मटका ! Satta chart ! Matka 143 ! Matka Satta ! India Matka ! Indian Satta Matka ! Final ank➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matta Matka Kalyan Chart Indian Matka Dpboss Matka Kalyan panel Chart Matka Guessing Satta Matka Colour Theory for Painting - Fine Artist.pdf
This document is all about Colour Theory for Fine Artist / Painter.
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Ealing London Independent Photography meeting - June 2024
Ealing London Independent Photography meeting - June 2024
In Focus_ The Evolution of Boudoir Photography in NYC.pdf
In Focus_ The Evolution of Boudoir Photography in NYC.pdf
All the images mentioned in 'See What You're Missing'
All the images mentioned in 'See What You're Missing'
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
Heart Touching Romantic Love Shayari In English with Images
Heart Touching Romantic Love Shayari In English with Images
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
Influences for my fmp
- 1. Influences for my FMP
- 2. James Wan James Wan is a film producer, screenwriter and film director. He directed the movie Saw, Insidious and the conjuring movies as well as Fast and Furious 7. He is the main influence for my FMP as the conjuring movies as well as Annabelle and insidious are my favourite horror movies to watch. I like how tense he can create a scene and create suspense even when nothing is going to happen he can still put the audience on the edge of their seat by making them think something is. This is what I would like to apply to my project as I’m making a trailer I want the short clip to convey horror and suspense to the audience just like Wan does in his movies.
- 3. Roger Deakins Roger Deakins is a British award winning cinematographer he is best known for working on Skyfall, Sicario, Blade Runner 2049 and 1917. He has won the Oscar for best cinematographer for Blade Runner and 1917 and was nominated for Skyfall. Deakins will also influence my project as I love the styles of filming he does, just by filming he shows who’s in control of the scene and I would like to apply his methods to my work. In 1917 he filmed the whole movie in one shot which is extremely hard to do but it worked and it inspires me to be creative with my work as well take chances and film something unique like he has.
- 4. Edgar Wright Edgar Wright is a English director, screenwriter, producer, and actor. He is best known for his ‘cornetto film trilogy’ consisting of Shaun of the Dead, hot fuzz and the worlds end, he also directed the movie Baby driver which is my favourite movie and is one of the major influences as to why I would like to work in film. Although Wright is more of a comedic film maker and I’m wanting to make a horror film I can still apply his film making techniques to my projects. Such as in Baby Driver the music and everything is in time with the scene such as when ‘Hocus Pocus’ is playing, the way the chase scenes and fight scenes are all in sync with the music is very well done. He also puts small details in the movies such as in the beginning when Baby is listening to music as he’s walking down the street the lyrics of the song can be seen to appear on the walls or in the title of a store name as he’s walking but disguised as graffiti or in the name of the shop. It’s small details like that which I want to apply to my project.
- 5. Martin Scorsese Martin Scorsese is a film director and producer, he has directed and produced many successful films such as Taxi driver, The Irishman, The wolf on wall street, Shutter Island, Hugo etc. Shutter island is another one of my favourite movies although most of Scorsese’s movies are very long, The Irishman being 3.5 hours long, they keep you gripped all the way through. The plot twists in Shutter island is one of the reasons it’s one of my favourites because from firs watching it I would never of guest the ending to turn out how it was. Scorsese’s filming techniques and plots he makes is what I love about his movies and something I want to apply to my projects.