USE OF
TRADITIONAL
TEXTILES IN INDIA
Compiled and Edited By
Ajita Gupta
Research Scholar
Dayalbagh Educational
Institute
SINDHI OF GUJRAT
 Sindhi is done in Sindhi area of
GUJARAT.
 Base Fabric :- Cotton of white, Indigo
color.
 Stitches :- Darning, Chain & Herring bone
stitch, Buttonhole Stitch.
 Motifs :- Geometric, Border, Eight pointed
star pattern , Mirrors, Floral, Peacock,
Animals, Birds, Trees etc.
SOFA COVERS BED COVERS
TOPI
CUSHION COVERS TABLE COVERS
WALL HANGING
HAND BAG
EARINGS
BOOK COVERSJUTIS BRASLETS
LADIES BLOUSE KURTISSHAWL
BORDER
ABAYA ( ISLAMIC WEARS)
MODERN DRESSES
KASIDA OF KASHMIR
 Akbar who is responsible for introducing a
new type of shawl called ‘Doushala’
meaning twin shawls.
 The demand for shawls increased during the
Mughal times.
 By the 18th century they were being
exported to Europe.
 By the 19th century the shawl industry were
declined.
 Threads:- Fine silk, Cotton & Wool.
 Colors:- White, Green, Purple, Blue,
yellow, Black.
 Fabrics:-The base fabric used for
embroidery is Pashmina either in its natural
color of being to off-white or dyed in dark
color of Maroon, Navy blue, Dark green,
Peach and orange. Silk –pashmina or
pashmina-wool blends are also used.
 Stitches :- Chain, Darning, Stem and
sometimes a knot stitch called Doori.
 Motifs: Nature motif like Parrot, Lotus,
Lily, Saffron, Grapes, Cherries, Almonds,
Apple etc.
BED SHEET CARPETS
BELT
SUIT
SAREES
MATS
JACKET
PHULKARI OF PANJAB
 Phulkari is the traditional embroidery of
Punjab state.
 Phulkari is composed of two words ‘phul’
means floral and ‘Kari’ means work.
 This Embroidery is the symbol of
happiness, prosperity. At time of marriage
ceremony, it plays an important role.
 Fabrics :- Khaddar cloth (coarse, loose
weave cotton fabric).
 Fabric Colors:- Red & its shades, other
colors are brown, blue , black, white.
 Threads:-Dyed untwisted silk threads
called ‘pat’ are used. Sometimes black and
white cotton threads called ‘bandi’ are
used.
 Thread Colors:- Red, Orange, Green,
White, Golden Yellow, Blue.
 Stitches:- Darning stitch & Sometimes
Running, Herringbone, Buttonhole, Stem
and Chain stitch.
MOTIFS
 Geometrical Motifs.
 Animal:- Parrot, Pecock,
Camel etc.
Day to day life motives like :-
 Brinjal,
 Orange,
 Cauliflower,
 Pear,
 Karela,
 Surajmukhi,
 Chilli,
 Maize.
 No Religious subject
or Darbar scenes are
embroidered.
Type of shawls which a girl
used it in ‘fere’ time during
marriages.
BED COVERS
SAREES
UMBRELLA, FANS & CLUTCHES
KALAMKARI OF ANDGRA
PRADESH
 It refers to a method of painting natural dyes on
cotton or silk with pen or kalam.
 The name Kalamkari translates as kalam (pen)
& kari (work).
 It is a hand painting process. Vegetable dyes are
used and a fabric is painted with kalam.
 Temple were a major inspiration for this design
of Kalamkari.
 Motifs: Sun, Temple, God and goddess, Tree of
life, Elephant, Swan, Tiger, Deer, Scenes from
Ramayana, Mahabharata etc.
Tree of life
DANCE OF GANESHA (WALL
HANGING )
BEDSHEETS
MUDHUBANI OF BIHAR
 It is one of the best craft work, also known as
MITHILA PAINTING.
 The painting is usually done on walls during
festivals, religious events, family functions.
 Motifs :- Religious motifs:- Krishna, Ram, Shiva,
Lakshmi, & Saraswati, Natural objects (Sun ,
Moon, Tulsi) .
 Generally, no space is left empty. The gaps are
filled by paintings of flowers, animals, birds &
geometrical design.
 Colors:- Black, yellow, Blue, Red, Green, White,
Orange.
Craft Work
Tusser Sarees
BANDHANI OF RAJASTHAN
& GUJRAT
 The term Bandhani is derived from the
Sanskrit word Banda means ‘to tie’.
 Bandhani is also know as Bandhej , Tie
dye etc.
 Fabric:- Cotton or Silk.
 Designs:- Dots, Squares, Waves, Strips.
 Colors:- yellow, red , green , black etc.
SAREES SUITS
CHIKANKARI OF UTTAR
PRADESH
 Chikankari has been derived from a
Persian word ‘Chakin’ or ‘Chakeen’
which means creating delicate patterns on
a fabric.
 In India Chikankari is done in Lucknow,
Rampur, Varanasi, Allahabad and Delhi.
 Now, it is called Lucknow and also called
White work.
 Base Fabrics:- Traditionally very fine cotton
was used, generally white in color, other
fabrics like Organdy, Chiffon, Viscose,
Georgette, Polyester georgette, and net are also
used.
 Colors:- Pink, blue, peach, Pista-green.
 Black is also used as the background color these
days.
THREADS :-
 In old time WHITE UNTWISTED COTTON Or
Sometimes TWISTED SILK Thread.
 But now colored threads of cotton & silk are used.
STITCHES USED-
Button Hole, Herringbone, French Knot, Back Stitch,
Stem and Satin Stitch are mostly used.
KURTA & SUITS
CUSHION & PILLOW COVERS
TABLE COVER
CURTAINS & DRAPES
WEDDING SAREES
DESIGNER
LEHENGA WITH
CHOLI
SHARARAS
&
GHAGRA
RUMALS
BOOK COVERS
KASUTI OF KARNATAKA
 Kasuti is world famous embroidery
of Karnataka State.
 The world kasuti can be analyzed as
“kai” meaning hand and “suti”
meaning cotton thread.
 Other centers of production are
Bilaspur, Dharwar, Belgam and
Jamakandi districts.
 Colors :- Red, Orange.
 Threads:- Cotton, Anchor, Kohinoor.
 Stitches :- Vertical, Horizontal and
Diagonal.
 Kasuti is done always by counting the
thread.
 Motifs: Lotus, Rath, Palki with bride, Guj
Laxmi, Birds, Animals, and Tree of Tulsi.
 Technique :- The pattern to be
embroidered is first marked with charcoal
or pencil and then proper needles and
thread are selected.
TABLE COVERS
SARI & BLOUSE PATTERNS
CLUTCHES
CUSHION COVERS
SUITS
KANTHA OF BENGAL
 The traditional flok art of bengal is famous as
Kantha.
 The first time the kantha were commercially
manufactured in 1875 in PATNA.
 Kantha are produced at Huguli, Patna, Jessore,
Faridpur, Khulan & other parts of East &West
Bengal.
 Base Fabrics :- White cotton, Silk.
 Colors of Base Fabric :- White, Grey, Black.
 Stitches:- Running, Stem & Satin, Darning stitch.
 Threads:- White cotton, & Silk.
 Colors of Thread:- Black, Blue, Green, Yellow.
MOTIFS
 Lotus is the most widely used Kantha
motive.
 Sceneries ( Day to day life scenes from
Ramayana, Mahabharata).
 Scenes of gods like Bull, Peacock,
Temple, Swan, Lion, Elephant, Chariot.
 Ganesha and Saraswati.
 Trees, Human figure, , Animal (Cat),
Spiral, Birds (Palanquins), Fish, Nut,
Mirror comb, Umbrella, Boats, Hukka,
Jewelry etc.
TABLE COVERS
BED SHEETS
CARPETS SARI
SIX TYPES
Baluchari
Brocades
Ikat
Jamdani
Patola
Pochampally
TRADITIONAL
WOVEN
BALUCHARI OF WEST BENGAL
 It belongs to Murshidabad.
 Baluchar refers to the traditional weaving of silk
saris with floral or geometrical silk brocaded
designs on it.
 Silk saris known as ‘Baluchar Buttedar’
 Motifs:-Stylized trees, Woman smoking hookah,
Mango Man riding on horse, Swan. etc.
 Colors:-Dark red and Blue.
 Fabrics:-Silk.
SAREES
BROCADES OF UTTAR
PRADESH
 It belongs to Varanasi.
 In brocade warp and weft are used in
different colors and sometimes they
are same.
 This is done on handloom.
 Brocade is popular in their heavy
weight.
 Colors:- Bright yellow, Orange, Red, Green, Blue.
 Motifs:-Elephant, Pen, Parrot, Floral, Standing
couple, Mahabharata scenes, Horse & Rider,
Kalash etc.
 Threads:-Gold threads in older time and now days
Metallic threads.
IKAT OF ORISSA
 Its related with tie & die process.
 Normally warp or weft yarn is dyed with
tie & die process and other one is plain.
 Motifs:-Birds, Fish, Flowers, Animals,
Shank, Seep etc.
 Colors:- Red & Black.
JAMDADI OF BENGAL
In 19th century the Dacca muslins
with the woven-in pattern are
known as Jamdani.
Typical designs of flowers or
figures used by the Dacca weavers
are known as Jamdani pattern.
PATOLA OF
GUJRAT
 Patola is a Gujarati work done on loom.
 Other name is DOUBLE IKAT SARI.
 Patola is mostly in use as a wedding sari in
Gujrat.
 Motifs:- Jewel , Elephant, Dancing woman,
Bird and Pen.
 Colors:-Bright red, Orange, Green, Navy
blue, Violet, Off white.
 Weave:-Plain weave is used on this.
POCHAMPALLY OF
ANDHRA PRADESH
 The village known as Pochampally, which
is 30 miles away from Hyderabad city.
 It is done by tie & die process.
 Threads:- Golden and silver threads used.
 Colors:- Dark blue , Dark green , Maroon,
Violet , Magenta, and Peacock.
 Motifs:- Plain very wide border pallu ,
Geometrical.
SAREES
BED SHEETS
Payal Singhal’s designs (Combination of
bright shades with dull colors )
CHANDERI
 ‘Chanderi’ is a town in Ashoknagar District
in the state of Madhya Pradesh. Chanderi
weave is available in cotton as well as silk.
 The Chanderi fabrics are known for their
sheer texture, light weight and a glossy
transparency.
 Sarees, dupattas and stoles are available in
all possible colors with zari border in motifs
like lotus flower, trees, butis, leaves &
peacock.
 Renowned designers like Ashima-Leena &
Ritu Kumar have used Chanderi in their
works.
Chamba Rumal From Himachal
From the early 18th century to the 20th
chamba and its neighboring hill states,
such as kangra and basohli, formed rumal
production.
Material:- Fine khaddar, Silk.
Color: Blue, Green, Red, Yellow, Purple
and Crimson etc.
STITCHES
Double
darning
Stitch
Running
Stitch
Chain
Stitch
Herring
bone Stitch
MOTIFS
RADHA & KRISHNA FROM THE RASA LILA
SCENES OF KRISHNA’S LIFE
MYTHOLOGICAL EPISODES
Wall Paper Caps Room Partition
Cushion CoverBed SheetRumal

Traditional textiles

  • 1.
    USE OF TRADITIONAL TEXTILES ININDIA Compiled and Edited By Ajita Gupta Research Scholar Dayalbagh Educational Institute
  • 2.
    SINDHI OF GUJRAT Sindhi is done in Sindhi area of GUJARAT.  Base Fabric :- Cotton of white, Indigo color.  Stitches :- Darning, Chain & Herring bone stitch, Buttonhole Stitch.  Motifs :- Geometric, Border, Eight pointed star pattern , Mirrors, Floral, Peacock, Animals, Birds, Trees etc.
  • 3.
    SOFA COVERS BEDCOVERS TOPI
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
    ABAYA ( ISLAMICWEARS) MODERN DRESSES
  • 9.
    KASIDA OF KASHMIR Akbar who is responsible for introducing a new type of shawl called ‘Doushala’ meaning twin shawls.  The demand for shawls increased during the Mughal times.  By the 18th century they were being exported to Europe.  By the 19th century the shawl industry were declined.
  • 10.
     Threads:- Finesilk, Cotton & Wool.  Colors:- White, Green, Purple, Blue, yellow, Black.  Fabrics:-The base fabric used for embroidery is Pashmina either in its natural color of being to off-white or dyed in dark color of Maroon, Navy blue, Dark green, Peach and orange. Silk –pashmina or pashmina-wool blends are also used.  Stitches :- Chain, Darning, Stem and sometimes a knot stitch called Doori.  Motifs: Nature motif like Parrot, Lotus, Lily, Saffron, Grapes, Cherries, Almonds, Apple etc.
  • 11.
  • 12.
  • 13.
    PHULKARI OF PANJAB Phulkari is the traditional embroidery of Punjab state.  Phulkari is composed of two words ‘phul’ means floral and ‘Kari’ means work.  This Embroidery is the symbol of happiness, prosperity. At time of marriage ceremony, it plays an important role.
  • 14.
     Fabrics :-Khaddar cloth (coarse, loose weave cotton fabric).  Fabric Colors:- Red & its shades, other colors are brown, blue , black, white.  Threads:-Dyed untwisted silk threads called ‘pat’ are used. Sometimes black and white cotton threads called ‘bandi’ are used.  Thread Colors:- Red, Orange, Green, White, Golden Yellow, Blue.  Stitches:- Darning stitch & Sometimes Running, Herringbone, Buttonhole, Stem and Chain stitch.
  • 15.
    MOTIFS  Geometrical Motifs. Animal:- Parrot, Pecock, Camel etc. Day to day life motives like :-  Brinjal,  Orange,  Cauliflower,  Pear,  Karela,  Surajmukhi,  Chilli,  Maize.  No Religious subject or Darbar scenes are embroidered.
  • 16.
    Type of shawlswhich a girl used it in ‘fere’ time during marriages.
  • 17.
  • 18.
  • 19.
    KALAMKARI OF ANDGRA PRADESH It refers to a method of painting natural dyes on cotton or silk with pen or kalam.  The name Kalamkari translates as kalam (pen) & kari (work).  It is a hand painting process. Vegetable dyes are used and a fabric is painted with kalam.  Temple were a major inspiration for this design of Kalamkari.  Motifs: Sun, Temple, God and goddess, Tree of life, Elephant, Swan, Tiger, Deer, Scenes from Ramayana, Mahabharata etc.
  • 20.
  • 21.
    DANCE OF GANESHA(WALL HANGING )
  • 22.
  • 23.
    MUDHUBANI OF BIHAR It is one of the best craft work, also known as MITHILA PAINTING.  The painting is usually done on walls during festivals, religious events, family functions.  Motifs :- Religious motifs:- Krishna, Ram, Shiva, Lakshmi, & Saraswati, Natural objects (Sun , Moon, Tulsi) .  Generally, no space is left empty. The gaps are filled by paintings of flowers, animals, birds & geometrical design.  Colors:- Black, yellow, Blue, Red, Green, White, Orange.
  • 24.
  • 25.
    BANDHANI OF RAJASTHAN &GUJRAT  The term Bandhani is derived from the Sanskrit word Banda means ‘to tie’.  Bandhani is also know as Bandhej , Tie dye etc.  Fabric:- Cotton or Silk.  Designs:- Dots, Squares, Waves, Strips.  Colors:- yellow, red , green , black etc.
  • 26.
  • 27.
    CHIKANKARI OF UTTAR PRADESH Chikankari has been derived from a Persian word ‘Chakin’ or ‘Chakeen’ which means creating delicate patterns on a fabric.  In India Chikankari is done in Lucknow, Rampur, Varanasi, Allahabad and Delhi.  Now, it is called Lucknow and also called White work.
  • 28.
     Base Fabrics:-Traditionally very fine cotton was used, generally white in color, other fabrics like Organdy, Chiffon, Viscose, Georgette, Polyester georgette, and net are also used.  Colors:- Pink, blue, peach, Pista-green.  Black is also used as the background color these days.
  • 29.
    THREADS :-  Inold time WHITE UNTWISTED COTTON Or Sometimes TWISTED SILK Thread.  But now colored threads of cotton & silk are used. STITCHES USED- Button Hole, Herringbone, French Knot, Back Stitch, Stem and Satin Stitch are mostly used.
  • 30.
  • 31.
    CUSHION & PILLOWCOVERS TABLE COVER
  • 32.
  • 33.
  • 34.
  • 35.
    KASUTI OF KARNATAKA Kasuti is world famous embroidery of Karnataka State.  The world kasuti can be analyzed as “kai” meaning hand and “suti” meaning cotton thread.  Other centers of production are Bilaspur, Dharwar, Belgam and Jamakandi districts.
  • 36.
     Colors :-Red, Orange.  Threads:- Cotton, Anchor, Kohinoor.  Stitches :- Vertical, Horizontal and Diagonal.  Kasuti is done always by counting the thread.  Motifs: Lotus, Rath, Palki with bride, Guj Laxmi, Birds, Animals, and Tree of Tulsi.  Technique :- The pattern to be embroidered is first marked with charcoal or pencil and then proper needles and thread are selected.
  • 37.
  • 38.
    SARI & BLOUSEPATTERNS
  • 39.
  • 40.
    KANTHA OF BENGAL The traditional flok art of bengal is famous as Kantha.  The first time the kantha were commercially manufactured in 1875 in PATNA.  Kantha are produced at Huguli, Patna, Jessore, Faridpur, Khulan & other parts of East &West Bengal.  Base Fabrics :- White cotton, Silk.  Colors of Base Fabric :- White, Grey, Black.  Stitches:- Running, Stem & Satin, Darning stitch.  Threads:- White cotton, & Silk.  Colors of Thread:- Black, Blue, Green, Yellow.
  • 41.
    MOTIFS  Lotus isthe most widely used Kantha motive.  Sceneries ( Day to day life scenes from Ramayana, Mahabharata).  Scenes of gods like Bull, Peacock, Temple, Swan, Lion, Elephant, Chariot.  Ganesha and Saraswati.  Trees, Human figure, , Animal (Cat), Spiral, Birds (Palanquins), Fish, Nut, Mirror comb, Umbrella, Boats, Hukka, Jewelry etc.
  • 42.
  • 43.
  • 44.
  • 45.
    BALUCHARI OF WESTBENGAL  It belongs to Murshidabad.  Baluchar refers to the traditional weaving of silk saris with floral or geometrical silk brocaded designs on it.  Silk saris known as ‘Baluchar Buttedar’  Motifs:-Stylized trees, Woman smoking hookah, Mango Man riding on horse, Swan. etc.  Colors:-Dark red and Blue.  Fabrics:-Silk. SAREES
  • 46.
    BROCADES OF UTTAR PRADESH It belongs to Varanasi.  In brocade warp and weft are used in different colors and sometimes they are same.  This is done on handloom.  Brocade is popular in their heavy weight.
  • 47.
     Colors:- Brightyellow, Orange, Red, Green, Blue.  Motifs:-Elephant, Pen, Parrot, Floral, Standing couple, Mahabharata scenes, Horse & Rider, Kalash etc.  Threads:-Gold threads in older time and now days Metallic threads.
  • 48.
    IKAT OF ORISSA Its related with tie & die process.  Normally warp or weft yarn is dyed with tie & die process and other one is plain.  Motifs:-Birds, Fish, Flowers, Animals, Shank, Seep etc.  Colors:- Red & Black.
  • 49.
    JAMDADI OF BENGAL In19th century the Dacca muslins with the woven-in pattern are known as Jamdani. Typical designs of flowers or figures used by the Dacca weavers are known as Jamdani pattern.
  • 50.
    PATOLA OF GUJRAT  Patolais a Gujarati work done on loom.  Other name is DOUBLE IKAT SARI.  Patola is mostly in use as a wedding sari in Gujrat.  Motifs:- Jewel , Elephant, Dancing woman, Bird and Pen.  Colors:-Bright red, Orange, Green, Navy blue, Violet, Off white.  Weave:-Plain weave is used on this.
  • 51.
    POCHAMPALLY OF ANDHRA PRADESH The village known as Pochampally, which is 30 miles away from Hyderabad city.  It is done by tie & die process.  Threads:- Golden and silver threads used.  Colors:- Dark blue , Dark green , Maroon, Violet , Magenta, and Peacock.  Motifs:- Plain very wide border pallu , Geometrical.
  • 52.
  • 53.
    Payal Singhal’s designs(Combination of bright shades with dull colors )
  • 54.
    CHANDERI  ‘Chanderi’ isa town in Ashoknagar District in the state of Madhya Pradesh. Chanderi weave is available in cotton as well as silk.  The Chanderi fabrics are known for their sheer texture, light weight and a glossy transparency.  Sarees, dupattas and stoles are available in all possible colors with zari border in motifs like lotus flower, trees, butis, leaves & peacock.
  • 55.
     Renowned designerslike Ashima-Leena & Ritu Kumar have used Chanderi in their works.
  • 56.
    Chamba Rumal FromHimachal From the early 18th century to the 20th chamba and its neighboring hill states, such as kangra and basohli, formed rumal production. Material:- Fine khaddar, Silk. Color: Blue, Green, Red, Yellow, Purple and Crimson etc.
  • 57.
    STITCHES Double darning Stitch Running Stitch Chain Stitch Herring bone Stitch MOTIFS RADHA &KRISHNA FROM THE RASA LILA SCENES OF KRISHNA’S LIFE MYTHOLOGICAL EPISODES
  • 58.
    Wall Paper CapsRoom Partition Cushion CoverBed SheetRumal